Lucio Silla K. 135 (Dramma per musica in three acts). By Wolfgang Amadeus Mozart (1756-1791). Edited by Kathleen Kuzmick Hansell. Arranged by Eugen Epplee. For 4 soprano voice solos, 2 tenor voice solos, mixed choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, harpsichord, strings. This edition: Hardbound, Urtext edition. Piano reduction. K. 135. 463 pages. Published by Baerenreiter Verlag

Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1.1.2.0. - perc - hp - pno - str: 1.1.1.1.1.)

SKU: BR.DV-6140

Scenes for 2 Singers and 15 Instrumentalists. Composed by Udo Zimmermann. Voice; Softbound. Deutscher Verlag. World premiere: Hamburg, February 27, 1986DV 1140 awarded the German Music Edition Prize. Opera; Music theatre; Music post-1945; New music (post-2000). Piano/Vocal Score. Composed 1984/85. 140 pages. Duration 75'. Deutscher Verlag fur Musik #DV 6140. Published by Deutscher Verlag fur Musik (BR.DV-6140).

ISBN 9790200460230. 13.5 x 10.5 inches.

Translation : Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.

World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.

Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boosey and Hawkes Large Choral. Book only. Size 7.25x10.25 inches. 88 pages. Published by Boosey and Hawkes.

Trilogie sacree - Geistliche Trilogie (Holoman 130). Klavierauzszug nach dem Urtext der New Berlioz Edition (franzosisch/deutsch) - Sacred Trilogy (Holoman 130). Vocal Score, based on the Urtext of the New Berlioz Edition (French/German). By Hector Berlioz. Edited by Lloyc-Jones, David. Arranged by Wernhard, Eike. For Soprano solo, 2 Tenor solo, Baritone solo, 3Bass solo, Mixed Choir-SSAATTBB, Flute 1, Flute 2/ Piccolo, Oboe 1, Oboe 2/ English horn, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 2 Cornet, 3 Trombone, Kettledrum, Harp, Organ/ Harmonium, Strings. Piano Reduction/Vocal Score (paperbound). op. 25. Published by Baerenreiter-Ausgaben (German import).

By Dvorak Antonin. Czech title: Ciganske melodie op. 55 (pro vyaai hlas a klavir). Published by Praha (Czech import).

Opera buffa in 4 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (italienisch/deutsch). By Wolfgang Amadeus Mozart. Edited by Finscher, Ludwig; Epplee, Eugen. For 5 Soprano solo, 2 Tenor solo, 4 Bass solo, Mixed Choir, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Strings, Basso continuo. Piano Reduction/Vocal Score (paperbound). KV 492. Published by Baerenreiter-Ausgaben (German import).