Piano - Moderately Advanced

SKU: LO.70-2238L

Sacred. Lorenz Publishing Company #70/2238L. Published by Lorenz Publishing Company (LO.70-2238L).

ISBN 9780787769314.

This second volume in a practical piano series provides five suites of pieces for important dates from the church calendar: Reformation Day, Christ the King Sunday, Thanksgiving, Christmas, and Epiphany. The collection includes nineteen classic hymn tunes, many of which can also be used at other times during the year.

By Roland Barrett. Concert Band. Concert Band; Part(s); Score. Belwin Young Band. Fall; Halloween. Grade 2. 138 pages. Published by Belwin Music

By Ervin Monroe. For flute. This edition: spiral-bound. Book. 138 pages. Published by Little Piper

Rubank Advanced Method - Cornet or Trumpet, Vol. 1 edited by Himie Voxman and William Gower. Trumpet. Rubank Advanced Method. 72 pages. Rubank Publications #RUBL94. Published by Rubank Publications

(Cancrizans). Composed by Zoltan Jeney. EMB. Contemporary Hungarian Works. Book Only. Editio Musica Budapest #Z12938. Published by Editio Musica Budapest

For Violin and Piano or Two Violins and Piano. Composed by Vaja Azarashvili. String Solo. Classical. Softcover. 20 pages. Zen-On #ZN338202. Published by Zen-On

Choral Cello, Contrabass voice, Piano, Viola, Violin 1, Violin 2, Violin 3, SATB chorus

SKU: CF.CM9734

Composed by Basque Carol. Arranged by Christopher Thomas. 12 pages. Duration 2 minutes, 37 seconds. Carl Fischer Music #CM9734. Published by Carl Fischer Music (CF.CM9734).

ISBN 9781491161142. UPC: 680160919734. Key: A minor. English. Basque Carol.

A Basque Carol (also known as Gabriel's Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer's Canterbury Tales: Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .. Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song's lasting popularity. I would also attribute A Basque Carol's continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as his wings as drifted snow, his eyes as flame. I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I've added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino. I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you're a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!.
A Basque Carol (also known as Gabriel’s Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer’s Canterbury Tales:  “Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .”.Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song’s lasting popularity. I would also attribute A Basque Carol’s continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as “his wings as drifted snow, his eyes as flame.”I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I’ve added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino.I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you’re a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!

Choral SATB choir

SKU: CF.CM9736

Composed by Stephen Foster. Arranged by Russell L. Robinson. 8 pages. Duration 3:45. Carl Fischer Music #CM9736. Published by Carl Fischer Music (CF.CM9736).

ISBN 9781491161166. UPC: 680160919758. Key: Bb major. English.

Stephen Collins Foster lived from 1826 to 1864, until only age 37. He was extremely prolific, with numerous songs that have lasted to this day. I first had the idea to arrange Beautiful Dreamer for SATB choirs a cappella, after hearing Kristen Chenoweth in concert. She ended her concert, in a 1,600 seat hall, with Beautiful Dreamer, an a cappella solo, with no microphone. Given the beautiful melody, text and Ms. Chenoweth's voice, one could have heard a pin drop in the audience. Her performance concluded to thunderous applause and a standing ovation. The power of music. Throughout this arrangement, the harmonies support the beautiful melody and text (rather than get in its' way). Opportunities abound for vocal parts to be showcased as well as an optional solo/duet at the beginning. Sing freely, with pure vowels, crisp diction and sensitivity, allowing the text to prevail by giving special attention to stressed and unstressed syllables and words. I hope you enjoy singing this arrangement in rehearsal and performance to the delight of your audience. Tell the story through song because that's what we should always do when performing choral music. Russell Robinson, Arranger  .
Stephen Collins Foster lived from 1826 to 1864, until only age 37. He was extremely prolific, with numerous songs that have lasted to this day.  I first had the idea to arrange Beautiful Dreamer for SATB choirs a cappella, after hearing Kristen Chenoweth in concert.  She ended her concert, in a 1,600 seat hall, with Beautiful Dreamer, an a cappella solo, with no microphone.  Given the beautiful melody, text and Ms. Chenoweth’s voice, one could have heard a pin drop in the audience. Her performance concluded to thunderous applause and a standing ovation.  The power of music.Throughout this arrangement, the harmonies support the “beautiful” melody and text (rather than get in its' way).  Opportunities abound for vocal parts to be showcased as well as an optional solo/duet at the beginning.Sing freely, with pure vowels, crisp diction and sensitivity, allowing the text to prevail by giving special attention to stressed and unstressed  syllables and words.I hope you enjoy singing this arrangement in rehearsal and performance to the delight of your audience.  Tell the story through song because that’s what we should always do when performing choral music.Russell Robinson, Arranger .

