SKU: HL.50031360

Score. Composed by Antonio Vivaldi. Edited by Angelo Ephrikian. Orchestra. 36 pages. Ricordi #PR246. Published by Ricordi (HL.50031360).

UPC: 073999681598. 7.75x10.5x0.144 inches.

Orchestra

SKU: HL.50480813

Parts. Composed by Antonio Vivaldi. Edited by Angelo Ephrikian. String. Classical. Set of Parts. Composed 1989. Ricordi #NR134910. Published by Ricordi (HL.50480813).

UPC: 073999808131. 7.75x10.5x0.19 inches.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.416414390

For Chamber Orchestra. Composed by Chen Yi. Premiered by the Idyllwild Arts Orchestra, Peter Askim, conductor. Contemporary. Full score. With Standard notation. Composed 2012. 30 pages. Duration 8 minutes. Theodore Presser Company #416-41439. Published by Theodore Presser Company (PR.416414390).

UPC: 680160606917. 8.5 x 11 inches.

2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, Percussion, Strings.
The work Tone Poem is composed for chamber orchestra, 2 flutes, 2 oboes, 2 B-flat clarinets, 2 bassoons, 2 French horns, 1 percussion and strings. The length is about 8 minutes. It is inspired by two poems by Su Dong-po (1036-1101) about southern Chinese landscape paintings. The imagination of the two beautiful ancient Chinese poems became the sonic landscape pictures, to share with my musicians and audience. The brimming waves, the sunny day, The dimming hills, the rainy haze. The West Lake as the Beauty Xizi, Whether she is adorned richly or plainly. Like spilt ink dark clouds spread o'er the hills as a pall; Like bouncing pearls the raindrops in the boat run riot. A sudden rolling gale comes and dispels them all, Below Lake View Pavilion sky-mirrored water's quiet.
The work Tone Poem is composed for chamber orchestra, 2 flutes, 2oboes, 2 B-flat clarinets, 2 bassoons, 2 French horns, 1 percussion andstrings. The length is about 8 minutes. It is inspired by two poems by SuDong-po (1036-1101) about southern Chinese landscape paintings.The imagination of the two beautiful ancient Chinese poems became thesonic landscape pictures, to share with my musicians and audience.The brimming waves, the sunny day,The dimming hills, the rainy haze.The West Lake as the Beauty Xizi,Whether she is adorned richly or plainly.Like spilt ink dark clouds spread o'er the hills as a pall;Like bouncing pearls the raindrops in the boat run riot.A sudden rolling gale comes and dispels them all,Below Lake View Pavilion sky-mirrored water's quiet.

SKU: SU.00220629

Woodwinds, Clarinet. USB (PDF Scores). CD Sheet Music #00220629. Published by CD Sheet Music (SU.00220629).

This CD Sheet Music collection on USB Flash Drive contains 2 complete CDSM titles: The Clarinet Solos & Duos collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets and Album of Short Solos by Various Composers. Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on Au Clair de la Lune); Klosé )Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante) Easy Duets Book 1: works by Fodor, Pleyel, Volckmar, Wanhal; Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1200+ pages The Clarinet Methods, Studies & Ensembles collection makes available eight essential clarinet methods, studies and exercises, as well as over 30 works for clarinet with instruments including duos, trios and quartets by 20 familiar and lesser-known composers from the 18th, 19th and early 20th centuries. Scores and parts are included for many ensemble works. Methods, Studies & Exercises include: Baermann (Complete Method for Clarinet, Op. 63); Klosé (Conservatory Method, 25 Daily Exercises, 30 Studies after Aument); Langenus (Complete Method for Clarinet); Rose (32 Etudes for Clarinet) Ensembles include: Amberg (Fantasiestücke, Suite for Flute, Oboe, Clarinet & Piano); Beethoven (Quintet for Piano and Winds); Brahms (Quintet for Clarinet & Strings, Trio for Clarinet, Cello & Piano); Bruch (8 Piece for Clarinet, Cello & Piano); Cavallini (Rêverie Russe for Flute, Clarinet, and Piano); d'Indy (Trio for Piano, Clarinet, and Cello); Fibich (Quintet for Clarinet, Violin, Cello, Horn, & Piano); Glinka (Trio Pathétique, for Clarinet, Cello, & Piano); Hummel (Serenade No. 1 for Flute, Clarinet, Viola, & Cello); Liadov (8 Russian Folk Dances); Mozart (Twelve Minuets for 2 Clarinets or Basset Horns, Five Divertimenti for 2 Clarinets & Bassoon), Quintet for Clarinet & Strings, Quintet for Piano & Winds, Trio for Clarinet, Viola & Piano); Ravel (Intruduction & Allegro); Reger (Quintet for Clarinet & Strings); Rimsky-Korsakov (Quintet for Piano & Winds); Saint-Saëns (Tarantella for Flute, Clarinet & Piano); Schubert (Der Hirt auf dem Felsen); Schumann (Märchenerzählungen, for Clarinet, Viola & Piano); Spohr (Fantasy & Variations); Titl (Serenade for Violin, Clarinet & Piano); Zemlinsky (Trio for Clarinet, Violin & Cello) Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2100+ pages Published by: CD Sheet Music.

