Tarantella Quatuor à cordes: 2 violons, alto, violoncelle Carl Fischer
Choral String Quartet SKU: CF.CM9348M Score and Parts. Composed by...(+)
Choral String Quartet
SKU: CF.CM9348M
Score and Parts.
Composed by Z. Randall
Stroope. Patriotic.
Performance Score. With
Standard notation.
12+2+2+2+2 pages. Carl
Fischer Music #CM9348M.
Published by Carl Fischer
Music (CF.CM9348M).
String quartet (double bass ad libitum) SKU: HL.49044164 Tango. Co...(+)
String quartet (double
bass ad libitum)
SKU:
HL.49044164
Tango. Composed by
Peter Ludwig. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. 32 pages.
Schott Music #ED21592.
Published by Schott Music
(HL.49044164).
ISBN
9790001192118. 0.112
inches.
Peter
Ludwig ist als Pianist,
Komponist, Arrangeur und
Kabarettist ein
bayrisches Multitalent.
Er schreibt Filmmusik,
Chansons, Kammermusik,
Klaviermusik und vor
allem: wunderschone,
inspirierte Tangos, die
eine Brucke zwischen
Sudamerika und Europa
schlagen! Zusammen mit
der Cellistin Anja
Lechner erhielt er fur
seine CD 'Tango mortale'
in der 1980er Jahren den
Preis der Deutschen
Phono-Akademie.Der Tango
hat ihn seither nicht
mehr losgelassen und
heute tritt er als
Pianist des Klaviertrios
'Tango a trois' auf.
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.PB-5622-07
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library).
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff (1822-1882)
bid a brilliant farewell
to Weimar.
Romantic
period. Study Score. 176
pages. Breitkopf and
Haertel #PB 5622-07.
Published by Breitkopf
and Haertel
(BR.PB-5622-07).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
String Quartet SKU: BR.PB-5622 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5622
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5622. Published by
Breitkopf and Haertel
(BR.PB-5622).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. This
edition: Urtext. Chamber
music; Folder. Edition
Breitkopf.
Orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern:
The two captivating
quartets are now
available as Urtext
editions. Romantic
period. Set of parts. 88
pages. Breitkopf and
Haertel #EB 8939.
Published by Breitkopf
and Haertel (BR.EB-8939).
ISBN
9790004186084.
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff bid a
brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
(parts only unless otherwise specified). By Franz Schubert. For string quartet (...(+)
(parts only unless
otherwise specified). By
Franz Schubert. For
string quartet (2
violins, viola, cello).
String ensembles without
piano. Published by
International Music Co.
String Quartet (Parts) SKU: HL.14037707 Parts. Composed by Kevin V...(+)
String Quartet (Parts)
SKU: HL.14037707
Parts. Composed by
Kevin Volans. Music Sales
America. Contemporary.
Softcover. Composed 2010.
80 pages. Chester Music
#CH7452501. Published by
Chester Music
(HL.14037707).
ISBN
9781849385916. UPC:
884088578626.
8.25x11.75x0.262
inches.
Kevin
Volans' String Quartet
No. 9: Shiva Dances was
commissioned by BBC Radio
3 and first performed by
the Smith Quartet at the
2004 Huddersfield
Contemporary Music
Festival.
Kevin
Volans (the composer)
notes on the
piece: In the past
I have been interested in
trying to go beyond
historicism (1970s),
beyond style(1980s) and
beyond form (1990s) in my
work. Looking back over
the music of the
twentiethcentury I was
struck by the fact the
nearlyall of it is
extremely 'busy', almost
cluttered. Italmost
seemed that composers
felt compelled to look
industrious. In the new
millennium Ithought it
would be interesting to
try and eliminate
content. I also aspired
to movingfrommusic (sound
as art) to art (art as
sound). This, of course,
has already been done by
a numberof composers
(many from New York -
Phil Niblock and La Monte
Young, to name but two),
butit was something I had
never tried.AlthoughI
found it annoying that
the label 'minimalist'
was given to my
African-based work,and
fearing this would make
the label stick, I set
out to write a piece
which reflected my loveof
minimal painting and
architecture. The
Japanesehave a term
'wabi' meaning
'voluntarypoverty' or
'emptiness' to describe
their restrained minimal
aesthetic, an aesthetic
which,however, pays
greatest attention to the
quality of material and
fine detail. I like to
think thatthelack of
excessive pitch material
in this piece reflects a
kind of voluntary
poverty.When Shiva is
portrayed dancing (as
Nataraj) He is depicted
in a circle of flames
crushing asmall figure -
the ego - underfoot.You
get theimpression He
dances on the spot, not
movingaround at all. I
like that. The piece
is dedicated to Pablo
Pascual
Cilleruelo.
