Viola (2.2.2.2. - 2.2.3.0. - timp - str) SKU: BR.OB-5207-19 The Unfini...(+)
Viola (2.2.2.2. -
2.2.3.0. - timp - str)
SKU: BR.OB-5207-19
The Unfinished -
Urtext. Composed by
Franz Schubert. Edited by
Peter Gulke. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This edition is extremely
thorough and explanatory
notes are clear making
this a good place to
start a study of the
work. (Sheet Music).
Symphony; Romantic. Part.
8 pages. Duration 22'.
Breitkopf and Haertel #OB
5207-19. Published by
Breitkopf and Haertel
(BR.OB-5207-19).
ISBN
9790004330654. 10 x 12.5
inches.
Franz
Schubert wrote the two
movements of the
Unfinished Symphony in
October 1822. The torso
has since been posing
riddles to posterity,
which first learned of
the existence of this
masterpiece in 1865
through the simultaneous
first edition and
world-premiere
performance. There seems
to have been no external
reason for its creation.
Did Schubert really
consider the piece only
as an experiment that did
not warrant any
continuation? It should
be noted, however, that
Schubert sketched the
Scherzo up to the
beginning of the Trio,
and even fully
orchestrated nine
measures of this
movement.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This handsome urtext
edition from Breitkopf is
edited by Henrik Wiese
and comprises the
complete suit of full
score, orchestral parts,
oboe copy and piano
accompaniment. (Double
Reed News). Solo
concerto; Classical.
Part. 8 pages. Duration
20'. Breitkopf and
Haertel #OB 5309-15.
Published by Breitkopf
and Haertel
(BR.OB-5309-15).
ISBN
9790004340073. 10 x 12.5
inches.
Mozart is
believed to have written
an oboe concerto for the
Salzburg virtuoso
Giuseppe Ferlendis in
1777. The work was
considered lost until
1920, when Bernhard
Paumgartner discovered a
copy of the parts that
must have been written
shortly before Mozart's
death. Nevertheless, this
copy proved to be much
more unreliable than the
copy of the parts of the
flute concerto. Every
source-critical edition
must take these parts
into consideration, as
there is otherwise no
extant source material
aside from a brief
autograph sketch. Henrik
Wiese's new edition
consistently
distinguishes between
what can be regarded as
Urtext and what the
informed player must
interpret himself. To
this end, the edition for
oboe and piano also
contains a study part in
which the solo parts for
flute and oboe are placed
synoptically opposite
each other.,,This
handsome urtext edition
from Breitkopf is edited
by Henrik Wiese and
comprises the complete
suit of full score,
orchestral parts, oboe
copy and piano
accompaniment. (Double
Reed News).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 12 pages. Duration
12'. Breitkopf and
Haertel #OB 15128-15.
Published by Breitkopf
and Haertel
(BR.OB-15128-15).
ISBN
9790004341605. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 12 pages. Duration
31'. Breitkopf and
Haertel #OB 4447-15.
Published by Breitkopf
and Haertel
(BR.OB-4447-15).
ISBN
9790004309704. 10 x 12.5
inches.
Thanks
to a detailed sketch, we
know that Mozart
originally wrote his
famous Clarinet Concerto
K. 622 for basset horn in
G or A. It was only in
the early editions dating
from the 19th century
that this work -
considered as the
Clarinet Concerto par
excellence - became
unproblematic to play an
the A clarinet. However,
source studies have
revealed that this was
made possible only at the
price of considerable
un-Mozartian alterations
of the solo Part. Sabine
Meyer, Wolfgang Meyer and
Reiner Wehle, the members
of the Trio di Clarone,
haue eliminated some of
these modifications in
their new edition,
restoring Mozart's
original intentions.
However, their critical
revision in no way
impedes the
performability of the
A-major
Concerto.
