Trumpet Solo. By Various. Arranged by G Johnson. (Trumpet). Brass Method. Size 9x12 inches. 128 pages. Published by G. Schirmer, Inc.

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Chamber Music Piano

SKU: PR.140401250

Composed by Miguel Del Aguila. Score. With Standard notation. 8 pages. Duration 10 minutes. Theodore Presser Company #140-40125. Published by Theodore Presser Company (PR.140401250).

ISBN 9781491113639. UPC: 680160669011.

Traci ng the journey of a bottle carrying music, Miguel del Aguila’s MUSIC IN A BOTTLE is exhilarating and ravishing, yet equally poignant with sadness. The 10-minute work draws inspiration from post-minimalist textures and rich harmony. It is technically within the reach of intermediate to advanced students, as well as enticing for professional recitals.
Music in a Bottle portrays the symbolic journey of a bottle carrying a message across the oceans and finally sinking without its message ever having been delivered.The bottle and its journey represent to me our own selves and our own lives’ journey, and how when we die we take with us most of the memories within us, many of which were undisclosed to everyone else.The work is divided in 3 sections:I. The Bottle’s JourneyII. The MessageIII. The Bottle SinksMusic in a Bottle has been recorded by James Miltenberger on the Scotwood Music CD, “20th Century Dances and Improvisations.”â� ��” Miguel del Aguila.

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

By Marin Marais (1656-1728). Arranged by T. Olt. For tuba solo with piano. Solo music. Published by Cimarron Music Press .

By Gary Schocker. By Gary Schocker. For flute. Play Along. Instrumental Solo Part and 3 CDs. Published by Music Minus One

By Teoke Marianne. By Johann Sebastian Bach (1685-1750). EMB. Studies and Exercises. Book Only. 44 pages. Editio Musica Budapest #EMBZ8865. Published by Editio Musica Budapest (HL.50511326).

Composed by Erik Satie (1866-1925). Arranged by M. Berry. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Medium difficult. Duration 4:30. Published by C. Alan Publications

Bassoon, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.16400261S

Composed by Dan Welcher. With Standard notation. Duration 15 minutes. Theodore Presser Company #164-00261S. Published by Theodore Presser Company (PR.16400261S).

UPC: 680160038411.

Since the bassoon is my own instrument, many people have asked me why I've written so little for the instrument. Beyond my early Concerto Da Camera for bassoon and small orchestra, written for Leonard Sharrow in 1975, I've not written a single piece that features the bassoon as a solo vehicle (though I have written three woodwind quintets). When I first began composing seriously, critics were quick to point out that my orchestral writing revealed nothing of my roots as a woodwind player--and bassoonists asked why my pieces didn't have more bassoon solos. Perhaps I was so aware that people were looking at me as a bassoonist/composer that I was determined to remove that stigma. Now that my transformation from performer to composer is complete, however, it's time to re-address my instrument. I wanted this new piece to be serious rather than whimsical. The Wind Won't Listen represents my return to the bassoon as the highly expressive, poetic soul that it is.   As such, it shouldn't come as a surprise that the piece is based on a poem, and that the title of the piece as well as both its movement titles come from lines in that poem. I first read Beth Gylys' poem Split at the MacDowell Colony in the summer of 2001, and it made a big impression on me. My personal life had been ruptured by divorce in the preceding year. This poem, with its dry insistence on observation rather than feeling, expressed the wrung-out state of my emotions at the time better than any I had seen. I set it to music, as a song, immediately. In this format, for voice and piano, I was able to put a musical note to every word of the poem. The first lines of the poem, Everyone I know is crying, or should be crying, became a melody that haunted me even without the words.   The work for bassoon and string quartet is an outgrowth of the song. The first movement is labeled Romanza, and has a loose formal arch structure of A-B-C-B-A, with B and C being fast sections framed by the lamenting A music. In addition to hearing the bassoon's first notes attached to the lines Everyone I know is crying, there's a sense of agitation, of loss, of longing, and at times of desperation in the music. At one point, the opening theme from Tristan even appears in the strings.   The second movement follows, without a real pause--the pizzicato final chords of the first movement becoming the increasingly aggressive opening chords of the second. The recitative is actually a foreshadowing of the basic theme that will be varied, again to the words of the song: Life makes itself without us. Don't let me tell you how it is. Go out. Look. The recitative begins in an anguished state, but subsides into more gentle singing by the end, when it simply falls into an ostinato 5/8-3/4 pattern to begin the variations. Marked Very steady tempo; Dancing, this set of variations consists of three dances, each faster than the previous. The first, in the aforementioned 5/8-3/4 meter, gives way to a 3/8 scherzo, which in turn takes on a furious 2/4 scurrying motion. The music becomes breathless, almost pulse-less, and an ethereal theme appears in the violins while the rushing music continues, sotto voce in the bassoon. This new theme is also from the song: Why do I do this? The wind won't listen. The bassoon re-states its Everyone I know is crying melody from the first movement, and at length the 5/8-3/4 music returns, more subdued this time. The piece ends on a major-minor chord, suspended.   The Wind Won't Listen is dedicated to the man who commissioned it, bassoonist Steven Dibner--who shares my passion for poetry and language. --Dan Welcher.

