SKU: HL.49007910

Werke der Jahre 1984-1993. Composed by Peter Petersen. This edition: Hardback/Hard Cover. Book. Edition Schott. Dieses Buch hat sich zum Ziel gesetzt, Einblicke in die Werkstatt des Komponisten zu vermitteln. Classical. 305 pages. Schott Music #ED 8313. Published by Schott Music (HL.49007910).

ISBN 9783795718947. German.

Die Musik Henzes ist aus der Geistes- und Kulturgeschichte im Europa der Nachkriegszeit nicht wegzudenken. Es ware zu wunschen, dass die Musikwissenschaft sich mehr als bisher diesem grossen Werk zuwendet. Das Buch kann hierzu nur einen kleinen Beitrag leisten.Diese Arbeit hat sich zum Ziel gesetzt, Einblicke in die Werkstatt des Komponisten zu vermitteln. Einen ganz konkreten Einblick - in das Komponierzimmer namlich - hatte der Autor im April 1993, als Henze ihm uber drei Tage fur Gesprache und Fragen in seinem Haus in Marino bei Rom zur Verfugung stand.

(BR)

SKU: HL.49000700

Annales Hindemith 1986. Composed by Paul Hindemith. Edited by Frankfurt Hindemith-Institut and Main. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 188 pages. Schott Music #BN 107-40. Published by Schott Music (HL.49000700).

ISBN 9783795701079. German - English.

Seit 1971 erscheint das Hindemith-Jahrbuch / Annales Hindemith. Es gehort zu den wenigen Schriftenreihen, die einem Komponisten des 20. Jahrhunderts gewidmet sind. Mit Beitragen zu Leben und Werk des Komponisten sowie der Bereitstellung von dokumentarischem Material aus dem Nachlass bietet diese Reihe die Grundlage fur die wissenschaftliche Beschaftigung mit dem Komponisten. Herausgeber ist das Hindemith Institut Frankfurt im Auftrag der Fondation Hindemith.

For Organ. (Organ). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.

Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay Publications, Inc (MB.99783).

Viola and Piano

SKU: BT.EMBZ627

Composed by Gyula David. Book Only. Composed 1952. 52 pages. Editio Musica Budapest #EMBZ627. Published by Editio Musica Budapest (BT.EMBZ627).

Gyula Dávid (1913-1977) was one of the most important members of the generation of Hungarian composers who followed Bartók and Kodály. His ?uvre includes stage, orchestral, oratorial, chamber, and solo instrumental works. Although he rarely quoted folk material directly in his music, folksong, popular music and the spirit of the Hungarian musical tradition permeates his works. In the last two decades of his life he wrote atonal and twelve-tone compositions. With his Wind Quintet (composed 1949) he created a genre which plays an important role in the new Hungarian music. Gyula Dávid studied composition with Albert Siklós and Zoltán Kodály at the Academy of Music in Budapest,graduating in 1938. Between 1938 and 1945 he worked in several orchestras as viola player. From 1945 to 1949 he was conductor at Hungarian National Theatre, than he became leader of the Ensemble of the Hungarian Army. From 1961 to his retirement he was professor at the Teacher Training Faculty of the Academy of Music in Budapest. Between 1951 and 1960 he taught wind chamber music, music theory and wind orchestration at the Academy of Music. He was one of the founders of the Hungarian Artists' Union. He was awarded the Erkel Prize (1952, 1955) and the Kossuth Prize (1957).

(1988)

SKU: HL.49008420

Edited by Staatliches Institut fuer Musikforschung Preussischer Kulturbesitz. This edition: Full-cloth binding. Book. Edition Schott. Classical. 705 pages. Schott Music #ED 9454. Published by Schott Music (HL.49008420).

ISBN 9783795714888. German.

Die BMS wurde im Jahre 1936 vom Staatlichen Institut fur deutsche Musikforschung in Berlin begrundet mit dem Ziel, die in aller Welt erscheinende Literatur uber Musik fortlaufend zu verzeichnen; sie setzte damit die bibliographischen Ubersichten des Jahrbuches der Musikbibliothek Peters fort. Die BMS wurde zunachst von Kurt Taut, dann von Georg Karstadt herausgegeben und bei Friedrich Hofmeister in Leipzig verlegt (Leipzig: Hofmeister, 1936-1941 [Bande 1.1936 bis 4.1939]). Nach einer Berichtszeit von vier Jahren musste die BMS ihr Erscheinen kriegsbedingt einstellen. Die Wiederaufnahme des bibliographischen Unternehmens nach dem Weltkrieg ist dem Musikwissenschaftler und Bibliothekar Wolfgang Schmieder zu verdanken. Im Auftrag des neu konstituierten Instituts fur Musikforschung brachte er im Jahr 1954 einen ersten neuen Band mit dem Berichtszeitraum 1950/51 heraus. Seitdem wird das Werk kontinuierlich als eigenstandige Publikation des Staatlichen Instituts fur Musikforschung fortgesetzt. Als letzter Band in Printform erschien 2001 der Band fur das Jahr 1988 (Frankfurt am Main: Hofmeister, 1954-1968 [Bande 1.1950/51 bis 6.1960], Mainz: Schott, 1969-2001 [Bande 1961 bis 1988, ohne Zahlung]). Seit 1968 arbeitet die bibliographische Redaktion des Instituts auch als deutsche Redaktion fur RILM Abstracts of Music Literature. Heute findet sich die Bibliographie des Musikschrifttums online unter musikbibliographie.de wieder.

