| O Hototogisu! Orchestre [Conducteur] Faber Music Limited
Fragment of a Japonisme. Composed by Oliver Knussen (1952-). Full Orchestra; ...(+)
Fragment of a Japonisme.
Composed by Oliver
Knussen
(1952-). Full Orchestra;
Performance Music
Ensemble;
Single Titles. Faber
Edition. Form: Concerto.
20th Century; Folk.
Score.
Faber Music
#12-0571541119.
Published by Faber Music
$41.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 7 Haiku for flute and guitar [Conducteur] Fennica Gehrman
Flute, guitar SKU: FG.55011-552-1 Composed by Olli Koskelin. Classical, c...(+)
Flute, guitar SKU:
FG.55011-552-1
Composed by Olli
Koskelin. Classical,
contemporary. Score.
Fennica Gehrman
#55011-552-1. Published
by Fennica Gehrman
(FG.55011-552-1). ISBN
9790550115521. In
Olli Koskelin's 7 Haiku
for flute and guitar the
haiku gets three
different
interpretations:
intertwined with the
composed version the
performers improvise it
and read it out loud. The
texts of haiku are
included in English and
in
Finnish.
Duration:
c. 15' This product is
a B4 sized folder with
two copies of the
performance score (loose
pages).
Olli
Koskelin's (born 16 April
1955) compositional
output reflects a wide
range of interests. The
vast area covered by his
style encompasses the
neo-impressionism of the
piano work Courbures
(1989) to the
post-expressionist echoes
of his Music for String
Quartet (1981) as well as
the breakneck virtuosity
of his clarinet piece
Exalte (1985/1991) and
the rich romantic
textures of his
orchestral piece ... like
a planet silently
breathing... (1993). He
often uses the overtone
series like the French
spectral composers and
avoids dramatic
culmination. Soft
harmonics, tranquil
arching melodies, a
leisurely rhythmical
pulse and a coherence of
mood are in evidence in
his later works as in
Uurre (1997) for chamber
ensemble, Miniatures
(1997) for string quartet
and Circles within for 19
solo strings. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Matthews C/Strugnell's Haiku Piano, Voix Faber Music Limited
Composed by Colin Matthews (1964-). Series; Solo; Solo Small Ensembles; Vocal Co...(+)
Composed by Colin
Matthews (1964-). Series;
Solo; Solo Small
Ensembles; Vocal
Collection. Faber
Edition. 20th Century;
Masterwork. Book. Faber
Music #12-0571511732.
Published by Faber Music
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zeitlupen - Eine Kleine Fussball-Collage Schott
Baritone and Piano. Piano; Voice SKU: HL.49016720 For Baritone and Pia...(+)
Baritone and Piano.
Piano; Voice SKU:
HL.49016720 For
Baritone and Piano.
Composed by Benjamin
Schweitzer. This edition:
Saddle stitching. Sheet
music. Classical.
Composed 2003. 12 pages.
Duration 11'. Schott
Music #ED9989. Published
by Schott Music
(HL.49016720). ISBN
9790001144209. UPC:
884088991258.
9.0x12.0x0.056 inches.
German. Football
(resp. soccer) has been
fascinating for many
contemporary composers -
maybe because of the
unpredictable dramaturgy
within a match, the
complexity of different
combinations, contrasts
or complements between
different strategies, the
soloist-like position of
extraordinary players -
in short, there are
numerous connections to
musical ideas.Zeitlupen
(Slow-motion replays)
reflects football on
different layers. The
cycle consists of three
interlocking parts: four
poems from Gottfried
Blumenstein's 11 Haikus
vom Fussballfeld form the
musical core, to which
three pantomime-actions
with piano accompaniment,
showing characteristic
situations, are added.
(This idea is based on a
kind of a
slow-motion-soccer, using
a balloon instead of a
football, that I used to
play with my brother in
our room, when the
weather not allowed to go
outside for a match on
the playground nearby.
The similarity towards
far-eastern meditational
techniques of these
pantomimes also forms a
connection to the haiku
form of the poems.) The
piece is completed by two
recitations recalling
famous teams and the best
and (maybe) worst from
german football history:
the world champions from
1954 and the team of the
unbearable put-up game
against Austria during
the world championship of
1982. This part also
refers to a well-known
poem by Peter Handke, Die
Aufstellung des 1. FC
Nurnberg vom 27. 1.
