(Flute Feature). Composed by Geoffrey Brand. Arranged by Geoffrey Brand. For Soloist(s) with Concert Band (Solo Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 1st F Horn, 2nd F Ho). Band Music. Grade 2.5. Score and parts. Duration 3:15. Published by C. Alan Publications

By Donald Coakley. Arranged by David Marlatt. For Interchangeable Woodwind Ensemble. Part(s); Score; Woodwind - Mixed Ensemble. Eighth Note Publications. Score and set of parts. Duration 3:30. Published by Eighth Note Publications . Score and Parts.

(For Interchangeable Woodwind Ensemble). Arranged by David Marlatt. For Interchangeable Woodwind Ensemble. Part(s); Score; Woodwind - Mixed Ensemble. Eighth Note Publications. Renaissance. 60 pages. Published by Eighth Note Publications

Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 1st F Horn, 2nd F Hor) - grade 2

SKU: CN.S11237

From 'Iolanthe'. Composed by E. Michaelson. Arranged by Edward Michaelson. Band Music. Score only. Duration 3:00. Published by G & M Brand Music Publishers (CN.S11237).

Stirring stuff from the most quintessentially British of the Gilbert and Sullivan Savoy operas. W.S. Gilbert's libretto pokes gently fun at the House of the Lords, but Sullivan's music allows them all their pomp. This great march is now brought well within the grasp of young bands.

Concert band

SKU: M7.AV-5420-52

Big Potpourri. Composed by Paul Lincke. This edition: Folding. Sheet music. Set of parts, Saxophone Set (2 alto saxophone in Eb, 1 tenor saxophone, 1 baryton saxophone). 30 pages. Duration 15'. MDS (Music Distribution Services) #AV 5420-52. Published by MDS (Music Distribution Services) (M7.AV-5420-52).

ISBN 9790203914907.

(March for Band). Composed by John Philip Sousa (1854-1932). Edited by Andrew Glover. Arranged by Andrew Glover. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet III, Tru. Classical. Score and Set of Parts. Standard notation. 12 pages. Duration 2 minutes, 45 seconds. Theodore Presser Company #125-40047. Published by Theodore Presser Company

Soloist(s) with Concert Band (Solo Bb Clarinet, 1st Flute, 2nd Flute/Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Trumpet, 2nd Trumpet, 1st F Horn, 2nd F Horn, Trombone, Euphonium, (TC Baritone), Tuba, Piano*, Parts marke) - grade 2

SKU: CN.S11297

Clarinet Feature. Composed by Wolfgang Amadeus Mozart. Arranged by Stuart Johnson. Score only. Duration 5:00. Published by G & M Brand Music Publishers (CN.S11297).

Stuart Johnson has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music.

Stuart Johnson has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.

Concert Band , Alto Clarinet (in Eb), Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bass Clarinet (in Bb), Bassoon, Clarinet I, Clarinet II, Clarinet III, Flute I, Flute II, Horn I, Horn II, Oboe, Piccolo, Tenor Saxophone, Trumpet I, Trumpet II, Trumpet III

SKU: CF.J707F

For Band. Composed by Warren Benson. This edition: full score. Carl Fischer Classic Band Editions. Classical. Full score. With Standard notation. 12 pages. Duration 2:40. Carl Fischer Music #J707F. Published by Carl Fischer Music (CF.J707F).

ISBN 9780825806155. UPC: 798408006150. 9 X 12 inches. Key: G minor.

Originally written as part of the Commissioned Works for School Bands sponsored by Carl Fischer on the occasion of the one hundredth anniversary of the firm Ginger Marmalade has become one of the best known of serious twentieth-century works for school band. A humorous program number that plays with the listener's expectations, it is technically simple, but uses unusual sound resources (clapping hands, rapping heels, novel percussion sounds) o produce a work that delights the ear and challenges the mind. Often cited as a cornerstone of the young band repertoire (it is on both the UIL - Texas and NYSSMA required music lists) we are pleased to issue this delightful piece as part of our Carl Fischer Classic Band Edition.

Composed by Michael Brand. For concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Trumpet, 2nd Bb Trumpe). Band Music. Grade 3. Score only. Duration 2:15. Published by C. Alan Publications

(March (Full Score)). By John Philip Sousa (1854-1932). Edited by Frederick Fennell. Concert Band. For Piccolo, Oboe I, Oboe II, Clarinet (in Eb), Flute I, Flute II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bass Saxophone, Horn I, Ho. This edition: Concert band edition. Classical. Condensed Score. Standard notation. Duration 2 minutes, 30 seconds. Published by Theodore Presser Company

Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Tru) - grade 3

SKU: CN.S11103

Composed by Stuart Johnson. Band Music. Score only. Duration 6:00. Published by G & M Brand Music Publishers (CN.S11103).

Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement.