Piano - Grade 1

SKU: BT.RSK200090

Rockschool Piano 2019. Exam Material. Book Only. Composed 2019. Rockschool #RSK200090. Published by Rockschool (BT.RSK200090).

ISBN 9781789360462. English.

The essential syllabus for the aspiring, contemporary pianist. Piano Grade 1 will provide you with everything you need for your Grade 1 exam, including a diverse range of repertoire, a truly innovative range of supporting tests and a vast array of professionally recorded backing tracks and audio examples.

Orchestra and Cobla

SKU: BO.B.3260

Composed by Josep Ma Ruera. Instrumental Sets. Duration 40:52. Published by Editorial de Musica Boileau (BO.B.3260).

ISBN 9788480207584.

Engl ish comments:
Empuries is the result of the interest Ruera showed throughout his life for the culture and music of ancient Greece. As he himself writes in the introduction to the composition: The motives behind this work were inspired by contemplating and analysing the melos of ancient Greece. The few melodies that have been discovered from those far-off times inspired the composer of Empuries to create this work, conceived with the Greek modal system in mind, and adapted to modern instruments and tastes. The tetrachord and pentachords of these forms are the very bases of this work. The descending drift of the cadence, the harmonic priority of the upper and lower notes of the tetrachords and the displacement of these chords to different acoustic levels, make it impossible to specify the classic concept of a set tonality which, within the improvised musical working of the piece, leads to a naturally intertonal or atonal piece of music. Empuries came to light in 1971, when it won group A of the Ciutat de Barcelona prize. But one must, in fact, go back to the 1930s to find its true origins. Ruera made his first foray into the theme of ancient Greece with the sardana, Empuries, la grega, with which he won first prize in the Jocs Florals in Girona, in 1931. Shortly afterwards, he wrote a piece of organ music entitled Bucolics, in the Greek modal style, which was destroyed during the Spanish civil war. Ruera continued to work on the theme and in 1936 he presented his work Tres moviments simfonics, for a big band, inspired by the ancient Greek modes, at the XIV International Festival of the ISCM held in Barcelona. The work was chosen to debut in the festival's opening concert on 19 April 1936 at Palacio de Bellas Artes in Barcelona. In 1959, Ruera won the Pau Casals Prize at the Jocs Florals de la Llengua Catalana, held at the Sorbonne in Paris, for his work, Empuries: poema per a cobla i orquestra, which would later become the fourth movement of Empuries. Nine years later, in 1968, Barcelona City Orchestra, conducted by Antoni Ros Marba, gave the first ever performance of the symphonic poem Pastoral, written to be the first movement of Empuries, in Granollers. The final step was when he finally completed the work, won the Ciutat de Barcelona prize, opened in Granollers on 2 May 1976 and recorded it for the Columbia de Barcelona label in 1977. Anna Maria Piera