Die
Neuausgabe eines
Klavierauszuges verdient
besonderes Interesse, da
als Herausgeber mit
Sabine Meyer, Wolfgang
Meyer und Reiner Wehle
uberaus kompetente
Musiker fungieren. Die
Sorgfalt, mit der
gearbeitet wurde, merkt
man sowohl dem
Schriftbild als auch dem
informativen Vorwort
an.(Das
Liebhaberochester)
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical. Set
of parts. 16 pages.
Duration 12'. Breitkopf
and Haertel #OB 15128-30.
Published by Breitkopf
and Haertel
(BR.OB-15128-30).
ISBN
9790004341643. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Voice and breath(ad libitum amplified) (Music For Voice) - difficult SKU: HL....(+)
Voice and breath(ad
libitum amplified) (Music
For Voice) - difficult
SKU: HL.49045219
Tude in fragility for
voice and breath (ad lib.
amplified). Composed
by Chaya Czernowin. This
edition: Saddle
stitching. Sheet music.
Vocal. Softcover.
Composed 2015. 26 pages.
Duration 10'. Schott
Music #ED22393. Published
by Schott Music
(HL.49045219).
ISBN
9790001158695.
9.0x12.0x0.118 inches.
Vocalise.
In this
piece, the voice and the
breath play an equal role
in executing the musical
text, as the breath is
(at times) independent
from the voice and equal
to it in an almost
contrapuntal
relationship. This is not
an expressive piece in
the more standard way in
which a singer employs
all of his personality in
an attempt to express
emotions or other
expressions of the
‘self’. It is
rather a sketch using the
voice and the breath like
a small brush painting a
line. Even though it is
only a line made out of
water (breath) with some
color (voice), this line
is actually transmitting
a whole landscape.
Eskiz
dlia orkestra = The
enchanted kingdom :
symphonic sketch.
Composed by Nikolai
Nikolaevich Tcherepnin.
Orchestra (10 and more
instruments). Score.
Noten Roehr #97030.
Published by Noten Roehr
(NR.97030).
Trumpet (flugelhorn/cornet) SKU: HL.49006463 Composed by Willy Schneider....(+)
Trumpet
(flugelhorn/cornet)
SKU: HL.49006463
Composed by Willy
Schneider. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 36 pages.
Schott Music #ED 6593.
Published by Schott Music
(HL.49006463).
Wind set. Composed
by Wolfgang Amadeus
Mozart. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Set of parts. 24 pages.
Duration 31'. Breitkopf
and Haertel #OB 4447-30.
Published by Breitkopf
and Haertel
(BR.OB-4447-30).
ISBN
9790004309759. 10 x 12.5
inches.
Thanks
to a detailed sketch, we
know that Mozart
originally wrote his
famous Clarinet Concerto
K. 622 for basset horn in
G or A. It was only in
the early editions dating
from the 19th century
that this work -
considered as the
Clarinet Concerto par
excellence - became
unproblematic to play an
the A clarinet. However,
source studies have
revealed that this was
made possible only at the
price of considerable
un-Mozartian alterations
of the solo Part. Sabine
Meyer, Wolfgang Meyer and
Reiner Wehle, the members
of the Trio di Clarone,
haue eliminated some of
these modifications in
their new edition,
restoring Mozart's
original intentions.
However, their critical
revision in no way
impedes the
performability of the
A-major
Concerto.
Die
Neuausgabe eines
Klavierauszuges verdient
besonderes Interesse, da
als Herausgeber mit
Sabine Meyer, Wolfgang
Meyer und Reiner Wehle
uberaus kompetente
Musiker fungieren. Die
Sorgfalt, mit der
gearbeitet wurde, merkt
man sowohl dem
Schriftbild als auch dem
informativen Vorwort
an.(Das
Liebhaberochester)
Double bass (2.2.2.2. - 2.2.3.0. - timp - str) SKU: BR.OB-5207-27 The ...(+)
Double bass (2.2.2.2. -
2.2.3.0. - timp - str)
SKU: BR.OB-5207-27
The Unfinished -
Urtext. Composed by
Franz Schubert. Edited by
Peter Gulke. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This edition is extremely
thorough and explanatory
notes are clear making
this a good place to
start a study of the
work. (Sheet Music).
