| Three Pieces for String Orchestra: 1. Allemande; 2. Sarabande; 3. Cebell Orchestre Lucks Music Library
Orchestra (str) SKU: TM.07801SC Composed by Henry Purcell. Score. Lucks M...(+)
Orchestra (str) SKU:
TM.07801SC Composed
by Henry Purcell. Score.
Lucks Music Library
#A1066. Published by
Lucks Music Library
(TM.07801SC).
Allemande,
Sarabande, Cebelle. $15.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Pieces for String Orchestra: 1. Allemande; 2. Sarabande; 3. Cebell Orchestre Lucks Music Library
Orchestra (str) SKU: TM.07801SET Composed by Henry Purcell. Set Type: B. ...(+)
Orchestra (str) SKU:
TM.07801SET Composed
by Henry Purcell. Set
Type: B. Set of parts.
Lucks Music Library
#A1066. Published by
Lucks Music Library
(TM.07801SET).
Allemande,
Sarabande, Cebelle. $40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Journey to the Cross - Perf CD/SAB Score Combination Chorale 3 parties SAB [CD d'écoute] Lorenz Publishing Company
By Pepper Choplin and Mark Hayes. For CD Kit. Eastertide, Palm Sunday, Holy Week...(+)
By Pepper Choplin and
Mark Hayes. For CD Kit.
Eastertide, Palm Sunday,
Holy Week, Lent, Sacred.
Cantata
$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Henryk Gorecki: Three Pieces In Old Style (Study Score) [Conducteur d'étude / Miniature] Music Sales
| | |
| Test Pieces for Orchestral Auditions (Flute Piccolo) Piccolo Peters
By Various. Edited by Duerichen, Kratsch. For flute (piccolo). Published by C.F....(+)
By Various. Edited by
Duerichen, Kratsch. For
flute (piccolo).
Published by C.F. Peters.
$31.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Test Pieces for Orchestral Auditions (Oboe English Horn Oboe d'Amore) Peters
By Various. Edited by Miller, Liebermann. For oboe/english horn/oboe d'A. Publis...(+)
By Various. Edited by
Miller, Liebermann. For
oboe/english horn/oboe
d'A. Published by C.F.
Peters.
$31.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Test Pieces for Orchestra - Double Bass Contre Basse Schott
Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Gerd ...(+)
Excerpts from the
Operatic and Concert
Repertoire. By Various.
Arranged by Gerd Reinke,
Fritz Massmann. (Double
Bass). Schott. Size 9x12
inches. 62 pages.
Published by Schott.
$33.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Six Violin Pieces for Alisa Ojanen Violon et Piano SATB, Orchestre Fennica Gehrman
Violin and piano SKU: FG.55011-280-3 Kuusi viulukappaletta Alisa Ojase...(+)
Violin and piano SKU:
FG.55011-280-3
Kuusi viulukappaletta
Alisa Ojaselle.
Composed by Harri
Wessman. Paperback. 28
pages. Published by
Fennica Gehrman
(FG.55011-280-3). ISBN
9790550112803. Old
etudes and exercises for
promoting dexterity are
here transformed into
inspiring music with
piano accompaniment,
possibly to be played by
groups of young pupils,
in unison. $19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chorus of the Danes Chorale 3 parties [Conducteur] Edition HH
(from Alfred, Konig der Angelsachsen, Hob. XXX:5). Composed by Franz Joseph Hayd...(+)
(from Alfred, Konig der
Angelsachsen, Hob.
XXX:5). Composed by Franz
Joseph Haydn (1732-1809).
Edited by Anton Gabmayer.
For STB chorus and
orchestra. Full score.
Published by Edition HH
Music Publishers
$23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Clarinet Cameos: Classic Concert Pieces for Clarinet and Orchestra Clarinette [Partition + CD] Music Minus One
For Clarinet in B-flat. Includes a newly engraved, authoritative printed solo pa...(+)
For Clarinet in B-flat.
Includes a newly
engraved, authoritative
printed solo part, and a
compact disc containing a
complete version with
soloist, in digitally
recorded stereo; then a
digital stereo version of
the accompaniment, minus
the soloist. Published by
Music Minus One.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| ANIMATION 3 25 CARNETS+1 CONDUCTEUR 5 PIECES FOR MARCHING BAND Orchestre - Facile Martin, Robert
Marching band - Grade 2+ SKU: RM.ANIM05335-BA Marching band. Orchestra. F...(+)
Marching band - Grade 2+
SKU:
RM.ANIM05335-BA
Marching band. Orchestra.
Full set. Editions Robert
Martin #ANIM05335-BA.
Published by Editions
Robert Martin
(RM.ANIM05335-BA).
