Free Day Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-001207-010 Composed by Bria...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-001207-010
Composed by Brian
Connery. Challenger
Series. Set (Score &
Parts). Composed 2013. 56
pages. Gobelin Music
Publications #GOB
001207-010. Published by
Gobelin Music
Publications
(BT.GOB-001207-010).
9x12 inches.
English.
This
cheerful and varied piece
is characterised by its
ABA form. The first motif
is developed with energy
and vigour right from the
start. The second
movement is more serious
and exudes an air of
romance too. The third
and final movement
takeselements of the
introduction, which
together with a rather
complex rhythmic line,
lead to a triumphant
conclusion.
Dit
opgewekte, afwisselende
stuk is geschreven in
ABA-vorm. Het eerste
motief wordt van het
begin af aan op energieke
en resolute wijze
gespeeld. Het tweede deel
is serieuzer van
karakter, met een vleugje
romantiek. Het derde en
laatste deel
omvatelementen uit de
inleiding, die
gecombineerd met een
complexe ritmische lijn
naar een triomfantelijk
slot voeren.
In
diesem unterhaltsamen und
abwechslungsreichen
Stück ist eine klare ABA
Form erkennbar. Das
kraftvolle Auftaktthema,
das sich im ersten Satz
entwickelt, wird im
zweiten Satz zunächst
durch eine getrageneres,
beinahe romantisches
Thema abgelöst,kehrt
dann aber im dritten Satz
in einer stärker
rhythmisierten Form
wieder und beschert dem
Stück schließlich ein
strahlendes
Finale.
La forme
ABA est mise en évidence
dans cette composition
agréable et variée. En
effet, trois thèmes
composent cette oeuvre.
Dès les premières
mesures, un motif
énergique et soutenu est
exploité. Le deuxième
mouvement est plus serein
et quelque peuromantique.
S’ensuit le dernier
mouvement qui reprend les
éléments de
l’introduction,
appuyés par une
rythmique relativement
développée jusqu’au
finale
triomphant.
Questo
pezzo allegro e
movimentato è
caratterizzato dalla sua
forma ABA. Il primo
motivo viene sviluppato
sin dall’inizio con
energia e incisivit . Il
secondo tema, invece, è
più serio e trasmette un
tocco di romanticismo. Il
terzo e ultimo
temariprende elementi
dell’introduzione che,
insieme a una linea
ritmica
piuttostocomplessa,
conduce a un finale
trionfale.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein. 1x
40.966/21 oboe 1, 1x
40.966/22 oboe 2, 1x
40.966/31 horn 1, 1x
40.966/32 horn 2. German
title: Dixit Dominus
(Psalm 109). Sacred vocal
music, Psalms, Daily
hours. Set of Orchestra
Parts. Composed circa
1737-1756. 8 pages.
Duration 5 minutes. Carus
Verlag #CV 40.966/09.
Published by Carus Verlag
(CA.4096609).
ISBN
9790007221492. Key: C
major. Language:
Latin.
Circius Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 5 SKU: BT.GOB-000037-030 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 5
SKU:
BT.GOB-000037-030
Composed by Torstein
Aagaard-Nilsen. Concert
Piece. Set (Score &
Parts). 30 pages. Gobelin
Music Publications #GOB
000037-030. Published by
Gobelin Music
Publications
(BT.GOB-000037-030).
Composed during
the summer of 1988.
Commissioned by The
Norwegian Brass Band Club
First performed in the
Grieg Hall¬? at the 10th
Anniversary Concert for
the Norwegian
Championship, Bergen,
February 1989. EBML
conducted by Michael
Antrobus.
The
work is important for me
because it was my first
piece to be played
outside Norway. Black
Dyke/David King performed
it and did a recording of
it in 1991.
The
composer: In the
original score I quote a
Swedish bishop (Olaus
Mangnus) who lived in the
15th century. He
travelled around
Scandinavia and drew maps
- very important historic
material.
When he
came to the north of
Norway (where I come
from) hedescribed the
wind from the north as
Ciricus: (something like)
Worst of all winds is
Circius, that revolves(?=
turn upside down) heaven
and earth. (Well, not a
good translation I¬?m
afraid).
The fast
sections reflects the
mighty winds from the
north. In the middle
section, I borrowed a
folksong-like tune (by C.
