Par RASO JASON. Jason Raso's Soloing on Electric Bass: A Chord Tone Approach provides the next step following his first book for Mel Bay Publications, Improvising on Electric Bass. The primary focus of this second book is to help you develop a more melodic approach to solo bass playing. The author suggests avoiding root notes, concentrating instead on chord tones of a 3rd, 5th, and 7th as fertile ground to begin revising your approach to more creative soloing. Following a series of standard notation exercises exploring intervals and goal notes in all keys, Jason presents a dozen original solo etudes in notation and tablature. / Niveau : Intermédiaire à Avancé / Pédagogie / Tablatures / Guitare Basse

Par BARRETT DAVID. Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysâ'a challenge for harmonica players, but less difficult in 3rd Position. In this book we'll explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and movingaround the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning 'study” songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand what's technically going on. (This is at the end of the book, so it's not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). You'll need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio. / Niveau : Facile / Pédagogie / Etude / Harmonica Diatonique

Par . 74 blockbuster hits are included in this updated 3rd edition for piano, voice and guitar. / Date parution : 2022-09-15/ Recueil / Piano/Vocal/Guitare (PVG)

1st - 3rd Position. Par KUCHLER FERDINAND. Un simple Concertino pour alto et Piano par Ferdinand Kuchler, à l'aide de la 1re à la 3e position. / Niveau : Assez Facile / Rép Classique / Répertoire / Alto

Facilement identifiable par son ISBN 9790201854618 cette pièce Piano Trios, 3rd Volume (with critical report) appartient à la collection désormais incontournable Becker-Glauch, Irmgard.Composée pour Piano par le célèbre compositeur Haydn Franz Josef ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Piano / Edition Complète

Facilement identifiable par son ISBN 9790201854922 cette pièce Piano Sonatas 3rd sequence appartient à la collection désormais incontournable Feder, Georg .Composée pour Piano par le célèbre compositeur Haydn Franz Josef ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Piano / 70 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Facilement identifiable par son ISBN 9790201854625 cette pièce Piano Trios, 3rd Volume (with critical report) appartient à la collection désormais incontournable Becker-Glauch, Irmgard.Composée pour Piano par le célèbre compositeur Haydn Franz Josef ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Piano / Edition Complète

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violoncelle, Basse et Accompagnement Piano

Méthode en anglais pour violon avec exercices et études.

Titres : Lullaby (Tonalization) ( F. Schubert). Lullaby (Tonalization) (J. Brahms). Concerto No. 2 in G Major, Op. 13, 3rd Movement (F. Seitz). Concerto No. 5 in D Major, Op. 22, 1st Movement (F.Seitz). Concerto No. 5 in D Major, Op. 22, 3rd Movement (F. Seitz). Concerto in A Minor, 1st Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez). Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez). Perpetual Motion, Little Suite No. 6 (K. Bohm). Concerto for Two Violins in D Minor, BWV 1043, 1st Movement, Violin II (J. S. Bach)

Auteur/Compositeur : SUZUKI
Support : Livre
Style : Classique

Pieces for Cello Positions. Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C321 A book of pieces each one staying in one position so pupils whatever their age, get to know the geography of the cello fingerboard across the strings in 2nd, 3rd, half, extended 2nd, extended 3rd and extended 4th positions, this is easy to follow, structured material. These cello tunes have fairly easy but effective piano accompaniments. See also 'Go Fourth’ and ‘Tenor Clef’. / Date parution : 2023-10-31/ Recueil / Violoncelle et Piano

1st - 3rd Position. Par RIEDING OSKAR. A concerto for Viola and Piano covering 1st-3rd positions. / Niveau : Assez Facile / Rép Classique / Répertoire / Alto

3rd and 5th Position. Par SEITZ. Concerto in D is a student/teaching concerto by Friedrich Seitz, which works on the use of the 3rd and 5th positions. / Niveau : Intermédiaire / Rép Classique / Répertoire / Violon et Piano