ISBN
9790231053357. $323.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 3 Pieces for Orchestra Conducteur de poche, d'étude Schott
Study Score. By Hans Werner Henze, Karl Amadeus Hartmann. Arranged by Hans Werne...(+)
Study Score. By Hans
Werner Henze, Karl
Amadeus Hartmann.
Arranged by Hans Werner
Henze. Schott. 86 pages.
Published by Schott.
$46.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music Cello SKU: CF.BF120 29 Duets That Can Be Played by Any C...(+)
Chamber Music Cello
SKU: CF.BF120
29 Duets That Can Be
Played by Any Combination
of String
Instruments. Composed
by Adolphe-Charles Adam,
Chauncey Olcott, Claude
Rouget de Lisle, George
Frideric Handel, Giuseppe
Concone, Giuseppe
Gariboldi, Henri Kling,
Hughie Cannon, Larry
Clark, Richard Shuebruk,
Scottish Folk Song,
Traditional, Wilhelm
Wurm, Wolfgang Amadeus
Mozart, and etc. Arranged
by Doris Gazda Larry
Clark. SWS. Collection.
With Standard notation.
48 pages. Carl Fischer
Music #BF120. Published
by Carl Fischer Music
(CF.BF120). ISBN
9781491149836. UPC:
680160907335. 9 x 12
inches. Continuing
on the success of the
popular Compatible
series,Compatible Duets
for Strings, Volume II
contains 29 duets in
avariety of styles
(classical, folk music,
new original pieces)
thatcan be played with
any combination of two
string
instruments.Students can
develop their chamber
ensemble skills
whileplaying with their
friends, no matter what
string instrumentthey
play. Ranging from grade
levels 2–3,
Compatible Duetsfor
Strings, Volume II is
perfect for orchestra
directors to buyfor use
in the classroom, and its
flexibility makes it a
musthavefor any string
player. Having
students play in small
chamber music groups is a
very beneficial exercise
to improvethe
student’s overall
musicianship. The
simplest form of chamber
music is the duet. It is
anopportunity for the
student to play with a
teacher or to play with
another student of
similarabilities. Aspects
of playing such as tone
quality, intonation,
technique and ensemble
skillscan be developed
during the process of
studying duets.These
duets are different in
that they have many
different performance
options since all ofthe
books in this series are
compatible. As former
long time music educators
we alwayshad student that
wanted to come to the
music room during lunch
or after school and
theyjust wanted to play
with their friends. That
was not possible since
there is very little
duetmaterial available
that is compatible with
all of the string
instruments. This book
and thefirst volume in
the series takes care of
that. A student can now
grab their friend no
matterwhat instrument
they play and have hours
of fun playing duets
together. Most
importantthey will learn
something in the
process.The duets have
been generally placed in
the book in order of
difficulty and cover a
rangeof keys that are
appropriate for this
ability level. Special
care was given to making
surethat both of the duet
parts were on a similar
ability level and that
each line was givenan
opportunity to play a
lead role at some point
during the arrangement.
Also, most ofthe musical
markings are attached to
both systems and the
point size of the music
wasconsidered for ease of
reading.It is our hope
that this collection will
help to stimulate and
enhance the musicianship
of theperformers. It was
a pleasure for me to have
the opportunity to put
together this
collection.We hope it is
a useful tool for you for
years to come. $14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music Double Bass SKU: CF.BF121 29 Duets That Can Be Played by...(+)
Chamber Music Double Bass
SKU: CF.BF121
29 Duets That Can Be
Played by Any Combination
of String
Instruments. Composed
by Adolphe-Charles Adam,
Chauncey Olcott, Claude
Rouget de Lisle, George
Frideric Handel, Giuseppe
Concone, Giuseppe
Gariboldi, Henri Kling,
Hughie Cannon, Larry
Clark, Richard Shuebruk,
Scottish Folk Song,
Traditional, Wilhelm
Wurm, Wolfgang Amadeus
Mozart, and etc. Arranged
by Doris Gazda Larry
Clark. SWS. Collection.
With Standard notation.