Elling, a norwegian
composer). The text
(by Kristoffer Janson)
tells about old times
when the fishermen used
open boats: they had to
put their lives in the
hands of God. De opening
en het slot van dit werk
beschrijven 'Circius' de
wind die hemel en aarde
verwoest. Het
middendeel is een
bewerking van het Noorse
volkslied 'The
fisherman's speech to his
son'. De inhoud van het
lied komt overeen met
Circius. De vader
verzoekt zijn zoon de
krachten van de natuur te
trotseren, maar bovenal
te respecteren. Een
kort doch spectaculair
concertwerk dat het
gehele orkest in de greep
heeft.
Urtext. Composed
by Domenico Cimarosa.
Edited by Reinmar Emans.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
At long last: complete
with the Libera me
Domenico Cimarosa's
Requiem, composed in
1787, achieved widespread
dissemination through
copies shortly after its
premiere, and has
remained a repertoire
work of classical church
music to this day.
Requiem; Classical. Part.
28 pages. Duration 61'.
Breitkopf and Haertel #OB
5284-16. Published by
Breitkopf and Haertel
(BR.OB-5284-16).
ISBN
9790004339497. 10 x 12.5
inches.
At long
last: complete with the
Libera me Domenico
Cimarosa's Requiem,
composed in 1787,
achieved widespread
dissemination through
copies shortly after its
premiere, and has
remained a repertoire
work of classical church
music to this day. All
the more amazing is the
discovery of an
authentic, subsequently
added Libera me movement
that is found in the main
sources (autograph score,
original parts), but had
not been published up to
now. The complete
liturgical form of the
Requiem requires a Libera
me and with this new
edition, Cimarosa's
Requiem can now finally
be performed again its
entirety, more than 200
years after it was
written. Reinmar Emans'
new Urtext edition thus
contains much more than
just the previously known
music text. Valuable aid
was provided here by a
number of contemporary
copies which yielded
further important
details.
SATB double choir, children's choir, & piano (SATB) - Easy to Moderately Difficu...(+)
SATB double choir,
children's choir, & piano
(SATB) - Easy to
Moderately Difficult
SKU:
OU.9780193410848
Composed by Bob Chilcott.
Secular Choral - Mixed
Voices. Vocal score. 16
pages. Duration 5'.
Oxford University Press
#9780193410848. Published
by Oxford University
Press (OU.9780193410848).
ISBN 9780193410848. 11
x 9 inches.
For
SATB double choir,
children's choir, and
piano Setting a text by
Charles Bennett, The
White Field presents a
dreamlike scene in which
blackbirds plant songs in
the cold earth and await
the growth of their
music. Chilcott's
melodies echo through the
voices, and the piano
part provides harmonic
support and rhythmic
energy to the voice parts
with chordal and
semiquaver
figurations.
Many
texts have been set to
the well-known folk tune
O WALY WALY, but it seems
at home in this moving
testimony of Calvary's
love. A tasteful piano
part moves in and out of
the choral textures with
sensitive understanding.
The vocal ranges explore
lower tessituras and thus
grant a deep richness to
the anthem's timbre. This
octavo immerses the
listener in the story and
looks without flinching
at the cross and its
ministry of grace.
Breathtaking! Score and
Parts (vn, vc) available
as a digital
download.
Percussion (Percussion Parts) SKU: HL.48185459 Composed by Guy Lefevre. L...(+)
Percussion (Percussion
Parts)
SKU:
HL.48185459
Composed
by Guy Lefevre. Leduc.
Classical. Softcover. 16
pages. Alphonse Leduc
#AL29033. Published by
Alphonse Leduc
(HL.48185459).
UPC:
888680836030.
9.0x12.0x0.12
inches.
Written by
Guy Lefevre, Progression
is a set of short pieces
for Drums on a music
composed by Stephane
Moucha, for beginners and
intermediate players. It
is accompanied by a CD
featuring 24 titles, to
help the player through
its execution. The book
includes some
?Rhythmiques?, short
exercises of 8 measures,
focus on the rhythms, the
written breaks and some
progressive pieces for
beginners up to
intermediate players,
using all the main genres
of music: binary, Jazz
4/4, 3/4, 5/4, Bossa,
12/8, Impro 4/4).
Progression is a great
book to start playing and
to become more aware of
the place of the Drums in
an ensemble or a band.
Guy Lefevre a French
professor, who
contributed to the
creation of the Emmanuel
Boursault school of Drums
and Stephane Moucha is a
Czech composer who plays
the Violin..