Stuart Johnson has the fine ability to capture moods and scenes in music. He was born in Staffordshire, the county for which he was Director of Music until his retirement in 1997. After experience as a player in brass bands, he served in the band of the King's Dragoon Guards before training as a teacher and working in schools. Following a period as a lecturer at Northumberland College of Education he became Music Adviser to the Metropolitan District of Sandwell prior to his appointment to Staffordshire. He has long experience as a conductor, particularly in the choral and band fields and also wide experience as an adjudicator and examiner. He has written prolifically for bands and orchestras and his didactic publications are used in many countries. He has over eighty published compositions and arrangements, many of which have been broadcast on radio or television. His commissioned works include the cantata David and Goliath which was first performed at the Royal Festival Hall, Oregon Overture for wind orchestra, Landscapes, Sinfonietta No 2, Wessex Dances and A Castle Suite. Stuart Johnson has recently completed several commissions, funded by National Lottery grants, for bands in Cumbria, the Isle of Wight, and Staffordshire. Requiem for Soprano, Chorus and Orchestra, was premiered successfully in front of a capacity audience in Lichfield Cathedral in March 1997, and received its first London performance at St. John's Smith Square in March 1998. This prestigious venue also saw the first performance of Songs and Sonnets for unaccompanied mixed choir in 2001. Stuart Johnson has written extensively for the theatre, his music for the production of Anna of the Five Towns was used for both the radio and television adaptations His music ranges in style from the evocative and demanding Sinfonietta for Wind Orchestra, which has received many performances since its premiere in the Royal Festival Hall, including a broadcast by the Band of the Scots Guards, to his ubiquitous Bandstand Boogie which has set feet tapping all over the world. Apart from the latter his most performed work is probably Circus Suite which was the British Youth Band Championship test piece in 1980. Northumbrian Suite and Landscapes have also been used as National Brass Band Championship test pieces. The Flint Knappers commissioned as a test piece for the 1998 East Anglian Band Festival was selected as a test piece for the 1999 Australian Championships. Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement.

Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 1st F Horn, 2nd F Hor) - grade 2.5

SKU: CN.S11200

Composed by Stuart Johnson. Band Music. Score only. Duration 5:00. Published by G & M Brand Music Publishers (CN.S11200).

Top educational composer Stuart Johnson weaves folk songs from the Northeast of England (often sung by working men) into an imaginative fantasy.

(Movement 2 from Symphony No.6). Composed by Vincent Persichetti (1915-1987). Concert Band. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet (in Eb), Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet I. Classical. Score and Set of Parts. Standard notation. Opus 69. 8 pages. Duration 3 minutes. Theodore Presser Company #165-00093. Published by Theodore Presser Company

Concert band (1st Flute, 2nd Flute/Piccolo (opt), Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 1st F H) - grade 3

SKU: CN.S11271

Composed by Michael Brand. Arranged by Michael Brand. Band Music. Pioneer Band Series. Score only. Duration 2:15. Published by G & M Brand Music Publishers (CN.S11271).

Touted as Britain's second national anthem, this stately tune by C. Hubert H. Parry transcribes beautifully for wind band and would be perfect for concert or festival settings.

By the late 19th century Charles Hubert Parry was probably the most influential figure in English music. His works were performed at all the major festivals and as Director of the Royal College of Music, London, he founded a tradition of teaching form which many of the finest British composers benefitted. Much of his music nowadays in scarcely performed but some works have retained their popularity and none more than his setting of Blake's Jerusalem, published in 1916 and instantly taken up as an anthem during the First World War. Today it rivals Land of Hope and Glory in expressing the spirit of England in music.

Soloist(s) with Concert Band (Solo Bb Clarinet, 1st Flute, 2nd Flute/Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Trumpet, 2nd Trumpet, 1st F Horn, 2nd F Horn, Trombone, Euphonium, (TC Baritone), Tuba, Piano*, Parts marke) - grade 2

SKU: CN.R10297

Clarinet Feature. Composed by Wolfgang Amadeus Mozart. Arranged by Stuart Johnson. Score and parts. Duration 5:00. Published by G & M Brand Music Publishers (CN.R10297).

Stuart Johnson has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music.

Stuart Johnson has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.

Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Tru) - grade 3

SKU: CN.R10103

Composed by Stuart Johnson. Band Music. Score and parts. Duration 6:00. Published by G & M Brand Music Publishers (CN.R10103).

Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement.

