SATB and Cello SKU: BT.SLB-00594700 Pour Choeur Mixte & Violoncelle(+)
SATB and Cello
SKU:
BT.SLB-00594700
Pour Choeur Mixte &
Violoncelle. Composed
by Eric Tanguy. Score
Only. Composed 2015. 28
pages. Editions Salabert
#SLB 00594700. Published
by Editions Salabert
(BT.SLB-00594700).
Composed
by Franz Josef Aumann.
German title: Ave maris
stella. Sacred vocal
music. Single Part,
Violone. 2 pages.
Duration 2 minutes. Carus
Verlag #CV 27.102/11.
Published by Carus Verlag
(CA.2710211).
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Cello/Double
Bass. TVWV 1:1452. 8
pages. Duration 22
minutes. Carus Verlag #CV
39.115/14. Published by
Carus Verlag
(CA.3911514).
ISBN
9790007215637. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and part
available separately -
see item CA.3911500.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Cello/Double
Bass. Composed 1821/22.
MWV A 1. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
40.483/14. Published by
Carus Verlag
(CA.4048314).
ISBN
9790007218799. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Cantata for the
inauguration of the town
council in
Muhlhausen. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Gott ist
mein Konig. Sacred vocal
music, Cantatas, Praise
and thanks. Study score.
Composed 1708. BWV 71. 72
pages. Duration 20
minutes. Carus Verlag #CV
31.071/07. Published by
Carus Verlag
(CA.3107107).
ISBN
9790007044459. Key: C
major. Language:
German/English.
Sco
re available separately -
see item CA.3107100.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violoncello
piccolo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, Cello piccol.
Composed 1724. BWV 139. 4
pages. Duration 20
minutes. Carus Verlag #CV
31.139/14. Published by
Carus Verlag
(CA.3113914).
ISBN
9790007208271. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the
inauguration of the town
council in
Muhlhausen. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Gott ist
mein Konig. Sacred vocal
music, Cantatas, Praise
and thanks. Set of
Orchestra Parts. Composed
1708. BWV 71. Duration 20
minutes. Carus Verlag #CV
31.071/19. Published by
Carus Verlag
(CA.3107119).
ISBN
9790007136291. Key: C
major. Language:
German/English.
Sco
re and parts available
separately - see item
CA.3107100.
God is my Sov'reign Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre [Set de Parties séparées] - Facile Carus Verlag
(Kantate zum Ratswechsel in Muhlhausen). By Johann Sebastian Bach (1685-1750). E...(+)
(Kantate zum Ratswechsel
in Muhlhausen). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders, 2 oboes,
bassoon, 3 trumpets,
timpani, 2 violins,
viola, cello, violone,
basso continuo, organ
obligato. C-Dur (C
major). Score available
separately - see item
CA.3107100. Cantatas
Praise and thanks. Level
3. Set of instrumental
parts (except strings).
Language: German/English.
Composed 1708. BWV 71. 36
pages. Duration 20 min.
Published by Carus Verlag
God is my Sov'reign Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre [Partie séparée] - Facile Carus Verlag
(Kantate zum Ratswechsel in Muhlhausen). By Johann Sebastian Bach (1685-1750). E...(+)
(Kantate zum Ratswechsel
in Muhlhausen). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders, 2 oboes,
bassoon, 3 trumpets,
timpani, 2 violins,
viola, cello, violone,
basso continuo, organ
obligato. C-Dur (C
major). Score available
separately - see item
CA.3107100. Cantatas
Praise and thanks. Level
3. Part: violin 1.
Language: German/English.
Composed 1708. BWV 71. 4
pages. Duration 20 min.
Published by Carus Verlag
Composed
by Franz Josef Aumann.
German title: Ave maris
stella. Sacred vocal
music. Single Part,
Organ. 4 pages. Duration
2 minutes. Carus Verlag
#CV 27.102/49. Published
by Carus Verlag
(CA.2710249).
Composed
by Franz Josef Aumann.
German title: Ave maris
stella. Sacred vocal
music. Reduction for
organ. 8 pages. Duration
2 minutes. Carus Verlag
#CV 27.102/03. Published
by Carus Verlag
(CA.2710203).
Composed
by Franz Josef Aumann.
This edition: Paperbound.
Sacred vocal music.
German title: Ave maris
stella. Sacred vocal
music. Full score. 12
pages. Duration 2
minutes. Carus Verlag #CV
27.102/00. Published by
Carus Verlag
(CA.2710200).
Cantata
for the 23rd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Thomas
Riegler. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music, End
of the church year. Study
score. Composed 1715. BWV
163. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.163/07. Published
by Carus Verlag
(CA.3116307).
ISBN
9790007141516. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score available
separately - see item
CA.3116300.
God is my Sov'reign Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre [Partie séparée] - Facile Carus Verlag
(Kantate zum Ratswechsel in Muhlhausen). By Johann Sebastian Bach (1685-1750). E...(+)
(Kantate zum Ratswechsel
in Muhlhausen). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders, 2 oboes,
bassoon, 3 trumpets,
timpani, 2 violins,
viola, cello, violone,
basso continuo, organ
obligato. C-Dur (C
major). Score available
separately - see item
CA.3107100. Cantatas
Praise and thanks. Level
3. Part: cello/double
bass. Language:
German/English. Composed
1708. BWV 71. 4 pages.
Duration 20 min.