48 pages. Carl Fischer
Music #BF121. Published
by Carl Fischer Music
(CF.BF121). ISBN
9781491149843. UPC:
680160907342. 9 x 12
inches. Continuing
on the success of the
popular Compatible
series,Compatible Duets
for Strings, Volume II
contains 29 duets in
avariety of styles
(classical, folk music,
new original pieces)
thatcan be played with
any combination of two
string
instruments.Students can
develop their chamber
ensemble skills
whileplaying with their
friends, no matter what
string instrumentthey
play. Ranging from grade
levels 2–3,
Compatible Duetsfor
Strings, Volume II is
perfect for orchestra
directors to buyfor use
in the classroom, and its
flexibility makes it a
musthavefor any string
player. Having
students play in small
chamber music groups is a
very beneficial exercise
to improvethe
student’s overall
musicianship. The
simplest form of chamber
music is the duet. It is
anopportunity for the
student to play with a
teacher or to play with
another student of
similarabilities. Aspects
of playing such as tone
quality, intonation,
technique and ensemble
skillscan be developed
during the process of
studying duets.These
duets are different in
that they have many
different performance
options since all ofthe
books in this series are
compatible. As former
long time music educators
we alwayshad student that
wanted to come to the
music room during lunch
or after school and
theyjust wanted to play
with their friends. That
was not possible since
there is very little
duetmaterial available
that is compatible with
all of the string
instruments. This book
and thefirst volume in
the series takes care of
that. A student can now
grab their friend no
matterwhat instrument
they play and have hours
of fun playing duets
together. Most
importantthey will learn
something in the
process.The duets have
been generally placed in
the book in order of
difficulty and cover a
rangeof keys that are
appropriate for this
ability level. Special
care was given to making
surethat both of the duet
parts were on a similar
ability level and that
each line was givenan
opportunity to play a
lead role at some point
during the arrangement.
Also, most ofthe musical
markings are attached to
both systems and the
point size of the music
wasconsidered for ease of
reading.It is our hope
that this collection will
help to stimulate and
enhance the musicianship
of theperformers. It was
a pleasure for me to have
the opportunity to put
together this
collection.We hope it is
a useful tool for you for
years to come. $14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music viola SKU: CF.BF119 29 Duets That Can Be Played by Any C...(+)
Chamber Music viola
SKU: CF.BF119
29 Duets That Can Be
Played by Any Combination
of String
Instruments. Composed
by Adolphe-Charles Adam,
Chauncey Olcott, Claude
Rouget de Lisle, George
Frideric Handel, Giuseppe
Concone, Giuseppe
Gariboldi, Henri Kling,
Hughie Cannon, Larry
Clark, Richard Shuebruk,
Scottish Folk Song,
Traditional, Wilhelm
Wurm, Wolfgang Amadeus
Mozart, and etc. Arranged
by Doris Gazda Larry
Clark. SWS. Collection.
With Standard notation.
48 pages. Carl Fischer
Music #BF119. Published
by Carl Fischer Music
(CF.BF119). ISBN
9781491149829. UPC:
680160907328. 9 x 12
inches. Continuing
on the success of the
popular Compatible
series,Compatible Duets
for Strings, Volume II
contains 29 duets in
avariety of styles
(classical, folk music,
new original pieces)
thatcan be played with
any combination of two
string
instruments.Students can
develop their chamber
ensemble skills
whileplaying with their
friends, no matter what
string instrumentthey
play. Ranging from grade
levels 2–3,
Compatible Duetsfor
Strings, Volume II is
perfect for orchestra
directors to buyfor use
in the classroom, and its
flexibility makes it a
musthavefor any string
player. Having
students play in small
chamber music groups is a
very beneficial exercise
to improvethe
student’s overall
musicianship. The
simplest form of chamber
music is the duet. It is
anopportunity for the
student to play with a
teacher or to play with
another student of
similarabilities. Aspects
of playing such as tone
quality, intonation,
technique and ensemble
skillscan be developed
during the process of
studying duets.These
duets are different in
that they have many
different performance
options since all ofthe
books in this series are
compatible. As former
long time music educators
we alwayshad student that
wanted to come to the
music room during lunch
or after school and
theyjust wanted to play
with their friends. That
was not possible since
there is very little
duetmaterial available
that is compatible with
all of the string
instruments. This book
and thefirst volume in
the series takes care of
that. A student can now
grab their friend no
matterwhat instrument
they play and have hours
of fun playing duets
together. Most
importantthey will learn
something in the
process.The duets have
been generally placed in
the book in order of
difficulty and cover a
rangeof keys that are
appropriate for this
ability level. Special
care was given to making
surethat both of the duet
parts were on a similar
ability level and that
each line was givenan
opportunity to play a
lead role at some point
during the arrangement.
Also, most ofthe musical
markings are attached to
both systems and the
point size of the music
wasconsidered for ease of
reading.It is our hope
that this collection will
help to stimulate and
enhance the musicianship
of theperformers. It was
a pleasure for me to have
the opportunity to put
together this
collection.We hope it is
a useful tool for you for
years to come. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music Violin SKU: CF.BF118 29 Duets That Can Be Played by Any ...(+)
Chamber Music Violin
SKU: CF.BF118
29 Duets That Can Be
Played by Any Combination
of String
Instruments. Composed
by Adolphe-Charles Adam,
Chauncey Olcott, Claude
Rouget de Lisle, George
Frideric Handel, Giuseppe
Concone, Giuseppe
Gariboldi, Henri Kling,
Hughie Cannon, Larry
Clark, Richard Shuebruk,
Scottish Folk Song,
Traditional, Wilhelm
Wurm, Wolfgang Amadeus
Mozart, and etc. Arranged
by Doris Gazda Larry
Clark. SWS. Collection.
