Come, Thou the Saviour of man (2nd Version)
Edition : study score
Instrumentation : 3 solo parts, choir and orchestra
Catalogue of works : BWV 62
Duration : 24'
Date of Publications : 12/08/1981
Number of Pages : 44
Language : German - English
Arranger : Grischkat, Hans
Series : Eulenburg Miniature Scores
Contenu
- Vorwort
- Preface
- I. Nun komm, der Heiden Heiland (Choral)
- II. Bewundert, o Menschen, dies große Geheimnis (Tenor)
- III. So geht aus Gottes Herrlichkeit und Thron (Bass)
- IV. Streite, siege, starker Held! (Bass)
- V. Wir ehren diese Herrlichkeit (Sopran/Alt)
- VI. Lob sei Gott, dem Vater (Choral)

Par BACH JOHANN SEBASTIAN. Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. J. S. Bach's St Matthew Passion BWV 244 for SATB and Piano. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research./ Répertoire / Choeur Mixte et Instrument Divers

D MAJOR - PARTITUR - = HARPSICHORD - 3 VIOLINS AND BASSO CONTINUO OR STRING ORCHESTRA EDITOR: MAY, HELMUT W. COMPOSER: PACHELBEL, JOHANN SÉRIE: CONCERTINO DIFFICULTÉ: INTERMEDIATE PAGES: 12 WITH THIS WORK, PACHELBEL, WHO WAS BORN IN NUREMBERG, CREATED ONE OF THE MOST POPULAR ORCHESTRAL PIECES OF THE BAROQUE PERIOD. IN THE CANON TWO OF THE STRICTEST CONTRAPUNTAL FORMS ARE COMBINED: THE THREE VIOLIN PARTS FORM AN EXTENSIVE CANON WITH ENTRIES OF TWO BARS DISTANCE. TO THIS, A GROUND BASS (BASSO OSTINATO) HAS BEEN ADDED REPEATING ITS TWO-BAR TONE FORMULA 28 TIMES. THE TECHNICAL MASTERY OF THE PIECE CAN BE AD-MIRED JUST AS MUCH AS ITS EFFECT LIES IN THE MELODIC AND SENSUOUS POWER OF ITS STRING TONES. THE MODEST TECHNICAL DEMANDS ON THE MUSICIANS ARE DIAMETRICALLY OPPOSED TO THE COMPOSITIONAL LEVEL: THEY DO NOT GO BEYOND THE THIRD POSITION.

TEN EASY PIECES FOR PIANO SIX HANDS INSTRUMENTATION : PIANO (6 HANDS) VERSION : PERFORMANCE SCORE DESCRIPTION : PLAYING WITH SIX HANDS MEANS: VOLUMINOUS SOUND IN ALL REGISTERS, HIGHER DENSITY AND HARMONIC VARIETY OF CHORDS WITHOUT STEPPING BEYOND A MODERATE GRADE OF DIFFICULTY IN THE INDIVIDUAL PARTS. IT ALSO MEANS FUN FOR THREE, PRACTISING TIME-KEEPING AND PHYSICAL CO-ORDINATION AS WELL AS WORKING TOGETHER IN A GROUP, EXCHANGING IDEAS, LISTENING TO AND FITTING IN WITH OTHERS. BESIDES, IT IS ALSO AN EXCELLENT WAY OF FITTING LARGE NUMBERS OF PUPILS INTO ONE RECITAL. CONTENU : ST. ANTHONY AND THE THREE CHICKENS - THE SIXTIES - SLOW MINIMAL - JAZZ COLOURS - DOLCE VITA - LITTLE BLUES FUGUE - SOUNDTRACK - GENTLE SWING - ROCK PASSCAILLE - JOHNNIEÂ??S RONDO DATE DE PARUTION : 29/09/1998 NOMBRE DE PAGES : 64

Mozart, Wolfgang Amadeus Missa C major K. 220 (196b) Sparrow Mass Arranged for female choir SMezAA Details Edition no.: BA 5693 ISMN: 9790006523382 Volume / Series: Female Choir Arranger: Breuer, Heribert Language(s) of work: Latin Language(s) of text: German, English Product format: Score Includes the following individual parts: Voice, Mixed choir, Orchestra Binding: Stapled Pages / Format: III, 44 S. - 31,0 x 24,3 cm Mozart?s ?Missa in C major? (K. 220), nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series. Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound. ? Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition? ? Idiomatic piano reduction Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.

Edition : set of parts
Instrumentation : string quartet
Number of Pages : 44

Par HAHN REYNALDO. Le Rossignol Eperdu & Vol. 2 is the second volume of a set of two by Reynaldo Hahn. It features three main parts for advanced pianists. This volume 2 includes: II. Orient 31. En caï que 32. Narghile 33. Les Chiens de Galata (Effet de nuit sur la Corne d'Or) 34. Rêverie nocturne sur le Bosphore 35. La Rose de Blida 36. L'Oasis (Biskra) III. Carnet de Voyage 37. L'Ange Verrier (Cathedrale de Bourges) 38. Le Jardin de Petrarque 39. La Nativite (Crèche de Nuremberg) 40. Faunesse dansante (Le Rosso & Palais de Fontainebleau) 41. Les Noces du Duc de Joyeuse (Musee de Versailles) 42. Le Petit Mail (Rêveries de Calvin adolescent) 43. Les Pages d'Elizabeth (Temple Gardens) 44. La Jeunesse et l'Ete ornaent de fleurs le tombeau de Pergolène 45. Vieux bahuts (Musee d'Orleans) IV. Versailles 46. Hommage à Martius 47. La Reine au jardin 48. Le Reveil de Flore 49. Le Banc songeur 50. La Fête de Terpsichore 51. Adieux au soir tombant 52. Hivernale 53. Le Pèlerinage inutile Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments./ Répertoire / Piano