| Missa Brevis - Facile De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and
Opt. Choir - Grade 2
SKU:
BT.DHP-1033337-015
Composed by Jacob De
Haan. Musica Sacra. Hymns
& Chorals. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033337-015. Published by
De Haske Publications
(BT.DHP-1033337-015).
9x12
inches. Missa
Brevis, written for
choir and wind band, was
commissioned by the
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(France), in celebration
of the millennium of Pope
Leon IX’sbirth in
Éguisheim (France).
The composer conducted
the first performance on
June 23, 2002. It was
performed live for the
French television channel
France 2. The mass
movements Kyrie,
Gloria, Credo, Sanctus,
Benedictus, and
Agnus Deiare very
suitable for the Catholic
as well as the Protestant
liturgy. For this mass,
various ways for
performing in diverse
variable strengths are
possible. An instrumental
performance is possible
if the brass represents
the choir parts. In
thisoption, it is
desirable for the brass
to be positioned
separately from the rest
of the band (on a
gallery, for example), so
that the idea of two
choirs is approached. In
a performance with a
large choir, the brass
can work very well as a
support. Inthat case, the
dynamics of the brass
should be adapted
somewhat, since these are
actually intended for an
instrumental performance.
You can also leave out
the brass entirely for
the benefit of the choir.
For the accompaniment of
smaller choirs, youcan
opt for a small ensemble
from the band. This can
also be a quartet, put
together as desired. For
the performance of this
mass, the obvious choice
is one of the above
options. However, as an
alternative, a
performance with a
combination of
theseoptions
(vocally/instrumentally)
is also possible not just
from an artistic point of
view (variation), but
also from a practical
starting point for
example in the case that
the choir has rehearsed
only two movements. With
a full strength,
theconductor can vary the
instrumentation to his or
her liking. Then the
brass can also play a
role in the accompaniment
(instead of supporting
the choir). The following
combinations are
possible: 1. clarinet
choir (from Eb Clarinet
to BassClarinet) 2.
clarinet choir +
saxophones 3. brass
(flugelhorns, horns,
euphoniums, bass
section) 4. brass (2
trumpets / 2
trombones) 5. double
reeds (optional + flute,
optional + string
bass) 6. tutti 7.
all winds 8.
allbrass In a
performance by brass band
and choir, it is usually
advisable to leave out
option 1 (choir + brass +
band). The choir sings
self-reliantly,
accompanied by a full
brass band. In an
instrumental performance,
you can consider a
combinedquartet (two
cornets and two
trombones) + brass
band. Choral parts
available
separately.
Mis
sa Brevis, geschreven
voor koor en blaasorkest,
werd gecomponeerd in
opdracht van de Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (dir.
Philippe Pfisterer) in
Guebwiller (Frankrijk),
ter gelegenheid van het
duizendstegeboortejaar
van paus Leo IX. In zijn
geboorteplaats,
Éguisheim (Elzas,
Frankrijk), vond op 23
juni 2002 de première
van deze mis plaats onder
leiding van de componist.
Het betrof een
live-registratie voor de
Franse televisiezender
France 2. Demisdelen
Kyrie, Gloria, Credo,
Sanctus, Benedictus
en Agnus Dei
lenen zich uitstekend
voor zowel de katholieke
als de protestantse
liturgie. Er zijn voor
deze mis diverse
uitvoeringsmogelijkheden
mogelijk, aangezien er
sprake is van
eenvariabele bezetting.
Een instrumentale
uitvoering behoort
uitdrukkelijk tot de
mogelijkheden, indien het
scherp koper de
koorpartijen
vertegenwoordigt. In deze
optie is het wenselijk
dat het scherp koper zich
separaat opstelt van de
rest van hetorkest
(bijvoorbeeld op een
galerij), zodat het idee
van dubbelkorigheid wordt
benaderd. Bij een
uitvoering voor groot
koor werkt het scherp
koper zeer goed als
ondersteuning. In dat
geval kan de dynamiek van
het koper iets worden
aangepast,aangezien deze
in eerste instantie
bedoeld is voor een
instrumentale versie. Ook
kan men ervoor kiezen het
scherp koper helemaal weg
te laten ten gunste van
het koor. Bij begeleiding
van kleinere koren kan
men kiezen voor een klein
ensemble uit hetorkest.
