SATB vocal soli, SATB choir, 2 pianos, armo - Level 3

SKU: CA.4065019

Composed by Gioachino Rossini. Edited by Klaus Doge. Carus sheet music series: Vocal scores XL. Petite Messe Solennelle Kart. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1863. Duration 90 minutes. Carus Verlag #CV 40.650/19. Published by Carus Verlag (CA.4065019).

ISBN 9790007096984. Language: Latin.

Next to the Stabat Mater, the Petite Messe solennelle of 1863 is Rossini's second extensive sacred composition. Ostensibly, the work was an occasional piece, written for the dedication of a private chapel for the once well-to-do Parisian nobility. This explains the reduced instrumental accompaniment for two pianos and harmonium. Of course this instrumental garb, reminiscent of decent, elevated salon music, produces an unmistakable timbre which through its typical Rossini rhythm obtains an additional flair. Score and parts available separately - see item CA.4065000.

By Antonio Salieri (1750-1825). Edited by Kelber, Rudolf. For SATB Soli, SATB Choir, 2 Flutes, 2 Oboes, 2 Bassoons, 2 Horns, 2 Contrabassoons, Timpani, 2 Violins, Viola, Basso Continuo. This edition: paperbound. Full score available separately - see item CA.4094200. Passions; Use during church year: Lent and Passiontide, Holy Week. Piano/Vocal score. Language: Latin. Composed 1776. 160 pages. Duration 105 min

(Fassung Maunder). By Wolfgang Amadeus Mozart (1756-1791). Edited by Richard Maunder. Arranged by Richard Maunder. For SATB soli, SATB choir, 2 bassoons, 2 contrabassoons, 3 trombones, 2 basset horns, timpani, 2 violins, viola, cello/contrabass, organ. This edition: paperbound. KV 626. Score available separately - see item CA.4063000. Requiem; Use during the church year: End of the Church Year; Mourning, Death. Level 4. Piano/Vocal score. Language: Latin. Composed 1791. 80 pages. Duration 50 min. Published by Carus Verlag

Women's choir

SKU: HL.48188895

Composed by Gabriel & Andre. Leduc. Classical. Book Only. 21 pages. Heugel & Cie #HE33738. Published by Heugel & Cie (HL.48188895).

UPC: 888680872717. 7.25x10.5 inches.

“Andr é Messager (1853-1929) was a composition and Piano pupil of Gabriel Fauré (1845-1924). They collaborated during the summer of 1881 to compose Mass of the Fisherman from Villerville and the first performance was in aid of the fisherman's charitable association. The Mass comprises five movements; 1) Kyrie, 2) Gloria Benedictus, 3) Sanctus, 4) O Salutaris, and 5) Agnus Dei. Mass of the Fisherman from Villerville is a Missa Brevis for female choir accompanied by chamber orchestra. Given its specific arrangement for female voices, Fauré and Messager's Mass of the Fisherman from Villerville is an ideal and alternative performance work.&rdquo.

Opera in five acts. Composed by Charles Francois Gounod (1818-1893). Edited by Paul Prevost. Arranged by Karl- Heinz Muller. This edition: urtext edition. Paperback. Barenreiter Urtext. Version with recitatives. Vocal Score. Baerenreiter Verlag #BA08713-90. Published by Baerenreiter Verlag

Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. Composed by Johannes Brahms (1833-1897). Edited by Michael Musgrave and Michael Struck. Breitkopf and Haertel #OB 16109-30. Published by Breitkopf and Haertel

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

Composed by Cecilia McDowall. New Horizons. Vocal score. 36 pages. Duration 18'. Published by Oxford University Press (OU.9780193411487).

(2.2.2.2/2.2.0.0,timp,per c,str,violin solo)

SKU: TM.00433SET

Composed by Pablo de Sarasate. Edited by Francescatti. Set Type: D. Set of parts. Lucks Music Library #A1989. Published by Lucks Music Library (TM.00433SET).

Solo/piano.

(2.2.2.2/2.2.0.0,timp,per c,str,violin solo)

SKU: TM.00433SC

Composed by Pablo de Sarasate. Edited by Francescatti. Score. Lucks Music Library #A1989. Published by Lucks Music Library (TM.00433SC).