Symphony; Romantic. Part.
6 pages. Duration 22'.
Breitkopf and Haertel #OB
5207-27. Published by
Breitkopf and Haertel
(BR.OB-5207-27).
ISBN
9790004330678. 10 x 12.5
inches.
Franz
Schubert wrote the two
movements of the
Unfinished Symphony in
October 1822. The torso
has since been posing
riddles to posterity,
which first learned of
the existence of this
masterpiece in 1865
through the simultaneous
first edition and
world-premiere
performance. There seems
to have been no external
reason for its creation.
Did Schubert really
consider the piece only
as an experiment that did
not warrant any
continuation? It should
be noted, however, that
Schubert sketched the
Scherzo up to the
beginning of the Trio,
and even fully
orchestrated nine
measures of this
movement.
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 8 pages. Duration
31'. Breitkopf and
Haertel #OB 4447-27.
Published by Breitkopf
and Haertel
(BR.OB-4447-27).
ISBN
9790004309742. 10 x 12.5
inches.
Thanks
to a detailed sketch, we
know that Mozart
originally wrote his
famous Clarinet Concerto
K. 622 for basset horn in
G or A. It was only in
the early editions dating
from the 19th century
that this work -
considered as the
Clarinet Concerto par
excellence - became
unproblematic to play an
the A clarinet. However,
source studies have
revealed that this was
made possible only at the
price of considerable
un-Mozartian alterations
of the solo Part. Sabine
Meyer, Wolfgang Meyer and
Reiner Wehle, the members
of the Trio di Clarone,
haue eliminated some of
these modifications in
their new edition,
restoring Mozart's
original intentions.
However, their critical
revision in no way
impedes the
performability of the
A-major
Concerto.
Die
Neuausgabe eines
Klavierauszuges verdient
besonderes Interesse, da
als Herausgeber mit
Sabine Meyer, Wolfgang
Meyer und Reiner Wehle
uberaus kompetente
Musiker fungieren. Die
Sorgfalt, mit der
gearbeitet wurde, merkt
man sowohl dem
Schriftbild als auch dem
informativen Vorwort
an.(Das
Liebhaberochester)
Chamber Music oboe SKU: PR.114422520 Sonata for Oboe and Piano. Co...(+)
Chamber Music oboe
SKU: PR.114422520
Sonata for Oboe and
Piano. Composed by
Katherine Needleman. Set
of Score and Parts. 24+8
pages. Duration 15:45.
Theodore Presser Company
#114-42252. Published by
Theodore Presser Company
(PR.114422520).
ISBN
9781491134788. UPC:
680160683833.
After
decades as a renowned
oboe virtuoso, Katherine
Needleman was improvising
at the piano during the
quarantine summer of 2020
when her ideas congealed
in a powerful way. Within
a week she completed a
16-minute oboe sonata
inspired by the
world’s
overlapping crises. This
riveting three-movement
sonata bears the title
qua resurget ex favilla,
drawn from the Dies Irae
text referring to rising
back from ashes.
Needleman won the
International Double Reed
Society’s
Inaugural Commissioning
Competition by entering
her own recording of this
work, performing as
both oboist and pianist
from her living room. As
a result, IDRS
commissioned her to
compose a new work for
English horn and piano
which was premiered at
their 2021 Virtual
Symposium and programmed
for the live 2022
convention. I’m
not exactly sure how, in
a life consumed by music,
I never put anything on
paper between the time I
stopped at age 10 and the
age of 42. I mean, I have
some ideas why, but that
could easily dissolve
into a feminist manifesto
or a condemnation of my
musical education and the
overwhelming culture of
American oboe playing,
the vehicle through which
I’ve made a living
my entire adult life.
Rather than go there, I
will just say this is the
first piece I put on
paper in my adult
life.Six months into
COVID-19 lockdown in the
US, the world was feeling
pretty weird. I had
familiarized myself with
the music notation
program, Sibelius, for
recent arranging
projects. I had written
some mockeries of A.M.R.