Dit kan ook een naar wens
samengesteld kwartet
zijn. Voor de uitvoering
van deze mis ligt het
voor de hand een van deze
opties te kiezen. Als
alternatief is echter ook
een uitvoering mogelijk
met een combinatie van
deze opties
(vocaal/instrumentaal)
niet slechts vanuit een
artistiek motief
(afwisseling), maar ook
vanuit een praktisch
motief, voor het geval
dat het koor bijvoorbeeld
slechts twee delen heeft
ingestudeerd. Bij een
volledige bezetting kan
de dirigent
deinstrumentatie naar
believen afwisselen.
Hierbij kan ook het
scherp koper in de
begeleiding een rol
krijgen (in plaats van
ondersteuning van het
koor). Zo zijn de
volgende combinaties
mogelijk: 1.
clarinet choir (van
Es-klarinet tot
basklarinet) 2.
clarinet choir +
saxofoons 3. zacht
koper (bugels, hoorns,
euphoniums, bassen)
4. scherp koper (2
trompetten / 2
trombones) 5.
dubbelrieten (eventueel +
fluit, eventueel +
contrabas) 6.
tutti 7. alle
hout 8. alle
koper In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones) +
brassband.Koorpartijen
apart
verkrijgbaar.
M
issa Brevis,
geschrieben für Chor
und Blasorchester
entstand im Auftrag des
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(Frankreich),
anlässlich des
tausendjährigen
Jubiläumsder Geburt
von Papst Leo IX in
Éguisheim. Der
Komponist dirigierte die
Uraufführung am 23.
Juni 2002. Sie wurde live
vom französischen
Fernsehen France 2
übertragen. Die
Messesätze Kyrie,
Gloria, Credo, Sanctus,
Benedictus und
Agnus Deieignen
sich ausgezeichnet sowohl
für die katholische
als auch die
protestantische Liturgie.
Diese Messe kann in
diversen variablen
Spielstärken
aufgeführt werden.
Eine
Instrumentalaufführung
ist möglich, wenn das
Blech die Chorstimme
übernimmt.Um der Idee
von zwei Chören in
dieser Variante
möglichst gerecht zu
werden, empfiehlt es
sich, das Blechregister
getrennt vom Rest des
Blasorchesters
aufzustellen
(beispielsweise auf einer
Galerie). In einer
Aufführung mit einem
großen Chor kann
dasBlechregister sehr gut
als Unterstützung
dienen. In diesem Fall
sollten die
Dynamikangaben der
Blechbläser etwas
angepasst werden, da sie
ja eigentlich für eine
Instrumentalaufführung
gedacht sind. Man kann
zugunsten des Chors auch
völlig auf dasBlech
verzichten. Zur
Begleitung kleinerer
Chöre können Sie
ein kleines Ensemble aus
dem Blasorchester
wählen. Dies könnte
auch ein Quartett in
beliebiger
Zusammensetzung sein.
Für die Aufführung
dieser Messe bietet sich
eine der oben
genanntenVarianten an.
Eine Kombination dieser
Wahlmöglichkeiten
(vokal/instrumental) ist
jedoch auch möglich
und das nicht nur vom
künstlerischen
Standpunkt aus betrachtet
(zur Abwechslung),
sondern auch aus
praktischen Erwägungen
beispielsweise, wennder
Chor nur zwei Sätze
einstudiert hat. In
voller Besetzung kann der
Dirigent die
Instrumentierung nach
Belieben variieren. Dann
können die
Blechbläser auch eine
Rolle in der Begleitung
übernehmen (anstatt
den Chor zu
unterstützen). Die
folgendenKombinationen
sind möglich:
1. Klarinettenchor
(von Klarinette in Es bis
Bassklarinette) 2.
Klarinettenchor +
Saxophone 3. Blech
(Flügelhorn, Horn,
Euphonium,
Bassregister) 4.
Blech (2 Trompeten / 2
Posaunen) 5.
