Adapted By Heribert Breuer. Par BREUER HERIBERT. Langue: English(US)/Deutsch/Français/Nederlands/ Répertoire / 3 Saxophones (ATBar)

Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB

Have Fun Playing The Cello. Par KOEPPEN GABRIEL. The Koeppen Cello Method consists of 3 progressive method books, each with a supplementary tune book, and lays the foundation for a solid technical and musical training. Structured in an easy and understandable way and full of fun rhythmic exercises and popular styles, it is aimed at young people and adults. All books are accompanied by a CD which will help motivate and inspire. / Méthode / Recueil / 3 Violoncelles et Piano ad lib

Zusammenstellung Aus Sätzen Bachscher Kantaten. Par BACH JOHANN SEBASTIAN. Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. / Oratorio / Répertoire / Solistes SAB, Choeur SATB, 3 Flûtes à Bec F1, 2 Fl

Zusammenstellung Aus Sätzen Bachscher Kantaten. Par BACH JOHANN SEBASTIAN. Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. / Oratorio / Répertoire / Solistes SAB, Choeur SATB, 3 Flûtes à Bec F1, 2 Fl

Zusammenstellung Aus Sätzen Bachscher Kantaten. Par BACH JOHANN SEBASTIAN. Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. / Oratorio / Répertoire / Solistes SAB, Choeur SATB, 3 Flûtes à Bec F1, 2 Fl

Zusammenstellung Aus Sätzen Bachscher Kantaten. Par BACH JOHANN SEBASTIAN. Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. / Oratorio / Répertoire / Solistes SAB, Choeur SATB, 3 Flûtes à Bec F1, 2 Fl

Zusammenstellung Aus Sätzen Bachscher Kantaten. Par BACH JOHANN SEBASTIAN. Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. / Oratorio / Répertoire / Solistes SAB, Choeur SATB, 3 Flûtes à Bec F1, 2 Fl

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), each volume contains works by three different composers, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies, the pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.After Vol. 1 with works by Bach, Handel and Scarlatti and Vol. 2 with compositions by Haydn, Mozart and Cimarosa, Vol. 3 contains pieces by Beethoven, Schubert und Hummel, including popular pieces such as Beethoven's 'Für Elise' and lesser known, yet stimulating settings by Johann Nepomuk Hummel. / Piano

Kantate Zum 3. Sonntag Nach Trinitatis Und Für Alle Zeit. Par BACH JOHANN SEBASTIAN. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cöthen parts placed afterwards in brackets. / Musique religieuse / Répertoire / Solistes STB (SB/TB/SATB), Choeur SATB, 3 Trompett

Kantate Zum 3. Sonntag Nach Trinitatis Und Für Alle Zeit. Par BACH JOHANN SEBASTIAN. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cöthen parts placed afterwards in brackets. / Musique religieuse / Répertoire / Solistes STB (SB/TB/SATB), Choeur SATB, 3 Trompett

Kantate Zum 3. Sonntag Nach Trinitatis Und Für Alle Zeit. Par BACH JOHANN SEBASTIAN. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cöthen parts placed afterwards in brackets. / Musique religieuse / Répertoire / Solistes STB (SB/TB/SATB), Choeur SATB, 3 Trompett

Kantate Zum 3. Sonntag Nach Trinitatis Und Für Alle Zeit. Par BACH JOHANN SEBASTIAN. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cöthen parts placed afterwards in brackets./ Répertoire / Solistes STB (SB/TB/SATB), Choeur SATB, 3 Trompett

Kantate Zum 3. Sonntag Nach Trinitatis Und Für Alle Zeit. Par BACH JOHANN SEBASTIAN. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cöthen parts placed afterwards in brackets. / Musique religieuse / Répertoire / Solistes STB (SB/TB/SATB), Choeur SATB, 3 Trompett

The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs. Árpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande, Gavotte) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by the fingering and bowing being provided by the editor. / 3 Violoncelles