First violin,second violin,viola,cello (1. Violin, 2. Violin, Viola, Violoncello...(+)
First violin,second
violin,viola,cello (1.
Violin, 2. Violin, Viola,
Violoncello)
SKU:
BA.BA11067-22
Composed by Thomas Daniel
Schlee. In a folder.
Urauffuhrung 03.09.2015,
Mondsee. Set of parts.
Composed 2014-2015. Opus
86. 11/10/11/9 pages.
Baerenreiter Verlag
#BA11067_22. Published by
Baerenreiter Verlag
(BA.BA11067-22).
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Violin, cello SKU: KU.EKB-32 Composed by Franz Anton Hoffmeister. Edited ...(+)
Violin, cello
SKU:
KU.EKB-32
Composed by
Franz Anton Hoffmeister.
Edited by Fritz
Kneusslin. Bach format
(230 x 302). Staple
Bound. Set of parts. Op.
5. 18 pages. Edition
Kunzelmann #EKB-32.
Published by Edition
Kunzelmann (KU.EKB-32).
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphony; Dances/marches;
Classical. Study Score.
56 pages. Duration 20'.
Breitkopf and Haertel #PB
5552-07. Published by
Breitkopf and Haertel
(BR.PB-5552-07).
ISBN
9790004213629. 6.5 x 9
inches.
Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print.
Composed by
George Sweet. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+1+2+3+16+2
pages. Duration 2
minutes, 49 seconds. Carl
Fischer Music #YPS214.
Published by Carl Fischer
Music (CF.YPS214).
ISBN 9781491152331.
UPC: 680160909834. Key:
Bb major.
This new
piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.
Composed by Chris M.
Bernotas. SWS FS. Carl
Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
24+6+12+12+12+4+4+6+6+4+6
+8+8+8+4+4+6+6+6+4+6+8+6+
2+8+15+36 pages. Duration
4 minutes, 17 seconds.
Carl Fischer Music
#CPS205. Published by
Carl Fischer Music
(CF.CPS205).
ISBN
9781491147610. UPC:
680160905119. 9 x 12
inches.
Vanguard is
an energetic piece that
shifts between dynamic
brass fanfare gestures
and sweeping melodic
lines. With his
experience as a music
educator, composer Chris
Bernotas consistently
provides bands with bold
and beautiful
compositions that lift
the energy of all who
play and hear his pieces.
Vanguard is the perfect
concert opener for your
next concert.
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Highland Village Dances Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 5 SKU: BT.GOB-000511-020 Composed by Rob Goorhuis. S...(+)
Fanfare Band - Grade 5
SKU:
BT.GOB-000511-020
Composed by Rob Goorhuis.
Set (Score & Parts). 73
pages. Gobelin Music
Publications #GOB
000511-020. Published by
Gobelin Music
Publications
(BT.GOB-000511-020).
Written for St.
Caecilia - Hoogland (NL).
This concert piece
can be performed with a
large percussion group.
Geschreven voor
St. Caecilia -
Hoogland. Dit
concertwerk kan
uitgevoerd worden met een
grote percussie
groep.
Arranged by Jack Bullock. Arr. Jack Bullock. For Concert Band. Concert Band. Sym...(+)
Arranged by Jack Bullock.
Arr. Jack Bullock. For
Concert Band. Concert
Band. Symphonic Band.
Level: Medium (grade IV).
Conductor Score and
Parts. 302 pages.
Duration 5:57. Published
by Alfred Publishing.
Chamber Music Horn Trio SKU: PR.144406570 The One-Eyed Stranger. C...(+)
Chamber Music Horn Trio
SKU: PR.144406570
The One-Eyed
Stranger. Composed by
Robert Martin. Premiered
by The Golden Horns;
Music at the Mercantile
Chamber Music Series,
NYC. Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2015. 8+4+4+4
pages. Duration 4:15.
Theodore Presser Company
#144-40657. Published by
Theodore Presser Company
(PR.144406570).
UPC:
680160634675. 9 x 12
inches.
Martin
considers the heritage
and lifestyle of the
Vikings, considered a
threat by many, but a
fascinating culture of
epic proportions.
Imagining the voice of
Viking music, Martin has
created a series of ten
short (4-5' each) trios,
each describing a scene
from Viking life. These
trios serve well as study
pieces in horn ensemble
performance, and can
together provide an
evening's entertainment.