With Standard notation.
48 pages. Carl Fischer
Music #BF118. Published
by Carl Fischer Music
(CF.BF118). ISBN
9781491149812. UPC:
680160907311. 9 x 12
inches. Continuing
on the success of the
popular Compatible
series,Compatible Duets
for Strings, Volume II
contains 29 duets in
avariety of styles
(classical, folk music,
new original pieces)
thatcan be played with
any combination of two
string
instruments.Students can
develop their chamber
ensemble skills
whileplaying with their
friends, no matter what
string instrumentthey
play. Ranging from grade
levels 2–3,
Compatible Duetsfor
Strings, Volume II is
perfect for orchestra
directors to buyfor use
in the classroom, and its
flexibility makes it a
musthavefor any string
player. Having
students play in small
chamber music groups is a
very beneficial exercise
to improvethe
student’s overall
musicianship. The
simplest form of chamber
music is the duet. It is
anopportunity for the
student to play with a
teacher or to play with
another student of
similarabilities. Aspects
of playing such as tone
quality, intonation,
technique and ensemble
skillscan be developed
during the process of
studying duets.These
duets are different in
that they have many
different performance
options since all ofthe
books in this series are
compatible. As former
long time music educators
we alwayshad student that
wanted to come to the
music room during lunch
or after school and
theyjust wanted to play
with their friends. That
was not possible since
there is very little
duetmaterial available
that is compatible with
all of the string
instruments. This book
and thefirst volume in
the series takes care of
that. A student can now
grab their friend no
matterwhat instrument
they play and have hours
of fun playing duets
together. Most
importantthey will learn
something in the
process.The duets have
been generally placed in
the book in order of
difficulty and cover a
rangeof keys that are
appropriate for this
ability level. Special
care was given to making
surethat both of the duet
parts were on a similar
ability level and that
each line was givenan
opportunity to play a
lead role at some point
during the arrangement.
Also, most ofthe musical
markings are attached to
both systems and the
point size of the music
wasconsidered for ease of
reading.It is our hope
that this collection will
help to stimulate and
enhance the musicianship
of theperformers. It was
a pleasure for me to have
the opportunity to put
together this
collection.We hope it is
a useful tool for you for
years to come. $14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Opera Omnia Ut Orpheus
Orchestra; Violin SKU: UT.NAP-4 Vol. 1. Critical Edition. Composed...(+)
Orchestra; Violin SKU:
UT.NAP-4 Vol. 1.
Critical Edition.
Composed by Nicola
Fiorenza. Edited by
Giovanni Borrelli.
Hardback (Cloth Hard
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Critical commentary. Ut
Orpheus #NAP 4. Published
by Ut Orpheus (UT.NAP-4).
ISBN 9790215318373. 9
x 12
inches. Concerto
in Mi bem. magg. per
Violino principale, 2
Violini, Viola e Basso;
Concerto in Re min. per 2
Violini e Basso (1728);
Concerto in La magg. per
3 Violini e Basso
(1728)_x0008_; Concerto
in La min. per 3 Violini
e Basso (1727)_x0008_;
Concerto in La min. per 3
Violini e Basso; Sinfonia
in Fa min. a 2 Violini e
Basso; Sinfonia in Sol
magg. a 3 Violini e
Basso; Sinfonia fugata in
Fa min. a 3 Violini e
Basso; Sinfonia in Do
min. a 4 Violini e Basso;
Trio in Si min. per 2
Violini e
Cembalo
Nicola
Fiorenza (1700?-1764),
composer and virtuoso
Neapolitan violinist,
lived during the first
half of the 1700s. His
musical production, whose
manuscripts are preserved
for the big part in the
Library of the
Conservatorio di Musica
S. Pietro a Majella in
Naples, is composed of 15
concerts with different
instrumental organics, 9
symphonies whose
principal instrument is
the violin – that
sometimes proposes pieces
with a lot of
virtuosities typical of
the solo concert
–, some pieces for
one or two instruments
with continuo and two
cantatas. Skilled
virtuoso, Fiorenza had
assimilated both the
style of the elegant
Baroque of French school,
and the a terrazze style,
the improvised language
typical of the Venetian
composers. He knew the
style of the Concerto
Grosso of Corelli very
well, to which he joined
a dressy counterpoint
maybe too much present
for the style of that
time. Fiorenza elaborated
different styles,
filtering them through
his sensitive
predilection towards the
Neapolitan party music
and the popular melody,
developing a personal
composite language that
doesn’t consider
him belonging to one of
the schools of his time.
