SKU: GI.G-RMH0542 Composed by Martin How. Royal School of Church Music. C...(+)
SKU: GI.G-RMH0542
Composed by Martin How.
Royal School of Church
Music. Classical. 36
pages. GIA Publications
#RMH0542. Published by
GIA Publications
(GI.G-RMH0542).
Volume 3 of
short organ pieces by
Martin How These pieces
are written to reflect
the various moods and
occasions of the Gospel
readings. CONTENTS: 1.
Glory through strife 2.
Hope 3. Prayer 4. Comfort
in distress 5. O be
joyful 6. Poignant
Memories 7. Gratitude 8.
Seeking 9. Christ the
King 10. Lament 11.
Serenity/Gratitude 12.
See what love hath the
father 13. Entreaty 14.
Joyous send off Martin
How spent most of his
career with the Royal
School of Church Music,
where he was known
principally as a choir
trainer specializing in
the training and
motivation of young
singers. In this capacity
he initiated and
developed the RSCM
Chorister Training
Program which has since
been used in various
forms in many parts of
the world. He also
founded the RSCM
Cathedral Singers.
Solo voices, SATB chorus,piano/organ (Tenor solo (or Soprano solo), Baritone sol...(+)
Solo voices, SATB
chorus,piano/organ (Tenor
solo (or Soprano solo),
Baritone solo (or
Mezzo-soprano solo),
Mixed choir (SATB), Piano
[or Organ]) - Level 2
SKU: BA.BA25146
Motet for Tenor (or
Soprano) and Baritone (or
Mezzo-soprano), four-part
Mixed Choir and Piano [or
Organ]. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Choral score. N 125. 4
pages. Baerenreiter
Verlag #BA25146_00.
Published by Baerenreiter
Verlag (BA.BA25146).
ISBN 9790006575121.
29.5 x 21 cm inches. Text
Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Motet
for three-part Male Choir
and Organ. Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Choral score. N
26. 3 pages. Baerenreiter
Verlag #BA25137_00.
Published by Baerenreiter
Verlag (BA.BA25137).
ISBN 9790006575039.
29.5 x 21 cm inches. Text
Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Motet for solo
Baritone, six-part Mixed
Choir, Organ and optional
Double Bass. Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Choral score. N
28a. 4 pages.
Baerenreiter Verlag
#BA25138_00. Published by
Baerenreiter Verlag
(BA.BA25138).
ISBN
9790006575046. 29.5 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
â??Cantique de Jean
Racineâ? or the
â??Messe basseâ? are
published in performing
editions based on the
musical text of the
â??Gabriel Faur â??
Å?uvres
complètesâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices,organ,double bass ad lib (Soprano solo, Tenor solo, Baritone solo, O...(+)
Solo voices,organ,double
bass ad lib (Soprano
solo, Tenor solo,
Baritone solo, Organ,
Double bass ad libitum) -
Level 3
SKU:
BA.BA25142
Trio
for Soprano, Tenor and
Baritone, Organ and
optional Double Bass.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Singing Score.
Opus 54. 4 pages.
Baerenreiter Verlag
#BA25142_00. Published by
Baerenreiter Verlag
(BA.BA25142).
ISBN
9790006575084. 29.5 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Soprano voice solo,organ/piano (Soprano solo (2), Organ or Piano) - Level 2 S...(+)
Soprano voice
solo,organ/piano (Soprano
solo (2), Organ or Piano)
- Level 2
SKU:
BA.BA25150
Motet
for two Sopranos and
Organ or Piano.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Singing Score.
Opus 93. 7 pages.
Baerenreiter Verlag
#BA25150_00. Published by
Baerenreiter Verlag
(BA.BA25150).
ISBN
9790006575169. 29.5 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, SATBB chorus,organ,harp/piano,d ouble bass ad lib (Tenor solo or So...(+)
Solo voices, SATBB
chorus,organ,harp/piano,d
ouble bass ad lib (Tenor
solo or Soprano solo,
Mixed choir (SATBB),
Organ, Harp or Piano,
Double bass ad libitum) -
Level 3
SKU:
BA.BA25143
Motet
for solo Tenor or
Soprano, five-part Mixed
Choir, Organ, Harp or
Piano and optional Double
Bass. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Choral score. Opus 55. 11
pages. Baerenreiter
Verlag #BA25143_00.
Published by Baerenreiter
Verlag (BA.BA25143).
ISBN 9790006575091.
