(SATB and Organ). Composed by James Whitbourn. For Choral (SATB). Choral. Octavo. 8 pages. Chester Music #CH82214. Published by Chester Music

Concert band

SKU: HL.49015970

Composed by Paul Hö and ffer. Sheet music. Edition Schott. Classical. Score and parts, P, 4 Klar, 2 Flgh, 2 Hrn, 2 Trp, 2 Tnhrn, Bar, 2 Pos, Tb, Schlgz. 108 pages. Duration 4' 30''. Schott Music #FG14-01. Published by Schott Music (HL.49015970).

Organ - intermediate to advanced

SKU: M7.AST-6129

Composed by Markus Lehmann. This edition: Ring/Spiral binding. Sheet music. Composed 1948. 8 pages. Duration 5'. MDS (Music Distribution Services) #AST 6129. Published by MDS (Music Distribution Services) (M7.AST-6129).

ISBN 9790203861294.

Violin, basso continuo, harpsichord (V, Continuo, harpisc.)

SKU: BA.BA05937-01

Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: Edition of selected works, Urtext edition. Linen. New Bach Edition - Revised (NBArev) 3. Edition of selected works, Score, anthology. BWV 1001-1006, 1021, 1023, 1014-1019. Baerenreiter Verlag #BA05937_01. Published by Baerenreiter Verlag (BA.BA05937-01).

ISBN 9790006556328. 33 x 26 cm inches. Language: German/English.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Gordon Goodwin. Jazz Ensemble; Score. Gordon Goodwin Series. Jazz. 32 pages. Published by Alfred Music (AP.41143S).

Composed by Gyorgy Kurtag (1926-). EMB. Concert. 40 pages. Editio Musica Budapest #Z14060. Published by Editio Musica Budapest

(Waisenhausmesse). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Siedel. For SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, 3 trombones, timpani, 2 violins, 2 violas, basso continuo. This edition: Paperbound. C-Moll (C minor). Stuttgart Urtext Edition. German title: Missa in c (Waisenhaus-Messe) rev.2002. Latin Masses. Vocal score. Language: Latin. Composed circa 1768-69 (no later than 1770). KV 139 (114a). 72 pages. Duration 41 minutes. Published by Carus Verlag

SAB choir, assembly, keyboard accompaniment, flute, oboe, guitar - Beginning

SKU: GI.G-7498

Composed by Marty Haugen. Holy Thursday, Body and Blood of Christ, Sacred Heart. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #7498. Published by GIA Publications (GI.G-7498).

UPC: 785147749806. English. Text by Marty Haugen.

A pensive composition that is appropriate for any service where Communion is shared, especially ideal for Maundy Thursday.

Band Bass Clarinet, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Claves, Congas, Drum Set, Euphonium, Euphonium T.C., Flute 1, Flute 2, Güiro, Horn, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Percussion 3 and more. - Grade 2

SKU: CF.YPS222F

Composed by Ed Kiefer. Sws. Yps. Full score. 20 pages. Duration 2 minutes, 34 seconds. Carl Fischer Music #YPS222F. Published by Carl Fischer Music (CF.YPS222F).

ISBN 9781491156636. UPC: 680160915170. 9 x 12 inches.

Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix. Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love! Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can't dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don't cover up the winds. Remember, it's a dance. Have fun! Kiefer.ed@gmail.com Facebook: The Music of Ed Kiefer.
Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix.Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love!Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can’t dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don’t cover up the winds. Remember, it’s a dance. Have fun!Kiefer.ed@gmail.comFa cebook: The Music of Ed Kiefer.

SATBB choir, piano reduction - Intermediate

SKU: GI.G-9851

Composed by D. A. Ford. African American Church Music Series. Sacred. Octavo. 12 pages. GIA Publications #9851. Published by GIA Publications (GI.G-9851).

UPC: 785147985105. English. Text source: Negro Spiritual.

For Medium Voice and Piano or Harp. Composed by Gaspare Spontini. Edited by Elsa Morelli. Vocal. Softcover. 118 pages. Ricordi #NR140707. Published by Ricordi (HL.50600509).

By Brent Mason. Hot Licks. Country Instruction. Softcover Video Online. With guitar tablature. 40 pages. Hot Licks #AM1012737. Published by Hot Licks (HL.14047858).

Arranged by Judith Herrington. For Choral (SAT/SAB/SATB). Pavane Choral. 8 pages. Pavane Publishing #P1498. Published by Pavane Publishing

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone 1, Trombone 2 and more. - Grade 3

SKU: CF.CPS239

Composed by Richard Summers. Folio. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8 +8+8+4+4+6+6+6+8+2+1+4+4+ 24+4 pages. Duration 3 minutes, 40 seconds. Carl Fischer Music #CPS239. Published by Carl Fischer Music (CF.CPS239).

ISBN 9781491157855. UPC: 680160916450. 9 x 12 inches.