Barret oboe etudes in
response to an assignment
I was given (and did
appropriately first).
When I descended into a
dark chorale in the
middle of the fourth
mockery, I realized I
needed a new vehicle. I
wrote a short, ridiculous
piece for my
husband’s
birthday, and then, the
next night, when
improvising at the piano,
like I’ve done
since I was seven years
old, this piece came to
me. However, this time, I
sketched it out into
Sibelius. Over the course
of the next week, I found
notating and picking
permanent, official notes
to enter into the
computer challenging. But
it was all done on paper
in seven days, and I took
another few for dynamics
and articulations
thinking they might be
useful for someone else,
if I would ever be lucky
enough for someone else
to play it.I don’t
have much to say about
the music of qua resurget
ex favilla itself.
It’s a personal
statement couched in the
feelings of that time.
The US presidential
election was looming
large and ugly in my
mind, well, that and the
end of life as we knew
it, but I also had some
bizarre feeling that
everything would be
okay.
Edited by Maurice Hinson. For Piano. Graded Standard Repertoire; Masterworks; Pi...(+)
Edited by Maurice Hinson.
For Piano. Graded
Standard Repertoire;
Masterworks; Piano
Collection. Masterwork.
Early Advanced; Early
Intermediate;
Intermediate; Late
Intermediate. Book. 64
pages. Published by
Alfred Music Publishing
Strings Piano
Accompaniment; Violin -
Henle Level 8
SKU:
HL.51480587
Urtext
Edition with Marked and
Unmarked String Part.
Composed by Maurice
Ravel. Edited by
Jean-Francois Monnard.
Arranged by Frank Peter
Zimmermann and Pascal
Roge. This edition:
Paperback/Soft Cover.
Sheet Music. Paperbound.
Henle Music Folios. With
marked and unmarked
string parts. Classical.
Softcover. 25 pages. G.
Henle #N587. Published by
G. Henle (HL.51480587).
ISBN 9790201805870.
UPC: 888680044091.
10.0x13.0x0.15
inches.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Orchestra (Full Score) SKU: HL.51481550 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51481550
For
String Orchestra Full
Score. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Chamber, Classical.
Softcover. 67 pages. G.
Henle #HN1550. Published
by G. Henle
(HL.51481550).
UPC:
196288207269.
10.0x12.75x0.236
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. âI'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,â he wrote
to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods â be
it the Mozartian first
movement âin the
form of a sonatinaâ,
the elegant Waltz, the
melancholy
âElegiaâ or the
rousing Finale. For this
new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Woodwinds (2.2.2.2. - 2.2.3.0. - timp - str) SKU: BR.OB-5207-30 The Un...(+)
Woodwinds (2.2.2.2. -
2.2.3.0. - timp - str)
SKU: BR.OB-5207-30
The Unfinished -
Urtext. Composed by
Franz Schubert. Edited by
Peter Gulke. Folder.
Orchester-Bibliothek
(Orchestral Library).
This edition is extremely
thorough and explanatory
notes are clear making
this a good place to
start a study of the
work. (Sheet Music).
Symphony; Romantic. Set
of parts. 52 pages.
Duration 22'. Breitkopf
and Haertel #OB 5207-30.
Published by Breitkopf
and Haertel
(BR.OB-5207-30).
ISBN
9790004330685. 10 x 12.5
inches.
Franz
Schubert wrote the two
movements of the
Unfinished Symphony in
October 1822. The torso
has since been posing
riddles to posterity,
which first learned of
the existence of this
masterpiece in 1865
through the simultaneous
first edition and
world-premiere
performance. There seems
to have been no external
reason for its creation.
Did Schubert really
consider the piece only
as an experiment that did
not warrant any
continuation? It should
be noted, however, that
Schubert sketched the
Scherzo up to the
beginning of the Trio,
and even fully
orchestrated nine
measures of this
movement.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
12'. Breitkopf and
Haertel #OB 15128-16.