For intermediate to
advanced performers.
Polaska Przeplatanka Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
(A Collage of Memories). Composed by Traditional Polish Songs. Arranged by Carl ...(+)
(A Collage of Memories).
Composed by Traditional
Polish Songs. Arranged by
Carl Strommen. Concert
band. For Flute 1, Flute
2, Oboe, Clarinet 1 in
Bb, Clarinet 2 in Bb,
Clarinet 3 in Bb, Bass
Clarinet in Bb, Bassoon,
Alto Saxophone 1 in Eb,
Alto Saxophone 2 in Eb,
Tenor Saxophone in Bb,
Baritone Saxophone in Eb,
Trumpet 1 in Bb, Trumpet
2 in Bb, Trumpet 3 in
Bb,. Carl Fischer
Symphonic Performance
Series. Grade 4 and up.
Score and parts. 32+24
pages. Duration 5
minutes, 46 seconds.
Published by Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS185 Composed by Carl Strommen. SWS...(+)
Band concert band - Grade
2
SKU: CF.YPS185
Composed by Carl
Strommen. SWS FS. Carl
Fischer Young Performance
Series. Set of Score and
Parts. With Standard
notation.
16+4+8+4+4+4+5+2+4+8+8+8+
12+6+4+6+1+1+4+2+16
pages. Duration 2:15.
Carl Fischer Music
#YPS185. Published by
Carl Fischer Music
(CF.YPS185).
ISBN
9781491147375. UPC:
680160904877. 9 x 12
inches. Key: Bb
major.
Feature your
budding trombonists in
the delightful novelty
piece by composer Carl
Strommen. It has all of
the classic figures that
were made popular by the
trombone smears of Henry
Fillmore in a more modern
and easier package for
your trombone section.
Add to that the tuneful
melodies and great
scoring of Carl Strommen,
and this piece is sure to
delight audiences across
the board.
Chamber Music Clarinet, Piano SKU: PR.114423700 Composed by Stacy Garrop....(+)
Chamber Music Clarinet,
Piano
SKU:
PR.114423700
Composed
by Stacy Garrop. Set of
Score and Parts. 8+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42370.
Published by Theodore
Presser Company
(PR.114423700).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Study Score.
76 pages. Duration 26'.
Breitkopf and Haertel #PB
15111-07. Published by
Breitkopf and Haertel
(BR.PB-15111-07).
ISBN
9790004212684. 6.5 x 9
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
(Clarinet). Composed by Daniel Bonade. For Clarinet, Woodwinds (Parts). Woodwind...(+)
(Clarinet). Composed by
Daniel Bonade. For
Clarinet, Woodwinds
(Parts). Woodwind Solos &
Ensembles - B-Flat
Clarinet Collection.
Southern Music. Grade 5.
52 pages. Southern Music
Company #B109SP.
Published by Southern
Music Company
Percy Grainger Suite Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Southern Music Ltd
(Brass Solos and Ensemble/Brass Quintet (2tr,h). By Percy Aldridge Grainger (188...(+)
(Brass Solos and
Ensemble/Brass Quintet
(2tr,h). By Percy
Aldridge Grainger
(1882-1961). Arranged by
Joseph Kreines. For Brass
Quintet. Brass Solos and
Ensembles - Brass
Quintet. Southern Music.
20th Century. Grade 5.
Score and set of
performance parts. 31
pages. Southern Music
Company #ST392. Published
by Southern Music Company
Choral (SAB Choir) SKU: HL.8203086 By Creedence Clearwater Revival. By Jo...(+)
Choral (SAB Choir)
SKU: HL.8203086
By
Creedence Clearwater
Revival. By John Fogerty.
Arranged by Kirby Shaw.
Pop Choral Series.
Classic Rock, Pop,
Pop/Rock, Rock, Show
Choir, Sixties, Southern
Rock. Octavo. 12 pages.
Published by Hal Leonard
(HL.8203086).
UPC:
884088642600. 6.75x10.5
inches.
The 1969
hit by Creedence
Clearwater Revival evokes
an earlier time and place
with John Fogerty's
signature guitar riffs
and licks. Vocal
harmonies and the great
rhythms of the
country-rock style will
energize any pop/show
concert. Available
separately: SATB, SAB,
TTB, ShowTrax CD. Combo
parts available as a
digital download (tpt
1-2, tsx, tbn, gtr, b,
dm). Duration: ca.
