SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone, timpani - Beginning

SKU: GI.G-8848

Concertato on AGAIN, REJOICE!. Composed by Marty Haugen. Choral. Tune Name: Again, Rejoice! Sacred. Octavo. 12 pages. GIA Publications #8848. Published by GIA Publications (GI.G-8848).

UPC: 785147884804. English. Text by Marty Haugen. Scripture: Philippians 4:4–7, Galatians 5:22–23, Romans 15:13.

This vibrant anthem is a great way to start or end a festive occasion. Presented in a “concertato” structure with brass, timpani, and organ accompaniment, and also offered here as a traditional hymn, this strong melody will be a favorite with your SATB choir and congregation.

Unison choir/voices, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in F, trombone, tuba, timpani - Intermediate

SKU: GI.G-7601

Composed by Robert Parker. Eastertide, Easter Day. Sacred. 12 pages. GIA Publications #7601. Published by GIA Publications (GI.G-7601).

UPC: 785147760191. English. Text Source: 'Pascha nostrum,' Latin Easter hymn.

This meditation based on Pascha nostrum a Latin Easter hymn, can be used for Easter Day and throughout Eastertide. A glorious way to begin an Easter celebration, this majestic piece features an optional part for unison choir. Solid and impressive composing from Parker is accessible for the average brass and organ players. Organ registrations are provided throughout, including zimbelstern if available. Unison choir part is optional.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone, guitar - Beginning

SKU: GI.G-8311

Composed by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8311. Published by GIA Publications (GI.G-8311).

UPC: 785147831105. English. Text by Adam M. L. Tice.

Featuring backup vocals from the choir for the assembly’s (or soloist’s) unison refrain and verses, there is an easy syncopation throughout that provides movement and interest. The text extols the wonders of the eucharistic meal and extends an invitation to all. For cantor or soloist.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, String Bass, Timpani, Trombone, Trumpet, Tuba, Viola and more. - Grade 2.5

SKU: CF.XPS16F

Composed by Lauren Taylor. Xps. Full score. Carl Fischer Music #XPS16F. Published by Carl Fischer Music (CF.XPS16F).

ISBN 9781491161852. UPC: 680160920532.

Jazz Ensemble - Grade 1

SKU: AP.50942S

Composed by Rod Temperton. Arranged by Mike Story. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz; Pop; Radio. Score. 8 pages. Duration 2:45. Alfred Music #00-50942S. Published by Alfred Music (AP.50942S).

ISBN 9781470669720. UPC: 038081591612. English.

Yes, the Michael Jackson rock hit arranged for your young jazz band. Played around 114 BPM with modest ranges, nice voicings, and a written-out easy to play bass solo (cued for trombone or bari sax). This is an easy to play yet fun crowd pleaser for sure. (2:45).

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Timpani, Tom-tom, Triangle, Trombone, Trumpet, Tuba and more. - Grade 0.5

SKU: CF.PPS29F

Composed by Larry Clark. SWS. Full score. With Standard notation. 16 pages. Carl Fischer Music #PPS29F. Published by Carl Fischer Music (CF.PPS29F).

ISBN 9781491141038. UPC: 680160629091. 9 x 12 inches.

Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, SATB Choir, 2 Fl, 2 clarinet, 3Trp, 2 trombone, timpani, percussion, harp, piano, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA10571-01

Composed by Bohuslav Martinu. Edited by Aleš Brezina. This edition: complete edition, urtext edition. Linen. The Bohuslav Martinu Complete Edition VI/2/1. Complete edition, Score. H 351. Duration 31 minutes, 30 seconds. Baerenreiter Verlag #BA10571_01. Published by Baerenreiter Verlag (BA.BA10571-01).

ISBN 9790260107632. 33.5 x 26.5 cm inches. Text Language: English. Preface: Brezina, Aleš.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra tenor solo voice, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4017009

Oratorio fragament. Part I: The Birth of Christ; Part II: The Passion of Christ. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. 1x 40.170/21 flute 1, 1x 40.170/22 flute 2, 1x 40.170/23 oboe 1, 1x 40.170/24 oboe 2, 1x 40.170/25 clarinet 1, 1x 40.170/26 clarinet 2, 1x 40.170/27 bassoon 1, 1x 40.170/28 bassoon 2, 1x 40.170/31 horn 1, 1x 40.170/32 horn 2, 1x 40.170/33 trumpet 1, 1x 40. Stuttgart Urtext Edition: Mendelssohn. Christus-Oratorium (Fragment). Innovative practice aids, Sacred vocal music, Oratorios, Lent and Passiontide, Holy Week, Christmas. Set of Orchestra Parts. Composed 1847. Op. 97, MWV A 26. 48 pages. Duration 21 minutes. Carus Verlag #CV 40.170/09. Published by Carus Verlag (CA.4017009).