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2

SKU: CF.YAS210F

Composed by Aaron Fryklund. Carl Fischer Young String Orchestra Series. Full score. 12 pages. Carl Fischer Music #YAS210F. Published by Carl Fischer Music (CF.YAS210F).

ISBN 9781491160701. UPC: 680160919307.

In the dim moonlight on a night long past a rider emerges from the fog and slowly dares to cross a mysterious and unsettling bridge. The trembling rider hesitates, unsure whether he is more nervous about the legend of the headless horseman or the creaking and shifting he feels under his own horse's hooves. Haunted Bridges is a work for string orchestra inspired by Washington Irving's Ichabod Crane and his ill-fated ride in Sleepy Hollow. The piece contains allusions to the tune London Bridge is Falling Down, first as a creeping counter-melody and later as a theme in a twisted 3/4 section whose shifting harmonic progression draws to mind the fall of the fabled bridge. Haunted Bridges contains alternating F/C-sharps and -naturals throughout and devilishly unpredictable harmonic patterns. The piece also calls for numerous extended techniques that students will enjoy, including playing behind the bridge, sul ponticello, portamento, and seagull glissandi. Special techniques: Haunted Bridges calls for a handful of extended techniques, most of which are self explanatory or commonly known. The technique appearing in the Violin II part from measures 58-72 may require some additional explanation. This figure is sometimes referred to as seagull glissando and is achieved by lightly touching the finger to the string and gliding up and down the string, producing many transient natural harmonics as the finger crosses the nodes of the string. It is suggested to start with the 3rd finger on the A string and slowly glissando up beyond the natural A harmonic, then slowly back down, continuing in this pattern until measure 73. It is also intended for each player to vary their speed slightly so that the timing of the glissandi are all a little different, resulting in a shimmering, aleatoric effect.
In the dim moonlight on a night long past a rider emerges from the fog and slowly dares to cross a mysterious and unsettling bridge. The trembling rider hesitates, unsure whether he is more nervous about the legend of the headless horseman or the creaking and shifting he feels under his own horse's hooves. Haunted Bridges is a work for string orchestra inspired by Washington Irving's Ichabod Crane and his ill-fated ride in Sleepy Hollow. The piece contains allusions to the tune London Bridge is Falling Down, first as a creeping counter-melody and later as a theme in a twisted 3/4 section whose shifting harmonic progression draws to mind the fall of the fabled bridge. Haunted Bridges contains alternating F/C-sharps and -naturals throughout and devilishly unpredictable harmonic patterns. The piece also calls for numerous extended techniques that students will enjoy, including playing behind the bridge, sul ponticello, portamento, and seagull glissandi.Special techniques:Haunted Bridges calls for a handful of extended techniques, most of which are self explanatory or commonly known. The technique appearing in the Violin II part from measures 58-72 may require some additional explanation. This figure is sometimes referred to as seagull glissando and is achieved by lightly touching the finger to the string and gliding up and down the string, producing many transient natural harmonics as the finger crosses the nodes of the string. It is suggested to start with the 3rd finger on the A string and slowly glissando up beyond the natural A harmonic, then slowly back down, continuing in this pattern until measure 73. It is also intended for each player to vary their speed slightly so that the timing of the glissandi are all a little different, resulting in a shimmering, aleatoric effect.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra (Study Score) Waltz for Orchestra. Composed by Johann Strauss. Edited by Viktor Keldorfer. Arranged by Viktor Keldorfer. This edition: Saddle stitching. Sheet music. Eulenburg Taschenpartituren (Pocket Scores). Classical, Romantic. Study Score. Composed 1885. Op. 410. 48 pages. Duration 7'. Eulenburg Edition #ETP869. Published by Eulenburg Edition

Orchestra String Orchestra - 2.5 (grade 2.5)

SKU: AP.29675S

Arranged by Bob Phillips. String Orchestra. Pop Beginning String Orchestra. Light Concert. Score. 12 pages. Duration 3:00. Alfred Music #00-29675S. Published by Alfred Music (AP.29675S).

UPC: 038081330235. English.

Here's the answer when the orchestra needs to play for birthdays, events at the school or in the community, or to honor someone. Simple Advocacy! Make your program visible with these very easy songs. All in D Major and very playable, the four movements are each self-contained featuring the songs Happy Birthday to You, For He/She's a Jolly Good Fellow, The Star-Spangled Banner and Pomp and Circumstance. Perfect to leave in the folder all year long! (3:00).