29.5 x 21 cm inches. Text
Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices,organ/piano,double bass ad lib (Baritone solo or Mezzo-soprano solo,...(+)
Solo
voices,organ/piano,double
bass ad lib (Baritone
solo or Mezzo-soprano
solo, Organ or Piano,
Double bass ad libitum) -
Level 2
SKU:
BA.BA25140
Motet
for Baritone oder
Mezzo-soprano, Organ or
Piano and optional Double
Bass. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Singing Score. Opus 47/1.
4 pages. Baerenreiter
Verlag #BA25140_00.
Published by Baerenreiter
Verlag (BA.BA25140).
ISBN 9790006575060.
29.5 x 21 cm inches. Text
Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices,piano,organ/Harmon ium ad lib (Tenor solo or Soprano solo, Piano, Or...(+)
Solo
voices,piano,organ/Harmon
ium ad lib (Tenor solo or
Soprano solo, Piano,
Organ or Harmonium ad
libitum) - Level 3
SKU: BA.BA25139
Cantique for solo
Tenor or Soprano, Piano
and optional Organ or
Harmonium. Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Singing Score.
Opus 43/1. 6 pages.
Baerenreiter Verlag
#BA25139_00. Published by
Baerenreiter Verlag
(BA.BA25139).
ISBN
9790006575053. 29.5 x 21
cm inches. Text Language:
French. Text: Wilder,
Victor.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p>
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
2-part mixed voices or SATB choir, narrator, organ, full orchestra - Intermediat...(+)
2-part mixed voices or
SATB choir, narrator,
organ, full orchestra -
Intermediate
SKU:
MN.CH-1241
Composed
by Hampson A. Sisler.
21st Century. Choral
score. Duration 5:30 or
3:00. Laurendale
Associates #CH-1241.
Published by Laurendale
Associates (MN.CH-1241).
A collection of
three octavos that
comprise the Songs of the
Sages, CH-1225, #1
Proverbs (Wisdom),
CH-1226, #2 Ecclesiastes
(Knowledge) & CH-1227, #3
Solomon (Virtue) +
Epilogue. Designed for
maximal applicability and
adaptability, as few as 2
solo voices of any vocal
range are sufficient, in
long or short forms.
These same 2-part
versions may also be sung
by small choruses,
hard-put to cover four
vocal parts. The pieces
have optional cuts for
either long or short
versions, and written out
2-part or 4-part
voicings. The Narrator
parts never coincide with
the singing parts. The
Suite (all three pieces)
has recently been
orchestrated for full
orchestra by Arkady
Letush, catalogue #'s
CH-1225S, CH-1226S &
CH-1227S. Duration 5:30
or 3:00.
Cliffhanger Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34 Full Sco...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS34
Full
Score and Parts.
Composed by Sean
O'Loughlin. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12+16+16+4+10+10+10+4
pages. Carl Fischer Music
#CAS34. Published by Carl
Fischer Music (CF.CAS34).
ISBN 9780825861055.
UPC: 798408061050. 8.5 X
11 inches. Key: E
minor.
Cliffhanger
is a programmatic work
for string orchestra that
harkens back to the days
of silent film. One of
the lasting images of
that time period is the
Saturday afternoon
matinee, where each
episode ended on a
cliffhanger until it
could be continued next
week. This piece tells
the familiar story of the
damsel in distress who is
tied up to the train
tracks as a train is
approaching. Nicely
done!. Cliffhanger is
a programmatic work for
string orchestra that
harkens back to the days
of silent film. One of
the lasting images of
that time period is the
Saturday-afternoon
matinee, where each
episode ended on a
cliffhanger until it
could be continued next
week. This piece tells
the familiar story of the
damsel in distress who is
tied up to the train
tracks as a train is
approaching.The opening
of the piece sets the
scene with danger and
desperation. By m. 6, our
hero is making his way on
horseback to rescue the
fair maiden. This main
melody is developed and
passed around the
ensemble until m. 36, at
which point despair sets
in. The music is rich
with romantic harmonies
and inner lines. Be sure
to bring out these inner
lines to add to the
passion and drama of the
moment. It continues to
build until a thunderous
arrival at m. 49. From
there we return to our
hero, who is now getting
close to the train tracks
to save the fair maiden.
The tension becomes the
highest at m. 61, when we
are still not sure if our
hero will make it in
time. But alas, at m. 68
he swoops in to save the
day and rescue the fair
maiden. Of course, they
live happily ever
after.My hope is that
your ensemble will have
some fun with this style
of music. It was adapted
from an arrangement I
wrote for the new pipe
organ at the Walk Disney
Concert Hall in Los
Angeles. They wanted some
scary train music to show
children how the organ
was used back before
movies had sound. Strings
provide a heightened
sense of drama with this
genre of music.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Cliffhanger Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34F Composed b...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS34F
Composed by
Sean O'Loughlin. SWS.