ISBN 9790007063610. Language: German/English.

Men delssohns unfinished 3rd oratorio in its first critical edition. The parts Die Geburt Christi and Das Leiden Christi are presented with full orchestration. In 1852, five years after Mendelsohn's death, two independently-performable fragments of an unfinished oratorio were published under the title Christus. The second fragment, The Suffering of Jesus, comes from the middle of the Passion story: the scene Jesus before Pilot is presented with rapid, dramatic alternation between the recitatives of the evangelist (tenor) and choruses of the people. A contemplative choral movement closes the fragment.

3 Wind Instruments, Rhythm Section

SKU: AP.1-ADV17058

Ensemble Mix. Composed by Mike Rossi. 5 or More; Mixed Instruments - Flexible Instrumentation; Solo Small Ensembles. Advance Music. Jazz; Swing. Score and Part(s). Advance Music #01-ADV17058. Published by Advance Music (AP.1-ADV17058).

ISBN 9783954810062. UPC: 805095170580. English.

In this swingin' original, K. G. Cape Town, the wind parts whirl over a repetitive bass line while drums alternate between solo and accompaniment figures. South African music merges with modern jazz sounds. A short open solo section gives everyone a chance to improvise over easy changes. Part 1 is playable by flute, oboe, violin, guitar, clarinet, trumpet, soprano, or alto saxophone; Part 2 is playable by alto or tenor saxophone; Part 3 is playable by trombone, tenor, or baritone saxophone. The compositions have been written for flexible wind ensembles, containing C, E-flat and B-flat parts. The rhythm section can be composed of bass, percussion and wind instrument. For musicians with basic knowledge of jazz harmony.

Score and Parts Brass Ensemble (Score & Parts) - intermediate

SKU: HL.49032294

Eight Brass Instruments. Composed by Jean Franç and aix. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and parts. Composed 1982. 20 pages. Duration 0' 20''. Schott Music #ED7203. Published by Schott Music (HL.49032294).

ISBN 9790001075480. UPC: 884088668013. 9.0x12.0x0.063 inches.

For 3 horns in F, 1 trumpet in D, 2 trumpets in C, 1 trombone, and 1 tuba.

Viola (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str)

SKU: BR.OB-5198-19

From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

revised new edition of score and orchestral parts

Symphony; Romantic. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5198-19. Published by Breitkopf and Haertel (BR.OB-5198-19).

ISBN 9790004330494. 10 x 12.5 inches.

Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.

Revised new edition of score and orchestral parts.

Double bass (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str)

SKU: BR.OB-5198-27

From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

revised new edition of score and orchestral parts

Symphony; Romantic. Part. 12 pages. Duration 45'. Breitkopf and Haertel #OB 5198-27. Published by Breitkopf and Haertel (BR.OB-5198-27).

ISBN 9790004330517. 10 x 12.5 inches.

Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.

Revised new edition of score and orchestral parts.

Violoncello (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str)

SKU: BR.OB-5198-23

From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

revised new edition of score and orchestral parts

Symphony; Romantic. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5198-23. Published by Breitkopf and Haertel (BR.OB-5198-23).

ISBN 9790004330500. 10 x 12.5 inches.

Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.

Revised new edition of score and orchestral parts.

Woodwinds (2(picc).2.cor ang.2.2 - 4.2.3.1 - timp.perc - str)

SKU: BR.OB-5198-30

From the New World - Urtext. Composed by Antonin Dvorak. Edited by Christian R. Riedel. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

revised new edition of score and orchestral parts

Symphony; Romantic. Set of parts. 230 pages. Duration 45'. Breitkopf and Haertel #OB 5198-30. Published by Breitkopf and Haertel (BR.OB-5198-30).

ISBN 9790004330524. 10 x 12.5 inches.

Dvorak's masterpiece is now even more practicalDvorak's Symphony From the New World, considered his opus summum by many, is one the most widely performed of all symphonies. The edition already published in 1990 by Breitkopf & Hartel has been established internationally as an authoritative edition not least because it is based on parts first used in the 1893 New York premiere. This very revealing source had until then been considered lost.The new edition now published in large orchestral format (25.0 x 32.0 cm), still has in store, however, quite a few further additions and improvements: The layout of the string parts is now more practically oriented; the well-known (ever repeated) problems of page turns in the earlier editions could also finally be solved. The trombone parts I/II notated to date in the alto clef (as done by Dvorak) are reproduced according to present-day orchestral practice in the tenor clef.

