Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
8+8+5+5+2+5+2+8 pages.
Duration 3 minutes, 21
seconds. Carl Fischer
Music #FAS108. Published
by Carl Fischer Music
(CF.FAS108).
ISBN
9781491151396. UPC:
680160908899. 9 x 12
inches. Key: D
major.
Annie's Gone
Home, composed in the
style of a spiritual, was
written as a tribute to
composer Bud Woodruff's
mother. The tune is built
on phrases of easily
understandable material,
but the poignant nature
of the piece is marked
with profundity. From the
subtle bass solo to the
emotional high points,
the piece is inspired by
this strong woman in the
life of the
composer.
Annies Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (19232017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended.
.
Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended.
.
Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended.
.
Annie's Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended.
. Annie's
Gone Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is easy to
interpret grief in this
music, and its presence
is undeniable, it is
really intended more as a
song of the ultimate
triumph of goodness. In
her wisdom, she was able
to capture deep thoughts
within simple phrases,
which I have also tried
to capture. Her life was
one of frequent
struggles, yet she was
inspiring to many. She
emerged from every
difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. Annieâ€
s Gone Home is a
tribute to my Mother,
Annette Fenner Hains
(1923–2017). Her
siblings and cousins
always called her
“Annie.†She
loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and
spirituals.While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended.
Speakers and orchestra - intermediate to advanced SKU: HL.49033128 Ein...(+)
Speakers and orchestra -
intermediate to advanced
SKU: HL.49033128
Eine musikalische
Geschichte. Composed
by Rueggeberg. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott. This work
is based on a children's
book by Margret and Rolf
Rettich (ED 9307 = Book;
ED 9307-50 = Book + CD)A
contemporary piece
suitable for a young
audience. The various
soloists and instrumental
sections of the orchestra
are introduced in
characteristi. Score.
Composed 1999. 160 pages.
Duration 32'. Schott
Music #ED 9498. Published
by Schott Music
(HL.49033128).
ISBN
9790001132626.
German.
A man lives
in a town in which he can
barely hear the music
going round in his head
for the noise. He
purchases a house in the
country and numerous
tenants move in: the
string family, wind
players, a pianist, a
female harpist, a drummer
and a timpanist. They all
learn to listen to each
other and play together
whilmaking music. During
the progress of the work,
orchestral instruments
and the role of the
conductor are
explained.
This
work is based on a
children's book by
Margret and Rolf Rettich
(ED 9307 = Book; ED
9307-50 = Book + CD)A
contemporary piece
suitable for a young
audience. The various
soloists and instrumental
sections of the orchestra
are introduced in
characteristic passages.
The story linking the
musical items is told by
a narrator.
By Johann Sebastian Bach (1685-1750). For keyboard. Piano Solo. Dover Edition. B...(+)
By Johann Sebastian Bach
(1685-1750). For
keyboard. Piano Solo.
Dover Edition. Baroque.
Collection. Introductory
text. BWV 988. 47 pages.
Published by Dover
Publications
Dich preist,
Allmächtiger.
Composed by Albert
Lortzing. Edited by
Martin Helbich. Composed
1822. LoWV 5. Duration 14
minutes. Carus Verlag
#2300513. Published by
Carus Verlag
(CA.2300513).
ISBN
9790007246907. Key: C
major. German. Text: von
Matthisson,
Friedrich.
Today
best known for his comic
operas such as Zar und
Zimmermann and Der
Waffenschmied, Albert
Lortzing was also a
composer of sacred music.
In 1822, inspired by the
performances of great
choral symphonic works at
the Lower Rhine Music
Festival, Lortzing, then
aged only 21 years old,
ventured to set a sacred
anthem to music: In his
Dich preist,
Allmächtiger (Praise
to you, Almighty) for
four-part choir, soloists
and orchestra, his love
of opera shines through
with memorable melodies,
striking instrumentation
and an expressive and
diverse musical design
that conjure up diverse
scenes for the listener.
The palette ranges from
powerful wind passages
praising God’s
omnipotence to
'classical' fugati and
intimate solo and
ensemble passages with
transparent
accompaniment.
The
Urtext edition –
in fact the first printed
version of the work
– is based on
autograph sources.
Drawing on the
preparatory work and
practical experience of
church musician and
conductor Wolfgang
Helbich, this edition was
completed by his son, the
musicologist Martin
Helbich. Vocal score and
performance materials are
also available.
Trombone and Piano - advanced SKU: CY.CC2940 Composed by Johannes Brahms....(+)
Trombone and Piano -
advanced
SKU:
CY.CC2940
Composed by
Johannes Brahms. Arranged
by James Miller. German
Romantic. Solo part and
Piano accompaniment. 35
pages. Cherry Classics
#2940. Published by
Cherry Classics
(CY.CC2940).