Published by Breitkopf
and Haertel
(BR.OB-15128-16).
ISBN
9790004341612. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Violin 2 (2.2.2.2. - 2.2.3.0. - timp - str) SKU: BR.OB-5207-16 The Unf...(+)
Violin 2 (2.2.2.2. -
2.2.3.0. - timp - str)
SKU: BR.OB-5207-16
The Unfinished -
Urtext. Composed by
Franz Schubert. Edited by
Peter Gulke. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This edition is extremely
thorough and explanatory
notes are clear making
this a good place to
start a study of the
work. (Sheet Music).
Symphony; Romantic. Part.
8 pages. Duration 22'.
Breitkopf and Haertel #OB
5207-16. Published by
Breitkopf and Haertel
(BR.OB-5207-16).
ISBN
9790004330647. 10 x 12.5
inches.
Franz
Schubert wrote the two
movements of the
Unfinished Symphony in
October 1822. The torso
has since been posing
riddles to posterity,
which first learned of
the existence of this
masterpiece in 1865
through the simultaneous
first edition and
world-premiere
performance. There seems
to have been no external
reason for its creation.
Did Schubert really
consider the piece only
as an experiment that did
not warrant any
continuation? It should
be noted, however, that
Schubert sketched the
Scherzo up to the
beginning of the Trio,
and even fully
orchestrated nine
measures of this
movement.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This handsome urtext
edition from Breitkopf is
edited by Henrik Wiese
and comprises the
complete suit of full
score, orchestral parts,
oboe copy and piano
accompaniment. (Double
Reed News). Solo
concerto; Classical.
Part. 8 pages. Duration
20'. Breitkopf and
Haertel #OB 5309-19.
Published by Breitkopf
and Haertel
(BR.OB-5309-19).
ISBN
9790004340097. 10 x 12.5
inches.
Mozart is
believed to have written
an oboe concerto for the
Salzburg virtuoso
Giuseppe Ferlendis in
1777. The work was
considered lost until
1920, when Bernhard
Paumgartner discovered a
copy of the parts that
must have been written
shortly before Mozart's
death. Nevertheless, this
copy proved to be much
more unreliable than the
copy of the parts of the
flute concerto. Every
source-critical edition
must take these parts
into consideration, as
there is otherwise no
extant source material
aside from a brief
autograph sketch. Henrik
Wiese's new edition
consistently
distinguishes between
what can be regarded as
Urtext and what the
informed player must
interpret himself. To
this end, the edition for
oboe and piano also
contains a study part in
which the solo parts for
flute and oboe are placed
synoptically opposite
each other.,,This
handsome urtext edition
from Breitkopf is edited
by Henrik Wiese and
comprises the complete
suit of full score,
orchestral parts, oboe
copy and piano
accompaniment. (Double
Reed News).
Romantic Piano Repertoire, Level 1 (Original Piano Masterworks (Early to Late In...(+)
Romantic Piano
Repertoire, Level 1
(Original Piano
Masterworks (Early to
Late Intermediate, Grade
4-6)). Edited by Stephen
Coombs. For solo piano.
Book; Graded Standard
Repertoire; Masterworks;
Piano Collection. Faber
Edition: Trinity
Repertoire Library.
Romantic. Early
Intermediate;
Intermediate; Late
Intermediate. Published
by Faber Music
(AP.12-0571529054).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
12'. Breitkopf and
Haertel #OB 15128-26.
Published by Breitkopf
and Haertel
(BR.OB-15128-26).
ISBN
9790004341636. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 8 pages. Duration
31'. Breitkopf and
Haertel #OB 4447-23.
Published by Breitkopf
and Haertel
(BR.OB-4447-23).
ISBN
9790004309735. 10 x 12.5
inches.
