Three 18th Century Sonatas by Breval, Chinzer and Porta. For Cello. Book; Solo; String - Cello Studies or Collection. Faber Edition. Masterwork. Published by Faber Music

SKU: HL.359041

Full Score. Composed by William Bolcom. E.B. Marks. Softcover. Edward B. Marks Music #MP077057. Published by Edward B. Marks Music (HL.359041).

ISBN 9781705120835. UPC: 840126945010. 11.25x17.0x0.407 inches.

Commedia, subtitled “for (almost) 18th-century orchestra,” boldly trots out some of the orchestral cliches of the late 18th and early 19th centuries. It was influenced, as its title suggests, by the commedia del'arte (albeit distantly) - the stock characters tossed against each other in a variety of situations, often comic, but, as evidenced in the paintings of a Longhi or a Magnasco, not without a dark side. Much of the piece consists of a tarantella or saltarello in fast 6/8 time. Commissioned by the Saint Paul Chamber Orchestra and premiered by the orchestra under Sydney Hodkinson in March, 1972.

15 Easy to Intermediate Pieces for 18th-century Ireland for Flute and Keyboard, optional Cello. Arranged by Jeremy Barlow. Misc. 40 pages. Published by Schott.

He Is Born. Arranged by Christopher Pillsbury / Lynn Shaw Bailey. Traditional 18th Century French Carol. Octavo. Duration 2 minutes, 32 seconds. Carl Fischer #CM9503. Published by Carl Fischer (CF.CM9503).

By William G. Andrews and Molly Sclater. Textbook - General. Book. 164 pages. Published by Alfred Publishing.

For Voice. Vocal Collection. Kalmus Edition. Masterwork. Book. 164 pages. Published by Alfred Publishing.

Guitar solo

SKU: BR.DV-32095

Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 64 pages. Deutscher Verlag fur Musik #DV 32095. Published by Deutscher Verlag fur Musik (BR.DV-32095).

ISBN 9790200426403. 9 x 12 inches.

The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known.

Guitar solo

SKU: BR.DV-32004

Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 68 pages. Deutscher Verlag fur Musik #DV 32004. Published by Deutscher Verlag fur Musik (BR.DV-32004).

ISBN 9790200425024. 9 x 12 inches.

The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known.

Guitar solo

SKU: BR.DV-32060

Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 72 pages. Deutscher Verlag fur Musik #DV 32060. Published by Deutscher Verlag fur Musik (BR.DV-32060).

ISBN 9790200425826. 8.5 x 11.5 inches.

The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known.

Guitar solo

SKU: BR.DV-32023

Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 76 pages. Deutscher Verlag fur Musik #DV 32023. Published by Deutscher Verlag fur Musik (BR.DV-32023).

ISBN 9790200425109. 9 x 12 inches.

The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known.

By Grazianini de Rossi; Maria Margharita Grimani. Edited by Barbara Jackson. Chamber orchestra. For SA voices, orchestra and basso continuo. Arias. Arias From Oratorios By Women Composers Of The 18th Century, Volume 1. Arias from oratorios with instruments. Baroque. Adult. Sheet music. 74 pages. Published by ClarNan Editions

A Historical Guide to the Basics. By Christensen, Jesper Boje. For Piano. Collection (hard bound). Published by Baerenreiter-Ausgaben (German import).

(Parts). By Ralph Vaughan Williams (1872-1958). Masterworks; Part(s); Quartet; String Quartet. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Choir

SKU: ST.MB85

Composed by Various. Edited by Nicholas Temperley and Sally Drage. Library Volumes. Edited by Nicholas Temperley and Sally Drage. First published in 2007. Pages: 392. Format: Hardback. Dimensions (mm): 330 x 254 x 36. Choral Score. Stainer & Bell Ltd. #MB85. Published by Stainer & Bell Ltd. (ST.MB85).

ISBN 9790220221798.

The contents of this volume give a comprehensive accountof the great variety of musical forms used in parish church and Nonconformist worship in the 18th century. Each of the 103 pieces has been chosen because the editors believe it to be both rewarding to perform and to listen to. At the same time, they have sought to represent every important development in English psalmody during this period of profound social and artistic change.

Composed by Allen Molineux. Edited by Howard J. Buss. 21st Century. Score and part. Brixton Publications #B773. Published by Brixton Publications

Woodwinds (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required))

SKU: BR.OB-5540-30

Suite d'Orchestre - Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Have a look into ISBN 9790004342152. 10 x 12.5 inches.