Solo/piano.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo (2), Tenor solo (2), Bass solo (2), Mixed choir (SATB), Orchestra)

SKU: BA.BA11311

Composed by George Frideric Handel. Edited by Felix Schroeder. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. HWV 48. Baerenreiter Verlag #BA11311_00. Published by Baerenreiter Verlag (BA.BA11311).

ISBN 9790006574650. 31 x 24.3 cm inches. Language: German. Preface: Schütz, Gudula. Text: Barthold Heinrich Brockes.

Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled “Der für die Sünde der Welt gemarterte und sterbende Jesus” (“The Story of Jesus, Suffering and Dying for the Sins of the World”). Handel’s affinity to opera is evident in the musical realisation of the emphatic text as he creates a synthesis between traditional Protestant church music and the depiction of human passion in the manner of opera seria.

This edition is based on the corresponding volume of the “Halle Handel Edition” (BA 4021). The full score, parts and vocal score have been newly engraved. The piano reduction has been simplified and brought up to today’s standards, thus making it much more manageable to play.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(2.2.2.2/2.0.0.0,str,pf solo)

SKU: TM.00092SC

Composed by Gabriel Faure. Score. Lucks Music Library #A1443. Published by Lucks Music Library (TM.00092SC).

Siloti Revised version (solo). Piano Solo/piano reduction. Violin and Cello soli in second movement (separate parts from the standard violin I and Cello parts). Violin and Cello solos in set; Piano solo sold separately.

(2.2.2.2/2.0.0.0,str,pf solo)

SKU: TM.00092SET

Composed by Gabriel Faure. Set Type: D. Set of parts. Lucks Music Library #A1443. Published by Lucks Music Library (TM.00092SET).

Siloti Revised version (solo). Piano Solo/piano reduction. Violin and Cello soli in second movement (separate parts from the standard violin I and Cello parts). Violin and Cello solos in set; Piano solo sold separately.

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe KlA. By Wolfgang Amadeus Mozart. Edited by Monika Holl. Arranged by Focke, Martin. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Bassoon, Trombone (3), Strings, Organ. Messen, Klassik (Masses, Classical). Piano Reduction/Vocal Score. KV 275 (272b). Published by Baerenreiter-Ausgaben (German import). (BA5344 90)

Klavierauszug nach der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Walter Senn. Arranged by Focke, Martin. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Oboe (2), Trumpet (2), Trombone (3), Kettledrum, Strings, Organ. Messen, Klassik (Masses, Classical). Piano Reduction/Vocal Score. KV 257. Duration 27'. Published by Baerenreiter-Ausgaben (German import). (BA4859 90)

Klavierauszug nach der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Walter Senn. Arranged by Focke, Martin. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Trombone (3) ad lib., Strings, Organ. Messen, Klassik (Masses, Classical). Piano Reduction/Vocal Score. KV 49 (47 d). Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA4769 90)

Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bass solo, mixed choir-SSATB, piccolo, alto recorder (f,g) (2), oboe (2), bassoon, horn (2), Violin Solo, Cello Solo, strings, basso continuo. Piano Reduction/Vocal Score (paperbound). HWV 34. Duration 195'. Published by Baerenreiter-Ausgaben (German import). (BA4061 90)

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Walter Senn. Arranged by Focke, Martin. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Flute (2), Oboe (2), Horn (2), Clarin trumpet (2), Kettledrum, Strings, Organ. Piano Reduction/Vocal Score. KV 66. Duration 43'. Published by Baerenreiter-Ausgaben (German import). (BA4791 90)

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Monika Holl. Arranged by Focke, Martin. For Soprano Solo, Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Oboe (2), Bassoon (2), Trumpet. (2) 3 Trombone, Kettledrum, Strings, Organ. Piano Reduction/Vocal Score. KV 337. Duration 22`. Published by Baerenreiter-Ausgaben (German import). (BA4881 90)

(Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe). By Franz Schubert (1797-1828). Edited by Rossana Dalmonte. Arranged by Olga Kroupova. For soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/SATB choir/orchestra. This edition: Urtext edition. Level 4. Piano reduction. Language: Latin, Text language: German/English. Opus post.141: D 324. Published by Baerenreiter Verlag

Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Emil Platen. Arranged by K!Hs, Andreas. For Soprano solo, Alto solo, Bass solo, Mixed Choir-SATB, Orchestra. Piano Reduction/Vocal Score (paperbound). BWV 233. Duration 25'. Published by Baerenreiter-Ausgaben (German import). (BA5182 90)