Revised new edition of score and orchestral parts.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016409

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. 1x 50.164/21 flute 1, 1x 50.164/22 flute 2, 1x 50.164/23 oboe 1, 1x 50.164/24 oboe 2, 1x 50.164/25 English horn, 1x 50.164/26 clarinet 1, 1x 50.164/27 clarinet 2, 1x 50.164/28 bassoon 1, 1x 50.164/29 bassoon 2, 1x 50.164/31 horn 1, 1x 50.164/32 horn 2, 1x. German title: Der Stern von Bethlehem 18. Innovative practice aids, Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1890. Op. 164. 116 pages. Duration 48 minutes. Carus Verlag #CV 50.164/09. Published by Carus Verlag (CA.5016409).

ISBN 9790007080242. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and parts available separately - see item CA.5016400.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5559-07

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Study Score. 208 pages. Duration 44'. Breitkopf and Haertel #PB 5559-07. Published by Breitkopf and Haertel (BR.PB-5559-07).

ISBN 9790004213698. 6.5 x 9 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Double bass (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-27

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Part. 16 pages. Duration 44'. Breitkopf and Haertel #OB 5558-27. Published by Breitkopf and Haertel (BR.OB-5558-27).

ISBN 9790004344699. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Woodwinds (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-30

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Set of parts. 308 pages. Duration 44'. Breitkopf and Haertel #OB 5558-30. Published by Breitkopf and Haertel (BR.OB-5558-30).

ISBN 9790004344705. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5558

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Full score. 212 pages. Duration 44'. Breitkopf and Haertel #PB 5558. Published by Breitkopf and Haertel (BR.PB-5558).

ISBN 9790004213681. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Viola (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-19

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-19. Published by Breitkopf and Haertel (BR.OB-5558-19).

ISBN 9790004344675. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Violoncello (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.OB-5558-23

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-23. Published by Breitkopf and Haertel (BR.OB-5558-23).

ISBN 9790004344682. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Brass ensemble Brass Ensemble (4 Players) & Rhytm Section (Piano, Bass, Drums) + CD Play Back / Play Along (4 brass players) - Grade 3

SKU: MA.EMR-28414

Ritmo Del Amor / Samba Ole / Sentimental Dreams / Swing And Jive / Tango Macho / Tropical Lady / Vamos A La Fiesta. Composed by Gunter Noris. Brass Ensemble (4 Players) & Rhytm Section (Piano, Bass, Drums) (+ Play Back / Play Along CD optional). Score and parts. Duration 19'10. Editions Marc Reift #EMR 28414. Published by Editions Marc Reift (MA.EMR-28414).

1. Part: Trumpet / 2. Part: Trumpet / 3. Part: Trombone or F-Eb Horn or Euphonium / 4. Part: Trombone or Euphonium.

Brass ensemble Brass Ensemble (4 Players) & Rhythm Section & Strings + CD Play Back / Play Along (4 brass players) - Grade 3

SKU: MA.EMR-28419

Ritmo Del Amor / Samba Ole / Sentimental Dreams / Swing And Jive / Tango Macho / Tropical Lady / Vamos A La Fiesta. Composed by Gunter Noris. Brass Ensemble (4 Players) & Rhythm Section & Strings (+ Play Back / Play Along CD optional). Score and parts. Duration 19'10. Editions Marc Reift #EMR 28419. Published by Editions Marc Reift (MA.EMR-28419).

1. Part: Trumpet / 2. Part: Trumpet / 3. Part: Trombone or F-Eb Horn or Euphonium / 4. Part: Trombone or Euphonium.

Chamber Music Bass Trombone, Horn, Trombone, Trumpet 1, Trumpet 2, Tuba

SKU: PR.114413800

Composed by Clint Needham. Sws each. Set of Score and Parts. With Standard notation. 20+20+8+12+12+8+8+8+12+12 +8+8 pages. Duration 10 minutes, 30 seconds. Theodore Presser Company #114-41380. Published by Theodore Presser Company (PR.114413800).

ISBN 9781491111048. UPC: 680160610204. 9x12 inches.