Ravel's multi-layered homage in Breitkopf UrtextIn his homage Le Tombeau de Couperin, Ravel is less specifically interested in Couperin than in French music of the late 18th century. In his preface, editor Jean-Francois Monnard explains how Ravel paid a moving and intensely personal tribute to the events of World War I with his multi-layered work. The orchestral version goes back to the original, eponymous piano suite (1914-17). Then, in 1919, the composer selected four pieces from this source, orchestrated them with all of his grace and artistry; the result provides a charming contrast to the pseudo-Baroque musical idiom, and places the pieces in a new and effective sequence. The work quickly gained great popularity immediately after the concertant world premiere, when the three dance movements of the orchestral suite were included in a ballet production.The underpinnings of Monnard's edition are provided by the most important sources. The preface features a great deal of information on the interpretation and performance history of the work. This is the fifth major Ravel work now available in print from Breitkopf Urtext.

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Violoncello (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required))

SKU: BR.OB-5540-23

Suite d'Orchestre - Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Have a look into ISBN 9790004342138. 10 x 12.5 inches.

Ravel's multi-layered homage in Breitkopf UrtextIn his homage Le Tombeau de Couperin, Ravel is less specifically interested in Couperin than in French music of the late 18th century. In his preface, editor Jean-Francois Monnard explains how Ravel paid a moving and intensely personal tribute to the events of World War I with his multi-layered work. The orchestral version goes back to the original, eponymous piano suite (1914-17). Then, in 1919, the composer selected four pieces from this source, orchestrated them with all of his grace and artistry; the result provides a charming contrast to the pseudo-Baroque musical idiom, and places the pieces in a new and effective sequence. The work quickly gained great popularity immediately after the concertant world premiere, when the three dance movements of the orchestral suite were included in a ballet production.The underpinnings of Monnard's edition are provided by the most important sources. The preface features a great deal of information on the interpretation and performance history of the work. This is the fifth major Ravel work now available in print from Breitkopf Urtext.

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Double bass (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required))

SKU: BR.OB-5540-27

Suite d'Orchestre - Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Have a look into ISBN 9790004342145. 10 x 12.5 inches.

Ravel's multi-layered homage in Breitkopf UrtextIn his homage Le Tombeau de Couperin, Ravel is less specifically interested in Couperin than in French music of the late 18th century. In his preface, editor Jean-Francois Monnard explains how Ravel paid a moving and intensely personal tribute to the events of World War I with his multi-layered work. The orchestral version goes back to the original, eponymous piano suite (1914-17). Then, in 1919, the composer selected four pieces from this source, orchestrated them with all of his grace and artistry; the result provides a charming contrast to the pseudo-Baroque musical idiom, and places the pieces in a new and effective sequence. The work quickly gained great popularity immediately after the concertant world premiere, when the three dance movements of the orchestral suite were included in a ballet production.The underpinnings of Monnard's edition are provided by the most important sources. The preface features a great deal of information on the interpretation and performance history of the work. This is the fifth major Ravel work now available in print from Breitkopf Urtext.

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Viola (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required))

SKU: BR.OB-5540-19

Suite d'Orchestre - Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Have a look into ISBN 9790004342121. 10 x 12.5 inches.

Ravel's multi-layered homage in Breitkopf UrtextIn his homage Le Tombeau de Couperin, Ravel is less specifically interested in Couperin than in French music of the late 18th century. In his preface, editor Jean-Francois Monnard explains how Ravel paid a moving and intensely personal tribute to the events of World War I with his multi-layered work. The orchestral version goes back to the original, eponymous piano suite (1914-17). Then, in 1919, the composer selected four pieces from this source, orchestrated them with all of his grace and artistry; the result provides a charming contrast to the pseudo-Baroque musical idiom, and places the pieces in a new and effective sequence. The work quickly gained great popularity immediately after the concertant world premiere, when the three dance movements of the orchestral suite were included in a ballet production.The underpinnings of Monnard's edition are provided by the most important sources. The preface features a great deal of information on the interpretation and performance history of the work. This is the fifth major Ravel work now available in print from Breitkopf Urtext.

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Violin 1 (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required))

SKU: BR.OB-5540-15

Suite d'Orchestre - Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.

Have a look into ISBN 9790004342107. 10 x 12.5 inches.

Ravel's multi-layered homage in Breitkopf UrtextIn his homage Le Tombeau de Couperin, Ravel is less specifically interested in Couperin than in French music of the late 18th century. In his preface, editor Jean-Francois Monnard explains how Ravel paid a moving and intensely personal tribute to the events of World War I with his multi-layered work. The orchestral version goes back to the original, eponymous piano suite (1914-17). Then, in 1919, the composer selected four pieces from this source, orchestrated them with all of his grace and artistry; the result provides a charming contrast to the pseudo-Baroque musical idiom, and places the pieces in a new and effective sequence. The work quickly gained great popularity immediately after the concertant world premiere, when the three dance movements of the orchestral suite were included in a ballet production.The underpinnings of Monnard's edition are provided by the most important sources. The preface features a great deal of information on the interpretation and performance history of the work. This is the fifth major Ravel work now available in print from Breitkopf Urtext.

An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.