2:40.
Trumpet and String Quartet SKU: HL.14021040 Composed by Sir Peter Maxwell...(+)
Trumpet and String
Quartet
SKU:
HL.14021040
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
2001. 46 pages. Chester
Music #CH61589. Published
by Chester Music
(HL.14021040).
ISBN
9780711989047.
5.75x8.25x0.19
inches.
Study score
of the Quintet for
Trumpet and String
Quartet. This work was
commissioned by the
University of Aberdeen,
Aberdeen City Council and
the Cheltenham
International Festival of
Music. It was first
performed on 25th
February 1999, by the
Yggdrasil Quartet and
John Wallace (trumpet).
Duration c. 28 minutes.
Scored for Trumpet in C,
Violin, Viola, Cello.
Instrumental parts are
available on sale.
5 celli SKU: KU.GM-1216 Composed by Joseph Bodin de Boismortier. Edited b...(+)
5 celli
SKU:
KU.GM-1216
Composed
by Joseph Bodin de
Boismortier. Edited by
Werner Thomas-Mifune.
Arranged by Werner
Thomas-Mifune. Bach
format (230 x 302).
Staple Bound. Anthology
(set of parts). 57 pages.
Edition Kunzelmann
#GM-1216. Published by
Edition Kunzelmann
(KU.GM-1216).
Composed
by Manfred Trojahn.
Stapled. Score, Set of
parts. Composed
2005-2008. 68/15/17/14
pages. Baerenreiter
Verlag #BA09332_00.
Published by Baerenreiter
Verlag (BA.BA09332).
ISBN 9790006533749.
32.5 x 26.6 cm
inches.
Manfred
Trojahn’s amply
dimensioned piano quartet
in four movements with a
duration of approx. 40
minutes was composed and
developed in several
stages.
The inner
movements, a Vivace
characterised by lombard
rhythms and vitality and
a dream-like adagio were
written in the Mozart
Year 2005. By 2008 the
outer movements were
completed. The
opening Adagio
“Zerbrochenes
Lied†is an
imposing lamentation of
the dead whereas the
Finale, a profound,
moving
“Wanderliedâ€,
was dedicated to
Trojahn’s friend
and composer Wilhelm
Killmayer on the occasion
of his 80th
birthday. In this way
Trojahn’s work
stands in the tradition
of Mozart’s two
piano quartets, but adds
a biographical
element.
This is a
large, musically
demanding but rewarding
work for ambitious
musicians.
Cantata for Whitsunday
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque;
Renaissance/early
Baroque. Sheet Music. 4
pages. Duration 12'.
Breitkopf and Haertel #OB
32090-19. Published by
Breitkopf and Haertel
(BR.OB-32090-19).
ISBN
9790004350423. 10 x 12.5
inches.
The cantata
Daran erkennen wir, dass
wir in Ihm bleiben is
intended for the first
Whitsun holiday. It is
based on a text by Johann
Christoph Wentzel
(1659-1723), the yearly
volume in which it
appears dates to August
4, 1703 and is dedicated
to, among others, Hn.
Joh. Kuhnau / | Chori
Musici bey der | Stadt
Leipzig Directori [Herr
Joh. Kuhnau / Director of
Choral Music at the City
of Leipzig]. It can be
assumed that Kuhnau's
composition originated
near the time of the
text, thus within his
first years in office as
the Leipzig St. Thomas
cantor. Kuhnau follows
the structure of
Wentzel's poem in a
Dictum and four verses
with introductory sonata,
although some details are
varied. In comparison to
other works by Kuhnau,
the scoring is fairly
large with five vocal
parts, trumpets, timpani,
oboes, and bassoon as
well as two violins and
violas each. The short
performing time, on the
other hand, makes the
cantata suitable for
liturgical use, too.Audio
samples: Opella Musica,
camerata lipsiensis,
cond. Gregor Meyer (cpo,
2013).
Composed
by Johann Christian Bach.
Edited by Thomas
Kohlhase. Stuttgart
Urtext Edition: Bach
vocal. German title:
Quintett in B. Single
Part, Violin 1. Warb CW B
Inc 5. 8 pages. Duration
12 minutes. Carus Verlag
#CV 38.401/11. Published
by Carus Verlag
(CA.3840111).
ISBN
9790007215132. Language:
all
languages.
Score
and Parts available
separately - see item
CA.3840100.