| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano seul [Partition] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(3)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| George Frideric Handel: Messiah (Oratorio, 1741) - Violin I Violon [Partie séparée] Schirmer
Violin 1 Part. By George Frideric Handel. (Violin). Choral Large Works. Size 9x1...(+)
Violin 1 Part. By George
Frideric Handel.
(Violin). Choral Large
Works. Size 9x12 inches.
44 pages. Published by
Schirmer.
(1)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| George Frederic Handel: Messiah (Oratorio, 1741) - Violin II [Partie séparée] Schirmer
Composed by George Frederic Handel (1685-1759). 1741. Orchestral part for second...(+)
Composed by George
Frederic Handel
(1685-1759). 1741.
Orchestral part for
second violin. With
standard notation and
vocal cues. 41 pages.
Published by G. Schirmer,
Inc.
(1)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 3 (Eb Instruments) Fake Book [Fake Book] Hal Leonard
E Flat Edition. By Various. Fake Book (Includes melody line and chords). Softcov...(+)
E Flat Edition. By
Various. Fake Book
(Includes melody line and
chords). Softcover. Size
9x11 inches. 464 pages.
Published by Hal Leonard.
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bluegrass Banjo Banjo 2 parties Music Minus One
Book/Online Audio Banjo - Difficulty: medium SKU: HL.400504 Music Minu...(+)
Book/Online Audio Banjo -
Difficulty: medium
SKU: HL.400504
Music Minus One
Banjo. Composed by
Various. Sheet music.
Music Minus One.
Bluegrass and Play Along.
Softcover Audio Online.
With banjo tablature,
lyrics, chord names and
introductory text. 22
pages. Music Minus One
#MMO4401. Published by
Music Minus One
(HL.400504). ISBN
9781596156371. UPC:
077712344012. 9x12
inches. This book,
filled with some of the
greatest banjo classics,
is designed to help
musicians develop basic
bluegrass techniques,
based on the styles of
groups such as Bill
Monroe and the Blue Grass
Boys, Flatt and Scruggs
and the Foggy Mountain
Boys, the Stanley
Brothers and the Clinch
Mountain Boys. The banjo
solos, featuring such
classics as The Ballad of
Jed Clampett, Salty Dog
Blues, and Jesse James,
are written out
note-for-note in
easy-to-follow tablature
notation in the book. You
listen to the complete
version with soloist,
then you step in as
soloist with the great
Country Cooking bluegrass
band, featuring fiddle,
guitar, mandolin, bass
and vocals! Also includes
basic techniques and
pointers. Performed by
Peter Wernick, banjo
Audio is accessed online
using the unique code
inside the book and can
be streamed or
downloaded. The audio
files include PLAYBACK ,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right. (5)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Big Chart Hits Now Music Sales
| | |
| Dinah Washington Piano, Voix et Guitare [Partition] Professional Music Institute
(Music of the Stars Volume 8). By Dinah Washington. Piano/Vocal/Guitar Artist So...(+)
(Music of the Stars
Volume 8). By Dinah
Washington.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 64
pages. Professional Music
Institute #44008.
Published by Professional
Music Institute
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Complete Guitar Player Songbook Omnibus 1 Guitare [Partition + CD] Amsco Wise Publications
Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996). ISBN
9781849380140.
English. Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book. $32.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| RandB Fake Book - C Instruments - 2nd Edition
Fake Book [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
(9)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Want to Be Like Jesus with Lord Be Glorified (Orchestration) Chorale SATB [Conducteur et Parties séparées] Lillenas Publishing Co.
SATB choir with optional vocal solo SKU: LP.OR-2244 Arranged by Thomas Fe...(+)
SATB choir with optional
vocal solo SKU:
LP.OR-2244 Arranged
by Thomas Fettke.
Anthems. Blended and
Sacred. Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-2244). UPC:
765762109902. What
a profound choice of
words for a lyric: I have
one deep supreme desire
that I may be like Jesus.