Comentario s del Espanol:
La obra Empuries es fruto del interes que el maestro Ruera demostro a lo largo de su vida por la cultura y la musica de la antigua Grecia. Como el mismo escribe en la cabecera de la composicion: Los motivos generadores de esta obra estan inspirados en la contemplacion y en el analisis del melos de la antigua Grecia. Las pocas melodias que hasta el momento se han podido descubrir de aquellos tiempos remotos sugieren al autor de Empuries la realizacion de esta obra, concebida pensando en el sistema modal griego, adaptado a los instrumentos y gustos modernos. Los tetracordes y pentacordes de dichas modalidades son las celulas en las que se basa la obra. El sentido descendiente de la cadencia, la prioridad armonica de la notas extremas de los tetracordes y el desplazamiento de estos acordes a varias alturas acusticas, hacen que no sea posible precisar el clasico concepto de una tonalidad determinada y que lleven, dentro del funcionamiento contrapuntistico, a una musica naturalmente intertonal o atonal. Empuries vio la luz en el ano 1971, ganando el Premio Ciutat de Barcelona, grupo A, pero en realidad tenemos que retroceder hasta los anos 30 para encontrar sus verdaderos origenes. La primera incursion en el tema de la antigua Gracia la hizo con la sardana Empuries, la grega, con la que gano el primer premio en los Jocs Florals de Gerona del ano 1931. Poco despues escribio una pieza para organo titulada Bucolics, en el estilo modal griego, que fue destruida durante la Guerra Civil espanola. Ruera continuo trabajando en el tema y en el ano 1936 presento su obra Tres moviments simfonics, en version para gran banda, inspirada en las antiguas modalidades griegas, en el XIV Festival Internacional de la SIMC que se celebro en Barcelona. La obra fue escogida para ser estrenada en el concierto inaugural de dicho festival, el 19 de abril de 1936, en el Palacio de Bellas Artes de Barcelona. En el 1959, Ruera gano el Premio Pau Casals en los Jocs Florals de la Llengua Catalana celebrados en la Sorbona de Paris con la obra Empuries: poema per a cobla i orquestra, que sera con el paso del tiempo el cuarto movimiento de Empuries. Nueve anos mas tarde, en 1968, la Orquestra Ciutat de Barcelona, bajo la direccion de Antoni Ros Marba, interpreto en Granollers la primera audicion del poema sinfonico Pastoral, pensado como primer movimiento de Empuries. El ultimo eslabon fue terminar definitivamente la obra, ganar el Premio Ciutat de Barcelona, estrenarla en Granollers el 2 de mayo de 1976 y grabarla para la casa discografica Columbia de Barcelona, en 1977.

Sudzan, N., ed, Tanets / O. Taktakishvili, 1924-, Prostaia inventsiia / R. Gabichvadze, 1913-, Preliudiia / N. Gudiashvili, 1913-, Karavan / A. Machavariani, 1913-, Prialka / T. Shaverzashvili, 1891-1955, Liricheskaia / G. Kokeladze, 1904-, Inventsiia no. 11 / R. Gabichvadze, 1913-, Preliudiia / A. Balanchivadze, 1906-, Skertso iz sonatiny no. 3 / V. Kurtidi, 1909-, Preliudiia / D. Chkheidze, 1927-, Razvaliny khrama : preliudiia / N. Mamisashvili,, 1930-, Skertso / V. Tsagareishvili, 1901-, Preliudiia / E. Eksanishvili, 1919-, Posviashchenie / N. Gabuniia, 1933-, Ekspromt / A. Machavariani, 1913-, piano, Prosypalova, L., ed

By Various. Edited by Mirjam Nastasi. For Flute. The Solo Flute Volume 4: 1900 to 1960. Modern

(BR)

SKU: HL.49000779

Annales Hindemith 1977. Composed by Paul Hindemith. Edited by Frankfurt Hindemith-Institut and Main. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 192 pages. Schott Music #BN 91-40. Published by Schott Music (HL.49000779).

ISBN 9783795700911. German - English.

Seit 1971 erscheint das Hindemith-Jahrbuch / Annales Hindemith. Es gehort zu den wenigen Schriftenreihen, die einem Komponisten des 20. Jahrhunderts gewidmet sind. Mit Beitragen zu Leben und Werk des Komponisten sowie der Bereitstellung von dokumentarischem Material aus dem Nachlass bietet diese Reihe die Grundlage fur die wissenschaftliche Beschaftigung mit dem Komponisten. Herausgeber ist das Hindemith Institut Frankfurt im Auftrag der Fondation Hindemith.

Sonatas for Harpsichord. By Domenico Scarlatti. Arranged by Emilia Fadini. Piano Collection. Size 9x12 inches. 284 pages. Published by Ricordi.

(Conversations with Sir David Willcocks and Friends). By William Owen. Reference Material. Other Book. Book and CD. 304 pages

Arranged by Herbert Murrill (1909-1952), composed by William Walton (1902-1983). Single piece for organ solo. C Major. 18 pages. Published by Oxford University Press.

(BR)

SKU: HL.49000707

Annales Hindemith 1990. Composed by Paul Hindemith. Edited by Frankfurt Hindemith-Institut and Main. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 138 pages. Schott Music #BN 130-90. Published by Schott Music (HL.49000707).

ISBN 9783795701307. German - English.

Seit 1971 erscheint das Hindemith-Jahrbuch / Annales Hindemith. Es gehort zu den wenigen Schriftenreihen, die einem Komponisten des 20. Jahrhunderts gewidmet sind. Mit Beitragen zu Leben und Werk des Komponisten sowie der Bereitstellung von dokumentarischem Material aus dem Nachlass bietet diese Reihe die Grundlage fur die wissenschaftliche Beschaftigung mit dem Komponisten. Herausgeber ist das Hindemith Institut Frankfurt im Auftrag der Fondation Hindemith.