1968.Behind that, playing
with numbers has been
important for the
structure. The form of
the haiku (5-7-5
syllables), a symmetric
all-interval-series and
many other elements are
taken from the number of
12 (eleven players and
their coach). Gesture and
sound-colours of the
piano part are economical
but precise; towards the
ending percussive sounds
dominate it. Directly
illustrative moments -
like the rhythm of cheers
call in Nr. IV - are
rather exceptional. The
altogether form follows
the labyrinthical
structure of Pierre
Boulez' Le marteau sans
maitre, written around
the famous year of
1954...Benjamin
Schweitzer. $15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mit Singendem Bogen Soprano And Violin - Avancé Schott
Soprano voice and violin - advanced SKU: HL.49045572 Geigenlieder fur ...(+)
Soprano voice and violin
- advanced SKU:
HL.49045572
Geigenlieder fur
Sopran und Violine.
Composed by Heinz
Holliger. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed
2004-2011. 16 pages.
Duration 18'. Schott
Music #VLB205. Published
by Schott Music
(HL.49045572). ISBN
9790001159432.
9.25x12.0x0.07 inches.
German - Middle High
German. Heinz
Holliger set to music
melancholy texts for his
eight-part cycle of
songs, premiered in 2013,
which remind the
listeners of the
transience and progress
of life. The texts range
from the medieval
Christian mysticism of
Mechthild of Magdeburg to
Japanese haiku poems from
the 18th century (buson)
to the contemporary
artists Catrin Demenga
and Sylvia Nopper. $15.99 - Voir plus => Acheter | | |
| Haiku-Folge 2 for Baritone and Piano Voix Baryton, Piano Barenreiter
Solo baritone voice, piano (Baritone solo, Piano) SKU: BA.BA06158 12 t...(+)
Solo baritone voice,
piano (Baritone solo,
Piano) SKU:
BA.BA06158 12
texts by various Japanese
Haiku poets of the 18th
and 19th century.
Composed by Gunter
Bialas. Stapled. Concerto
vocale. Singing Score,
Performance score.
Composed 1972. 11 pages.
Baerenreiter Verlag
#BA06158_00. Published by
Baerenreiter Verlag
(BA.BA06158). ISBN
9790006476244. 30 x 23 cm
inches. Translation:
Dietrich
Krusche. $20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dorian Haiku Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.41921S Composed by Scott Watson. Concert...(+)
Concert Band - Grade 1.5
SKU: AP.41921S
Composed by Scott Watson.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Multicultural.
Score. 8 pages. Alfred
Music #00-41921S.
Published by Alfred Music
(AP.41921S). UPC:
038081471198.
English. In Dorian
Haiku, two centuries-old
cultural artifacts---one
Western (the Dorian mode)
and one Eastern (Haiku
poetry)---are fused
together, resulting in an
engaging and beautiful
composition for
intermediate band. This
unique work offers many
wonderful opportunities
for teaching both musical
and cross-curricular
concepts. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songs and Haiku Faber Music Limited
Voice (Female) SKU: AP.12-0571541151 For Female Voice and Piano. C...(+)
Voice (Female) SKU:
AP.12-0571541151
For Female Voice and
Piano. Composed by
Jonathan Harvey. Series;
Vocal Collection. Faber
Edition. Secular. Book.
Faber Music
#12-0571541151. Published
by Faber Music
(AP.12-0571541151).
ISBN 9780571541157.
English. Two haiku
(the first for piano
alone---the only piece
here to have been
published before---the
latter by Basho) bookend
three love songs
dedicated to Harvey's
wife, Rosa. The grouping
of the pieces into an
eight-minute cycle was
the composer's own idea,
and it mixes Eastern and
Western poets in a
totally characteristic
manner. Both Tagore and
e. e. cummings are
represented, poets who
are featured in some of
Harvey's finest works
(Song Offerings and Forms
of Emptiness,
respectively), and a
third song sets
Tennyson's Now Sleeps the
Crimson Petal. $22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 6 Haiku,trauermarsch,tag Und Nacht For Piano Hal Leonard
SKU: HL.50486614 Piano. 36 pages. Hal Leonard #SIK1949. Published by Hal ...(+)
SKU: HL.50486614
Piano. 36 pages. Hal
Leonard #SIK1949.
Published by Hal Leonard
(HL.50486614).
8.25x11.75x0.115
inches. $37.00 - Voir plus => Acheter | | |
| Haiku Set [Conducteur] Theodore Presser Co.
Chamber Music Viola, Violoncello SKU: PR.114400840 Eight Duos for viol...(+)
Chamber Music Viola,
Violoncello SKU:
PR.114400840 Eight
Duos for viola and
cello. Composed by
Herbert Haslam. Peter
Pauper Press, Shoha,
Basho, Gonsui, Anonymous,
Basko, Shushiko, Joso,
Roka. Score. With
Standard notation. 12
pages. Theodore Presser
Company #114-40084.