By Wolfgang Amadeus Mozart. Edited by F!Ssl, Karl Heinz;Plath, Wolfgang;Rehm, Wo...(+)
By Wolfgang Amadeus
Mozart. Edited by F!Ssl,
Karl Heinz;Plath,
Wolfgang;Rehm, Wolfgang.
For String quartet.
B0renreiter
Studienpartituren - Study
scores. Study Score.
Published by
Baerenreiter-Taschenparti
turen (German import).
(parts only unless otherwise specified). By Franz Schubert. For string quartet (...(+)
(parts only unless
otherwise specified). By
Franz Schubert. For
string quartet (2
violins, viola, cello).
String ensembles without
piano. Published by
International Music Co.
By Georg Muffat. Edited by Alessandro Bares. For 2 violins, 2 violas and basso c...(+)
By Georg Muffat. Edited
by Alessandro Bares. For
2 violins, 2 violas and
basso continuo. This
edition: Paperback.
Concerto de' varii
stromenti. Baroque. Score
and set of parts.
Published by Musedita
Edizioni Musicali
Composed by Yves Didier.
Classical. Score.
Editions Henry Lemoine
#27679. Published by
Editions Henry Lemoine
(LM.27679).
ISBN
9790230976794.
BACH
: Prelude de la 3e
partita pour violon -
Prelude de la 1re suite
pour violoncelle -
BEETHOVEN : Quintette
pour piano, hautbois,
clarinette, basson et cor
- Septuor pour
clarinette, cor, basson
et quatuor a cordes -
Sonate Eroica pour piano
- Trio pour clarinette,
violoncelle et piano -
BRAHMS : Quintette pour
clarinette et quatuor a
cordes - Trio pour
clarinette, violoncelle
et piano - DEBUSSY :
Esquisse technique sur la
Rhapsodie - Extraits de
la Suite ecossaise, La
Mer, Pelleas et
Melisande, l'Apres-midi
d'un faune - KLOSE :
Tarentelle - KREUTZER :
Binaire Ternaire -
MAYSEDER : Valse - MOZART
: Concerto n. 23 pour
piano - Quintette pour
clarinette et quatuor a
cordes - Trio des quilles
pour clarinette, alto et
piano - PAGANINI : 24e
caprice pour violon -
RACHMANINOV : Concerto n.
2 pour piano - RODE :
Courante - Etude pour
violon - Marche -
Pralltriller - Scherzo -
ROSSINI : 1er et 6e
quatuors pour flute ou
hautbois, clarinette, cor
et basson - SCHUBERT :
Octuor pour clarinette,
cor, basson quatuor a
cordes et contrebasse -
SCHUMANN : Kreisleriana
Op.16 et Fantaisie Op.12
- SPOHR : Pendule - VERDI
: La Force du destin.
(c. 1712). By Jean-Michel Muller. Edited by Michel Giboureau. Divers instruments...(+)
(c. 1712). By Jean-Michel
Muller. Edited by Michel
Giboureau. Divers
instruments dont le
basson - Divers
instruments dont l'alto -
Divers instruments dont
le hautbois - Sonates en
trio pour violon et
divers instruments (avec
hautbois et cordes) -
Divers instruments dont
le violoncelle. For
Bassoon, Viola, Oboe,
Violin, Cello.
Facsimiles. Collection
Dominantes. Grade 0. 140
pages