Zweite Fassung mit Klarinetten - Second Version with clarinets. By Wolfgang Amadeus Mozart. Edited by Robbins Landon, H.C. For Flute, Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Strings. Score; Urtext Edition. KV 550. Duration 40. Published by Baerenreiter-Ausgaben (German import).

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 2 Trumpets in Bb, 3 Percussion, 4 Horns in F, Harp, Piccolo, Solo Trombone, Solo Trumpet in C, Strings, Timpani, Tuba

SKU: PR.41641509L

For Trumpet, Trombone, And Orchestra. Composed by Eric Ewazen. Contemporary. Large Score. With Standard notation. Duration 21 minutes. Theodore Presser Company #416-41509L. Published by Theodore Presser Company (PR.41641509L).

UPC: 680160620906.

Picco lo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 2 Trombones, Tuba, Timpani, 3 Percussion, Harp, Solo Trumpet in C, Solo Trombone, Strings.

Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more.

SKU: PR.11641963S

Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S).

UPC: 680160684472.

The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes.
The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes.

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 2 Trumpets in Bb, 3 Percussion, 4 Horns in F, Harp, Piccolo, Solo Trombone, Solo Trumpet in C, Strings, Timpani, Tuba

SKU: PR.416415090

For Trumpet, Trombone, And Orchestra. Composed by Eric Ewazen. Contemporary. Full score. With Standard notation. Duration 21 minutes. Theodore Presser Company #416-41509. Published by Theodore Presser Company (PR.416415090).

UPC: 680160620890.

Picco lo, 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 2 Trombones, Tuba, Timpani, 3 Percussion, Harp, Solo Trumpet in C, Solo Trombone, Strings.

Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more.

SKU: PR.11641963SP

Composed by Chen Yi. Part. 11 pages. Duration 20 minutes. Theodore Presser Company #116-41963SP. Published by Theodore Presser Company (PR.11641963SP).

UPC: 680160684496.

The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes.
The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes.

(Requiem). By Hector Berlioz (1803-1869). Edited by Jurgen Kindermann. For tenor voice solo, SSTTBB choir, 4 flutes, 2 oboes, 2 english horns, 4 clarinets, 8 bassoons, 12 horns, 10 timpani, percussion, strings, orchestra 1: 4 cornets, 4 trombones, 2 tubas; orchestra 2: 4 trumpets, 4 trombones; orchestra 3: 4 trumpets, 4 trombone (Solo Tenor/Mixed Choir: SSTTBB/4 Flutes/2 Oboes/2 English Horns/4 Clarinets/8 Bassoons/12 Horns/10 Timpani/Percussion/String s/first Orchestra: 4 Cornets a piston/4 Trombones/2 Tubas/second Orchestra: 4 Trumpets/4 Trombones/third Orchestra: 4 Trumpets/4 Tr). This edition: Clothbound, Complete edition, Urtext edition. Clothbound. New Berlioz Edition, Vol. 9. Requiem (lateinisch). Urtext der New Berlio Edition. Level 4. Score. Language: Latin. Opus 5, Hol. 75. 177 pages. Published by Baerenreiter Verlag

Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more.

SKU: PR.11641963L

Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L).

UPC: 680160684489.

The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes.
The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes.

