Percussion for One Player

SKU: HL.48014637

Composed by Martin Christoph Redel. Boosey & Hawkes Chamber Music. Classical. Bote & Bock #M202513644. Published by Bote & Bock (HL.48014637).

UPC: 073999631326.

Percu ssion (1 player).

Percussion Ensemble (Percussion Parts)

SKU: HL.48014655

Composed by Theo Brandmuller. Boosey & Hawkes Chamber Music. Bote & Bock #M202513897. Published by Bote & Bock (HL.48014655).

UPC: 073999981056.

Percu ssion (1 player).

Leopard Percussion. Performed by Santana. By Tito Puente. Arranged by Rick Mattingly, Diane Downs. (Percussion). Leopard Percussion Ensemble. BOOK W/CD. Size 9x12 inches. Published by Hal Leonard.

By Arturo Rodriguez. For Percussion. Method. Interact & Learn. Latin American. Level: Beginning-Intermediate. Book/CD Set. Size 9x11.75. 152 pages. Published by Mel Bay Publications, Inc.

By Saul Goodman. Percussion - Ensemble. Percussion Performance Series. Level: Intermediate (grade 4). 10 pages. Published by Alfred Publishing.

Percussion Ensemble (Percussion Parts)

SKU: HL.48015190

Composed by Erwin Koch-Raphael. Boosey & Hawkes Chamber Music. Bote & Bock #M202520864. Published by Bote & Bock (HL.48015190).

UPC: 073999198188.

Percu ssion (1 player).

(Sea of Tranquility). By Mark Berry. Arranged by Mark Berry. Concert percussion solos. For percussion solo (C-lead steel drum, crotales (1 octave), digital delay, and pedal operated digital pitch shifter). This edition: Steel drum solo. Concert Percussion Solos. Mare Tranquillitatis (Sea of Tranquility) is a progressively written soundscape from the mind of steelpan virtuoso Mark Berry (Western Kentucky University). The title refers to a large basin on the northern hemisphere of the moon (one of the nineteen majo. Difficult. 16 pages. Duration 10:30. Published by Tapspace Publications

Percussion solo

SKU: BR.EB-9405

Composed by Nicolaus A. Huber. Solo instruments; Folder. Edition Breitkopf. World premiere: Witten (Wittener Tage fur neue Kammermusik), April 22, 1978. Music post-1945; New music (post-2000). Score. Composed 1978. 16 pages. Duration 15'. Breitkopf and Haertel #EB 9405. Published by Breitkopf and Haertel (BR.EB-9405).

ISBN 9790004188798. 16.5 x 11.5 inches.

My composition for snare drum forms a counter piece to my series of rhythmic pieces (Darabukka for piano or Morgenlied for large orchestra). The dramatic moment - tuned instruments are treated like rhythm instruments - disappear entirely. The inner contrast is replaced by the tension between the different uses of the drum and a relatively large number of invariable performance elements. Although the snare drum was only developed at the beginning of the 19th century, it has its roots in an old and diverse drum culture. The technical aspects of this composition are based on various aspects of this rich culture, both the social customs as well as the variety of different performing techniques and expressions. However, the piece does not merely quote - that would be unhistorical - on the contrary: The modern and progressive, in so far as I can observe this in our social environment, is quite evident, for as the title of the piece tells us the same is not the same. (Nicolaus A. Huber, 1978 - translation: Gabriele Hohmann) CDs: Rainer Romer (percussion) CD Ensemble Modern Medien EMCD-012 Rainer Romer (percussion) CD Coviello COV 61003 LPs: Edith Salmen LP Harmonia Mundi DMR 1022-24 Martin Schulz LP plane 88504 Bibliography: Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, here p. 102.

World premiere: Witten (Wittener Tage fur neue Kammermusik), April 22, 1978.

Transcriptions and Etudes of 10 Great Latin Percussion Artists. Composed by Michael Spiro and Michael Coletti. Method book (spiral-bound) and online audio. 127 pages. Published by Sher Music Company (SR.LOTM).

Leopard Percussion. Performed by Louisville Leopard Percussionists. By Jimmy DeKnight, Max C. Freedman. Arranged by Rick Mattingly, Diane Downs. (Percussion). Leopard Percussion Ensemble. BOOK W/CD. Size 9x12 inches. Published by Hal Leonard.

(4 Ensembles for 6 Players). By Harold Farberman. Percussion - Ensemble. Percussion Performance Series. Level: Elementary Plus (grade II). 44 pages. Published by Alfred Publishing.

(Complete Timpani/Percussion Parts to 90 Orchestral Masterworks on CD-ROM) For timpani and percussion. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.

Performed by Anthony J. Cirone. By Anthony J. Cirone. Edited by Ray Brych. Percussion. Level: advanced. 60 pages. Published by Alfred Publishing.

Percussion Ensemble (Percussion Parts)

SKU: HL.48015154

Composed by Annette Schluenz. Boosey & Hawkes Chamber Music. Bote & Bock #M202520475. Published by Bote & Bock (HL.48015154).

UPC: 073999151541.

Percu ssion (1 player).

By Sandy Feldstein. Percussion - Ensemble. Percussion Ensemble Series. Level: Elementary (grade I). 32 pages. Published by Alfred Publishing.

