Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes - Grade 2
SKU: KN.60748S
Composed by Les Sabina.
Jazz Gateway. Kendor
Music Inc #60748S.
Published by Kendor Music
Inc (KN.60748S).
UPC:
822795607482.
This
tuneful funk/rock chart
for developing groups
starts off with a bang
and doesn't let up. Set
in a half-time feel, the
initial bluesy melody is
contrasted by a riff at
the bridge and additional
counter-melodies
throughout. An alto
saxophone solo (ad lib or
as written) contains an
easy three-chord
progression. Featuring
Kendor Konvertible
scoring for 9-17 players,
each set includes a
guitar chord chart by Jim
Greeson and optional
flute, clarinet, F horn,
tuba and vibes parts.
Duration 3:15.
Minnie the Moocher Fanfare [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Marching Band. Marchin...(+)
By Cab Calloway and
Irving Mills. Arranged by
Ralph Ford. Marching
Band. Marching Band;
Part(s); Score. Premier
Series for Marching Band.
Jazz. Grade 3.5. 122
pages. Published by
Alfred Music
Composed by David Samuel.
Arranged by Caryn Wiegand
Neidhold. Intermezzo. Set
of parts. Excelcia Music
Publishing #ISO2306.
Published by Excelcia
Music Publishing
(XC.ISO2306).
9 x 12
inches.
Taken from
the original version for
Jazz ensemble by David
Samuel, Caryn Wiegand
Neidhold has realized it
for the young string
orchestra. It is a
bluesy, swinging chart
with lots of tutti
rhythms making this an
excellent choice for a
young ensemble just
starting on the path to
Jazz.
Choir (SAB choir/3-Part choir Mixed) SKU: AP.48409 Arranged by Russell L....(+)
Choir (SAB choir/3-Part
choir Mixed)
SKU:
AP.48409
Arranged by
Russell L. Robinson.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Sacred; Spiritual;
Traditional. Choral
Octavo. 12 pages. Alfred
Music #00-48409.
Published by Alfred Music
(AP.48409).
UPC:
038081552323. English.
Traditional
Spiritual.
A bluesy
rhythmic motive stacks up
across voices, creating a
compelling introduction
and scattered interludes
for this hip
interpretation of the
African-American
spiritual.
Call-and-response verses
give individual sections
a chance to shine, and a
brief descant plus some
optional divisi add that
final flourish. A great
teaching piece for 2- and
3-part choirs.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Jazz ensemble - Grade 2 SKU: CL.032-4431-01 Composed by Neeck. Jazz Ensem...(+)
Jazz ensemble - Grade 2
SKU:
CL.032-4431-01
Composed by Neeck. Jazz
Ensemble. Audio recording
available separately
(item CL.991-2016-01).
Extra full score.
Composed 2016. Duration 3
minutes, 21 seconds. C.L.
Barnhouse #032-4431-01.
Published by C.L.
Barnhouse
(CL.032-4431-01).
The saxes take
the lead in this upbeat,
bluesy swing/shuffle.
Great riffs, reasonable
ranges, and solid
ensemble scoring, make
this an easy, yet fun
chart for your band to
rehearse and perform. An
optional solo section
includes written solos,
and the chart even sounds
exceptional with a
limited instrumentation.
Ending with a shout
chorus that starts with a
whisper, and builds to a
roar, Make It Snappy!
will be a hit with
audiences and students
alike.
Composed by David Samuel.
Arranged by Caryn Wiegand
Neidhold. Intermezzo.
Score. Excelcia Music
Publishing #ISO2306FS.
Published by Excelcia
Music Publishing
(XC.ISO2306FS).
9 x 12
inches.
Taken from
the original version for
Jazz ensemble by David
Samuel, Caryn Wiegand
Neidhold has realized it
for the young string
orchestra. It is a
bluesy, swinging chart
with lots of tutti
rhythms making this an
excellent choice for a
young ensemble just
starting on the path to
Jazz.
String Orchestra string orchestra with opt. 3rd Violin/Viola TC 1 and piano - Gr...(+)
String Orchestra string
orchestra with opt. 3rd
Violin/Viola TC 1 and
piano - Grade 1
SKU:
KN.08266S
Composed by
Traditional. Arranged by
Frank Halferty. Solo or
Ensemble. Accent String
Orchestra. Kendor Music
Inc #08266S. Published by
Kendor Music Inc
(KN.08266S).