Our choirs don't sing
songs of aspiration and
commitment enough these
days. It's as if the flow
of lyrical thought has
gone in other directions.
It seems to me the
ultimate in praise and
worship is to emulate our
Lord and Savior. We need
to sing about it and
strive with all of our
beings to live it. You
may wish to involve
congregation on this
anthem. $74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Daily Ukulele
Ukulele [Partition] Hal Leonard
(365 Songs for Better Living). Arranged by Jim Beloff and Liz Beloff. Ukulele. S...(+)
(365 Songs for Better
Living). Arranged by Jim
Beloff and Liz Beloff.
Ukulele. Softcover. 336
pages. Published by Hal
Leonard
(5)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cirque de L’étrange Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS200F Composed by Matthew R. Putnam...(+)
Band Concert Band - Grade
2 SKU: CF.YPS200F
Composed by Matthew R.
Putnam. Young Band (YPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS200F.
Published by Carl Fischer
Music (CF.YPS200F).
ISBN 9781491152881.
UPC:
680160910380. Step
right up, ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange, or
“Circus of the
Strange.†This
piece evokes a bygone era
when circuses and
carnivals provided people
from all walks of life a
chance to see human and
animal
oddities. Cirque de
L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups and is a
great way to expose
students to the march
form and style without
sounding like your
typical march. Step
right up ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange.
Welcome to the Cirque de
L’étrange,
known in English as the
“Circus of the
Strange.†This
piece evokes a time of a
bygone era, a time when
circuses and carnivals
provided people from all
walks of life a chance to
see human and animal
oddities that were
sources of both delight
and horror. While many of
these sideshow
attractions were deemed
fraudulent, it did not
deter the crowds from
flocking to be shocked
and awed. I have always
held a special place in
my heart for the
showmanship of carnivals,
because my grandfather
dearly loved them. For
much of his life, he
worked at fairs and
carnivals selling cotton
candy and candy apples. A
large portion of my days
when growing up were
spent running around
fairgrounds and helping
my grandfather with his
stand. He imparted in me
a love for the cunning,
magic, and sheer joy that
only carnivals and
circuses can bring. In
Cirque de
L’étrange, I
sought to capture the the
mirthful, yet uncanny
mood of the carnivals
that I grew up exploring,
thus transporting you to
a different time.Cirque
de L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups, as it is
a great way to expose
students to the march
form and style while not
sounding like your
typical march.Opening in
D minor, the piece
combines the playful feel
of a march and a macabre
tango. The second time
through the First Strain
(mm. 5-23), the upper
woodwinds and bells add a
second counter melody
based in D harmonic
minor, which heightens
the peculiar nature of
the piece. The Second
Strain (mm. 24-43) by
contrast, is a little
more upbeat, thus evoking
the magical ebullience of
a circus, which is
further highlighted by
the xylophone part. The
Second Strain ends in the
key of F major and sets
up the transition to the
Trio in the key of G
minor. The Trio (m. 44)
begins with the G
harmonic minor melody in
the clarinets and a
counter melody in the
bassoon and tenor
saxophone. The rest of
the woodwinds and bells
join in at m. 60 while
the percussion adds a
Gypsy-like feel with
tambourine and triangle.
At m. 76 the full band
joins in the macabre
parade with the trombones
and baritones harmonizing
the counter melody. The
conclusion of the march
has the upper woodwinds,
adding a second counter
melody complete with
trills to bring the march
to an exciting and
dramatic finish.As the
World’s Greatest
Showman, P.T. Barnum, a
man my grandfather
greatly admired, once
said “The noblest
art is that of making
others happy.†It
is my hope that through
this piece you will
experience the thrill,
delight, and fright that
only carnivals can bring
as you visit the Circus
of the Strange! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Paul Gilbert: Paul Gilbert, Intense Rock: Complete (DVD) Guitare [DVD] Alfred Publishing
(Includes Intense Rock 1 and 2) Performed by Paul Gilbert. Instructional video: ...(+)
(Includes Intense Rock 1
and 2) Performed by Paul
Gilbert. Instructional
video: DVD for electric
guitar. Series: Alfred's
Artist Series. Published
by Alfred Publishing.