John Rutter Carols. (10 carols for mixed voices). By John Rutter (1945-). For Mixed choir (Angels' Carol: 2 flutes, oboe, 2 clarinets, bassoon, 2 horns, harp, strings, Candlelight Carol: flute, oboe, harp, strings, Dormi, Jesu: strings, Love came down at Christmas: strings, Mary's Lullaby: flute, oboe, harp, strings, Nativity Carol: string). Mixed Voices. Composer Carol Collections. Sacred, Christmas. Choral collection. 64 pages. Published by Oxford University Press

By David Willcocks. For SATB choir and organ/strings/orchestra/b rass and percussion (Full orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 2 horn, 3 trumpet (III optional), 3 trombone (optional), tuba (optional), timpani, strings; OR strings only Brass and percussion: 2 trumpet, horn, trombone, tuba, timpani, percussion (Snare Drum, ). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 4.5'. Published by Oxford University Press

Orchestra 2 Bassoons, 2 Clarinets, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percussion:, 3 Trumpets in Bb, 4 Horns in F, Bass Clarinet, Bass Trombone, Contrabassoon, English Horn, Glockenspiel, I: Vibraphone, II: Oc, Piccolo, Solo Tenor Saxophone, Timpani, Tuba, Xylophone

SKU: PR.41641487L

For Tenor Saxophone and Orchestra. Composed by Narong Prangcharoen. Contemporary. Large Score. With Standard notation. Composed 2011. 35 pages. Duration 15 minutes. Theodore Presser Company #416-41487L. Published by Theodore Presser Company (PR.41641487L).

UPC: 680160616282.

Solo Tenor Saxophone, 2 Flutes, Piccolo, 2 Oboes, English Horn, 2 Clarinets, Bass Clarinet, 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in Bb, 2 Trombones, Bass Trombone, Tuba, Timpani, 3 Percussion:, I: Vibraphone, Xylophone, Glockenspiel, II: Ocean Drum, Triangle, Bass Drum, Cowbells, Anvil, Tambourine, Sus. Cymbal, III: Large Gong, Small Temple Block, Tam-tam, Snare Drum, Piano, Strings.

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes (2nd double Piccolo), 2 Oboes, 2 Percussion:, 2 Trombones, 2 Trumpets in Bb, 4 Horns in F, Bell Tree, Chimes, Crotales, I: Glockenspiel, Large Thai Gong, S, Tam-tam, Timpani, Tuba, Tuned Gongs, Vibraphone, Xylophone

SKU: PR.41641486L

For Orchestra. Composed by Narong Prangcharoen. Contemporary. Large Score. With Standard notation. Composed 2007. 42 pages. Duration 7 minutes. Theodore Presser Company #416-41486L. Published by Theodore Presser Company (PR.41641486L).

UPC: 680160616268.

2 Flutes (2nd double Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 2 Trombones, Tuba, Timpani, 2 Percussion:, I: Glockenspiel, Crotales, Vibraphone, Chimes, Tuned Gongs, Large Thai Gong, Xylophone, Bell Tree, Tam-tam, Spring Coil, II: Crotales, Three Triangles, Metal Plate, Flexatone, Tam-tam, Bass Drum, Sus. Cymbal, Chinese Cymbal, Strings.

Orchestra (3 flutes (piccolo), 2 oboes, 2 clarinets, 2 bassoons; 4horn, 3 trumpets, 2 trombones (bass), tuba; timpani, 4 percussion, harp, piano; strings)

SKU: SU.90810040

For Orchestra. Composed by Nancy Galbraith. Orchestra. Study Score. Composed 1997. Duration 3'. Subito Music Corporation #90810040. Published by Subito Music Corporation (SU.90810040).

Instrumentation : 3fl(picc), 2ob, 2cl, 2bn; 4hn, 3tpt, 2tbn(bs), tba; timp, 4 perc, hrp, pno; strings Duratiion: 3' Full Score & Parts: available on rental Composed: 1997 Published by: Subito Music Publishing Composer's Note: A Festive Violet Pulse opens with lively textures in the woodwinds which are used as accompaniment for a melodic statement in the violins. This melody is answered contrapuntally by the celli, and develops into a web of repeated melodic phrases. The middle section is very rhythmic, highlighting the percussion section and making use of many polyrhtyhms. A soft tremolo begins to emerge in the strings and gradually evolves into the foreground material. A repeated note theme enters in the celli and is answered sequentially by each string section. A strong statement of the original theme in the trumpets and violins climaxes the movement. --N.G.