From a formal point of
view and for the choice
of the instrumental
organic, his compositions
have not a strong
stylistic individuality
in comparison with the
composite canons of the
first part of the XVIII
century, but the
production of Fiorenza
seems to reflect the
schemes and the composite
forms typical of the late
Baroque. His choice of
the incisive brevity of
the thematic figures is
typical of the XVII
century, that almost
never overcomes the
breath and the circle of
one or few beats.
Fiorenza’s solo
compositions show his
research of virtuosities,
but he never lapses into
a rash virtuosity, on the
contrary he maintains a
gallant taste. $214.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Much Ado About Nothing: Three Pieces for Small Orchestra Orchestre d'harmonie LudwigMasters Publications
Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Timp.Perc(2): Harm: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929501
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score.
LudwigMasters
Publications #36-A929501.
Published by
LudwigMasters
Publications
(AP.36-A929501). ISBN
9781638875192. UPC:
735816239497.
English. When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $30.00 - Voir plus => Acheter | | |
| Much Ado About Nothing: Three Pieces for Small Orchestra Orchestre d'harmonie LudwigMasters Publications
Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Timp.Perc(2): Harm: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929590
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A929590.
Published by
LudwigMasters
Publications
(AP.36-A929590). UPC:
735816239411.
English. When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $80.00 - Voir plus => Acheter | | |
| Pieces for Violoncello Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU:
BT.EMBZ14768 Composed
by Franz Liszt. Book
Only. Composed 2011. 76
pages. Editio Musica
Budapest #EMBZ14768.
Published by Editio
Musica Budapest
(BT.EMBZ14768).
Not many people
know that Franz Liszt
arranged some of his
piano pieces for the
cello, with piano
accompaniment, and that
these versions of the
works appeared in print
during the maestro's
lifetime. Ãrpád
Pejtsik selected two of
these for this volume
compiled to mark Liszt's
jubilee: Elegies I and
II. The other
compositions by Liszt
that appear in the
collection were likewise
originally works for
piano: the Ave Maria and
Cantique d'amour (pieces
from the Harmonies
poétiques et
religieuses cycle) were
transcribed by a pupil of
Liszt, Robert Pflughaupt
the cello version,
transposed into G major,
of the E Major
Consolation is by Jules
de Swert, solo cellist in
the Weimar orchestraof
those days that of the
Angelus (the opening
piece in Volume 3 of the
cycle entitled Years of
Pilgrimage ) is by Lothar
Windsperger, a German
composer who lived at the
turn of the 19th-20th
century. The Valse
oubliée No. 1 was
transcribed by Liszt s
virtuoso piano pupil
Ferruccio Busoni
Notturno, which became
famous as the third piece
in the Liebesträume
series, is a transposed
version of the original
song ( O lieb, so lang du
lieben kannst ) made by
the editor of this
volume.
Not many
people know that Ferenc
Liszt arranged some of
his piano pieces for the
cello, with piano
accompaniment, and this
version of the works
appeared in print during
the maestro's lifetime.
Ãrpád Pejtsik
selected two of these
forthis volume compiled
to mark Liszt's jubilee:
Elegy I and
Elegy II. The
other compositions by
Liszt that appear in the
collection were likewise
originally works for
piano: the Ave
Maria and Cantique
d'amour(pieces from
the Harmonies
poétiques et
religieuses cycle) were
transcribed by a pupil of
Liszt, Robert Pflughaupt;
the cello version,
transposed into G major,
of the E major
Consolation is by
Jules de Swert, solo
cellistin the Weimar
orchestra of those days;
that of the
Angelus (the
opening piece in Volume 3
of the cycle entitled
Years of Pilgrimage) is
by Lothar Windsperger, a
German composer who lived
at the turn of the
19th-20thcentury.
Nur Wenigen ist bekannt,
dass Liszt einige seiner
Klavierstücke auch
für Violoncello mit
Klavierbegleitung
bearbeitet hatte, und
dass diese Version der
Werke noch zu Lebzeiten
des Komponisten in Druck
erschien. In diesem Band
nahm Ãrpád Pejtsik
zwei dieser Stücke,
die I. und II. Elegie
auf. Die anderen
Liszt-Kompositionen in
der Sammlung sind auch
ursprünglich
Klavierwerke: der
Bearbeiter ist beim Ave
Maria und Cantique
d'amour (Stücke aus
dem Zyklus Harmonies
poétiques et
religieuses) der
Liszt-Schüler Robert
Pflughaupt. Von Jules de
Swert, der damals
Solocellist des Weimarer
Orchesters war, wurde die
in G-Dur transponierte
Violoncelloversion der
E-Dur Consolation, und
vonLothar Windsperger,
dem an der Wende zum 20.