Published by Theodore
Presser Company
(PR.114400840). UPC:
680160004225. Peter
Pauper Press, Basko,
Joso, Roka, Gonsui,
Basho, Shoha, Anonymous,
Shushiko. $19.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fünf Haiku (1990) -Musik-Ritual für Blockflöte, Klavier, Sprechstimme und Figuranten- - Intermédiaire Verlag Dohr
Blockflöte, Klavier, Sprecher - Level 3 SKU: VD.ED94160 Musik-Ritua...(+)
Blockflöte, Klavier,
Sprecher - Level 3
SKU: VD.ED94160
Musik-Ritual fur
Blockflote, Klavier,
Sprechstimme und
Figuranten. Composed
by Ilana
Schapira-Marinescu.
Classical. Playing score.
With Text Language:
German. Composed 1990. 19
S. pages. Verlag Dohr
#ED94160. Published by
Verlag Dohr (VD.ED94160).
ISBN 9790202001608.
11.69 x 8.26
inches. $17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 11 Haiku Op. 41b Schott
(SATB Chorus and Vibraphone). Composed by Bertold Hummel (1925-2002). For Choral...(+)
(SATB Chorus and
Vibraphone). Composed by
Bertold Hummel
(1925-2002). For Choral,
Vibraphone (SATB).
Schott. Softcover. 20
pages. Schott Music
#SKR20068. Published by
Schott Music
$11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Haikus from Requiem Chorale 3 parties SSA Boosey and Hawkes
(SSA Choir) SKU: HL.48019452 Composed by Karl Jenkins. Boosey & Hawkes Sa...(+)
(SSA Choir) SKU:
HL.48019452 Composed
by Karl Jenkins. Boosey &
Hawkes Sacred Choral.
Classical, Contemporary.
Boosey & Hawkes
#M060118883. Published by
Boosey & Hawkes
(HL.48019452).
7.25x10.25x0.054
inches. Taken from
Karl Jenkins' major
choral work Requiem
(setting the standard
Latin texts alongside
five Japanese haiku
poems). Arranged for SSA
voices with piano
accompaniment. $6.95 - Voir plus => Acheter | | |
| A Voice Passes (Full Score) Lauren Keiser Music Publishing
SKU: HL.1735418 For String Quartet. Composed by Claude Baker. LKM ...(+)
SKU: HL.1735418
For String
Quartet. Composed by
Claude Baker. LKM Music.
Softcover. 44 pages.
Duration 1080 seconds.
Lauren Keiser Music
Publishing #X054099.
Published by Lauren
Keiser Music Publishing
(HL.1735418). UPC:
196288286356.
9.0x12.0x0.211
inches. A VOICE
PASSES provides musical
commentary on three haiku
by the 19th-century poet
Masaoka Shiki and one by
the legendary master he
most admired, Yosa Buson.
Stricken with
tuberculosis and addicted
to morphine in the later
years of his short life,
Shiki wrote a large
number of haiku that
dealt with the pain and
suffering caused by his
illness. Of these, many
were at the same time
infused with humor and
optimism. The haiku
selected by the composer
as the programmatic bases
of the individual
movements are laid out in
a “four-seasons”
sequence and progress
from the despair and
resignation of summer to
the hopefulness and
vibrancy of spring - a
not-so-subtle metaphor
for the progression of
the recent pandemic. In
addition to the textual
inspiration, each
movement is structured
around a well-known
composition that echoes
the spirit and content of
the haiku. $36.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Haiku Poems Chorale SATB Gehrmans Musikforlag
SATB choir SKU: GH.GE-12111 Composed by Fredrik Sixten. Tre korta satser ...(+)
SATB choir SKU:
GH.GE-12111 Composed
by Fredrik Sixten. Tre
korta satser till texter
av japanska
1700-talspoeter. With
Language: Japanese.
Gehrmans Musikforlag #GE
12111. Published by
Gehrmans Musikforlag
(GH.GE-12111). ISBN
979-0-070-12111-8. 185 x
262 mm
inches. Texts from
the breviary of the
Dominicans. 2 movement
with four soli. Hommage a
Arvo Part. $6.04 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Haiku United Music Publishers
Piano & Electronics SKU: UM.11667 Composed by Stephen Montague. United Mu...(+)
Piano & Electronics
SKU: UM.11667
Composed by Stephen
Montague. United Music
Publishing #11667.
Published by United Music
Publishing (UM.11667).
ISBN
9790224400915. $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Haiku of Basho Orchestre Theodore Presser Co.
