12 Deutsche Konzerte
(Nr. 1-12) für 1
Vokal-, 2
Instrumental-Stimmen und
Basso continuo.
Composed by Heinrich
Schutz. Edited by Werner
Bittinger. This edition:
complete edition, urtext
edition. Linen. Heinrich
Schutz. Neue Ausgabe
samtlicher Werke 15.
Kirchenmusik, Fruhbarock
(Sacred Music, Early
Baroque). Complete
edition, Score,
anthology. Composed 1647.
SWV 341-352. Baerenreiter
Verlag #BA03669_00.
Published by Baerenreiter
Verlag (BA.BA03669).
ISBN 9790006438327.
27.3 x 19.9 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Basso (cello/double bass) SKU: BR.EOS-1308-26 3 Suites - Former Name C...(+)
Basso (cello/double bass)
SKU:
BR.EOS-1308-26
3
Suites - Former Name
Concerto grosso No.
25. Composed by
George Frideric Handel.
Edited by Roger Fiske.
Orchestra; stapled.
Eulenburg Orchestral
Series.
Suite;
Concerto grosso; Baroque.
Part. 20 pages. Duration
50'. Breitkopf and
Haertel #EOS 1308-26.
Published by Breitkopf
and Haertel
(BR.EOS-1308-26).
ISBN
9790004786406. 8.5 x 11.5
inches.
Suite
No. 1in F major HWV 348
28 Concertino: 2vl
0.2.0.1. 2.0.0.0. str
bc(hps)
Suite
No. 2 in D major HWV 349
11 0.2.0.1. 2.2.0.0.
str bc(hps)
Suite No. 3 in G major
HWV 350 11 1(picc)
or rec.0.0.1. 0.0.0.0.
str bc(hps)
The People's Psalter Chorale [Partition + CD] - Facile MorningStar Music Publishers
By Hal H. Hopson. For Cantor/Unison or SATB voices, Congregation, and Keyboard, ...(+)
By Hal H. Hopson. For
Cantor/Unison or SATB
voices, Congregation, and
Keyboard, with opt.
Children's Choir,
Handbells, C Instrument,
Hand Drums and
Tambourine. Sacred.
Moderately Easy. Songbook
and CD-ROM. 301 pages
SKU: CA.5023400 Composed by Josef Gabriel Rheinberger. Edited by Dorothee...(+)
SKU: CA.5023400
Composed by Josef Gabriel
Rheinberger. Edited by
Dorothee Gobel. This
edition: Linen cover,
Complete edition. Josef
Gabriel Rheinberger -
Complete Works. German
title: Klavierwerke Zu 2
Handen I (Ln). Josef
Gabriel Rheinberger.
Complete Works. Full
score (complete edition /
selected edition). 176
pages. Carus Verlag #CV
50.234/00. Published by
Carus Verlag
(CA.5023400).
Composed by Johann
Pachelbel. Arranged by
Larry Clark. SWS FS.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
16+16+2+5+5+3+5+12 pages.
Duration 2 minutes, 34
seconds. Carl Fischer
Music #YAS176. Published
by Carl Fischer Music
(CF.YAS176).
ISBN
9781491146569. UPC:
680160904068. 9 x 12
inches. Key: G
major.
This
triumphant work by
composer Alan Lee Silva
will be a perfect
selection for your next
contest or festival
performance. Atlantic
Crossing contains all the
signature flowing lines
and warm harmonies that
have made Silva's music
so popular and
fresh. A joyous
journey across the ocean
begins in the opening
measures, featuring
triumphant violins and
violas and accented
cellos and basses. After
the celebratory
introduction, Atlantic
Crossing comes down in
dynamics and transitions
to the lyrical A melody
in the violins (m. 9) and
continues with an AAB
form.The violas take over
with the flowing B-theme
in m. 17 as the rest of
the ensemble accompanies
the tune with lush
harmonies at a lower
dynamic. A two-measure
build in mm. 24-25 with
ascending violins leads
back to a reprise of the
powerful introductory
statement where the
ensemble plays full-out
with precise
articulations and
accents. A two-measure
interlude in mm. 34-35
slows the energy down to
return to the legato
A-theme in the violins
and violas. Violas carry
the B-theme once again in
m. 44 with syncopated and
accented answer motifs in
the violins. The key
center shifts at m. 53,
and the violins play the
melody in a legato
interpretationof the
introductory theme. The
rest of the group plays
their accompaniment
figures smoothly and
expressively underneath.
After the molto
ritardando at m. 61, the
piece returns to the
original key center of G.
