(Trumpet Feature). By Guillaume Balay. Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Masterworks. Trumpet feature. 20th Century. Duration 00:03:10

Fantasies for Cornet and Piano. By Jean-Baptiste Arban. Edited by James Bovinette. For cornet and piano. Play along. Book and piano accompaniment CD. Published by Carl Fischer.

Arranged by Deborah Calland. For Bb trumpet/cornet with piano accompaniment. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition: Concert Repertoire. Set of parts. Published by Faber Music

By Robert W. Getchell. Edited by Thom Proctor. Instrumental method/supplement. Level: book 1. 36 pages. Published by Belwin.

Edited by John Wallace and Tony Rickard. For Trumpet and Piano. Brass - B-Flat Cornet (Trumpet) Method or Collection. Faber Edition

For Piano Acc. Brass - B-Flat Cornet (Trumpet) Method or Collection. Classic Festival Solos. Book. 48 pages. Published by Alfred Publishing.

By George Frideric Handel (1685-1759). Arranged by David Marlatt. For 2 Trumpets and Keyboard. Brass - Cornet (Trumpet) Duet; Duet or Duo; Masterworks. Baroque. Part(s). Duration 00:02:35

For Cornet, Piano. 20th Century. Sheet Music. 22 pages. Published by Chester Music.

Bb Cornet, Trumpet, or Baritone T.C. - Piano Accompaniment. Solo Collection (Rubank). Size 9x12 inches. 72 pages. Published by Hal Leonard.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

(A Method for Individual and Group Learning (Teacher's Book)). By John Miller. For Trumpet and Piano. This edition: Teacher's Book. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition: Basics. 56 pages. Published by Faber Music

By J.S. Cox. Arranged by Tim Justus. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Solo; Solo. Heritage of the Cornet. 20th Century. Part(s). Duration 00:06:30

Really Easy Jazzin' About (Trumpet and Piano) by Pam Wedgewood. For trumpet and piano. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition: Jazzin' About. Jazz. Difficulty: easy. Instrumental solo book. Standard notation and piano accompaniment. 24 pages. Published by Faber Music

Arranged by John Wallace and John Miller. For Trumpet and Piano. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition. Published by Faber Music

By Jen Trueman. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Solo; Solo. Contemporary. Part(s). Duration 00:04:10

Alto Sax and Piano. Composed by Jeanine Rueff (1922-). Leduc. Classical, Contemporary. Softcover. 8 pages. Alphonse Leduc #AL20919. Published by Alphonse Leduc

By Pam Wedgwood. For Trumpet. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition: Jazzin' About. Jazz. Elementary. Published by Faber Music

By John Bennett (1735-1784). Arranged by David Marlatt. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Solo; Masterworks; Solo. Baroque. Part(s). Duration 00:05:20

(From 5th Harpsichord Suite) Composed by George Frideric Handel (1685-1759), arranged by R. Bernard Fitzgerald. Set of performance parts (includes separate pull-out trumpet part) for Bb trumpet (cornet) and piano. With solo part, piano accompaniment and introductory text. F Major. 11 pages. Published by Alfred Publishing.

For Trumpet and Piano. Arranged by John Miller. Brass, Repertoire, Collections. Going Solo. Softcover Book. 44 pages. Faber Music #F0571514251. Published by Faber Music

By George Frideric Handel (1685-1759). Arranged by David Marlatt. For 2 Trumpets and Keyboard. Brass - Cornet (Trumpet) Duet; Duet or Duo; Masterworks. Baroque; Masterwork. Part(s). 16 pages

By Frederic Chopin. For trumpet and piano. Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 6058)
Level: 4 .

(14 easy contemporary pieces for trumpet and piano). Edited by Deborah Calland. For trumpet and piano. Book; Brass - B-Flat Cornet (Trumpet) Method or Collection; Method/Instruction. Faber Edition. Grade 1-4. Published by Faber Music

By Georg Philipp Telemann (1681-1767). Arranged by David Marlatt. For 2 Trumpets and Keyboard. Brass - Cornet (Trumpet) Duet; Duet or Duo; Masterworks. Baroque. Part(s). Duration 00:03:35

Trumpet and Piano - early intermediate

SKU: BT.DHP-1206262-401

Composed by Jan Hadermann. De Haske Trumpet Series. Book and Part(s). Composed 2020. 8 pages. De Haske Publications #DHP 1206262-401. Published by De Haske Publications (BT.DHP-1206262-401).

ISBN 9789043159166. English-German-French-Dut ch.

Game Over for trumpet (optionally cornet or flugelhorn) with piano accompaniment is a lively composition with a playful character. The range of the solo part is limited to one and a half octaves, making Game Over an ideal performance or test piece for young musicians. The composition is further enhanced by the rhythmically appealing piano accompaniment. The work was written by Jan Hadermann as an optional piece for his grandson’s trumpet exam, to whom Game Over is also dedicated.

Game Over voor trompet (optioneel kornet of bugel) en pianobegeleiding is een compositie met een levendig, speels karakter. De omvang van de solopartij is beperkt tot anderhalf octaaf, waarmee Game Over voor jonge muzikanten een ideaal stuk is om tijdens een uitvoering of op een examen te spelen. De aantrekkelijke ritmische pianobegeleiding biedt daarbij de nodige ondersteuning. Jan Hadermann schreef Game Over als keuzewerk voor het trompetexamen van zijn kleinzoon, en droeg het tevens aan hem op.

Game Over für Trompete (wahlweise Kornett oder Flügelhorn) und Klavierbegleitung ist eine Komposition von lebhaftem, spielerischem Charakter. Der Solopart umfasst nur einen relativ begrenzten Tonumfang von anderthalb Oktaven: dadurch ist Game Over ein ideales Vortrags- oder Prüfungsstück für junge Musiker, dessen Wirkung durch die rhythmisch attraktive Klavierbegleitung noch unterstützt wird. Jan Hadermann komponierte das Werk als Wahlstück für das Trompetenexamen seines Enkels, dem es auch gewidmet ist.

Game Over pour trompette (ou pour cornet ou bugle) et accompagnement de piano est une composition de caractère vif et enjoué. La partie solo présente une étendue relativement limitée d’une octave et demie. C’est pourquoi Game Over est une pièce particulièrement adaptée aux jeunes élèves, jouer en audition ou comme répertoire d’examen. Son effet est encore rehaussé par un accompagnement de piano rythmique et attractif. Jan Hadermann a écrit cette œuvre en guise de pièce au choix pour l’examen de trompette de son petit-fils qui en est aussi le dédicataire.