Orchestra SKU: PR.416411800 Composed by Richard Wernick. With Standard no...(+)
Orchestra SKU:
PR.416411800 Composed
by Richard Wernick. With
Standard notation.
Theodore Presser Company
#416-41180. Published by
Theodore Presser Company
(PR.416411800). UPC:
680160091546. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Haiku Digital Music Print
Mixed Choir and Various Instruments SKU: BT.DMP114076 Composed by Annette...(+)
Mixed Choir and Various
Instruments SKU:
BT.DMP114076 Composed
by Annette Kruisbrink.
Vocal Score. Digital
Music Print #DMP114076.
Published by Digital
Music Print
(BT.DMP114076).
$10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Holderlin Lesen II Breitkopf & Härtel
Viola and 1 other inst. SKU: BR.SMV-61001 Composed by Hans Zender. Solo i...(+)
Viola and 1 other inst.
SKU: BR.SMV-61001
Composed by Hans Zender.
Solo instruments;
stapled. Monuments of
German Music. World
premiere: Stuttgart,
November 15, 1987
Music post-1945; New
music (post-2000).
Performance score.
Composed 1987. 20 pages.
Duration 25'. Breitkopf
and Haertel #SMV 61001.
Published by Breitkopf
and Haertel
(BR.SMV-61001). ISBN
9790004571491. 11.5 x
16.5 inches. World
premiere Stuttgart,
November 15,
1987
CDs: E
ckart Schloifer
(Viola) CD Intersound
ISPV 163 Garth Knox
(Viola) CD Montaigne
MO
782094
Bibliog
raphy:
Eng
e, Havard: Music Reading
Poetry. Hans Zender's
Musical Reception of
Holderlin, Diss.
University of Oslo
2010 Zender,
Hans: Zu meinem Zyklus
,,Holderlin lesen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 26-40
Die
5 Haikai sind auch
einzeln oder in Gruppen
auffuhrbar. UA Stuttgart,
10. März
1990
Ich
schrieb Lo-Shu VI auf der
Suche nach einer weiteren
Verknappung meiner
musikalischen Sprache.
Die Form der klassischen
japanischen
Haiku-Dichtung wird hier
- wie schon in
früheren Werken - in
folgendem Sinn
übernommen: Die 17
Silben des Haiku
entsprechen 17
Großtakten eines
musikalischen Satzes;
jeder dieser Takte ist im
Sinn von Tempo und
Harmonik eine autonome
musikalische Einheit,
vergleichbar der
,,Phrase" unserer
klassischen Musik (er
dauert zwischen 6 und ca.
12 Sekunden). Die
Gliederung 5-7-5 des
Haiku wird durch zwei
lange Pausen deutlich;
die Takte selber sind
nicht im Sinne einer
Entwicklungsform
aneinander gefügt,
sondern tragen ihr
Zentrum in sich
selbst. Ich arbeitete
nur zum Teil
logisch-konstruktiv;
ebenso stark sind
informelle, verwischende
Elemente zu finden. Die
Zeit wird in diesem
Stück im
dramatischen,
vorwärts
drängenden Sinn
dauernd negiert, ja
aufgehoben; es entsteht
ein Schwebe-Zustand um
eine Art Nullpunkt herum.
Die Musik tritt immer
wieder in den Zustand des
Schweigens ein, in dem
die rezeptive
Aufmerksamkeit sich
regenerieren
kann. Die 5 Haikai
bilden keinen Zyklus; sie
können deswegen auch
einzeln oder in
beliebigen Kombinationen
gespielt werden. Die
Metronomangaben dienen
nur der Orientierung. Die
Stücke sollen wie in
tiefer Versunkenheit
improvisiert klingen. Die
Pausen sollen so lange
gehalten werden, dass die
Abschnitte der einzelnen
Haikai nicht im Sinne
,,logischer
Kontinuität"
verbunden erscheinen.
Spielt man einen Zyklus,
ist darauf zu achten,
dass die Pause zwischen
zwei Haikai länger
als eine große
Fermate im Innern des
Haiku ist.
(Hans
Zender)
The 5
Haikai can be performed
individually or in
groups. world
première
Stuttgart, March 10,
1990. $51.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Haiku's Cycle 1 for Solo Voice and Piano Metropolis Music Publishers
Singing with Piano SKU: IS.V6671EM Composed by Dirk Brosse. Vocal. The Di...(+)
Singing with Piano
SKU: IS.V6671EM
Composed by Dirk Brosse.
Vocal. The Dirk Brosse
Collection. Metropolis
Music Publishers
#V6671EM. Published by
Metropolis Music
Publishers (IS.V6671EM).