Leopard Percussion. Performed by Duke Ellington. By Duke Ellington. Arranged by Rick Mattingly, Diane Downs. (Percussion). Leopard Percussion Ensemble. BOOK W/CD. Size 9x12 inches. Published by Hal Leonard.

Percussion solo

SKU: BR.EB-9380

Seismic Construction in 3 Parts. Composed by Johannes Maria Staud. Solo instruments; stapled. Edition Breitkopf. World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet. New music (post-2000); Music post-1945. Score. Composed 2019/20. 52 pages. Duration 16'. Breitkopf and Haertel #EB 9380. Published by Breitkopf and Haertel (BR.EB-9380).

ISBN 9790004188507. 10.5 x 14 inches.

,,Trau er nur dem holzernen Freund nicht. Er ist manchmal ein lederner (aus den Beethoven-Konversationshe ften) Dieses Schlagzeugtrio, das in enger Zusammenarbeit mit den Widmungstragern entstanden ist, besteht aus drei Teilen. Es wird durch die schiere Freude am dramaturgisch gebundelten Konstruieren entlang seismischer Bruchlinien gepragt. Die drei Percussion-Spieler wechseln wahrend des Werkes zwischen drei Setups an verschiedenen Spielpositionen - vom Buhnenhintergrund, uber die Mitte der Buhne bis vorne an der Buhnenrampe. Dabei wird jeweils ein anderes Klangmaterial, im ersten Teil (Part I) das Fell, im zweiten Teil (Part II) das Metall und im dritten Teil (Part III) das Holz in den Mittelpunkt gestellt. Part I (5'30'') ist mit drei O-Daikos besetzt, die mit Fingern, Handen, Fausten, Superballs und Holzstaben gespielt werden. Part II (6'00'') ist um drei Glockenspiele, drei Vibraphone und drei Sixxen gruppiert und integriert auch Metallinstrumente wie Chinese Opera Gongs, Mini-Tam-Tams und Metalltonnen, die mit Fussmaschine gespielt werden. In Part III (4'00'') spielen alle drei Musiker mit Rundstaben, Handen und Rohrenglockenhammern das mit sieben massiven Balken aus Eschenholz besetzte baskische Nationalinstrument Txalaparta, das auch seine ganz eigene Geschichte im Widerstand gegen die Franco-Diktatur hat. Reizvoll war fur mich sowohl, dass man zu dritt auf diesem archaischen Instrument wirklich aberwitzig schnelle Rhythmen spielen kann, als auch, dass dieses Instrument auf Konzertpodien klanglich wie optisch noch vollig neu ist - und dies, trotz aller Schlichtheit, bei einem unglaublichen Reichtum an Klangmoglichkeiten. Kleine rhythmische Zellen, die sich immer wieder zu vielfaltigen neuen Texturen - bis zur klanglichen Entfesselung - zusammenballen und eine feine Differenzierung und Dynamisierung der Anschlagsmoglichkeiten bestimmen dieses Werk. Auch, wenn nur Part II durch den Einsatz bestimmter Tonhohen gepragt ist (durch die Verwendung der von Yannis Xenakis erfundenen Sixxen durchaus mikrotonal), so gibt es doch unuberhorbar abschnittsubergreifende Kontinuitaten in Rhythmik und Motivik, die das ganze Werk bestimmen und es dabei wie feine seismische Adern durchziehen. (Johannes Maria Staud, 2020)

World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet.

For Solo Percussion. By Marta Ptaszynska. Solo percussion. For Thai Gongs (Wide Span of Pitches), Almglocken, Wind Chimes (Glass or High Metal), Suspended Cymbals (Chinese and Sizzle), Bamboo Chimes, Bass Drum (Low), Tom-Tom, Cowbell, Cowbell. Premiered on November 10, 1993 at the Percussive Arts Society International Convention in Columbus, Ohio. Classical. Solo part. 6 pages. Published by Theodore Presser Company.

Book 1. Introduction. Composed by Kirk Brundage. Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals; Technique Musicianship. Latin; Multicultural; World. Book. 76 pages. Edition Peters #98- 37059. Published by Edition Peters

By John R Paradowski. For Small Percussion. We Sing the World Round. Sacred. Sacred Anthem

By Hermann Gschwendtner, Hans Jochen Ulrich. (Percussion). Schott. Book only. Size 9x12 inches. 76 pages. Published by Schott.

By Daniel B. Meador, acc. CD by Tyler Smith and Daniel B. Meador. Book; CD; Percussion - Multiple Percussion Solo or Duet. 32 pages. Published by Alfred Music

Timpani and Percussion Parts. By Carl Orff. (Percussion). Schott. Book only. Size 10.5x13 inches. 43 pages. Published by Schott.

By Murray Houllif. For Body Percussion Trio. Body Percussion. Level: Grade 4. Published by Kendor Music Inc.

By John O'Reilly and Mark Williams. For Combined Percussion-S.D., B.D., Access., Timp. & Mallet Percussion. Band Method. Accent on Achievement. Book. 80 pages. Published by Alfred Publishing.

(Arrangements with Recorded Steel Band Accompaniment). Arranged by and compiled by Jeff Moore. For World Percussion. Book; CD; Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals; Play-Along. Multicultural; Pop; World. 12 pages. Published by Alfred Music