(2)$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Book Of Great Songs Music Sales
| | |
| Hope Remains Within - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Brake Drum, Chimes,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn, Mallet Percussion
1, Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum and more. -
Grade 2.5 SKU:
CF.YPS217 Composed by
Zachary Cairns. Folio.
Yps. Set of Score and
Parts.
8+8+4+8+8+4+2+6+4+4+4+8+8
+8+8+6+6+6+4+6+4+2+2+4+6+
10+24 pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #YPS217.
Published by Carl Fischer
Music (CF.YPS217).
ISBN 9781491156544.
UPC: 680160915088. 9 x 12
inches. Hope
Remains Within was
commissioned by and
composed for the Mount
Nittany Middle School 7th
and 8th Grade Concert
Bands. Having heard the
students of Mount Nittany
perform another work of
mine, I was very excited
when their director,
Johanna Steinbacher,
approached me about
writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn't exactly sure
how, or what. Johanna
talked to some of her
students and learned
that, in 7th grade, the
students spend a good
deal of time studying
mythology in their
English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora. As
such, I decided to use
that story as the basis
of this composition. Hope
Remains Within doesn't
attempt to re-tell the
story, event by event, in
musical terms. Instead,
my goal was to address
what seems to be one of
the central issues of the
Pandora myth. Though
there are some
variations, we probably
all know the basics as
told by the ancient Greek
poet Hesiod. Zeus decides
to punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus's brother
Epimetheus as a bride.
Pandora is herself given
a jar (according to many
sources, jar seems to be
a more accurate
translation for what we
commonly call Pandora's
box) which contained
numerous evils, diseases,
and other pains. Out of
curiosity, Pandora opens
the jar and releases all
of these evils into the
world. But one thing
remains in the jar: hope.
The issue of hope seems
to be one of the big
interpretive questions of
the Pandora myth. Why
does hope remain within
the jar? Why doesn't it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place? I'm not enough of
a mythological scholar to
claim to have definitive
answers to those
questions, but these are
the questions that I've
tried to engage from a
musical perspective in
Hope Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed. Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope's
beginning played by alto
saxophones and chimes,
comes from the opening
measures of Skyrabin's
work. Given the important
role that Prometheus
plays in the Pandora
myth, this seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key. Additionally,
I have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the piece's
slow opening, I have
allowed these minor key
pitches to mingle freely
within the Bb major
tonality, adding extra
color and (I hope!)
beauty. As the piece
progresses, though, the
tempo increases, and we
lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn't
resist.). Hope Remains
Within was commissioned
by and composed for the
Mount Nittany Middle
School 7th and 8th Grade
Concert Bands. Having
heard the students of
Mount Nittany perform
another work of mine, I
was very excited when
their director, Johanna
Steinbacher, approached
me about writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn’t
exactly sure how, or
what. Johanna talked to
some of her students and
learned that, in 7th
grade, the students spend
a good deal of time
studying mythology in
their English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora.As such,
I decided to use that
story as the basis of
this composition. Hope
Remains Within
doesn’t attempt to
re-tell the story, event
by event, in musical
terms. Instead, my goal
was to address what seems
to be one of the central
issues of the Pandora
myth. Though there are
some variations, we
probably all know the
basics as told by the
ancient Greek poet
Hesiod. Zeus decides to
punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus’s
brother Epimetheus as a
bride. Pandora is herself
given a jar (according to
many sources,
“jar†seems
to be a more accurate
translation for what we
commonly call
“Pandora’s
boxâ€) which
contained numerous evils,
diseases, and other
pains. Out of curiosity,
Pandora opens the jar and
releases all of these
evils into the world. But
one thing remains in the
jar: hope.The issue of
hope seems to be one of
the big interpretive
questions of the Pandora
myth. Why does hope
remain within the jar?