ISBN
9790365066711. Sir
Dirk Brossé, music
director at the
Philadelphia Chamber
Orchestra, is a versatile
composer of orchestral
and symphonic repertoire,
chamber music, film &
musical. His compositions
are performed worldwide
by the most prominent
orchestras and
soloists. $24.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Haiku Souvenirs Piano, Voix Boosey and Hawkes
Voice and Piano. By Jack Gottlieb. Boosey and Hawkes Voice. Book only. 12 pages....(+)
Voice and Piano. By Jack
Gottlieb. Boosey and
Hawkes Voice. Book only.
12 pages. Published by
Boosey & Hawkes.
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Haiku (1950-51) Peters
Composed by John Cage (1912-1992). Duration circa 4 minutes. Published by Editio...(+)
Composed by John Cage
(1912-1992). Duration
circa 4 minutes.
Published by Edition
Peters
$13.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| "Haiku" for Pierre Boulez Piano seul Schott
Piano (Piano) - difficult SKU: HL.49013734 On His 75th Birthday. C...(+)
Piano (Piano) - difficult
SKU: HL.49013734
On His 75th
Birthday. Composed by
Toshio Hosokawa. This
edition: Saddle
stitching. Sheet music.
Piano. Classical.
Softcover. Composed
2000/2003. 8 pages.
Duration 3'. Schott Music
#SJ1161. Published by
Schott Music
(HL.49013734). ISBN
9784890664610. UPC:
840126958751.
9.0x12.0x0.053
inches. Piano
solo. $10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Seven Haiku (1952) Piano seul Peters
| | |
| A Voice Passes (Score and Parts) Lauren Keiser Music Publishing
SKU: HL.1735419 For String Quartet. Composed by Claude Baker. LKM ...(+)
SKU: HL.1735419
For String
Quartet. Composed by
Claude Baker. LKM Music.
Softcover. Duration 1080
seconds. Lauren Keiser
Music Publishing
#X504112. Published by
Lauren Keiser Music
Publishing (HL.1735419).
UPC: 196288286363.
9.0x12.0x0.317
inches. A VOICE
PASSES provides musical
commentary on three haiku
by the 19th-century poet
Masaoka Shiki and one by
the legendary master he
most admired, Yosa Buson.
Stricken with
tuberculosis and addicted
to morphine in the later
years of his short life,
Shiki wrote a large
number of haiku that
dealt with the pain and
suffering caused by his
illness. Of these, many
were at the same time
infused with humor and
optimism. The haiku
selected by the composer
as the programmatic bases
of the individual
movements are laid out in
a “four-seasons”
sequence and progress
from the despair and
resignation of summer to
the hopefulness and
vibrancy of spring - a
not-so-subtle metaphor
for the progression of
the recent pandemic. In
addition to the textual
inspiration, each
movement is structured
around a well-known
composition that echoes
the spirit and content of
the haiku. $99.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pression Contre Basse [Conducteur] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo SKU:
BR.EB-9268 Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268). ISBN
9790004185681. 12 x 9
inches. This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
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1970. $49.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Shiki Chorale SATB [Conducteur] Fennica Gehrman
Mixed choir SKU: FG.55011-348-0 Composed by Matthew Whittall. Score. Fenn...(+)
Mixed choir SKU:
FG.55011-348-0
Composed by Matthew
Whittall. Score. Fennica
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Published by Fennica
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ISBN
9790550113480. Shik
i began as a request for
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Laulajat choir in
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grew into a four
seasons-type cycle on
haiku by a 20th century
Japanese monk Santoka
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near-stasis. The main
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scene, of communion with
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colored vowels of
Japanese creating the
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| Akvarelli Chorale SATB Fennica Gehrman
SATB Chorus SKU: FG.55011-579-8 Composed by Olli Kortekangas. Fennica Geh...(+)
SATB Chorus SKU:
FG.55011-579-8
Composed by Olli
Kortekangas. Fennica
Gehrman #55011-579-8.
Published by Fennica
Gehrman (FG.55011-579-8).
ISBN
9790550115798. Akva
relli (A Watercolour,
1994) for mixed choir by
Olli Kortekangas is
composed to a poem by
Matsuo Basho, the
greatest master of haiku
in the 17th century. The
text is translated in
Finnish by Kai
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| 4 Haikus Saxophone Alto et Piano - Avancé Billaudot
(Pour Saxlphone Alto Et Piano - (for Alto Saxophone and Piano)). By Sophie Lacaz...(+)
(Pour Saxlphone Alto Et
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For Alto Saxophone,
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Jean-Yves Fourmeau.
ADVANCED. 11 + pages.
Duration 10 minutes.
Published by Gerard
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$21.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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