UPC:
822795082661.
Based
on the classic fiddle
tune Goin to Boston, this
is a great hoedown number
for strings. It comes
complete with several
special techniques
including bluesy note
slides, shuffle bowings,
hand slaps and foot
stomps (specific
performance directions
for each are included in
the score). Some easy
double stops are also
included, but they should
be assigned only to
advanced students until
players become more
familiar with the music.
Duration 2:00.
Medium Voice & Piano SKU: ST.Y291 Composed by Rhian Samuel. Vocal music. ...(+)
Medium Voice & Piano
SKU: ST.Y291
Composed by Rhian Samuel.
Vocal music. Four songs
for medium voice and
piano to poems by Anne
Stevenson and Emily
Dickinson.. Vocal score.
Stainer & Bell Ltd.
#Y291. Published by
Stainer & Bell Ltd.
(ST.Y291).
ISBN
9790220223372.
CONT
ENTS 1. Blackbird
(Anne Stevenson) (b -
g) 2. The moon is
distant (Emily Dickinson)
(b - g sharp) 3. Bird
in hand (Anne Stevenson)
(e flat - g flat) 4.
On not being able to look
at the moon (Anne
Stevenson) (b - g)
For medium voice and
piano or ensemble of
flute, harp and string
quartet, Moon and
Birds is a
substantial cycle of
songs to words by Anne
Stevenson and Emily
Dickinson. Its sequence
of four settings,
'Blackbird', 'The moon is
distant' (Dickinson),
'Bird in hand' and 'On
not being able to look at
the moon' unfolds a
symmetrical structure of
contrasting yet
interlocking moods in
which the reflective
second and fourth
numbers, lunar visions of
mystic tranquillity
flawed by doubt and pain,
temper with human frailty
the bright epiphanies of
the first and third
songs.
There is
a fascinating challenge
here for the performer to
embrace both elation and
gravitas in a single
reading, Samuel's
vigorous musical
invention binding the
developing web of feeling
with its own formal
strengths and subtly
illustrative moments. In
the version for string
quartet, flute and harp,
first performed by
Contemporary Connections
on 4 November 2011 at St
James's Church
Piccadilly, the flute
takes a prominent role
throughout. Violins,
viola and cello at times
elaborate on the simpler
textures of the keyboard
version, though the two
scores remain entirely
compatible. The bluesy
harmonies of the
concluding number,
whether weighted by
sonorous string quartet
or profiled in edgier
piano chords, bring the
cycle to a sombre
conclusion with a proper
sense of an emotional
world traversed.
Composed by Irving
Berlin. Arranged by Ed
Lojeski. Jazz Chorals.
Oldies, Standards, Swing,
Vocal Jazz. CD only.
Published by Hal Leonard
(HL.8751151).
UPC:
884088477400. 4.75x5
inches.
The 1935
motion picture Top
Hat introduced this
Irving Berlin song to the
world and it continues to
be a popular standard for
jazz performers. It
features a vintage,
bluesy swing that will
showcase your singers at
their best! Available
separately: SATB, SAB,
SSA, ShowTrax CD. Combo
parts available digitally
(tpt 1, tpt 2, tsx, tbn,
syn, gtr, b, dm).
Duration: ca. 3:35.
Composed by Howard
Skempton. Mixed Ensemble.
Score and parts. 32
pages. Duration 10'.
Oxford University Press
#9780193522268. Published
by Oxford University
Press (OU.9780193522268).
ISBN 9780193522268. 12
x 8 inches.
This
work for clarinet and
string quartet is in
three movements: a
subdued prelude, an airy
interlude, and a bluesy
postlude.
Grade 2 SKU: CL.032-4948-01 Arranged by Neeck. Jazz Ensemble. Extra full ...(+)
Grade 2
SKU:
CL.032-4948-01
Arranged by Neeck. Jazz
Ensemble. Extra full
score. C.L. Barnhouse
#032-4948-01. Published
by C.L. Barnhouse
(CL.032-4948-01).
A brief,
lyrical introduction
leads to an exciting,
up-tempo swing version of
this classic Christmas
carol. Following the
unison statement of the
theme in the trombones,
each section of the band
gets a chance to shine.
The easy, bluesy solo
changes (suggested solos
are provided) will
encourage your budding
improvisers. The powerful
ensemble scoring, hip
riffs and supportive
backgrounds in this chart
will dazzle your audience
and get everyone into the
holiday spirit!