Jahrhundert lebenden
deutschen Komponisten,
das Angelus (das
Eröffnungsstück des
III. Bandes des Zyklus
Pilgerjahre)
bearbeitet. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
$399.98 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Principal Brothers No. 3 Clarinette Subito Music
Clarinet SKU: SU.94010763 For Clarinet. Composed by James Lee III....(+)
Clarinet SKU:
SU.94010763 For
Clarinet. Composed by
James Lee III. Woodwinds,
Clarinet. Score. Subito
Music Corporation
#94010763. Published by
Subito Music Corporation
(SU.94010763).
Dedicated to
Anthony McGill, Principal
Clarinet, New York
PhilharmonicClarinet
Duration: 5'30 Composed:
2020 Published by: Subito
Music Publishing PROGRAM
NOTE: The year 2020
has definitely been a
very challenging year
with many upheavals.
During this time of the
COVID-19 health crisis,
wearing masks, and high
racial tensions, I
decided to compose four
short solo woodwind works
for flute, oboe,
clarinet, and bassoon,
which represent the core
woodwind section in an
orchestra. I was inspired
to compose these short
pieces after I first
heard Igor Stravinsky's
three short pieces for
clarinet, which totals a
little more than four
minutes in duration. I
thought that it would be
nice to highlight and
honor my African-American
male colleagues in the
orchestral music world. I
wanted to celebrate the
fact that they are the
principal player in the
section of their
respective orchestras.
The short pieces are as
follows: Principal
Brother No. 1 for flute
solo for Demarre McGill,
Principal Flute of the
Seattle Symphony
Orchestra, Principal
Brother No. 2 for oboe
solo for Titus Underwood,
Principal Oboe of the
Nashville Symphony
Orchestra, Principal
Brother No. 3 for
clarinet solo for Anthony
McGill, Principal
Clarinet of the New York
Philharmonic, and
Principal Brother No. 4
for bassoon solo for
Bryan Young, Principal
Bassoon of the Baltimore
Chamber Orchestra. These
works all begin with
notes that are
representative of their
name; D for Demarre, B
for Titus (ti in
solfège starting on
C), A for Anthony, and Bb
for Bryan. There is also
a rhythmic figure in the
opening measures of each
piece, which represent
the utterance of their
names. All four of these
works are rhapsodic in
nature with elements of
improvisation. - James
Lee III. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Leonore Overture for Orchestra no. 3 (1806) Contre Basse Barenreiter
Double Bass SKU: BA.BA08833-85 Composed by Ludwig van Beethoven. Edited b...(+)
Double Bass SKU:
BA.BA08833-85
Composed by Ludwig van
Beethoven. Edited by
Helga Lühning. This
edition: urtext edition.
Stapled. Single part.
Composed 1806. No. 3. 7
pages. Baerenreiter
Verlag #BA08833_85.
Published by Baerenreiter
Verlag (BA.BA08833-85).
ISBN 9790006567584.
32.5 x 25.5 cm
inches. Sooner or
later theRomantic
Pieceswill pave their way
through all the salons:
thus the periodical
Dalibor predicted when
theRomantic Piecesop. 75
were first issued by the
publisher Simrock in
1887. Since then they
have become some of
Dvorak's most popular
works for violin and
piano. Now they are being
made available for
violists
also.
Bella and
Semjon Kalinowsky have
arranged the four pieces
on the basis of
theComplete Edition of
the Works of Antonin
Dvorak. The piano part of
the original version
remains, while the violin
part has been adapted for
viola; it has been
transcribed into the alto
clef and includes
fingering and bowing
marks.
With their
entrancing melodies and
poetry, these pieces pose
few technical challenges
and are thus easy to
play.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festal Scenes Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé TRN Music Publisher
Composed by Yasuhide Ito. For full orchestra. Grade 4.5. Score and parts. Durati...(+)
Composed by Yasuhide Ito.
For full orchestra. Grade
4.5. Score and parts.
Duration 6 minutes, 16
seconds. Published by TRN
Music Publisher
$95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Suite for Strings - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3 SKU: CF.CAS1...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 - Grade 3
SKU: CF.CAS139F
Composed by Viktor
Kosenko. Arranged by
Robert Debbaut. Carl
Fischer Concert String
Orchestra Series. Full
score. 28 pages. Carl
Fischer Music #CAS139F.
Published by Carl Fischer
Music (CF.CAS139F).
ISBN 9781491160800.