From there the group
plays with driving energy
as before in the
introduction to the final
punctuated note in m.
76.
About
Carl Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by John Corigliano (1938-). For string quartet. Format: full score (par...(+)
Composed by John
Corigliano (1938-). For
string quartet. Format:
full score (parts not
included). With program
notes. 20th century. 34
pages. 9x12 inches.
Published by Schirmer.
Psalm 111 no. 13.
Composed by Heinrich
Schutz. Edited by Wilhelm
Ehmann. Arranged by
Heinrich Ehmann. This
edition: urtext edition.
Stapled. From Psalmen
Davids. Choral score. SWV
34. 35 pages.
Baerenreiter Verlag
#BA05920_00. Published by
Baerenreiter Verlag
(BA.BA05920).
ISBN
9790006474363. 27 x 19 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Ascension
oratorio. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Himmelfahrtsoratorium.
Innovative practice aids,
Sacred vocal music,
Cantatas, Oratorios,
Ascension. Single Part,
Violin 1. Composed 1735.
BWV 11. 12 pages.
Duration 32 minutes.
Carus Verlag #CV
31.011/11. Published by
Carus Verlag
(CA.3101111).
ISBN
9790007042035. Key: D
major. Language:
German.
Besides the
Weihnachtsoratorium BVW
248, Bach composed an
additional work for the
feast days of the church
year 1734/35: The
Himmelfahrtsoratorium BWV
11 (Ascension Oratorio).
Although in its
dimensions and character
the oratorio is akin to
his cantatas, it occupies
a special position as a
result of the epic text
on which it is based; the
text includes a biblical
story. In particular, the
festive atmosphere and
instrumentation of the
opening and closing
choruses mirror the
triumphant joy of
Christ's ascension. This
is a new edition in the
Stuttgart Bach Editions
series, edited by Ulrich
Leisinger. Score and part
available separately -
see item CA.3101100.
By Akers, Doris. Arranged by Joel Raney. (SATB). Gathering, Holy Spirit, Pentec...(+)
By Akers, Doris. Arranged
by Joel Raney. (SATB).
Gathering, Holy Spirit,
Pentecost and Sacred.
Print Music Single
(SATB). 8 pages.
Published by Hope
Publishing Company.
Christian,
Contemporary Christian,
Gospel, Inspirational.
Jackman Music Corporation
#02015. Published by
Jackman Music Corporation
(JK.02015).
UPC:
093285020153.
This
book is the ultimate
resource for music
leaders teaching the
primary song Do Unto
Others. The included
activities are
suggestions that will
engage children while
reinforcing the Golden
Rule, as taught by the
Savior in the scriptures:
Therefore all things
whatsoever ye would that
men should do to you, do
ye even so to
them.
Contents
include: Do Unto
Others Sheet
Music Caterpillar
Reference
Sheet Caterpillar
Cutouts Scripture
Visual Aid Caterpillar
Extras Shower Down
Kindness Activity Also
Available: the Do Unto
Others for Children's
Chorus stand-alone sheet
music. The sheet music
for Do Unto Others is
included in this Song
Kit*
Composers
: Barry Gibbons and Bryce
Neubert Arrangers:
Barry, Grant, and Michael
Gibbons Difficulty:
Easy Scripture
References: 3 Nephi 14:
12; Matthew 7:12; John
13:34-35; Doctrine and
Covenants 38:24.
SKU: CA.2901200 Composed by Helmut Bornefeld. This edition: Paperbound. H...(+)
SKU: CA.2901200
Composed by Helmut
Bornefeld. This edition:
Paperbound. Hymns by
Martin Luther: Ausgaben
mit mehreren
Luther-Liedern. German
title: Musik fur
Blechblaser. Sacred vocal
music. Full score. 48
pages. Carus Verlag #CV
29.012/00. Published by
Carus Verlag
(CA.2901200).
Vocalise Op. 34/14 Flûte traversière et Piano Music Distribution Services
Flute and piano SKU: M7.DOHR-16442 Composed by Sergej Wassiljewitsch Rach...(+)
Flute and piano
SKU:
M7.DOHR-16442
Composed by Sergej
Wassiljewitsch
Rachmaninow. Arranged by
Wolfgang Birtel. Sheet
music. Score and part.
Op.34/14. 12 pages. MDS
(Music Distribution
Services) #DOHR 16442.
Published by MDS (Music
Distribution Services)
(M7.DOHR-16442).
Composed by Julian Wachner (1969-). Advanced/Collegiate. Catholic Year A The Nat...(+)
Composed by Julian
Wachner (1969-).