Catwalk Ensemble de cuivres - Intermédiaire Forton Music
Brass choir (trumpet in Eb, 2 trumpets in Bb, flugelhorn, horn in F, 3 trombones...(+)
Brass choir (trumpet in
Eb, 2 trumpets in Bb,
flugelhorn, horn in F, 3
trombones, bass trombone,
tuba) - Intermediate
SKU: FT.FM267
Composed by Keiron
Anderson. Score and
Parts. Published by
Forton Music (FT.FM267).
ISBN
979-0-57048-166-8.
With a bright swing
tempo, this piece
swaggers along with
style. The opening and
closing sections almost
have a big band feel to
them, while the central
section is slow and
bluesy. At about 5
minutes long, a great
concert item for
intermediate bands.
Chamber Music SKU: PR.164002120 Composed by Dan Welcher. Set of Score and...(+)
Chamber Music
SKU:
PR.164002120
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
32+16+12+12+12 pages.
Duration 16 minutes.
Theodore Presser Company
#164-00212. Published by
Theodore Presser Company
(PR.164002120).
UPC:
680160037582.
Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher.
Grade 2.5 SKU: CL.032-3591-01 Composed by Neeck. Jazz Ensemble. Audio rec...(+)
Grade 2.5
SKU:
CL.032-3591-01
Composed by Neeck. Jazz
Ensemble. Audio recording
available separately
(item CL.991-2007-01).
Extra full score.
Composed 2007. Duration 3
minutes, 29 seconds. C.L.
Barnhouse #032-3591-01.
Published by C.L.
Barnhouse
(CL.032-3591-01).
Smooth-out the
bumps in your concert!
This bluesy, minor-key
shuffle features
infectious unison riffs
contrasted with
hard-hitting ensemble
sections, over a really
swinging groove. An open
section provides ample
opportunity for your
soloists (suggested solos
are included). With a
shout chorus ending that
builds from a whisper to
a roar, Another Bump In
The Road will bring down
the house!
Carry On Fanfare [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(As performed by fun.). By Nate Ruess, Jeff Bhasker, Andrew Dost, and Jack Anton...(+)
(As performed by fun.).
By Nate Ruess, Jeff
Bhasker, Andrew Dost, and
Jack Antonoff [fun.].
Arranged by Nick Baratta.
Marching Band. Marching
Band; Part(s); Score.
Premier Series for
Marching Band. Pop/Rock.
Grade 3. Published by
Alfred Music
Livin' Large Ensemble Jazz [Conducteur] - Facile C.L. Barnhouse
Jazz ensemble - Grade 2 SKU: CL.032-4547-01 Composed by Neeck. Jazz Ensem...(+)
Jazz ensemble - Grade 2
SKU:
CL.032-4547-01
Composed by Neeck. Jazz
Ensemble. Extra full
score. Composed 2017.
Duration 3 minutes, 17
seconds. C.L. Barnhouse
#032-4547-01. Published
by C.L. Barnhouse
(CL.032-4547-01).
This top-notch,
bluesy original is the
perfect vehicle for
teaching both shuffle and
straight-ahead swing
style. Great riffs,
reasonable ranges, and
solid ensemble scoring
make this an easy and fun
chart for your band. An
optional solo section
includes suggested solos,
and the chart sounds
exceptional even with
limited instrumentation.
Ending with a shout
chorus that starts with a
whisper and builds to a
roar, Livin’ Large
will be a hit with
audiences and students
alike.
A Swingin' Silent Night Ensemble Jazz [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.032-4948-00 Arranged by Neeck. Jazz Ensemble. Score and s...(+)
Grade 2
SKU:
CL.032-4948-00
Arranged by Neeck. Jazz
Ensemble. Score and set
of parts. C.L. Barnhouse
#032-4948-00. Published
by C.L. Barnhouse
(CL.032-4948-00).
A brief,
lyrical introduction
leads to an exciting,
up-tempo swing version of
this classic Christmas
carol. Following the
unison statement of the
theme in the trombones,
each section of the band
gets a chance to shine.
The easy, bluesy solo
changes (suggested solos
are provided) will
encourage your budding
improvisers. The powerful
ensemble scoring, hip
riffs and supportive
backgrounds in this chart
will dazzle your audience
and get everyone into the
holiday spirit!