ISBN
9790530057582.
Brah
ms' 21 Hungarian Dances
were completed in 1869
and sent to his publisher
without opus numbers.
Only three of the works
are original
compositions. The music
mostly of one to five
minutes in length was
Brahm's biggest seller,
originally for solo
Piano, but once they were
arranged for piano four
hands, they exploded in
popularity.
Jame
s Miller has beautifully
arranged five of them (1,
5, 7,8 and 9) for
Trombone with Piano
accompaniment and are
appropriate very advanced
performers.
The
sound clips are of Mr.
Miller from his solo CD
album, Coast
to Coast, featured on CD
Baby.
Glory Chorale SATB - Facile Oxford University Press
SATB choir and brass ensemble (2tpt, hn, 2tbn, timp, org) - Easy to Moderately D...(+)
SATB choir and brass
ensemble (2tpt, hn, 2tbn,
timp, org) - Easy to
Moderately Difficult
SKU:
OU.9780193534896
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. Arranged
by Terry Price. Score and
set of parts. 72 pages.
Duration 4.5'. Oxford
University Press
#9780193534896. Published
by Oxford University
Press (OU.9780193534896).
ISBN 9780193534896. 12
x 8 inches.
For
SATB and brass ensemble,
with timpani and organ
Full score and parts for
the brass ensemble
version of Terry Price's
rousing arrangement of
Rimsky-Korsakov's 'Glory'
(Slava, Op.21). For
performances with brass,
the organ part included
in this set should be
used, rather than the
part in the vocal
score.
By Bruno Kassel and Carlo May. For All Instruments. Non-fiction. Voggenreiter. A...(+)
By Bruno Kassel and Carlo
May. For All Instruments.
Non-fiction.
Voggenreiter. All Styles.
Book. Size 5.5x8. 112
pages. Published by Mel
Bay Publications, Inc.
Descant recorder SKU: BA.BA02491-23 Composed by Karl Marx. Folded. Single...(+)
Descant recorder
SKU:
BA.BA02491-23
Composed by Karl Marx.
Folded. Single part.
Composed 1954. Opus 53/3.
3 pages. Baerenreiter
Verlag #BA02491_23.
Published by Baerenreiter
Verlag (BA.BA02491-23).
Composed by Erwin
Schulhoff. This edition:
Saddle stitching. Sheet
music. String. Score and
parts. Composed 1914. Op.
14. 90 pages. Duration
21'. Schott Music #P5029.
Published by Schott Music
(HL.49015639).
UPC:
884088271312.
9.0x12.0x0.304
inches.
Ein
Divertimento im besten
Sinn ist dieses Fruhwerk
des spateren Dadaisten
und Komponisten des
Kommunistischen
Manifests. Es verbindet
bei nicht zu hohem
Schwierigkeitsgrad
Spielfreude und
Klangsinnlichkeit der
bohmischen
Streichertradition.
Besonders gelungen der
vierte Satz: ein
Wettstreit von Bratsche
und erster Violine um den
schoneren
Romanzenton.
Anima Negra Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Hal Leonard
For Concert Band, Grade 4 9;06 Score and Parts. Composed by Otto M. Schwarz....(+)
For Concert Band, Grade 4
9;06
Score and Parts. Composed
by
Otto M. Schwarz. Concert.
Softcover. Duration 546
seconds. Hal Leonard
#SDP045.21-02. Published
by
Hal Leonard
By Grey Larsen. For Tin Whistle. method. Celtic/Irish. Level: Beginning. Book/C...(+)
By Grey Larsen. For Tin
Whistle. method.
Celtic/Irish. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 480
pages. Published by Mel
Bay Publications, Inc.
Guitar - Level 2 SKU: HF.T-4073 Arranged by Funk. Sheet music. Friedrich ...(+)
Guitar - Level 2
SKU:
HF.T-4073
Arranged by
Funk. Sheet music.
Friedrich Hofmeister
Musikverlag #T 4073.
Published by Friedrich
Hofmeister Musikverlag
(HF.T-4073).
ISBN
9790203458760. 8.27 x
5.59 inches.
1.
Leise rieselt der Schnee
(Ed. Ebel); 2. Ach,
bittrer Winter (17.
Jhd.); 3. Nikolauslied
(Rheinland); 4. Morgen,
Kinder, wird's was geben
(Berliner Volksweise,
1800); 5. Ihr Kinderlein,
kommet (J.A.P. Schulz,
1747-1800); 6. Alle Jahre
wieder (F. Silcher,
1789-1860); 7. Vom Himmel
hoch, da komm' ich her
(Martin Luther); 8.