Published by Carus Verlag
God is my Sov'reign Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre [Partie séparée] - Facile Carus Verlag
(Kantate zum Ratswechsel in Muhlhausen). By Johann Sebastian Bach (1685-1750). E...(+)
(Kantate zum Ratswechsel
in Muhlhausen). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders, 2 oboes,
bassoon, 3 trumpets,
timpani, 2 violins,
viola, cello, violone,
basso continuo, organ
obligato. C-Dur (C
major). Score available
separately - see item
CA.3107100. Cantatas
Praise and thanks. Level
3. Part: cello. Language:
German/English. Composed
1708. BWV 71. 8 pages.
Duration 20 min.
Published by Carus Verlag
(Kantate zum Michaelistag). By Johann Sebastian Bach (1685-1750). Edited by Ulri...(+)
(Kantate zum
Michaelistag). By Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, 3 Oboes, Bassoon,
3 Trumpets, Timpani, 2
Violins, Viola, Violone,
Basso continuo. This
edition: paperbound. BWV
149. Full score available
separately - see item
CA.3114900. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Special
Days. Piano/Vocal score.
Language: German/English.
32 pages. Duration 22
min. Published by Carus
Verlag
God is my Sov'reign Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre [Partie séparée] - Facile Carus Verlag
(Kantate zum Ratswechsel in Muhlhausen). By Johann Sebastian Bach (1685-1750). E...(+)
(Kantate zum Ratswechsel
in Muhlhausen). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders, 2 oboes,
bassoon, 3 trumpets,
timpani, 2 violins,
viola, cello, violone,
basso continuo, organ
obligato. C-Dur (C
major). Score available
separately - see item
CA.3107100. Cantatas
Praise and thanks. Level
3. Part: viola. Language:
German/English. Composed
1708. BWV 71. 4 pages.
Duration 20 min.
Published by Carus Verlag
(Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik)). By Johann Sebas...(+)
(Kantate zum
Reformationsfest
(Rekonstruktion: Reinhold
Kubik)). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn / Reinhold
Kubik. For Soli SATB,
SATB Choir, 2 Oboes, 2
Oboe d'Amore, Oboe
d'Amore, Violin solo,
Strings, Violone, Organ,
[3 Trumpets, Timpani].
This edition: paperbound.
BWV 80. Full score
available separately -
see item CA.3108000.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Special Days, Reformation
day. Level 3. Piano/Vocal
score. Language:
German/English. 72 pages.
Duration 30 min
Composed
by Franz Josef Aumann.
German title: Ave maris
stella. Sacred vocal
music. Single Part, 2
Horns. 4 pages. Duration
2 minutes. Carus Verlag
#CV 27.102/09. Published
by Carus Verlag
(CA.2710209).
(Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik)). By Johann Sebas...(+)
(Kantate zum
Reformationsfest
(Rekonstruktion: Reinhold
Kubik)). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn / Reinhold
Kubik. For Soli SATB,
SATB Choir, 2 Oboes, 2
Oboe d'Amore, Oboe
d'Amore, Violin solo,
Strings, Violone, Organ,
[3 Trumpets, Timpani].
This edition: paperbound.
BWV 80. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Special
Days, Reformation day.
Level 3. Score. Language:
German/English. 152
pages. Duration 30 min.
Published by Carus Verlag
God is my Sov'reign Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre [Partie séparée] - Facile Carus Verlag
(Kantate zum Ratswechsel in Muhlhausen). By Johann Sebastian Bach (1685-1750). E...(+)
(Kantate zum Ratswechsel
in Muhlhausen). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders, 2 oboes,
bassoon, 3 trumpets,
timpani, 2 violins,
viola, cello, violone,
basso continuo, organ
obligato. C-Dur (C
major). Score available
separately - see item
CA.3107100. Cantatas
Praise and thanks. Level
3. Part: violin 2.
Language: German/English.
Composed 1708. BWV 71. 4
pages. Duration 20 min.
Published by Carus Verlag
God is my Sov'reign Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre [Conducteur] - Facile Carus Verlag
(Kantate zum Ratswechsel in Muhlhausen). By Johann Sebastian Bach (1685-1750). E...(+)
(Kantate zum Ratswechsel
in Muhlhausen). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders, 2 oboes,
bassoon, 3 trumpets,
timpani, 2 violins,
viola, cello, violone,
basso continuo, organ
obligato. This edition:
Paperbound. C-Dur (C
major). Cantatas Praise
and thanks. Level 3. Full
score. Language:
German/English. Composed
1708. BWV 71. 64 pages.
Duration 20 min.
Published by Carus Verlag
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year. Full score.
Composed 1715. BWV 163.
24 pages. Duration 18
minutes. Carus Verlag #CV
31.163/00. Published by
Carus Verlag
(CA.3116300).
ISBN
9790007097615. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Organ. Composed 1724. BWV
139. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/49. Published
by Carus Verlag
(CA.3113949).
ISBN
9790007208295. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Full
score. Composed 1724. BWV
139. 40 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/00. Published
by Carus Verlag
(CA.3113900).
ISBN
9790007170479. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or
violoncello.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, basso continuo.
Composed 1724. BWV 139.
12 pages. Duration 20
minutes. Carus Verlag #CV
31.139/15. Published by
Carus Verlag
(CA.3113915).
ISBN
9790007208288. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 1. Composed
1724. BWV 139. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/11. Published by
Carus Verlag
(CA.3113911).
ISBN
9790007208240. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 2. Composed
1724. BWV 139. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/12. Published by
Carus Verlag
(CA.3113912).
ISBN
9790007208257. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Choral
Score. Composed 1724. BWV
139. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.139/05. Published by
Carus Verlag
(CA.3113905).
ISBN
9790007181093. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext. 1x
31.139/21 oboe d'amore 1,
1x 31.139/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/09. Published by
Carus Verlag
(CA.3113909).
ISBN
9790007208233. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900.