Doppelrohrblattinstrument
e (wahlweise + Flöte,
wahlweise +
Kontrabass) 6.
Tutti 7. Alle
Holzbläser 8.
Alle Blechbläser
In einer Aufführung
mit Brass Band und Chor
ist es gewöhnlich
ratsam, nicht die erste
Option (Chor + Blech +
Blasorchester) zu
wählen. Der Chor singt
unabhängig, begleitet
von einer
vollständigen Brass
Band. In einer
Instrumentalaufführung
könnenSie sich für
ein kombiniertes Quartett
(zwei Kornette und zwei
Posaunen) + Brass Band
entscheiden. Chorstimmen
separat
erhältlich.
Missa Brevis est une
messe pour Orchestre
d’Harmonie et
Choeur composée la
demande du Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (Dir. :
Philippe Pfisterer) de
Guebwiller en France,
l’occasion des
célébrations
dumillénaire de la
naissance du Pape Léon
IX Éguisheim. La
création mondiale a eu
lieu le 23 juin 2002 sous
la direction du
compositeur, et a
été diffusée en
direct sur la chaîne
de télévision
nationale France 2. Les
différentes parties de
cettemesse (Kyrie,
Gloria, Credo,
Sanctus,
Benedictus et
Agnus Dei)
conviennent autant la
liturgie catholique
qu’ la liturgie
protestante. Missa
Brevis peut être
interprétée dans
différentes
combinaisons
instrumentales. Ellepeut
être jouée dans une
version purement
instrumentale, où les
cuivres prennent en
charge la partie vocale.
En tel cas, il est
conseillé de placer
les cuivres
l’écart de la
formation (sur une
estrade, par exemple) de
façon reproduire
l’idée dedeux
groupes indépendants.
Dans le cadre
d’une
interprétation avec un
grand Choeur, les cuivres
jouent un rôle de
soutien. Leurs nuances
doivent alors être
adaptées dans la
mesure où elles ont
été écrites,
l’origine, pour
une version
instrumentale.Il est
également possible de
ne pas faire intervenir
les cuivres et de
privilégier le Choeur.
Pour accompagner de
petits ensembles vocaux,
il faut opter pour une
formation instrumentale
réduite voire même
un Quatuor
(instrumentation au
choix).
Pourl’interprét
ation de cette messe
l’un des choix
proposés ci-dessus
s’impose. Il
existe néanmoins une
alternative qui consiste
interpréter cette
oeuvre en combinant ces
options (vocales /
instrumentales). Cela
peut être
bénéfique tant
d’un point devue
artistique (variante) que
pratique dans le cas
où le Choeur
n’a travaillé
que deux mouvements de la
messe. Si le chef dispose
de deux formations
complètes (Choeur et
Orchestre
d’Harmonie), il
peut varier
l’instrumentation
selon ses
préférences. ce
moment-l , il peut
confier un rôle
d’accompagnement
et non de soutien aux
cuivres de sa formation.
Les combinaisons
suivantes peuvent être
formées : 1.
Choeur de Clarinettes (de
la Clarinette Mib la
Clarinette
Basse) 2. Choeur de
Clarinettes +
Saxophones 3.
Cuivres (Bugles, Cors,
Barytons / Euphoniums,
Basses) 4. Cuivres
(2 Trompettes / 2
Trombones) 5.
Instruments anches
doubles (Fl te et
Contrebasse cordes
optionnelles) 6.
Tutti 7. Tous les
Bois 8. Tous les
Cuivres Dans le
cadre d’une
interprétation par un
Brass Band accompagné
d’un Choeur, il
est préférable de
supprimer l’option
1 (Choeur + Cuivres +
Orchestre
d’Harmonie) car le
Choeur étant autonome.
Dans une version
instrumentale pour
Cuivres, il estpossible
de former la combinaison
suivante : Quatuor (2
Cornets / 2 Trombones) et
Brass Band.Partitions
pour chœur
disponibles
séparément.
Parti per coro
disponibili a parte. $327.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dettingen Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt P...(+)
(Dettinger Te Deum). By
George Frideric Handel
(1685-1759). Edited by
Benedikt Poensgen. For
Soli ATB, SSATB choir, 2
oboes, bassoon, 3
trumpets, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Praise and
thanks. Full score.