Carl Fischer Concert
String Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #CAS34F. Published
by Carl Fischer Music
(CF.CAS34F).
ISBN
9780825861062. UPC:
798408061067. 8.5 X 11
inches. Key: E
minor.
Cliffhanger
is a programmatic work
for string orchestra that
harkens back to the days
of silent film. One of
the lasting images of
that time period is the
Saturday afternoon
matinee, where each
episode ended on a
cliffhanger until it
could be continued next
week. This piece tells
the familiar story of the
damsel in distress who is
tied up to the train
tracks as a train is
approaching. Nicely
done!. Cliffhanger is
a programmatic work for
string orchestra that
harkens back to the days
of silent film. One of
the lasting images of
that time period is the
Saturday- afternoon
matinee, where each
episode ended on a
cliffhanger until it
could be continued next
week. This piece tells
the familiar story of the
damsel in distress who is
tied up to the train
tracks as a train is
approaching.The opening
of the piece sets the
scene with danger and
desperation. By m. 6, our
hero is making his way on
horseback to rescue the
fair maiden. This main
melody is developed and
passed around the
ensemble until m. 36, at
which point despair sets
in. The music is rich
with romantic harmonies
and inner lines. Be sure
to bring out these inner
lines to add to the
passion and drama of the
moment. It continues to
build until a thunderous
arrival at m. 49. From
there we return to our
hero, who is now getting
close to the train tracks
to save the fair maiden.
The tension becomes the
highest at m. 61, when we
are still not sure if our
hero will make it in
time. But alas, at m. 68
he swoops in to save the
day and rescue the fair
maiden. Of course, they
live happily ever
after.My hope is that
your ensemble will have
some fun with this style
of music. It was adapted
from an arrangement I
wrote for the new pipe
organ at the Walt Disney
Concert Hall in Los
Angeles. They wanted some
scary train music to show
children how the organ
was used back before
movies had sound. Strings
provide a heightened
sense of drama with this
genre of music.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Solo, unison voices, cello, and organ - Early Intermediate SKU: MN.56-0029(+)
Solo, unison voices,
cello, and organ - Early
Intermediate
SKU:
MN.56-0029
Composed
by Howard Goodall. 21st
Century. Duration 4
minutes, 30 seconds.
MorningStar Music
Publishers #56-0029.
Published by MorningStar
Music Publishers
(MN.56-0029).
UPC:
688670220340. Latin.
Matthew
5:3-11.
Written for
the Enchanted Voices CD,
this is one of many
settings of texts either
from the Beatitudes (or
springing from them)
available from this
composer. For solo and
unison voices, cello, and
organ, the music has a
light, ethereal feeling.
The text is in Latin.
Appropriately for the
title, this movement has
the simplest construction
of any of the Beatitude
pieces. An angular but
comfortable vocal line is
sung first by the soloist
and then by an increasing
number of voices. The
organ and muted cello
accompany with a
sustained, almost
cantus-firmus-like line.
Peaceful, legato, and
sublime. Duration 4:30
Chorus a cappella SKU: BR.CHB-5364 8 Four-Part Settings for Choir a ca...(+)
Chorus a cappella
SKU:
BR.CHB-5364
8
Four-Part Settings for
Choir a cappella.
Composed by Ohad Stolarz.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Song. Sheet
Music. Breitkopf and
Haertel #CHB 5364.
Published by Breitkopf
and Haertel
(BR.CHB-5364).
ISBN
9790004412947. 7.5 x 10.5
inches.
The
Sephardic culture
originates from the
Jewish population of
Spain that was banished
at the end of the 15th
century and afterwards
spread to the whole of
the Mediterranean area,
the Balkan and North
Africa. Its unique
Spanish dialect Ladino
was preserved, finding
musical expression in
ballads, lyrical and
paraliturgical songs for
the most part. The choir
conductor and composer
Ohad Stolarz took eight
of these Sephardic Folk
Songs and arranged them
as a cappella settings
for four-part mixed
choir. These arrangements
may be performed both as
a cycle and individually,
being also suitable for
non-professional choirs
due to their lack of
difficulty. The musically
and harmonically
colorful, partly also
exotic pieces therefore
present an enrichment for
the program of every
interculturally
interested choir. The
informative preface and
the translations of the
lyrics into German and
English enable the
content-related
engagement with Sephardic
culture, too. Further
choral literature on this
topic can be found in the
volumes Sepharad and
Aschkenaz by Alon
Wallach.Audio samples:
RIAS Kammerchor, dir.