Stuart Johnson has the fine ability to capture moods and scenes in music. He was born in Staffordshire, the county for which he was Director of Music until his retirement in 1997. After experience as a player in brass bands, he served in the band of the King's Dragoon Guards before training as a teacher and working in schools. Following a period as a lecturer at Northumberland College of Education he became Music Adviser to the Metropolitan District of Sandwell prior to his appointment to Staffordshire. He has long experience as a conductor, particularly in the choral and band fields and also wide experience as an adjudicator and examiner. He has written prolifically for bands and orchestras and his didactic publications are used in many countries. He has over eighty published compositions and arrangements, many of which have been broadcast on radio or television. His commissioned works include the cantata David and Goliath which was first performed at the Royal Festival Hall, Oregon Overture for wind orchestra, Landscapes, Sinfonietta No 2, Wessex Dances and A Castle Suite. Stuart Johnson has recently completed several commissions, funded by National Lottery grants, for bands in Cumbria, the Isle of Wight, and Staffordshire. Requiem for Soprano, Chorus and Orchestra, was premiered successfully in front of a capacity audience in Lichfield Cathedral in March 1997, and received its first London performance at St. John's Smith Square in March 1998. This prestigious venue also saw the first performance of Songs and Sonnets for unaccompanied mixed choir in 2001. Stuart Johnson has written extensively for the theatre, his music for the production of Anna of the Five Towns was used for both the radio and television adaptations His music ranges in style from the evocative and demanding Sinfonietta for Wind Orchestra, which has received many performances since its premiere in the Royal Festival Hall, including a broadcast by the Band of the Scots Guards, to his ubiquitous Bandstand Boogie which has set feet tapping all over the world. Apart from the latter his most performed work is probably Circus Suite which was the British Youth Band Championship test piece in 1980. Northumbrian Suite and Landscapes have also been used as National Brass Band Championship test pieces. The Flint Knappers commissioned as a test piece for the 1998 East Anglian Band Festival was selected as a test piece for the 1999 Australian Championships. Before the days of photography, the great state occasions were captured in paintings and tapestries. In this Suite, the composer has imagined the pomp and splendor of the English court at work and play, capturing each mood in a short movement.

Flexible Woodwind Ensemble

SKU: ST.C224

Composed by Georges Bizet. Wind & brass music. Clifton Edition #C224. Published by Clifton Edition (ST.C224).

ISBN 9790570812240.

PART 1: Flute/Oboe and/or B flat Clarinet and/or E flat Alto Saxophone
PART 2: Flute/Oboe and/or B flat Clarinet and/or E flat Alto Saxophone
PART 3: Bassoon and/or E flat Alto Saxophone and/or B flat Clarinet/B flat Bass Clarinet/B flat Tenor Saxophone
Prelude< /em>, Seguidilla, Habenera and Gypsies’ Chorus from Carmen.

Arranged for Flexible Woodwind Ensemble by Karen Evans (options below)
Grades 3–7
Former Spartan Press Cat. No.: SP739.

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3 +2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Viola, Violin, Violin 1, Violin 2, Violoncello, tenor Saxophone

SKU: CF.C737L

Composed by Julia Perry. Edited by Roger Zahab. Large Score. 48 pages. Duration 17 minutes. Carl Fischer Music #C737L. Published by Carl Fischer Music (CF.C737L).

UPC: 680160922093.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Viola, Violin, Violin 1, Violin 2, Violoncello, tenor Saxophone

SKU: CF.C737F

Composed by Julia Perry. Edited by Roger Zahab. Study Score. 48 pages. Duration 17 minutes. Carl Fischer Music #C737F. Published by Carl Fischer Music (CF.C737F).

UPC: 680160922086.

By John Edmondson. Edited by Anne Mcginty. Program/Technic Books. Level: Book E,5. Music Book. Published by Queenwood Publications.

4 woodwinds (1. part: flute/B flat clarinet - 2. part: flute/oboe/B flat clarinet - 3. part: B flat clarinet/alto saxophone - 4. part: B flat clarinet/bass clarinet/tenor saxophone/bassoon) - intermediate

SKU: M7.RSC-60113

Composed by John Philip Sousa. Arranged by Michael Brand. Sheet music. Score and parts. Duration 2'. Handelsware #RSC 60113. Published by Handelsware (M7.RSC-60113).

English.

America 's March-King is mercilessly mixed up by Michael Brand in a medley which will bring a smile to the face of your audience, especially as the pieces get confused towards the end! The Marches are: Stars and Stripes Forever, Washington Post, Semper Fidelis, and Liberty Bell..

Composed by Mark Hayes. For alto saxophone, tenor saxophone, 2 trumpets, 2 trombones, rhythm. Christmas. Instrumental score and parts. Published by Heritage Music Press

(Jesus, the Light of the World). By Larry Shackley. For 2 trumpets, 2 trombones, alto saxophone, tenor saxophone, rhythm. Sacred Anthem. Brass and Rhythm Score and Parts. Published by Lorenz Publishing Company

Composed by Kurt Carr. Arranged by Victor C Johnson. For rhythm, 2 trumpets, 2 trombones, alto saxophone, tenor saxophone. Choral. Sacred Anthem. Instrumental score and parts. Lorenz Publishing Company #30/3130L. Published by Lorenz Publishing Company

Arranged by Ralph Ford, words and music by Ray Charles (1930-2004). Conductor Score for marching band (Flute/Piccolo, Clarinet 1-2, Alto Saxophone, Tenor Saxophone, Trumpet 1-3, Horn in F, Trombone 1-2, Baritone, Tuba, Mallet Percussion (Bells, Xylophone), Cymbals, Snare Drum, Quad-Toms, Tonal Bass Drums--4 Pitch). 16 pages. Published by Alfred Publishing.

Composed by Mary Mcdonald. For SATB choir, piano (with optional tenor saxophone, bass, guitar, percussion, alto saxophone, 2 trumpets, 2 trombones). Sacred anthem. Octavo. Published by Lorenz Publishing Company