Advanced/Collegiate.
Catholic Year A The
Nativity of Our Lord.
Christmas, 21st Century.
Octavo. Duration 3
minutes, 35 seconds.
Published by E.C.
Schirmer Publishing
(EC.6955).
Composed by Reinhard
Schwarz-Schilling.
Stapled. Barenreiter
Study Scores. Study
score. Composed
1934/1935. Duration 33
minutes. Baerenreiter
Verlag #TP00260_00.
Published by Baerenreiter
Verlag (BA.TP00260).
(BWV 233, 234, 235, 236). By Johann Sebastian Bach (1685-1750). Edited by Emil P...(+)
(BWV 233, 234, 235, 236).
By Johann Sebastian Bach
(1685-1750). Edited by
Emil Platen; Marianne
Helms. For Soli, Choir,
Orchestra. Neue
Bach-Ausgabe. Serie II,
Band 2. Critical
Commentary; Complete
Edition (cloth bound).
Published by Baerenreiter
Verlag
Eulenburg Audio Score Series. By George Frideric Handel. This edition: EAS124. E...(+)
Eulenburg Audio Score
Series. By George
Frideric Handel. This
edition: EAS124.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 134
pages. Published by
Eulenburg.
Composed by Ruth Elaine
Schram. Young String
Orchestra (YAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #YAS178F.
Published by Carl Fischer
Music (CF.YAS178F).
ISBN 9781491151808.
UPC: 680160909308. 9 x 12
inches.
The title
of this piece,?Le
Printemps,?is French for
the springtime. This
piece brings images of
springtime to the
listener's mind. ?The
rhythmic pattern that
begins in the bass and
works its way up to the
violins illustrates the
patter of raindrops or of
flowers bursting into
bloom. The beautiful
melodies in the piece
engage players and
audiences. The title
Le Printemps is
French for the
springtime. This piece is
meant to bring images of
springtime to the
listeners mind. The
rhythmic pattern that
begins in the bass and
works its way up through
the sections to the
violins could be the
patter of raindrops, or
indicative of flowers
pushing their way up
through the ground and
bursting into bloom. All
the instruments that have
the staccato notes are
the backup; the
instruments who have the
slurred notes are playing
the melody in these
sections and should bring
the melody out a little
bit. The middle section
is a little softer
(mp<
/em>) and more legato,
and could bring to mind a
lovely, warm breeze that
is gently moving across
the new, green grass and
the budding leaves of the
trees. It should be
played with tenderness
and feeling, paying
careful attention to the
crescendo in mm. 2528,
building up to the
mf
em>. In m. 34, make the
most of the poco
rall. as you prepare
to reiterate the staccato
portion that begins again
in m. 35. Again, the
moving parts here with
the slurs have the melody
and should not be
overwhelmed by the
staccato instruments. At
m. 55 should begin to
build slightly into the
crescendo at m. 57 and
really build that up
through beat 3 of m. 58.
At m. 59, be suddenly
very soft to begin the
final ascent into the
climactic ending. Build
steadily through the last
four measures and give a
good solid bowing of your
last note. Enjoy Le
Printemps!. The
title Le
PrintempsA is French
for athe springtime.a
This piece is meant to
bring images of
springtime to the
listeneras mind. A The
rhythmic pattern that
begins in the bass and
works its way up through
the sections to the
violins could be the
patter of raindrops, or
indicative of flowers
pushing their way up
through the ground and
bursting into bloom. All
the instruments that have
the staccato notes are
the backup; the
instruments who have the
slurred notes are playing
the melody in these
sections and should bring
the melody out a little
bit. The middle section
is a little softer
(mp<
/em>) and more legato,
and could bring to mind a
lovely, warm breeze that
is gently moving across
the new, green grass and
the budding leaves of the
trees. It should be
played with tenderness
and feeling, paying
careful attention to the
crescendo in mm. 25a28,
building up to the
mf
em>. In m. 34, make the
most of the poco
rall. as you prepare
to reiterate the staccato
portion that begins again
in m. 35. Again, the
moving parts here with
the slurs have the melody
and should not be
overwhelmed by the
staccato instruments. At
m. 55 should begin to
build slightly into the
crescendo at m. 57 and
really build that up
through beat 3 of m. 58.