Choir SKU: AP.48411 Arranged by Russell L. Robinson. This edition: SoundT...(+)
Choir
SKU:
AP.48411
Arranged by
Russell L. Robinson. This
edition: SoundTrax CD.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Sacred; Spiritual;
Traditional. CD. Alfred
Music #00-48411.
Published by Alfred Music
(AP.48411).
UPC:
038081552347. English.
Traditional
Spiritual.
A bluesy
rhythmic motive stacks up
across voices, creating a
compelling introduction
and scattered interludes
for this hip
interpretation of the
African-American
spiritual.
Call-and-response verses
give individual sections
a chance to shine, and a
brief descant plus some
optional divisi add that
final flourish. A great
teaching piece for 2- and
3-part choirs.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Clarinet & Drumset SKU: SU.21000213 For Clarinet & Drumset. Compos...(+)
Clarinet & Drumset
SKU: SU.21000213
For Clarinet &
Drumset. Composed by
Patrick Hardish.
Woodwinds, Clarinet,
Percussion, Percussion.
Accompanied by
percussion, Drum Set.
Performance Score.
Calabrese Brothers Music,
LLC #21000213. Published
by Calabrese Brothers
Music, LLC (SU.21000213).
UPC:
820821003284.
Jazz
Sonorities (2002) was
composed for Esther
Lamneck at her request
and premiered by her and
Barbara Allen on drums at
the Loewe Theater of New
York University on May
30, 2002. Ms. Lamneck
asked me to compose a
piece for either solo
clarinet or clarinet and
piano. I decided on the
former to continue my
Sonorities series of
works for solo
instruments which
eventually resulted in
Sonorities VII for solo
b-flat clarinet
(2003-04). However,
shortly after getting
started with my
Sonorities VII I kept
hearing the swinging
sounds of a jazz clarinet
backed up by a jazz drum
set. Part of the reason I
kept hearing these sounds
is that I grew up
listening to the big
swing bands of such
clarinet leaders as Benny
Goodman, Artie Shaw,
Woody Herman, and Jimmy
Dorsey. These musicians
were my first exposure to
the clarinet. So I
decided to first compose
a piece for clarinet with
a jazz quality and a
swinging partly ad lib
part for the drums and to
put my solo clarinet
piece for Esther on hold
for a year. There was
also a personal reason to
use the drums in the
piece. My first ambition
in music was to be a jazz
drummer and indeed I
studied drums with a jazz
drummer and played drums
professionally in dance
bands for several years.
Ms. Lamneck's part in
this piece is almost
entiirely written out
except for a few measures
of improvisation around
the middle of the piece.
The jazz quality of her
part comes mostly in the
prasing and using bluesy
like pitch bends, slides,
and microtones. The jazz
quality of the drum set
part is in the swinging
beat that is used
throughout most of the
piece. The influence of
the famous recording of
Sing Sing Sing, with a
swing by Benny Goodman &
his orchestra in 1937
featuring Gene Krupa on
drums is heard in the
middle section when the
drummer switches to a
beat on the floor tom and
high tom for several
measures. Also, the Afro
Cuban section toward the
end of the piece was
influenced by the many
recordings of Stan Kenton
& his orchestra
particularly the 1950
Pete Rugolo arrangement
of Cole Porter's Love for
Sale. In the drum solo of
the Afro Cuban section
which is near the end can
use optional claves
and/or maracas (1-2
additional players). At
the premiere the composer
joined in this section on
maracas. The drum set
calls for a bass drum,
floor tom, snare drum,
high tom, ride cymbal,
sizzle cymbal, and
hi-hat. --Patrick
Hardish.
SKU: PR.16400212S Composed by Dan Welcher. With Standard notation. Durati...(+)
SKU: PR.16400212S
Composed by Dan Welcher.
With Standard notation.
Duration 16 minutes.
Theodore Presser Company
#164-00212S. Published by
Theodore Presser Company
(PR.16400212S).
UPC:
680160037605.
Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher.
Piano SKU: M7.PPV-20047074 Dein Individueller Trainingsplan für sch...(+)
Piano
SKU:
M7.PPV-20047074
Dein Individueller
Trainingsplan für
schnellen Erfolg.
Sheet music with CD.
Method. PPV Medien #PPV
20047074. Published by
PPV Medien
(M7.PPV-20047074).