Voice(s)

SKU: GH.AIR-2299

Gehrmans Musikforlag #AIR 2299. Published by Gehrmans Musikforlag (GH.AIR-2299).

50 latar fran Adolphson-Falks skivor Adolphson-Falk 81-87 (1988), Med rymden i blodet (1982), Over tid och rum (1984), Adolphson-Falks julsingel (1984), I nattens lugn (1986), Det svara valet (1987), Vand dig om (1990), Indigo (1990) och Samling (1996). Melodi, text och ackordanalys.

(Transcription of Three Suites for Cello). Composed by Benjamin Britten (1913-1976). For Viola Alone. Masterworks; Part(s); Solo; String - Viola Alone. Faber Edition. Form: Transcription. 20th Century; Masterwork. Published by Faber Music

Violin, viola, violoncello, piano

SKU: FG.55011-755-6

Composed by Helvi Leiviskä. Classical, contemporary. Score & parts. Fennica Gehrman #55011-755-6. Published by Fennica Gehrman (FG.55011-755-6).

ISBN 9790550117556.

Finn ish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth.


Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles.

Leiviskà¤'s Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts.

Duration: c. 25'. Have a look inside by clicking sample.

By Ernest S. Williams. Arranged by Mark Fonder. For concert band. Grade 5. Score and parts. Duration 2 minutes, 22 seconds. Published by TRN Music Publisher

Etudes, Children's Corner, Images Book II, And Other Works For Piano by Claude Debussy (1862-1918). For solo piano. Piano Collection. Dover Edition. Impressionistic. Collection. Standard notation, fingerings and introductory text (does not include words to the songs). 176 pages. Published by Dover Publications

(BR)

SKU: HL.49000777

Annales Hindemith 1973. Composed by Paul Hindemith. Edited by Frankfurt Hindemith-Institut and Main. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 196 pages. Schott Music #BN 88-40. Published by Schott Music (HL.49000777).

ISBN 9783795700881. German - English - French.

Seit 1971 erscheint das Hindemith-Jahrbuch / Annales Hindemith. Es gehort zu den wenigen Schriftenreihen, die einem Komponisten des 20. Jahrhunderts gewidmet sind. Mit Beitragen zu Leben und Werk des Komponisten sowie der Bereitstellung von dokumentarischem Material aus dem Nachlass bietet diese Reihe die Grundlage fur die wissenschaftliche Beschaftigung mit dem Komponisten. Herausgeber ist das Hindemith Institut Frankfurt im Auftrag der Fondation Hindemith.

Composed by Charles Marie Widor (1844-1937). Edited by Daniel Mitterdorfer and Harold Fabrikant. Classical. Score. Crescendo Music Publications #9790-902257060. Published by Crescendo Music Publications

Clarinet, Percussion, Harp, Piano, String Instruments (Score)

SKU: HL.14019651

Composed by Witold Lutoslawski. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 52 pages. Chester Music #CH55933. Published by Chester Music (HL.14019651).

ISBN 9780711975125. UPC: 888680020163. 7.0x10.25x0.179 inches.

The original version of this work, for Clarinet and Piano, was written in 1954 in response to a commission from the publishers, Polskie Wydawnictwo Muzyczne, for an easy work for student performers. The five movements are based on folk songs from Northern Poland. The first performance of this version was given at the 1963 Aldeburgh Festival by Gervase de Peyer and the English Chamber Orchestra, conducted by Benjamin Britten.

A selection of 20th-century song literature. Composed by Georg Reutter, Gustav Mahler (1860-1911), Claude Debussy (1862-1918), Richard Strauss (1864-1949), Hans Pfitzner (1869-1949), Arnold Schoenberg (1874-1951), Igor Stravinsky (1882-1971), Anton Webern (1883-1945), Alban Berg (1885-1935), Othmar Schoeck (1886-1957), Paul Hindemith (1895-1963), and Luigi Dallapiccola (1904-1975). Edited by Hermann Reutter. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 60 pages. Schott Music #ED 5745. Published by Schott Music

Composed by Hubert Parry, Johann, Johann Pachelbel (1653-1706), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Frederic Chopin (1810-1849), Georges Bizet (1838-1875), Antonin Dvorak (1841-1904), Edvard Grieg (1843-1907), Edward Elgar (1857-1934), Claude Debussy (1862-1918), Erik Satie (1866-1925), Ralph Vaughan Williams (1872-1958), Maurice Ravel (1875-1937), and George Frideric Handel (1685- 1759). Collections; Masterworks; Piano Collection; Piano Supplemental. The Piano Player Series. Classical; Masterwork Arrangement. Book. Faber Music #12-057154200X. Published by Faber Music