UPC:
680160919406. The
works of Viktor Kosenko
(1896-1938) - highly
regarded in his lifetime
as concertmaster,
pianist, educator, and
composer - became known
to the arranger through
his Russian-American
wife, Alina, a teacher of
young violinists and
pianists. She owned an
old out-of-print
anthology of works by
both Soviet composers and
other world-renowned
composers entitled The
Young Violinist. Inspired
by these lovely melodies,
Debbaut compiled and
arranged a collection of
music exclusively by
Soviet composers entitled
The Young Soviet
Violinist as well as
published collections of
all four of Kosenko's
Four Children's Pieces,
arranged for violin and
piano, flute and piano,
viola and piano, and
cello and piano. Four
Children's Pieces for
piano (1930) were the
first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for string
orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements. The works
of Viktor Kosenko
(1896-1938) -Â highly
regarded in his lifetime
as concertmaster,
pianist, educator, and
composer - became known
to the arranger through
his Russian-American
wife, Alina, a teacher of
young violinists and
pianists. She owned an
old out-of-print
anthology of works by
both Soviet composers and
other world-renowned
composers entitled The
Young Violinist. Inspired
by these lovely melodies,
Debbaut compiled and
arranged a collection of
music exclusively by
Soviet composers entitled
The Young Soviet
Violinist as well as
published collections of
all four of
Kosenko’s Four
Children’s Pieces,
arranged for violin and
piano, flute and piano,
viola and piano, and
cello and piano. Four
Children’s Pieces
for piano (1930) were the
first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for string
orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suite for Strings - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3 SKU: CF.CAS1...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 - Grade 3
SKU: CF.CAS139
Composed by Viktor
Kosenko. Arranged by
Robert Debbaut. Carl
Fischer Concert String
Orchestra Series. Set of
Score and Parts.
32+32+20+20+20+28 pages.
Carl Fischer Music
#CAS139. Published by
Carl Fischer Music
(CF.CAS139). ISBN
9781491160541. UPC:
680160919130. The
works of Ukrainian Viktor
Kosenko (1896-1938) -
highly regarded in his
lifetime as
concertmaster, pianist,
educator, and composer -
became known to the
arranger through his
Russian-American wife,
Alina, a teacher of young
violinists and pianists.
She owned an old
out-of-print anthology of
works by both Soviet
composers and other
world-renowned composers
entitled The Young
Violinist. Inspired by
these lovely melodies,
Debbaut compiled and
arranged collections of
all four of Kosenko's
Four Children's Pieces
for Violin and Piano,
Flute and Piano, Viola
and Piano, and Cello and
Piano. Four Children's
Pieces for piano (1930)
were the first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for String
Orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements. The works
of Ukrainian Viktor
Kosenko (1896-1938) -Â
highly regarded in his
lifetime as
concertmaster, pianist,
educator, and composer -
became known to the
arranger through his
Russian-American wife,
Alina, a teacher of young
violinists and pianists.
She owned an old
out-of-print anthology of
works by both Soviet
composers and other
world-renowned composers
entitled The Young
Violinist. Inspired by
these lovely melodies,
Debbaut compiled and
arranged collections of
all four of
Kosenko’s Four
Children’s
Pieces for Violin and
Piano, Flute and Piano,
Viola and Piano, and
Cello and Piano. Four
Children’s Pieces
for piano (1930) were the
first works the
educational pioneer
Kosenko wrote with young
pianists in mind based on
his own personal deep
knowledge of the main
objectives of a teacher.
Arranged here for String
Orchestra, this charming
suite features four
delightful movements: I.
Scherzino, II. Melody,
III. Olden Dance, and IV.
March. Each contrasting
theme can be performed
alone or as a full
performance of all four
movements.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Douglas Spata : Agincourt Orchestre à Cordes - Intermédiaire Alfred Publishing
By Douglas Spata. For String Orchestra. String Orchestra. Highland String Orches...(+)
By Douglas Spata. For
String Orchestra. String
Orchestra. Highland
String Orchestra. Level:
3 (grade 3). Conductor
Score and Parts. 62
pages. Published by
Alfred Publishing.
(3)$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rondo in the Nick of Time Orchestre à Cordes - Intermédiaire Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS22 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium SKU:
CF.CAS22 Composed by
Larry Clark. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS22. Published
by Carl Fischer Music
(CF.CAS22). ISBN
9780825858208. UPC:
798408058203. 8.5 X 11
inches. Key: G
major. The fast
paced rondo has a Dorian
flavored melody with
hints of quartel (based
on an interval of a
fourth) harmony to give
it a contemporary sound
The players are presented
with solo opportunities
as well as harmonic turns
and twists that will keep
them. Rondo in the
Nick of Time was
originally the third
movement for a woodwind
quintet piece that I
wrote in 1990. I have
always been fond of this
little piece and felt
that it would adapt well
to larger ensembles. I
have also scored this
piece for band as part of
a suite called Upon a
New Horizon.The main
theme is based on the
Dorian Mode. The use of
quartal harmony makes up
most of the harmonic
material. Each statement
of the theme is followed
by an episode that
increases in length each
time. There is a sudden
change of style and tempo
in the middle of the
piece, where fragments of
the theme are developed.