ISBN 9783941531758.
German.
Mit Piano
Fitness ist es ein
Leichtes, Piano spielen
zu lernen. Du erstellst
dir deinen eigenen,
individuellen
Trainingsplan. Egal, ob
du Anfänger oder schon
Fortgeschrittener bist.
Das Erfolgsgeheimnis von
Piano Fitness ist der
Trainingsplan, der auf
deine Bedürfnisse
abgestimmt ist. Das Buch
ist so ausgelegt, dass du
mit 10 Minuten täglich
Piano spielen lernst.
Starke Finger für
starkes Klavierspiel:
Piano Fitness bietet dir
in präzisen
10-Minuten-Trainings die
Basis für dein starkes
Piano Spiel. Akkorde,
Tonleitern, Läufe und
Arpeggios mit schlaffen
Fingern oder Handgelenken
gespielt, klingen auch
so: saft- und kraftlos.
Die wichtige Grundlage
für Klang,
Schnelligkeit,
Präzision, Sicherheit
deines Pianospiels werden
hier gelegt. Eine wahre
Finger-Fitness, wenn man
so will. Was kann ich mit
Piano Fitness lernen? Die
fünf Trainingsbereiche
bei Piano Fitness sind so
angelegt, dass bei jedem
eine bestimmte
Fähigkeit
schwerpunktmäßig
trainiert wird. 1. Finger
Fitness: Kraft,
Flexibilität,
Schnelligkeit,
Präzision 2. Flinke
Finger: Tonleiterspiel in
allen Tonarten,
Pentatonik,
Bluestonleitern 3.
Akkordarbeit: Akkordspiel
in allen Tonarten,
kreatives Ãœben 4.
Harmoniebedürfnis:
Grundkadenzen in
Dur/Moll, typische Rock-,
Pop und Jazzkadenzen 5.
Groove Essentials: die
wichtigsten Piano Grooves
Piano Fitness eignet sich
ideal für Schüler
und Lehrer Alle
Trainingsbereiche
zusammen bieten Dir alles
was Du als Musiker
brauchst. Wenn Du alle
Trainingsbereiche
erfolgreich
durchgearbeitet hast,
bist Du fit für alle
Musikrichtungen von
Klassik bis Jazz. Das
ausgeklügelte
Ãœbungskonzept sorgt
dafür, dass du deine
Ziele schnell erreichst.
Bei stetig hohem
Motivationslevel. Das
modulare System von Piano
Fitness eignet sich ideal
für Klavier-Lehrer zur
Einbindung in deinen
Unterricht.
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 2 SKU: HL.44002198 Comp...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 2
SKU:
HL.44002198
Composed
by Kees Schoonenbeek. De
Haske Concert Band.
Concert Piece. Score
Only. Composed 1994. De
Haske Publications
#940567. Published by De
Haske Publications
(HL.44002198).
UPC:
073999922271. 6.75x10.5
inches.
Deze
compositie omvat drie
heel verschillende
stijlen. Het begin speelt
zich af in een
Latijns-Amerikaanse
stemming vol exotische
warmte, waarin ritme en
harmonie aangenaam
samengaan. Dan volgt
serene, dromerige muziek,
met een weelderigemelodie
die de prachtige klank
van de trompet benadrukt.
Het laatste deel is een
knipoog naar
Bluesette, de
bekende jazzy wals van
Toots
Thielemans.
Mus
ic for Fun bringt
Ihren Musikern drei
vollig unterschiedliche
Stile naher. Auf einen
Satz im
lateinamerikanischen Stil
- exotisch, warm, in
einem gefalligen Mix aus
Rhythmus und Harmonie -
folgt eine Melodie in
einer traumerischen
Atmosphare, welche
wiederum in einen
bekannten Jazz-Walzer
mundet. Ein Stuck, mit
dem nicht nur der
Solo-Trompeter glanzen
kann!
Music
for Fun (La musique
pour le plaisir) pourrait
etre est la devise de
Kees Schoonenbeek. La
musique est melodie,
harmonie, rythme, nuance,
timbre, et plus encore.
Music for Fun est
un triptyque plein de
brillance et de
generosite. Les voix sont
finement equilibrees.
Piano - very easy SKU: M7.ART-42072 Fröhliche Lieder für 10 bis ...(+)
Piano - very easy
SKU:
M7.ART-42072
Fröhliche Lieder
für 10 bis 20 Finger,
ab 3 Jahren. Composed
by Valenthin Engel. Sheet
music. 116 pages. MDS
(Music Distribution
Services) #ART 42072.