(Jazz Piano Solos Series, Vol. 11). Piano Solo Songbook. Softcover. 98 pages. Published by Hal Leonard

Band Concert Band - Grade 2

SKU: CF.YPS198F

Composed by Tyler Arcari. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS198F. Published by Carl Fischer Music (CF.YPS198F).

ISBN 9781491152867. UPC: 680160910366.

All the While was inspired by a very special person in Tyler Arcari's life. Director's will be happy to find many opportunities for emotional and passionate playing with plenty of fun in the middle for young bands.  All the While gives students a number of chances to work on expressive playing during the beginning and ending sections, and offers a light rhythmic middle section for contrast.
Program Notes:All the While is a bit of a personal piece for me. I was inspired to write it by a very special person in my life. It might be a young-band piece but I feel that it has the capacity for great emotion and passionate playing as well as a little fun in the middle. Sometimes it is difficult to tell people how you feel, even if you have known them for a long time. I think sometimes we say in our heads that “I have felt this way for a long time,” and all the while never being able to put it to words.About the work:The piece opens with a flute and alto saxophone duet. This melody trades off at m. 10 with the addition of new voices and harmonies building in intensity all the way to m. 28. I personally like to use extended phrases in this section, though it looks like it would just utilize four-measure phrases. I feel this adds to the momentum building in dynamic intensity. Measure 28 is a subito change beginning with a prominent Timpani solo. The following section should be played as lightly as possible to avoid a lumbering feel. In mm. 68- 70, the agogic accents should not be very heavy, but more pointed in their momentum to m. 70.Measures 70–76 should be taken with metric liberty bringing out all of the moving parts in the low brass. The low brass really adds the foundation of momentum for the rest of the band here. Measure 76 to the end, though a repetition of material from the beginning, should be played as the high point of the piece and familiar conclusion.

Orchestra (Score)

SKU: HL.50601307

Orchestra. Composed by Guoping Jia. Study Score. Classical. Softcover. 33 pages. Sikorski #SIK8862. Published by Sikorski (HL.50601307).

11.5x16.25 inches.

Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays.

Band Concert Band - Grade 2

SKU: CF.YPS198

Composed by Tyler Arcari. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+8+8+2+4+10+4+2+4+4+8+ 12+6+3+1+1+4+2+16+4 pages. Duration 2 minutes, 14 seconds. Carl Fischer Music #YPS198. Published by Carl Fischer Music (CF.YPS198).

ISBN 9781491152188. UPC: 680160909681. Key: C minor.

All the While was inspired by a very special person in Tyler Arcari's life. Directors will be happy to find many opportunities for emotional and passionate playing with plenty of fun in the middle for young bands.  All the While gives students a number of chances to work on expressive playing during the beginning and ending sections, and offers a light rhythmic middle section for contrast.
Program Notes:All the While is a bit of a personal piece for me. I was inspired to write it by a very special person in my life. It might be a young-band piece but I feel that it has the capacity for great emotion and passionate playing as well as a little fun in the middle. Sometimes it is difficult to tell people how you feel, even if you have known them for a long time. I think sometimes we say in our heads that “I have felt this way for a long time,” and all the while never being able to put it to words.About the work:The piece opens with a flute and alto saxophone duet. This melody trades off at m. 10 with the addition of new voices and harmonies building in intensity all the way to m. 28. I personally like to use extended phrases in this section, though it looks like it would just utilize four-measure phrases. I feel this adds to the momentum building in dynamic intensity. Measure 28 is a subito change beginning with a prominent Timpani solo. The following section should be played as lightly as possible to avoid a lumbering feel. In mm. 68- 70, the agogic accents should not be very heavy, but more pointed in their momentum to m. 70.Measures 70–76 should be taken with metric liberty bringing out all of the moving parts in the low brass. The low brass really adds the foundation of momentum for the rest of the band here. Measure 76 to the end, though a repetition of material from the beginning, should be played as the high point of the piece and familiar conclusion.

Choral SSAA choir

SKU: CF.CM9616

Composed by John Ratledge. Fold. Jbc. Performance. 12 pages. Duration 4 minutes, 2 seconds. Carl Fischer Music #CM9616. Published by Carl Fischer Music (CF.CM9616).

ISBN 9781491156711. UPC: 680160915255. 6.875 x 10.5 inches. Key: C major. English. Thomas Troeger.