Frohlich soll mein Herze
springen (J. Cruger,
1598-1662); 9. Uns ist
geboren (Altflamisch);
10. Es ist ein Ros'
entsprungen (Speiersches
Gesangbuch, 1599); 11. O
du frohliche
(Sizilianische
Volksweise); 12. Nun
singet und seid froh
(Klug's Gesangbuch,
1535); 13. Vom Himmel
hoch, ihr Engelein
(Kolner Gesangbuch,
1632); 14. Kommet, ihr
Hirten (Volksweise); 15.
Auf, auf, ihr Hirten
(Niederosterreich); 16.
Spielt auf (Volksweise);
17. Lieb' Nachtigall,
wach auf (um 1670); 18.
Kindlein mein
(Volkslied); 19.
Kindelein zart
(Volksweise); 20. Joseph,
lieber Joseph mein (Weise
nach Handschrift, 1305);
21. Still, still, weil's
Kindlein schlafen will
(Volkslied aus Salzburg,
1819); 22. O Tannebaum
(Alte Weise, Worte seit
1820); 23. O Tannenbaum
(Volkslied aus
Westfalen); 24. Ach
Tannenbaum (M. Franck,
1573-1639); 25. Am
Weihnachtsbaum die
Lichter brennen
(Volksweise); 26.
Frohliche Weihnacht
uberall (aus dem
Englischen); 27. Stille
Nacht (F. Gruber,
1787-1863).
Composed by Robert
Schumann. Arranged by
Eric Vireton. Classical,
Chamber Music. Score and
Set of Parts. FLEX
Editions #FX070837.
Published by FLEX
Editions (FL.FX070837).
Urtext from the new Complete Edition (G. Henle Verlag). Composed by Ludwig van...(+)
Urtext from the new
Complete
Edition (G. Henle
Verlag).
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Ernst Herttrich.
Breitkopf
and Haertel #OB 14617-30.
Published by Breitkopf
and
Haertel
Eb Cornet & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-44965(+)
Eb Cornet & Piano or CD
Play Back / Play Along -
Grade 1
SKU:
MA.EMR-44965
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Eb Cornet
& CD Playback (Play
Along). Score and parts.
Duration 21'08. Editions
Marc Reift #EMR 44965.
Published by Editions
Marc Reift
(MA.EMR-44965).
The Partridge /
Merrily We Roll Along /
Little Mozart / Le Bon
Roi Dagobert / Jingle
Bells / How To Slur / How
To Play Staccato / J'ai
du Bon Tabac / Serenade /
Slurring Is Fun / Flea
Jumps / Ode To Joy / Ah
vous dirais-je Maman /
Old Mac Donald ...
Aus: Musicalische
Divertissements, Teil
II. Composed by
Sebastian Bodinus. Edited
by Martin Jira.
Classical. Score, parts.
18 S. Part. + 21 S.
Stimmen pages. Verlag
Dohr #ED13766. Published
by Verlag Dohr
(VD.ED13766).
(21 Current Hits (Piano/Vocal/Guitar)). For Guitar; Keyboard; Piano; Voice...(+)
(21 Current Hits
(Piano/Vocal/Guitar)).
For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Greatest
Hits. Pop; Pop/Rock;
Rock.
160 pages. Published by
Alfred Music
For
Large Orchestra and
Tape. Composed by
Theodore Antoniou.
Stapled. Study score.
Composed 1969. Duration
15 minutes. Baerenreiter
Verlag #BA06045_00.
Published by Baerenreiter
Verlag (BA.BA06045).
For Piano. Masterworks; Piano Collection. Dover Edition. Masterwork. Advanced; E...(+)
For Piano. Masterworks;
Piano Collection. Dover
Edition. Masterwork.
Advanced; Early Advanced;
Intermediate; Late
Intermediate. Book.
Published by Dover
Publications
Choir / congregation, horn, trumpet, trombone, organ SKU: GH.GE-12091 Com...(+)
Choir / congregation,
horn, trumpet, trombone,
organ
SKU:
GH.GE-12091
Composed
by Abbe Vogler. Arranged
by Gote Widlund. En av
vara mesta adventspsalmer
i ett storstilat likaval
flexibelt arrangemanf for
unison kor, forsamling
brass och orgel. Score.
With Language: Swedish.
Gehrmans Musikforlag #GE
12091. Published by
Gehrmans Musikforlag
(GH.GE-12091).
ISBN
979-0-070-12091-3. A4
inches. Text: Matthew
21:9.
Abbe Voglers
Hosianna i ett festligt
arrangemangn som kan
framforas med en eller
tva trumpeter, orgel och
trombon ad lib eller
brasskvartett eller
brasskvintett. Partituret
ingick i
Sensusabonnemanget
augusti 2012.