Why doesn’t it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place?I’m not
enough of a mythological
scholar to claim to have
definitive answers to
those questions, but
these are the questions
that I’ve tried to
engage from a musical
perspective in Hope
Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed.Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope’s
beginning played by alto
saxophones and chimes,
comes from the opening
measures of
Skyrabin’s work.
Given the important role
that Prometheus plays in
the Pandora myth, this
seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key.Additionally, I
have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the
piece’s slow
opening, I have allowed
these minor key pitches
to mingle freely within
the Bb major tonality,
adding extra color and (I
hope!) beauty. As the
piece progresses, though,
the tempo increases, and
we lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn’t
resist.). $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violon [Partition] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky.
For fiddle. All styles.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fanfare, Reminiscence and Celebration Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Orchestra Concert Band SKU: PR.446412560 For Orchestra. Composed b...(+)
Orchestra Concert Band
SKU: PR.446412560
For Orchestra.
Composed by Ellen Taaffe
Zwilich. This edition:
Orchestra version. Sws.
Contemporary. Full score.
With Standard notation.
Composed 2010. 28 pages.
Duration 12 minutes.
Theodore Presser Company
#446-41256. Published by
Theodore Presser Company
(PR.446412560). ISBN
9781598063738. UPC:
680160596003. 9x12
inches. Key: A
major. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall a each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements. I. Fanfare The
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall -- each testing the
capacities of the other.
I decided to have the
ensemble greet and salute
the new Ruby Diamond Hall
with a Fanfare that
includes offstage brass
players in 3 different
locations in the
audience. II.
Reminiscence and
Celebration The 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. Fanfare;
Reminiscence and
Celebration is in 2
movements.I. FanfareThe
opening of a concert hall
is always an exciting
event, introducing the
hall to the performers
and the performers to the
hall — each
testing the capacities of
the other. I decided to
have the ensemble greet
and salute the new Ruby
Diamond Hall with a
Fanfare that includes
offstage brass players in
3 different locations in
the audience.II.
Reminiscence and
CelebrationThe 2nd
movement begins in a
reflective mood. As I
thought about Ruby
Diamond Hall, where I had
performed as a teenager,
I remembered people,
particularly many mentors
with whom I have
performed here, who are
gone, but whose gifts and
spirits are still with
us. The theater has a
beautiful tradition of
leaving one light bulb
burning all night long
for the spirits of the
actors who have graced
that stage. While I
wanted my 2nd movement to
acknowledge that sense of
continuity of past and
present, the piece ends
in celebration of the
new. Perhaps all artists
feel a strong connection
with the past, but we
work in and for the
present and we build for
the future. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mendelssohns Möwen (2012) Violoncelle - Avancé Barenreiter
Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043). ISBN
9790006543229. 33.5 x
25.5 cm
inches. Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Faces of Love - Complete, Books 1-3 Piano, Voix Associated
Composed by Jake Heggie (1961-). For Voice, Piano Accompaniment. Vocal Collectio...(+)
Composed by Jake Heggie
(1961-). For Voice, Piano
Accompaniment. Vocal
Collection. Softcover.
216 pages. Published by
Associated Music
Publishers, Inc
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs of the 2010s: The New Decade Series - Updated Edition Piano grosses notes - Débutant Hal Leonard
E-Z Play Today #371. By Various. E-Z Play Today. Pop. Softcover. 160 pages. P...(+)
E-Z Play Today #371. By
Various. E-Z Play Today.
Pop.
Softcover. 160 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs of the 2000s - The New Decade Series Piano, Voix [Partition] - Facile Hal Leonard
E-Z Play�® Today Volume 370. Composed by Various. E-Z Play Today. So...(+)
E-Z Play�® Today
Volume 370. Composed
by Various. E-Z Play
Today. Softcover. 352
pages. Published by Hal
Leonard (HL.159576).