This SSAA work, originally written for SATB voices celebrates the tenth anniversary of the Masterworks Community Chorale in Newnan, Georgia. The inspirational text is Somewhere I Have Never Traveled, a text by the Yale Theologian, Thomas Troeger. Somewhere I Have Never Traveled has potential for building tone and creating a panorama of colors, while at the same time creating emotional soundscapes, all through a delightful text that creates a dreamlike innocence.
It has been a joy to re-voice this original SATB composition for SSAA voices and to collaborate with Heather Orr at Montgomery High School. In July 2014, my dear friend Kathy Bizarth commissioned me to compose a new work celebrating the tenth anniversary of the Masterworks Community Chorale in Newnan, Georgia. It was in September when we agreed on the inspirational text, Somewhere I Have Never Traveled, a text by the Yale Theologian, Thomas Troeger. I moved to Italy in January for a sabbatical, and in February, I spent four days composing the piece at the Palazzo Bassi Brugnatelli, a dear friend's villa in Robbiate, Italy. Interestingly enough, the middle part of the piece (mm. 30-39) and end of the piece came first (mm. 40-62). Completed in Conegliano in late February, this composition is very special to me as it was the first composition I wrote after my mother died, and it was also composed for a dear friend. I have a profound connection to what I hope will be a deeply inspirational composition to those who sing it. Somewhere I Have Never Traveled has real potential for building tone and creating a panorama of colors, while at the same time creating emotional soundscapes, all through a delightful text that creates a dreamlike innocence. Somewhere I have never traveled is the place I want to be... (Me too.).
It has been a joy to re-voice this original SATB composition for SSAA voices and to collaborate with Heather Orr at Montgomery High School. In July 2014, my dear friend Kathy Bizarth commissioned me to compose a new work celebrating the tenth anniversary of the Masterworks Community Chorale in Newnan, Georgia. It was in September when we agreed on the inspirational text, Somewhere I Have Never Traveled, a text by the Yale Theologian, Thomas Troeger. I moved to Italy in January for a sabbatical, and in February, I spent four days composing the piece at the Palazzo Bassi Brugnatelli, a dear friend’s villa in Robbiate, Italy. Interestingly enough, the middle part of the piece (mm. 30-39) and end of the piece came first (mm. 40-62). Completed in Conegliano in late February, this composition is very special to me as it was the first composition I wrote after my mother died, and it was also composed for a dear friend. I have a profound connection to what I hope will be a deeply inspirational composition to those who sing it.Somewhere I Have Never Traveled has real potential for building tone and creating a panorama of colors, while at the same time creating emotional soundscapes, all through a delightful text that creates a dreamlike innocence.Somewhere I have never traveled is the place I want to be... (Me too.).

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Cowbell, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum, Suspended Cymbal, Timpani, Tom-tom, Trombone and more. - Grade 1

SKU: CF.BPS139

Composed by Kevin Hilbun. Set of Score and Parts. 12+8+2+8+2+2+5+2+2+8+3+6+ 3+2+3+1+1+2+1+1+1 pages. Duration 1 minute, 41 seconds. Carl Fischer Music #BPS139. Published by Carl Fischer Music (CF.BPS139).

ISBN 9781491159736. UPC: 680160918324.

PROGR AM NOTES: In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems. PERFORMANCE NOTES: The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9-26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.
PROGRAM NOTES:In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems.PERFORMANCE NOTES:The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9–26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.

Soprano and String Quartet Soprano; String Quartet (String Quartet)

SKU: HL.50601303

Cantata on poems by Osip Mandelstam Soprano and String Quartet. Composed by Elena Firsova. String Ensemble. Classical. Softcover. 98 pages. Sikorski #SIK8857. Published by Sikorski (HL.50601303).

UPC: 888680954192.

Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Cowbell, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum, Suspended Cymbal, Timpani, Tom-tom, Trombone and more. - Grade 1

SKU: CF.BPS139F

Composed by Kevin Hilbun. Full score. 9 pages. Carl Fischer Music #BPS139F. Published by Carl Fischer Music (CF.BPS139F).

ISBN 9781491159743. UPC: 680160918331.

PROGR AM NOTES: In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems. PERFORMANCE NOTES: The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9-26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.
PROGRAM NOTES:In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems.PERFORMANCE NOTES:The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9–26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.

Concert band and organ (Parts) Composed by Percy Aldridge Grainger (1882-1961). Sheet music. Band. Softcover. Bardic Edition #BDE803. Published by Bardic Edition