Published by MDS (Music
Distribution Services)
(M7.ART-42072).
ISBN
9783866420724.
German.
Der
einfache Einstieg in das
Klavierspiel für
Kinder im Vorschulalter.
Dieses Klavierbuch
ermöglicht Kindern ab
3 Jahren ohne
Vorkenntnisse alleine
oder mit einer
Begleitperson von Anfang
an schöne Stücke zu
spielen. Durch das
gemeinsame Singen der
Liedtexte werden Melodien
und Rhythmik schneller
und vor allem
spielerischer
kennengelernt. Die
Umsetzung am Klavier
gestaltet sich dadurch
leichter, der Spaß am
gemeinsamen Musizieren
wird gefördert und die
Anfänge am Klavier
bereiten den Kindern
somit große Freude!
Der Ansatz In der
Kinderstimme sind die
Noten durch
Bildernoten/Symbole
ersetzt worden und
'Verwirrungen' im
Notenbild, wie z.B.
Taktstriche und
Taktangaben, wurden
bewusst weggelassen. Nur
die Länge der Noten
wird durch 'Note mit
Hals' und 'Note ohne
Hals' unterschieden.
Durch einige nützliche
im Buch enthaltene
Hilfsmittel wird zudem
das Kennenlernen der
Klaviertasten im
5-Fingerbereich (Violin-
und Bass-Schlüssel)
vereinfacht und das Lesen
richtiger Noten wird auf
diese Weise bereits im
Ansatz vorbereitet. Die
kleinen Pianist(inn)en
werden somit behutsam und
motiviert mit der
richtigen Portion Spaß
an die Materie
herangeführt.
Music for Fun Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-0940567-1...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 2
SKU:
BT.DHP-0940567-170
Composed by Kees
Schoonenbeek. De Haske
Easy Band Series. Concert
Piece. Score Only.
Composed 1994. De Haske
Publications #DHP
0940567-170. Published by
De Haske Publications
(BT.DHP-0940567-170).
Deze compositie
omvat drie heel
verschillende stijlen.
Het begin speelt zich af
in een
Latijns-Amerikaanse
stemming vol exotische
warmte, waarin ritme en
harmonie aangenaam
samengaan. Dan volgt
serene, dromerige muziek,
met een weelderigemelodie
die de prachtige klank
van de trompet benadrukt.
Het laatste deel is een
knipoog naar
Bluesette, de
bekende jazzy wals van
Toots
Thielemans.
Mus
ic for Fun bringt
Ihren Musikern drei
völlig
unterschiedliche Stile
näher. Auf einen Satz
im lateinamerikanischen
Stil - exotisch, warm, in
einem gefälligen Mix
aus Rhythmus und Harmonie
- folgt eine Melodie in
einer träumerischen
Atmosphäre, welche
wiederum in einen
bekannten Jazz-Walzer
mündet. Ein Stück,
mit dem nicht nur der
Solo-Trompeter glänzen
kann!
Music for Fun Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0940567-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0940567-015
Composed by Kees
Schoonenbeek. De Haske
Easy Band Series. Set
(Score & Parts). Composed
1994. De Haske
Publications #DHP
0940567-015. Published by
De Haske Publications
(BT.DHP-0940567-015).
Deze compositie
omvat drie heel
verschillende stijlen.
Het begin speelt zich af
in een
Latijns-Amerikaanse
stemming vol exotische
warmte, waarin ritme en
harmonie aangenaam
samengaan. Dan volgt
serene, dromerige muziek,
met een weelderigemelodie
die de prachtige klank
van de trompet benadrukt.
Het laatste deel is een
knipoog naar
Bluesette, de
bekende jazzy wals van
Toots
Thielemans.
Mus
ic for Fun bringt
Ihren Musikern drei
völlig
unterschiedliche Stile
näher. Auf einen Satz
im lateinamerikanischen
Stil - exotisch, warm, in
einem gefälligen Mix
aus Rhythmus und Harmonie
- folgt eine Melodie in
einer träumerischen
Atmosphäre, welche
wiederum in einen
bekannten Jazz-Walzer
mündet. Ein Stück,
mit dem nicht nur der
Solo-Trompeter glänzen
kann!