Voice 4 (Bass)in B (Notviolin)(Tsecond romb,Tthird romb,horn-Bar,Euph,B-Tuba ) (...(+)
Voice 4 (Bass)in B
(Notviolin)(Tsecond
romb,Tthird
romb,horn-Bar,Euph,B-Tuba
) (4. Voice (Bass) in B
(Treble clef) (2.
Trombone, 3. Trombone,
Baritone horn, Euphonium,
B-Tuba))
SKU:
BA.BA11242-49
Edited
by Andreas Dewey,
Bernhard Blitsch, and
Richard Mailänder.
Ring stitching. Eigenteil
des Erzbistums Köln.
Single part. 82 pages.
Baerenreiter Verlag
#BA11242_49. Published by
Baerenreiter Verlag
(BA.BA11242-49).
ISBN
9790006563630. 15 x 21 cm
inches.
The
acclaimed percussionist
Christian Dierstein has
joined forces with a
research group at the
Basel Academy of Music to
examine the techniques of
percussion playing from
an innovative
perspective. The main
focus falls less on the
instruments than on their
sound producers: beaters,
mallets, sticks, bows,
specific manual
techniques up to and
including electronic
pulse generators. This
book describes all of
them in detail and
illustrates their range
of application in
carefully selected and
annotated examples from
the repertoire.
Many essays by guest
authors such as Nicolaus
A. Huber, Steven Schick,
Fritz Hauser and Bernhard
Wulff relate the
performance descriptions
to ongoing aesthetic
debates. They reveal that
sound production and
interaction with
sound-generating objects
have moved centre stage
in contemporary
composition and its
expanded concepts of
material and performance.
The result is a
comprehensive reference
book for composers and
performers that will also
serve as a source of
inspiration for future
innovative approaches in
percussion
playing.
The
authors
Christian
Dierstein completed his
musical studies with
Bernhard Wulff
(Freiburg), Gaston
Sylvestre (Paris) and
Wassilios Papadopulus
(Mannheim). A multiple
prize-winner at music
competitions, he has
played percussion
withEnsemble
Recherchesince 1988
andTrio Accantosince 1994
together with Nic Hodges
and Marcus Weiss. In
addition he has been
professor of percussion
and contemporary chamber
music at the Basel
Academy of Music since
2001.
Michel Roth
is professor of
composition and music
theatre at the Basel
Academy of Music and a
member of its research
department. As a composer
he is a regular guest at
music festivals, recently
with a focus on music
theatre. In 2017
Barenreiter published
hisTechniques of Trombone
Playingco-written with
Mike Svoboda. This was
awarded theBest
Editionprize by the
German Music Publishers
Association in
2018.
Jens Ruland
studied percussion with
Carlos Tarcha at the
Cologne University of
Music (2007-12) where he
completed his performance
and teaching degree with
distinction. Since 2012
he has consolidated his
studies with Christian
Dierstein in Basel. He is
a founding member ofhand
werk(Cologne),232
percussion(Cologne),Ensem
ble New4Art(Switzerland)
and the music theatre
duoAkt-tkA(Spain and
Switzerland).