Justin Doyle, recording
by Deutschlandfunk
KulturThe melodies are
often quirky, the vocal
ranges are unchallenging
and there is plenty of
material at the back of
the volume to help with
translation and
pronunciation. A group of
these a cappella pieces
in a concert would be a
most attractive
proposition.(Jeremy
Jackman, Choir and
Organ)
Sephardic
Folk Songs, also suitable
for non-professional
choirs.
2-part mixed voices or SATB choir, narrator, organ or full orchestra - Intermedi...(+)
2-part mixed voices or
SATB choir, narrator,
organ or full orchestra -
Intermediate
SKU:
MN.CH-1226
Composed
by Hampson A. Sisler.
21st Century. Choral
score. Duration 5:30 or
3:00. Laurendale
Associates #CH-1226.
Published by Laurendale
Associates (MN.CH-1226).
Subtitled
Knowledge, from Songs of
the Sages. Designed for
maximal applicability and
adaptability, as few as 2
solo voices of any vocal
range are sufficient, in
long or short form. This
same 2-part version may
also be sung by small
choruses, hard-put to
cover four vocal parts.
The piece has an optional
cut for either long or
short versions, and
written out 2-part or
4-part voicing. The
Narrator part never
coincides with the
singing parts. The Suite
(all three pieces) has
recently been
orchestrated for full
orchestra by Arkady
Letush. Duration 5:30 or
3:00.
2-part mixed voices or SATB choir, narrator, organ or full orchestra - Intermedi...(+)
2-part mixed voices or
SATB choir, narrator,
organ or full orchestra -
Intermediate
SKU:
MN.CH-1225
Composed
by Hampson A. Sisler.
21st Century. Choral
score. Duration 5:30 or
3:00. Laurendale
Associates #CH-1225.
Published by Laurendale
Associates (MN.CH-1225).
Subtitled
Wisdom, from Songs of the
Sages. Designed for
maximal applicability and
adaptability, as few as 2
solo voices of any vocal
range are sufficient, in
long or short form. This
same 2-part version may
also be sung by small
choruses, hard-put to
cover four vocal parts.
The piece has an optional
cut for either long or
short versions, and
written out 2-part or
4-part voicing. The
Narrator part never
coincides with the
singing parts. The Suite
(all three pieces) has
recently been
orchestrated for full
orchestra by Arkady
Letush. Duration 5:30 or
3:00.
The World's Great Classical Music. By Various. Piano Solo Mixed Folio (Intermedi...(+)
The World's Great
Classical Music. By
Various. Piano Solo Mixed
Folio (Intermediate to
advanced piano
arrangements with no
lyrics). Size 9x12
inches. 232 pages.
Published by Hal Leonard.
Chorus a cappella SKU: BR.CHB-5363 Intercultural Choirbook. Compos...(+)
Chorus a cappella
SKU:
BR.CHB-5363
Intercultural
Choirbook. Composed
by Hayat Chaoui. Edited
by Hayat Chaoui. Choir;
Softbound.
Chor-Bibliothek (Choral
Library). Music pedagogy.
Sheet Music. Breitkopf
and Haertel #CHB 5363.
Published by Breitkopf
and Haertel
(BR.CHB-5363).
ISBN
9790004412930. 7.5 x 10.5
inches.
The
choirbook Women of Our
World is more than a
simple song collection:
In easy two- to
three-part arrangements
for women's voices, 40
pieces in 25 different
languages from more than
30 countries are gathered
here. Singable
transcriptions for each
piece as well as
pronunciation guides and
translations in the
appendix enable an
immediate access.
Introductory texts inform
on the origin and
cultural background of
the songs; chord symbols
allow an instrumental
accompaniment, too.
Unique for choirbooks of
this kind though are the
contributions from women
of international origin
living in Germany; they
are presented in
portraits and describe
their personal relation
to singing in a choir.
Women of Our World is the
result of the yearslong
work of editor Hayat
Chaoui with international
song repertoire as choir
leader, singer and
consultant. An interview
with Mrs. Chaoui on the
origin of the edition is
found on our blog (German
only).This praiseworthy
resource could be used to
support a range of choral
projects, especially
perhaps where songs might
usefully be taught by
rote. (Joy Hill, Choir &
Organ)
Chorus a cappella SKU: BR.CHB-5363-00 Intercultural Choirbook. Com...(+)
Chorus a cappella
SKU:
BR.CHB-5363-00
Intercultural
Choirbook. Composed
by Hayat Chaoui. Edited
by Hayat Chaoui. Choir;
Softbound.
Chor-Bibliothek (Choral
Library). Coming
Together, Singing
Together, Growing
Together - Cultural
Exchange through Music.