Language: English/German.
Composed 1743. HWV 283.
144 pages. Duration 40
min. Published by Carus
Verlag
$66.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Adeste Fideles Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Octavo] Peters
By Everett Titcomb. For S(T) solo, SATB choir, Organ (Piano). Modern. Published ...(+)
By Everett Titcomb. For
S(T) solo, SATB choir,
Organ (Piano). Modern.
Published by Edition
Peters.
(1)$4.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tamerlano HWV 18 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voi...(+)
Solo voices, orchestra
(Soprano Voice Solo,
Mezzo-Soprano Voice Solo,
2 Alto Voice Solo, Tenor
Voice Solo, Bass Voice
Solo, 2 recorder-A, 2 Fl,
2 Ob, 2 clarinet, Str,
Continuo) SKU:
BA.BA04052 Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052). ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym. Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$485.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Messa da Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Giuseppe Verdi (1813-1901). Edited by Norbert Bolin. For SMTB vocal ...(+)
Composed by Giuseppe
Verdi (1813-1901). Edited
by Norbert Bolin. For
SMTB vocal soli, SATB
choir, piccolo, 2 flutes,
2 oboes, 2 clarinets, 4
bassoon, 4 horns, 4
trumpets, 4 offstage
trumpets, 3 trombones,
ophicleide, timpani,
percussion, 2 violins,
viola, cello, contrabass.
This edition: Paperbound.
Requiem, Mourning, death.
Study score. Language:
Latin. 320 pages.
Duration 90 minutes.
Published by Carus Verlag
$70.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Israel in Egypt Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Oratorio in three parts. Urtext of the Halle Handel-Edition). By George Frideri...(+)
(Oratorio in three parts.
Urtext of the Halle
Handel-Edition). By
George Frideric Handel
(1685-1759). Edited by
Annette Landgraf. For
Soprano Solo (2), Alto
Solo (2), Tenor Solo,
Bass Solo (2), Mixed
Choir (2)-SATB SATB, Oboe
(2), Bassoon (2), Trumpet
(2), Trombone (3),
Kettledrum, Strings,
Basso Continuo. Hallische
Handel-Ausgabe. Serie I,
Band 14.1 und 14.2.
Score; Urtext Edition;
Complete Edition (cloth
bound). HWV 54
$1000.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Romeo et Juliette, Op. 17 Hol. 73 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Symphonie dramatique). Composed by Hector Berlioz (1803-1869). Edited by D. Ker...(+)
(Symphonie dramatique).
Composed by Hector
Berlioz (1803-1869).
Edited by D. Kern
Holoman. For alto voice
solo, tenor voice solo,
bass voice solo, double
ATB choir, double STB
choir, piccolo, 2 flutes,
piccolo, 2 oboes, english
horn, 2 clarinets, 4
bassoons, 4 horns, 2
trumpets, 2 cornets, 3
trombones, ophicleide, 2
timpani, percussion, 2
harps, st. This edition:
Complete edition, Urtext
edition. Linen. New
Berlioz Edition, Volume
18. Score. Opus 17, Hol.
73. Published by
Baerenreiter Verlag
$559.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Titus KV 621 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Opera seria in two acts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edit...(+)
(Opera seria in two
acts). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Franz Giegling. For 4
soprano voice solos,
tenor voice solo, bass
voice solo, mixed choir,
2 flutes, 2 oboes, 2
clarinets, bass clarinet,
basset horn, 2 bassoons,
2 horns, 2 trumpets,
timpani, strings, basso
continuo. This edition:
Complete edition, Urtext
edition. Linen. New
Mozart Edition. Series
II, Section 5/20. Score.
Language: Italian. KV
621. Duration 2 hours.
Published by Baerenreiter
Verlag
$308.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| La damnation de Faust, op. 24 Holoman 111 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Intermédiaire/avancé Barenreiter
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass...(+)
Solo voices, choir,
orchestra (Mezzo Voice
Solo, Tenor Voice Solo,
BarSolo, Bass Voice Solo,
Mixed choir: SSTTBB,
children choir: SS, 3Fl,
2 Ob, 2 clarinet,
clarinet-B, 4bassoon,
4Hn, 2 Trp, 2 Pist,
3trombone, Op, Tb,
timpani, percussion, 8,
10harp, Str) - Level 4
SKU: BA.BA05448
Lègende dramatique
in four parts.