Thanks
to a detailed sketch, we
know that Mozart
originally wrote his
famous Clarinet Concerto
K. 622 for basset horn in
G or A. It was only in
the early editions dating
from the 19th century
that this work -
considered as the
Clarinet Concerto par
excellence - became
unproblematic to play an
the A clarinet. However,
source studies have
revealed that this was
made possible only at the
price of considerable
un-Mozartian alterations
of the solo Part. Sabine
Meyer, Wolfgang Meyer and
Reiner Wehle, the members
of the Trio di Clarone,
haue eliminated some of
these modifications in
their new edition,
restoring Mozart's
original intentions.
However, their critical
revision in no way
impedes the
performability of the
A-major
Concerto.
Die
Neuausgabe eines
Klavierauszuges verdient
besonderes Interesse, da
als Herausgeber mit
Sabine Meyer, Wolfgang
Meyer und Reiner Wehle
uberaus kompetente
Musiker fungieren. Die
Sorgfalt, mit der
gearbeitet wurde, merkt
man sowohl dem
Schriftbild als auch dem
informativen Vorwort
an.(Das
Liebhaberochester)
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
12'. Breitkopf and
Haertel #OB 15128-19.
Published by Breitkopf
and Haertel
(BR.OB-15128-19).
ISBN
9790004341629. 10 x 12.5
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical edition.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This handsome urtext
edition from Breitkopf is
edited by Henrik Wiese
and comprises the
complete suit of full
score, orchestral parts,
oboe copy and piano
accompaniment. (Double
Reed News). Solo
concerto; Classical.
Part. 8 pages. Duration
20'. Breitkopf and
Haertel #OB 5309-16.
Published by Breitkopf
and Haertel
(BR.OB-5309-16).
ISBN
9790004340080. 10 x 12.5
inches.
Mozart is
believed to have written
an oboe concerto for the
Salzburg virtuoso
Giuseppe Ferlendis in
1777. The work was
considered lost until
1920, when Bernhard
Paumgartner discovered a
copy of the parts that
must have been written
shortly before Mozart's
death. Nevertheless, this
copy proved to be much
more unreliable than the
copy of the parts of the
flute concerto. Every
source-critical edition
must take these parts
into consideration, as
there is otherwise no
extant source material
aside from a brief
autograph sketch. Henrik
Wiese's new edition
consistently
distinguishes between
what can be regarded as
Urtext and what the
informed player must
interpret himself. To
this end, the edition for
oboe and piano also
contains a study part in
which the solo parts for
flute and oboe are placed
synoptically opposite
each other.,,This
handsome urtext edition
from Breitkopf is edited
by Henrik Wiese and
comprises the complete
suit of full score,
orchestral parts, oboe
copy and piano
accompaniment. (Double
Reed News).
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Orchestra (2.2.2.2. - 2.2.3.0. - timp - str) SKU: BR.PB-5247-07 The Un...(+)
Orchestra (2.2.2.2. -
2.2.3.0. - timp - str)
SKU: BR.PB-5247-07
The Unfinished -
Urtext. Composed by
Franz Schubert. Edited by
Peter Gulke. Softbound.
Partitur-Bibliothek
(Score Library).
This
edition is extremely
thorough and explanatory
notes are clear making
this a good place to
start a study of the
work. (Sheet Music)
Symphony; Romantic. Study
Score. 104 pages.
Duration 22'. Breitkopf
and Haertel #PB 5247-07.
Published by Breitkopf
and Haertel
(BR.PB-5247-07).
ISBN
9790004209622. 6.5 x 9
inches.
Franz
Schubert wrote the two
movements of the
Unfinished Symphony in
October 1822. The torso
has since been posing
riddles to posterity,
which first learned of
the existence of this
masterpiece in 1865
through the simultaneous
first edition and
world-premiere
performance. There seems
to have been no external
reason for its creation.
Did Schubert really
consider the piece only
as an experiment that did
not warrant any
continuation? It should
be noted, however, that
Schubert sketched the
Scherzo up to the
beginning of the Trio,
and even fully
orchestrated nine
measures of this
movement.