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trumpets in C, 4 Horns in F, 4 Percussion: Glockenspiel, Bass Clarinet, Bass Drum, Bass Trombone, Cabasa, Cymbals, Daf, English Horn, Guiro, Piccolo, Sl, Timpani, Tuba, Vibraphone, Xylophone

SKU: PR.416415010

Composed by Behzad Ranjbaran. Premiered by Jean-Yves Thibaudet, Piano, and the Atlanta Symphony Orchestra, Robert Spano, Conductor, at Symphony Hall, Atlanta, Georgia. Contemporary. Full score. With Standard notation. Composed 2008. 165 pages. Duration 30 minutes. Theodore Presser Company #416-41501. Published by Theodore Presser Company (PR.416415010).

UPC: 680160619306. 9 x 12 inches.

Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, 4 Horns in F, 3 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani, 4 Percussion: Glockenspiel, Vibraphone, Xylophone, Bass Drum, Cabasa, Cymbals, Daf, Guiro, Sleigh Bells, Snare Drum, Tambourine, Tam-Tam, Triangle, Wood Blocks, Celesta, Harp, Solo Piano, Strings.

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percussion: Glockenspiel, 3 Trumpets in C, 4 Horns in F, Bass Clarinet in Bb, Bass Drum, Bass Trombone, Contrabassoon, Cymbals, English Horn, Piccolo, S, Timpani, Tuba, Vibraphone, Xylophone

SKU: PR.41641502L

Composed by Behzad Ranjbaran. Premiered by the Santa Rosa Symphony, conducted by Bruno Ferrandis, Wells Fargo Center for the Arts, Santa Rosa, CA. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 16 minutes. Theodore Presser Company #416-41502L. Published by Theodore Presser Company (PR.41641502L).

UPC: 680160619382. 11 x 17 inches.

Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets in Bb, Bass Clarinet in Bb, 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani, 3 Percussion: Glockenspiel, Vibraphone, Xylophone, Bass Drum, Cymbals, Snare Drum, Tam-Tam, Triangle, Tubular Bells, Metal wind Chimes, Celesta, Harp, Strings.

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Trumpets in C, 4 Horns in F, 4 Percussion: Glockenspiel, Bass Clarinet, Bass Drum, Bass Trombone, Cabasa, Cymbals, Daf, English Horn, Guiro, Piccolo, Sl, Timpani, Tuba, Vibraphone, Xylophone

SKU: PR.41641501L

Composed by Behzad Ranjbaran. Premiered by Jean-Yves Thibaudet, Piano, and the Atlanta Symphony Orchestra, Robert Spano, Conductor, at Symphony Hall, Atlanta, Georgia. Contemporary. Large Score. With Standard notation. Composed 2008. 165 pages. Duration 30 minutes. Theodore Presser Company #416-41501L. Published by Theodore Presser Company (PR.41641501L).

UPC: 680160619313. 11 x 17 inches.

Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, 4 Horns in F, 3 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani, 4 Percussion: Glockenspiel, Vibraphone, Xylophone, Bass Drum, Cabasa, Cymbals, Daf, Guiro, Sleigh Bells, Snare Drum, Tambourine, Tam-Tam, Triangle, Wood Blocks, Celesta, Harp, Solo Piano, Strings.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731114

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Cello 1. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/14. Published by Carus Verlag (CA.2731114).

ISBN 9790007201562. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731112

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Viola 1. Composed 1901. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.311/12. Published by Carus Verlag (CA.2731112).

ISBN 9790007201548. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731115

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Cello 2. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/15. Published by Carus Verlag (CA.2731115).

ISBN 9790007201579. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731116

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Double Bass. Composed 1901. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.311/16. Published by Carus Verlag (CA.2731116).

ISBN 9790007201586. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

SKU: SU.00220334

Woodwinds, Clarinet. Accompanied by piano. CD (PDF Scores). CD Sheet Music #00220334. Published by CD Sheet Music (SU.00220334).

This CD Sheet Music™ collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets and Album of Short Solos by Various Composers. Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on Au Clair de la Lune); Klosé )Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante) Easy Duets Book 1: works by Fodor, Pleyel, Volckmar, Wanhal; Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1200+ pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

By Bob Chilcott. For Sorpano and Tenor solo, SATB choir, orchestra/small ensemble (Orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 2 horn, 2 trumpet, timpani, strings / Small ensemble: flutes, oboes, clarinets, horn, timpani, organ). Mixed Voices. Contemporary, Choral Works. Vocal score. 64 pages. Duration 35'. Published by Oxford University Press