Composed by Hector
Berlioz. Edited by Julian
Rushton. This edition:
complete edition, urtext
edition. Linen. New
Berlioz Edition (Neue
Berlioz-Ausgabe - NBE)
Volume 8a/b. Complete
edition, Score. Opus 24.
453/556 pages. Duration 2
hours. Baerenreiter
Verlag #BA05448_00.
Published by Baerenreiter
Verlag (BA.BA05448).
ISBN 9790006471478.
33.2 x 26.5 cm inches.
Text Language: French.
Text: Berlioz, Hector /
Nerval, Gérard
de. In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$872.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Psalm 95 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelsso...(+)
(O! Come let us worship
and kneel before the
Lord). By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by R. Larry Todd.
For Soli SST, SATB Choir,
2 Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Cello,
Contrabass, Organ. This
edition: Paperbound.
Stuttgart Urtext
editions. Cantatas,
Psalms, German, Praise
and thanks, Psalms. Full
score. Language:
German/English. Composed
1838. Opus 46. 128 pages.
Duration 28 min.
Published by Carus Verlag
$90.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 95 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Carus Verlag
(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelsso...(+)
(O! Come let us worship
and kneel before the
Lord). By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by R. Larry Todd.
For Soli SST, SATB Choir,
2 Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Cello,
Contrabass, Organ. This
edition: Paperbound.
Stuttgart Urtext
editions. Score available
separately - see item
CA.4007300. Cantatas,
Psalms, German, Praise
and thanks, Psalms. Vocal
score. Language:
German/English. Composed
1838. Opus 46. 40 pages.
Duration 28 min.
Published by Carus Verlag
$13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Harmoniemesse in B Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For SATB Soli, SATB ...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Andreas Traub. For SATB
Soli, SATB Choir, Flute,
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
clarinos/trumpets,
timpani, 2 Violin, viola,
basso continuo. This
edition: Paperbound.
B-Dur (B-flat major).
Stuttgart Urtext Edition.
German title:
Harmoniemesse in B
XXII:14. Masses, Latin.
Full score. Language:
Latin. Hob. XXII:14. 216
pages. Duration 45
minutes. Published by
Carus Verlag
$106.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Santa Cecilia Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
For Concert Band, Mixed Choir and Organ (optional). Composed by Jacob De Haa...(+)
For Concert Band, Mixed
Choir and Organ
(optional).
Composed by Jacob De
Haan.
Musica Sacra. Set (Score
&
Parts). Composed 2015. De
Haske Publications #DHP
1155661-010. Published by
De
Haske Publications
$275.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Oxford University Press
By Bob Chilcott. For Sorpano and Tenor solo, SATB choir, orchestra/small ensembl...(+)
By Bob Chilcott. For
Sorpano and Tenor solo,
SATB choir,
orchestra/small ensemble
(Orchestra: 2 flutes, 2
oboes, 2 clarinets, 2
bassoon, 2 horn, 2
trumpet, timpani, strings
/ Small ensemble: flutes,
oboes, clarinets, horn,
timpani, organ). Mixed
Voices. Contemporary,
Choral Works. Vocal
score. 64 pages. Duration
35'. Published by Oxford
University Press
$21.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Daphnis et Églé RCT 34 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Choir, Orchestra SKU: BA.BA08862-90 Pastorale héroïque...(+)
Soloists, Choir,
Orchestra SKU:
BA.BA08862-90
Pastorale
héroïque in one
act. Composed by
Jean-Philippe Rameau.
Edited by Ã?rik Kocevar.
Arranged by François
Saint-Yves. This edition:
urtext edition.
Paperback. Vocal Score.
Duration 3 hours.