The title is a
play-on-words, since the
work contains hemiola
effects that alter the
feel of the time.As with
all of my pieces for
strings, the bowings are
given only as a
reference. Feel free to
alter them to fit the
needs of your students. I
have indicated a rather
fast tempo for the piece.
I really like the piece
to fly, but it will work
and sound fine at a
slower tempo as well.
Just endeavor to keep
their energy moving
forward.It has been my
pleasure to have the
opportunity to write this
piece. I hope that you
and your students enjoy
it and find it useful in
your program.-Larry
ClarkLakeland, FL.
2005.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Twelve Days of Christmas Chorale SATB SATB, Piano [Partie séparée] Oxford University Press
By Bob Chilcott. For SATB choir and piano(s) and percussion/orchestra ([2(1picco...(+)
By Bob Chilcott. For SATB
choir and piano(s) and
percussion/orchestra
([2(1piccolo, 2
flutes).2.2.2 -2.2.3.0],
timpani, 2 percussionists
(1=bongos, woodblock,
drumkit, glockenspiel,
tambourine, triangle;
2=hi hat, glockenspiel,
triangle, suspended
cymbal, side drum), harp,
strings). Untuned
Percussion. Pieces and
Studies. Percussion part
(version for one player).
8 pages. Duration 10'.
Published by Oxford
University Press
$22.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Live On - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS182
Composed by Larry Clark.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
16+16+10+4+3+10+10+12
pages. Duration 3
minutes, 32 seconds. Carl
Fischer Music #YAS182.
Published by Carl Fischer
Music (CF.YAS182).
ISBN 9781491151471.
UPC: 680160908974. 9 x 12
inches. Key: G
major. The title,
Live On, by Larry Clark,
is taken from Chrissie
Pinney's poem about grief
and loss. The piece is
meant to depict the
personality of Linda
Mann, to whom it is
dedicated. The opening is
poignant and pensive,
followed by a whimsical
theme which alludes to
happy thoughts of a life
well-lived. The piece
builds to a
triumphant?conclusion
based on an augmented
version of the
theme.
Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda Manns
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should depict
Lindas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like. They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. Larry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017.A Linda Mannas
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should adepict
Lindaas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like.a They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.A That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too A
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes.A She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time.A The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme.A This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. aLarry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017.A Linda Mannas
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should adepict
Lindaas personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like.a They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.A That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too A
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes.A She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time.A The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme.A This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. aLarry
Clark Lakeland, FL
2017 . Live On
was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda Mann's
impact on the field of
music education was
profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association.
In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should depict
Linda's personality -
dynamic, sassy, yet
thoughtful and almost
mentor-like. They wanted
a piece that was upbeat,
yet still had moments
that were thoughtful,
portraying the grief that
the Diplomat Middle
School community has
suffered from the sudden
loss of such a beloved
teacher. After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That poem is
entitled Live On
by Chrissie
Pinney. Live
On Now as I live
on Without
you I
hope to keep
The pieces of
you That I loved so
dearly Your
mannerisms And
compassionate
character And smiles
through
struggle So
that you May live on
too
-Chrissie
Pinney I
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the
piece. After the somber
opening, the piece shifts
to a whimsical theme that
I hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the
work. It is my hope
that in some small way,
this piece will bring
comfort to those affected
by the loss of Linda
Mann, and that the music
will allow her memory to
Live
On. -Larry
Clark Lakeland, FL
2017 . Live
On was commissioned by
Diplomat Middle School's
staff, faculty and
students in Cape Coral,
Florida, and is dedicated
to the memory of their
Director of Bands, Linda
Mann. Director of
Orchestras, Roland Forti,
championed the
commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of 2017. Linda
Mann's impact on the
field of music education
was profound and
wide-reaching. She was a
beloved member of the
staff at Diplomat Middle
School, as well as the
music community of Cape
Coral and the state of
Florida. Linda was highly
respected throughout the
state, serving as recent
past-president of the
Florida Bandmasters
Association. In
discussing the type of
piece the school wanted
to honor Ms. Mann, they
indicated the piece
should depict Linda's
personality - dynamic,
sassy, yet thoughtful and
almost mentor-like. They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved teacher.
After contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey. That
poem is entitled Live On
by Chrissie Pinney. Live
On Now as I live on
Without you I hope to
keep The pieces of you
That I loved so dearly
Your mannerisms And
compassionate character
And smiles through
struggle So that you May
live on too -Chrissie
Pinney I reached out to
Ms. Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed that
she was deeply touched
that her work would
inspire me to write a
piece in honor of Linda
Mann. The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.
After the somber opening,
the piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This section
is followed by a return
of the opening material,
with snippets of the fast
theme intertwined, before
the piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work. It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live On.
-Larry Clark Lakeland, FL
2017. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality - dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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