Abstract Mosaics was inspired by the mosaic artwork of Sonia King. By nature, mosaics are synergistic - many small pieces structured together to make an artistic whole. Needham's work vividly captures this construction from small elements. Each of the work's four sections highlights a particular sonic quality, and each of the instruments, or pieces of the quintet, works in concert with one another creating the musical landscape, instead of the traditional model of one voice carrying the main melodic content. Abstract Mosaics was commissioned by the University of Wisconsin-Whitewater Faculty Brass Quintet in celebration of the group's 25th anniversary.
Abstract Mosaics was commissioned by the University of Wisconsin-Whitewater Faculty Brass Quintet in celebration of the group’s 25thanniversary.Abstract Mosaics takes inspiration from mosaic artwork created byartist Sonia King. By their nature, mosaics are synergistic – that is to say, many small pieces make up the whole of the artwork. The musical work attempts to capture this idea of synergy. Cast in four main sections, each part highlights a particular sonic quality unique to the brass quintet. Like mosaic artwork, the instruments, or “pieces” of the quintet, work in concert with one another to create the musical landscape instead of the more traditional modelof having one voice carry the main melodic content while others accompany.I felt this was particularly important to equally showcase the talents of all members of the UW-Whitewater Quintet as they celebrate 25 years of dedication to performing as a group.– Clint Needham.

3-part equal voices, 3-part mixed voices, voice solo, assembly, piano accompaniment, trumpet 1 in B-flat, trumpet 2 in B-flat, tenor saxophone, trombone, guitar - Early intermediate

SKU: GI.G-6111

Composed by Timothy Valentine. Arranged by Peter Valentine. Eastertide, Easter Vigil. Leavensong Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #6111. Published by GIA Publications (GI.G-6111).

English. Text Source: Words inspired from Exodus, Isaiah, Ezekiel and Revelation. Text by Timothy Valentine. Scripture: (inspired from Exodus, Isaiah, Ezekiel, Revelation).

Inspir ed by several Old Testament texts, as well as Revelation, Timothy Valentine, SJ, has composed a song that will appeal to those who want a more contemporary feel to their worship. Parts for trumpets, trombone, and tenor sax are available separately. .

Solo - Duet - Trio: 2 Trumpets or Cornets & Trombone (optional: Piano / Organ or CD Play Back / Play Along) - Grade 1, Grade 2

SKU: MA.EMR-61442

Composed by Jirka Kadlec. Score and parts. Duration 15'53. Editions Marc Reift #EMR 61442. Published by Editions Marc Reift (MA.EMR-61442).

1. O Come, All Ye Faithful (Adeste fideles) / 2. Good King Wenceslas / 3. Kling, Glockchen, Kling / 4. Il est Ne le Divin Enfant / 5. The First Nowell / 6. Hark, The Herald Angels Sing / 7. Silent Night (Stille Nacht - Voici Noel) / 8. Les Anges dans nos Campagnes / 9. Jingle Bells / 10. In Dulci Jubilo / 11. We Wish You A Merry Christmas / 12 . Go, Tell It On The Mountain.

C instrument, soprano recorder, alto recorder, flute 1, flute 2, oboe, clarinet in B-flat, english horn, trumpet 1 in B-flat, trumpet 2 in B-flat, horn in F, trombone, cello, bassoon, guitar

SKU: GI.G-7494INST

Bóg Jest Miloscia (God Is Forgiveness) / Wyslawiajcie Pana (Praise Our God and Savior). Composed by Taize Community. This edition: Instrument edition. Ordinary Time 11 C. Taize Community. Sacred. Instrumental part(s). With guitar chord names. 2 pages. GIA Publications #7494INST. Published by GIA Publications (GI.G-7494INST).

Solo - Duet - Trio: 2 F Horns & Trombone (optional: Piano / Organ or CD Play Back / Play Along) - Grade 1, Grade 2

SKU: MA.EMR-61470

Composed by Jirka Kadlec. Score and parts. Duration 15'53. Editions Marc Reift #EMR 61470. Published by Editions Marc Reift (MA.EMR-61470).

1. O Come, All Ye Faithful (Adeste fideles) / 2. Good King Wenceslas / 3. Kling, Glockchen, Kling / 4. Il est Ne le Divin Enfant / 5. The First Nowell / 6. Hark, The Herald Angels Sing / 7. Silent Night (Stille Nacht - Voici Noel) / 8. Les Anges dans nos Campagnes / 9. Jingle Bells / 10. In Dulci Jubilo / 11. We Wish You A Merry Christmas / 12 . Go, Tell It On The Mountain.

(Concerto for Saxophone Quartet and Band). By Victoria Bond. For saxophone quartet and band (saxophone quintet; 2(1).2(1, eb).3 (bass).2 - 4 horn, 3 cornets, 3 trumpets, 3 trombones, euphonium, tuba; string bass, timpani, 4 percussion). Study score. Composed 1983. Duration 6'