Baerenreiter Verlag
#BA08862_90. Published by
Baerenreiter Verlag
(BA.BA08862-90). ISBN
9790006558223. 27 x 19 cm
inches. Text Language:
French. Preface: Kocevar,
Ã?rik. Text: Charles
Colle. The heroic
pastoral Daphnis et Egle
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version--which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas--but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
$30.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Duetto Pastorum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Solo tenor and bass voices (soprano and alto), SATB choir, 2 horn, 2 violin, vio...(+)
Solo tenor and bass
voices (soprano and
alto), SATB choir, 2
horn, 2 violin, viola,
basso continuo SKU:
CA.9104805 Composed
by Michael Haydn. Edited
by Otto Biba. Coppenrath
Series. German title:
Duetto Pastorum 1200101.
Sacred vocal music,
Cantatas, Christmas.
Choral Score. MH. 4
pages. Carus Verlag #CV
91.048/05. Published by
Carus Verlag
(CA.9104805). ISBN
9790007115081. Language:
Latin. Score
available separately -
see item CA.9104800. $3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gelobet sei der Herr, mein Gott (All glory to the Lord, our God) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Carus Verlag
Kantate zum Trinitatisfest. By Johann Sebastian Bach. Edited by Leisinger, Ulric...(+)
Kantate zum
Trinitatisfest. By Johann
Sebastian Bach. Edited by
Leisinger, Ulrich.
Arranged by Paul Horn.
For Soli SAB, SATB Choir,
Flute, Oboe, 2 Violins,
Viola, 3 Trumpets,
Timpani, Basso continuo.
BWV 129. Cantatas;
Stuttgart Urtext
editions; Occasions:
Praise and thanks; Use
during church year:
Trinity. Piano/Vocal
score. Language:
German/English. Composed
1726. 32 pages. Duration
24 min. Published by
Carus Verlag (German
import).
$13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 9th Symphony. Finale Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Composed by Ludwig van Beethoven (1770-1827). For SATB vocal soli, SATB choir, p...(+)
Composed by Ludwig van
Beethoven (1770-1827).
For SATB vocal soli, SATB
choir, piano (orchestra:
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, contrabassoon,
4 horns, 2 trumpets, 3
trombones, timpani,
percussion, 2 violins,
viola, cello, double
bass). Secular choral
music. Choral score. Text
language: German.
Duration 22 minutes.
Carus Verlag #CV
23.801/05. Published by
Carus Verlag
$6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Matthew Passion Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edi...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Matthauspassion.
Passions, Lent and
Passiontide. Complete
orchestral parts. BWV
244. Duration 175
minutes. Published by
Carus Verlag
(CA.3124419).
$553.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 9 in D minor Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Barenreiter
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Soprano Solo, Alto Solo...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For Soprano Solo,
Alto Solo, Tenor Solo,
Bass Solo, Mixed
Choir-SATB, Piccolo,
Flute (2), Oboe (2),
Clarinet (B Flat) (2),
Bassoon (2),
Contrabassoon, Horn (4),
Trumpet (2), Trombone
(3), Kettledrum, Drums,
Strings. B0renreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition
(paperbound). Op. 125.
Duration 65'. Published
by
Baerenreiter-Taschenparti
turen (German import).
$28.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| B Minor Mass, BWV 232 (Messe in h-Moll) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. This ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. Complete
orchestral parts.
Innovative practice aids,
Masses, Latin, Lent
and Passiontide.
Orchestral Parts. BWV
232. Duration 100
minutes. Carus Verlag #CV
31.232/19. Published by
Carus Verlag
(CA.3123219).
$364.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The voice of rejoicing and hope (Man singet mit Freuden vom Sieg) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB
choir, 3 oboes, bassoon,
3 trumpets, timpani, 2
violins, viola, basso
continuo SKU:
CA.3114909 Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. 1x 31.149/21 oboe
1, 1x 31.149/22 oboe 2,
1x 31.149/23 oboe 3, 1x
31.149/24 bassoon, 4x
31.149/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Man singet mit Freuden
vom Sieg. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. BWV 149. Duration
22 minutes. Carus Verlag
#CV 31.149/09. Published
by Carus Verlag
(CA.3114909). ISBN
9790007208554. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander). In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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