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Au-dela du temps Leduc, Alphonse
SKU: HL.373004 For Mezzo-Soprano and Harp. Composed by Allain Gaus...(+)
SKU: HL.373004
For Mezzo-Soprano and
Harp. Composed by
Allain Gaussin. Vocal.
Softcover. 40 pages.
Duration 720 seconds.
Alphonse Leduc #AL30835.
Published by Alphonse
Leduc (HL.373004).
ISBN 9781705149065.
UPC:
196288015840. Commi
ssioned by Ensemble
Sillages and IMEP de
Namur, and premiered on
24 January 2009 by Isabel
Soccoja (mezzo-soprano)
and Aida Aragoneses
(harp) at Auditorium du
Quartz, Brest. The
composer writes: 'Beyond
Time is a sort of
challenge to try and
grasp the ungraspable,
the fleeting, the
inaccessible. The work
consists of five sections
that follow each other
without a gap, revealing
five allegories of Time:
Virtual Instant, Mirror
of Time, The Abyss of
Time, Paradoxal Spirals,
Beyond Time.'. $19.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Geauga Lake: An Epilogue Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS190 Composed by John Pasternak. SW...(+)
Band Concert Band - Grade
2 SKU: CF.YPS190
Composed by John
Pasternak. SWS FS. Carl
Fischer Young Performance
Series. Set of Score and
Parts. With Standard
notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+2+2+4+2+20
pages. Duration 4
minutes, 17 seconds. Carl
Fischer Music #YPS190.
Published by Carl Fischer
Music (CF.YPS190).
ISBN 9781491147429.
UPC: 680160904921. 9 x 12
inches. Key: Eb
major. Geauga Lake:
An Epilogue is a
reflective piece
depicting an amusement
park from a bygone era.
The piece evokes
musically the fun and
excitement felt by the
many visitors to the park
while at the same time
pondering the melancholic
thought that the park
will never again
entertain. Pasternak's
unique voice and talent
for composition is sure
to please students and
audiences alike. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Know Before You Blow - Jazz Modes for Alto Saxophone Saxophone Alto [Partition + CD] Santorella Publications
Know Before You Blow - Jazz Modes for Alto Sax with CD composed by Chris Tedesco...(+)
Know Before You Blow -
Jazz Modes for Alto Sax
with CD composed by Chris
Tedesco. For alto sax.
This edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 32
pages. Published by
Santorella Publications
(1)$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Of Elutropia (1982) Violoncelle Chester
Cello SKU: HL.14010200 For Solo Cello. Composed by Brian Elias. Mu...(+)
Cello SKU:
HL.14010200 For
Solo Cello. Composed
by Brian Elias. Music
Sales America. Classical.
Softcover. With Text
language: English.
Chester Music #CH88180.
Published by Chester
Music (HL.14010200).
UPC:
884088837112. â€
œElutropia is a Gemme,
in colour greene, or
grassie, in part coloured
and bespotted with Purple
speckes & bloud
coloures vaines. This is
a marvellous Jugler, for
it will cause things
object to be presented to
our eies as it listeth.
It being put into a Basan
of water chaungeth to a
mans eyesight the Sunne
his beames, and giveth
them a contrarie colour.
Being also moved and
beaten in the ayre maketh
to appeare a bloudie
Sunne, and darkneth the
ayre in the maner of an
Eclipse: and therfore it
is called Eloutropia as
you would say, the Sunne
his enimie. There is of
this name also a certain
Hearbe which Enchaunters
& Witches have
oftentimes used and doe
use, as also that above
said, whereby they have
mocked and deluded many,
which by meanes and
working and enchauntment,
have so dazzled the
beholders eies, that they
have gone by them
invisibly.†John
Maplet (died 1592) A
greene forest, or A
natural historie 1567
This text from the
clergyman, astrologer and
natural historian John
Maplet's fascinating work
in which he describes the
properties of various
gemstones is the
inspiration for this
piece. Without being
programmatic, the music
is constantly developed
to try and mimic the way
the shafts of light
mutate through the gem,
and the illusions and
magic they create. $10.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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