The energy and drive of this piece uses simple time signatures of 4/4 and 3/4 and mixes groups of three notes and syncopation to the rhythm and the melody. There is also a use of a musical term called hemiola, when groups of two beats are replaced by groups of three beats, creating a shift between duple and triple meter. Syncopation adds a modern, jazzy, popular feel to this exciting concert band composition. Along with syncopation and popular influences are countermelodies to the main theme that are as important as the melody for balance and blend. This adds a feeling of baroque or renaissance style to the texture. Yet the melodies, chords, and structure are recognizable and enjoyable to listen to and perform. The middle 3/4 section is slightly slower featuring brass and saxophones and played legato. Then at the key change, it becomes more articulate and contrapuntal. The a tempo at m. 88 returns to the original thematic material, differing slightly from the beginning, and the coda has some added technical and challenging woodwind passages. The cymbal/triangle part has a lot of directions on choking, hi-hat sound, etc., that will add nice color to the piece if performed as indicated.
The energy and drive of this piece uses simple time signatures of 4/4 and 3/4 and mixes groups of three notes and syncopation to the rhythm and the melody. There is also a use of a musical term called hemiola, when groups of two beats are replaced by groups of three beats, creating a shift between duple and triple meter.  Syncopation adds a modern, jazzy, popular feel to this exciting concert band composition.Along with syncopation and popular influences are countermelodies to the main theme that are as important as the melody for balance and blend.  This adds a feeling of baroque or renaissance style to the texture. Yet the melodies, chords, and structure are recognizable and enjoyable to listen to and perform.  The middle 3/4 section is slightly slower featuring brass and saxophones and played legato. Then at the key change, it becomes more articulate and contrapuntal.  The a tempo at m. 88 returns to the original thematic material, differing slightly from the beginning, and the coda has some added technical and challenging woodwind passages. The cymbal/triangle part has a lot of directions on choking, hi-hat sound, etc., that will add nice color to the piece if performed as indicated.

SATB choir, keyboard, reduction, none accompaniment - Beginning

SKU: GI.G-5965

Composed by Lewis Edson. Edited by William Rowan. Arranged by William Rowan. Christmastide, Eastertide, Ordinary Time, Christmas Vigil, Christmas Night. Choral. Tune Name: Lenox. Sacred. Octavo. 8 pages. GIA Publications #5965. Published by GIA Publications (GI.G-5965).

UPC: 785147596509. English. Text Source: 1) Billings, William, Bringle, Mary Louise, 2) Bringle, Mary Louise. Text by Mary Louise Bringle.

This early American “fuguing tune” allows singers to let loose with rustic and boisterous joy. If your choir has never sung indigenous shapenote style, this arrangement would make a fun and satisfying introduction. Poet Mary Louise Bringle provides two new hymn texts for this lively music. It’s easy to catch on to the style. Don’t be afraid, try it! “Wake Every Breath” is suitable for a Sunday of Ordinary Time, Eastertide, or celebrations of music in worship. An alternative text, “Let Heavens with Gladness Ring,” is specific to Christmas. Optional keyboard part can double voices.

Christmas and general texts by Mary Louise Bringle.

Arranged by John Rutter. For SATB choir and small orchestra (2fl (I picc), 2ob, bsn, 2hn, str). John Rutter Anniversary Edition. Set of parts. 46 pages. Duration 3'. Published by Oxford University Press

SSATBarB choir

SKU: CA.9201500

Composed by Christoph Demantius. Edited by Gerhard Kronberg. Arranged by Gerhard Kronberg. Coppenrath Series. German title: Dein Wort 5014901. Sacred, Motets. Full score. 8 pages. Carus Verlag #CV 92.015/00. Published by Carus Verlag (CA.9201500).

ISBN 9790007118037. Language: German.

Composed by John Taverner (1490-1545). Edited by Tim Symons. For SATTBB choir, a cappella. Mixed Voices. Church Music Society publications. Sacred, Choral Leaflet. Level C (moderately difficult). Vocal score. 16 pages. Duration 5'. Published by Oxford University Press

Solo Cello Part. Composed by Witold Lutoslawski (1913-1994). Music Sales America. Post-1900. 20 pages. Music Sales #HB10031. Published by Music Sales (HL.14019644).

Unison voices, cantor, assembly - Beginning

SKU: GI.G-10269

Composed by John Gaffney. All Souls. Ritual Prayer. Sacred. Octavo. 4 pages. GIA Publications #10269. Published by GIA Publications (GI.G-10269).

UPC: 785147026914. English. Text Source: English tr. Order of Christian Funerals

By David Del Tredici (1937-). For Clarinet, String Quartet (Study Score). Boosey and Hawkes Scores/Books. 98 pages. Boosey and Hawkes #M051214051. Published by Boosey and Hawkes

SATB choir, divisi, piano reduction - Advanced

SKU: GI.WW1774

Composed by Traditional Spiritual. Arranged by Stephen M. Murphy. Concert. Jason Max Ferdinand. Classical. 24 pages. Walton Music #WW1774. Published by Walton Music (GI.WW1774).

UPC: 785147021865. English. Text source: Traditional spiritual. Traditional Spiritual.

Wade in the Water, arranged by Aeolians alumnus Stephen M. Murphy, uses vocal jazz techniques and expanded harmonies to lift the text off of the paper, resulting in an unquestionably cool and fun setting. Performed and recorded by the Aeolians, this arrangement will be a show-stopper for advanced choirs. Jason Max Ferdinand Choral Series.

2 violins, viola and cello

SKU: HL.49044660

Composed by Gaetano Donizetti. Edited by Giuseppe Pascucci. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 1819-1821. 218 pages. Eulenburg Edition #ECS1419-10. Published by Eulenburg Edition (HL.49044660).

ISBN 9790200226072. UPC: 842819112990. 9.25x12.0x0.641 inches.

Primarily known as an opera composer, Donizetti nevertheless is the most important Italian representative of the string quartet genre. Whereas the first quartets can still be regarded as experiments of the young composer with a strict classical form, the middle and later pieces are an unmistakable expression of his mature musical spirit.