At m. 59, be suddenly
very soft to begin the
final ascent into the
climactic ending. Build
steadily through the last
four measures and give a
good solid bowing of your
last note. A Enjoy Le
Printemps!. The
title Le
Printemps is French
for the springtime. This
piece is meant to bring
images of springtime to
the listener's mind. The
rhythmic pattern that
begins in the bass and
works its way up through
the sections to the
violins could be the
patter of raindrops, or
indicative of flowers
pushing their way up
through the ground and
bursting into bloom. All
the instruments that have
the staccato notes are
the backup; the
instruments who have the
slurred notes are playing
the melody in these
sections and should bring
the melody out a little
bit. The middle section
is a little softer
(mp<
/em>) and more legato,
and could bring to mind a
lovely, warm breeze that
is gently moving across
the new, green grass and
the budding leaves of the
trees. It should be
played with tenderness
and feeling, paying
careful attention to the
crescendo in mm. 25-28,
building up to the
mf
em>. In m. 34, make the
most of the poco
rall. as you prepare
to reiterate the staccato
portion that begins again
in m. 35. Again, the
moving parts here with
the slurs have the melody
and should not be
overwhelmed by the
staccato instruments. At
m. 55 should begin to
build slightly into the
crescendo at m. 57 and
really build that up
through beat 3 of m. 58.
At m. 59, be suddenly
very soft to begin the
final ascent into the
climactic ending. Build
steadily through the last
four measures and give a
good solid bowing of your
last note. Enjoy Le
Printemps!. The
title Le Printemps is
French for the
springtime. This piece is
meant to bring images of
springtime to the
listener's mind. The
rhythmic pattern that
begins in the bass and
works its way up through
the sections to the
violins could be the
patter of raindrops, or
indicative of flowers
pushing their way up
through the ground and
bursting into bloom. All
the instruments that have
the staccato notes are
the backup; the
instruments who have the
slurred notes are playing
the melody in these
sections and should bring
the melody out a little
bit. The middle section
is a little softer (mp)
and more legato, and
could bring to mind a
lovely, warm breeze that
is gently moving across
the new, green grass and
the budding leaves of the
trees. It should be
played with tenderness
and feeling, paying
careful attention to the
crescendo in mm. 25-28,
building up to the mf. In
m. 34, make the most of
the poco rall. as you
prepare to reiterate the
staccato portion that
begins again in m. 35.
Again, the moving parts
here with the slurs have
the melody and should not
be overwhelmed by the
staccato instruments. At
m. 55 should begin to
build slightly into the
crescendo at m. 57 and
really build that up
through beat 3 of m. 58.
At m. 59, be suddenly
very soft to begin the
final ascent into the
climactic ending. Build
steadily through the last
four measures and give a
good solid bowing of your
last note. Enjoy Le
Printemps!. The title
Le Printemps is French
for “the
springtime.†This
piece is meant to bring
images of springtime to
the listener’s
mind. Â The rhythmic
pattern that begins in
the bass and works its
way up through the
sections to the violins
could be the patter of
raindrops, or indicative
of flowers pushing their
way up through the ground
and bursting into bloom.
All the instruments that
have the staccato notes
are the backup; the
instruments who have the
slurred notes are playing
the melody in these
sections and should bring
the melody out a little
bit.The middle section is
a little softer (mp) and
more legato, and could
bring to mind a lovely,
warm breeze that is
gently moving across the
new, green grass and the
budding leaves of the
trees. It should be
played with tenderness
and feeling, paying
careful attention to the
crescendo in mm.
25–28, building up
to the mf. In m. 34, make
the most of the poco
rall. as you prepare to
reiterate the staccato
portion that begins again
in m. 35. Again, the
moving parts here with
the slurs have the melody
and should not be
overwhelmed by the
staccato instruments.At
m. 55 should begin to
build slightly into the
crescendo at m. 57 and
really build that up
through beat 3 of m. 58.
At m. 59, be suddenly
very soft to begin the
final ascent into the
climactic ending. Build
steadily through the last
four measures and give a
good solid bowing of your
last note. Â Enjoy Le
Printemps!
By Heinrich Schutz (1585-1672). Edited by Werner Bittinger. For 2 soprano voice ...(+)
By Heinrich Schutz
(1585-1672). Edited by
Werner Bittinger. For 2
soprano voice solos,
tenor voice solo, 2
violins, basso continuo.
This edition: Stapled.
Zwei Deutsche Konzerte
Nr. 14 und 15 aus
'Symphoniae sacrae II'.
Performance score, Vocal
score, Set of parts. SWV
354, 355. Published by
Baerenreiter Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich Schnapp. Fo...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Friedrich Schnapp. For
cello/contrabass. This
edition: Urtext edition.
Stapled. Single part. KV
338, No. 34. 8 pages.
Published by Baerenreiter
Verlag