(230 Selected Technical and Orchestral Studies for Oboe and English horn). Edited by Albert Andraud. For Oboe. Woodwind Solos and Ensembles - Oboe Method/Studies. Southern Music. Instructional, Studies and Classical. Collection. 200 pages. Southern Music Company #B412. Published by Southern Music Company

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

Jazz Ensemble (Score) - Grade 1-2

SKU: HL.7470752

By Chicago. By Robert Lamm. Arranged by Paul Murtha. Discovery Jazz. Classic Rock, Rock. 12 pages. Published by Hal Leonard (HL.7470752).

UPC: 884088543273. 12.0x9.0x0.02 inches.

Recorded by the group Chicago, this signature hit has gone on to become a rock classic. Paul's easy arrangement is playable with very limited rehearsal time, but still has an authentic and hard-driving feel. Includes optional solos (or soli) for any sax and any brass instrument. Enjoy great flexibility with the Discovery Jazz series! Playable with 3 saxes, 2 trumpets, 1 trombone, piano and drums; includes optional parts for flute, clarinet, F horn and tuba.

Eb Bass & Piano (Organ) + CD Play Back / Play Along - Grade 3

SKU: MA.EMR-33859

Jingle Bells / Deep River / Clementine / Minuet For Anna Magdanena / Rio By Night / Liebestraum / Pie Jesu / Chorus From Nabucco / Two Dances From The Fairy Queen / Celtic Lament. Composed by John G. Mortimer. Eb Bass & CD Playback (Play Along). 10 Titles. Score and parts. Duration 19'51. Editions Marc Reift #EMR 33859. Published by Editions Marc Reift (MA.EMR-33859).

Possible instrumentations:

Eb Bass & CD Play Back / Play Along
Eb Bass & Organ (+ Play Back / Play Along CD optional)
Eb Bass & Piano (+ Play Back / Play Along CD optional).

Bb Bass & Piano (Organ) + CD Play Back / Play Along - Grade 3

SKU: MA.EMR-33823

Jingle Bells / Deep River / Clementine / Minuet For Anna Magdanena / Rio By Night / Liebestraum / Pie Jesu / Chorus From Nabucco / Two Dances From The Fairy Queen / Celtic Lament. Composed by John G. Mortimer. Bb Bass & CD Playback (Play Along). 10 Titles. Score and parts. Duration 19'51. Editions Marc Reift #EMR 33823. Published by Editions Marc Reift (MA.EMR-33823).

Possible instrumentations:

Bb Bass & CD Play Back / Play Along
Bb Bass & Organ (+ Play Back / Play Along CD optional)
Bb Bass & Piano (+ Play Back / Play Along CD optional).

String Orchestra - Grade 3.5

SKU: KN.09834S

Composed by Johannes Brahms. Arranged by Robert S. Frost. Solo or Ensemble. Apex String Orchestra. Kendor Music Inc #09834S. Published by Kendor Music Inc (KN.09834S).

UPC: 822795098341.

Brahm s wrote 21 Hungarian Dances for piano four-hands. Each one is highly individualistic and features slow and fast sections -- in this arrangement, D major is used in the slow opening and closing sections, while the fast middle section is in B minor. Violins have some limited divisi parts, and melodic material is given to the inner voices and cellos in the fast section. Duration 1:15. Available in SmartMusic.

2-Part Mixed Choral (2PT MIXED)

SKU: HL.349482

Composed by Joseph M. Martin. Glory Sound. General Worship, Sacred. Octavo. Duration 215 seconds. Published by Shawnee Press (HL.349482).

UPC: 840126932713. 6.75x10.5x0.029 inches. Ephesians 1:11-23, Hebrews 12:1, Song of Solomon 3:1-9.

This anthem offers a sparkling tableau that brings a message of hope and assurance floating on the wings of song. Set in a “call and response” format, this highly descriptive octavo is quickly absorbed. The piano dances with gentle cross-beats to create a heavenly effect for the simple theme that rises like a prayer of encouragement, faith and light. This fascinating piece will be a theatrical worship moment for All Saints Day or church heritage observances. Score and Parts (ocarina or flute 1-2, cl 1-2, hn, dj, pno, ac gtr, b, dm, solo vn 1, solo vn 2, solo vc) available as a digital download.

StudioTrax CD Choral (STUDIOTRX CD)

SKU: HL.35032273

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. CD. Duration 215 seconds. Published by Shawnee Press (HL.35032273).

UPC: 888680747527. 5.0x5.0x0.147 inches. Ephesians 1:11-23, Hebrews 12:1, Song of Solomon 3:1-9.

This anthem offers a sparkling tableau that brings a message of hope and assurance floating on the wings of song. Set in a “call and response” format, this highly descriptive octavo is quickly absorbed. The piano dances with gentle cross-beats to create a heavenly effect for the simple theme that rises like a prayer of encouragement, faith and light. This fascinating piece will be a theatrical worship moment for All Saints Day or church heritage observances. Score and Parts (ocarina or flute 1-2, cl 1-2, hn, dj, pno, ac gtr, b, dm, solo vn 1, solo vn 2, solo vc) available as a digital download.

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.