Music pedagogy. Choral
score. 96 pages.
Breitkopf and Haertel
#ChB 5363-00. Published
by Breitkopf and Haertel
(BR.CHB-5363-00).
ISBN
9790004412930. 7.5 x 10.5
inches.
The
choirbook Women of Our
World is more than a
simple song collection:
In easy two- to
three-part arrangements
for women's voices, 40
pieces in 25 different
languages from more than
30 countries are gathered
here. Singable
transcriptions for each
piece as well as
pronunciation guides and
translations in the
appendix enable an
immediate access.
Introductory texts inform
on the origin and
cultural background of
the songs; chord symbols
allow an instrumental
accompaniment, too.
Unique for choirbooks of
this kind though are the
contributions from women
of international origin
living in Germany; they
are presented in
portraits and describe
their personal relation
to singing in a choir.
Women of Our World is the
result of the yearslong
work of editor Hayat
Chaoui with international
song repertoire as choir
leader, singer and
consultant. An interview
with Mrs. Chaoui on the
origin of the edition is
found on our blog (German
only).This praiseworthy
resource could be used to
support a range of choral
projects, especially
perhaps where songs might
usefully be taught by
rote. (Joy Hill, Choir &
Organ)
Piano - Grade 5 SKU: AP.36-M407191 Book 1. Composed by Stephanie B...(+)
Piano - Grade 5
SKU:
AP.36-M407191
Book
1. Composed by
Stephanie Bruning.
Method/Instruction.
Ludwig Masters. Book.
LudwigMasters
Publications #36-M407191.
Published by
LudwigMasters
Publications
(AP.36-M407191).
ISBN
9781638870609. UPC:
753625230610.
English.
This
unique collection of
Indian character pieces
reveals a genre that has
been neglected for many
years, with much of the
music having been out of
print since the 1920's.
Musically, the pieces are
appealing to play and are
a fascinating reflection
of social and political
issues our nation was
facing at the turn of the
20th century. Contains
detailed historical notes
on this nearly forgotten
aspect of American
classical music, along
with supplementary
fingerings and practice
suggestions added
throughout by editor
Stephanie Bruning,
professor at Morgan State
University, who is both a
celebrated piano
performer and expert in
piano pedagogy.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano SKU: ST.Y236 Composed by Morgan Hayes. 5 minutes. Score. Stainer & ...(+)
Piano
SKU: ST.Y236
Composed by Morgan Hayes.
5 minutes. Score. Stainer
& Bell Ltd. #Y236.
Published by Stainer &
Bell Ltd. (ST.Y236).
ISBN
9790220221934.
1st
complete perf: Catherine
Gordeladze, The Gasteig,
Munich (Winners &
Masters Series), 21 April
2007
Ideal for
confident young pianists
keen to explore
cutting-edge new music,
the second book of
Strides by
Morgan Hayes adds five
more distinctively
original miniatures to
the three 'fugitive
visions' already
published in Strides
Book 1.
Propulsive rhythm and
melody mark out turbid
expressive territory in
the first two pieces,
while the third Stride
explores 'glacial'
octaves, and the fourth
and fifth add new fantasy
to a Bach sarabande and a
chaconne.
Specific technical
challenges in each piece
test the reflex and
stamina of players of
Grade 6 standard and
above, who will also
enjoy the impressive
virtuoso impact
Strides deliver
in performance.
Soprano voice solo, SS and organ or piano, with optional cello - Early Intermedi...(+)
Soprano voice solo, SS
and organ or piano, with
optional cello - Early
Intermediate
SKU:
MN.56-0102
Composed
by Howard Goodall.
Secular, Sacred, 21st
Century. Choral score.
Duration 5 minutes, 15
seconds. MorningStar
Music Publishers
#56-0102. Published by
MorningStar Music
Publishers (MN.56-0102).
UPC: 688670221170.
English.
Originally
conceived for the
ensemble Enchanted
Voices, these carols for
SSA voices and organ (or
piano) represent the
composer’s desire
for the tunes and texts
to be heard in a new and
fresh way. Largely
contemplative, sometimes
set against a
gently-undulating
foundation, these work
well for concert and
church use. Sometimes
ethereal, sometimes
other-worldly, the pieces
succeed in bringing
together the ancient
purity of the medieval
past and the here and
now. Duration 5:15.
Soprano voice solo, SS and organ or piano, with optional cello - Intermediate (+)
Soprano voice solo, SS
and organ or piano, with
optional cello -
Intermediate
SKU:
MN.56-0099
Composed
by Howard Goodall.
Annunciation, Advent,
Advent Candlelighting,
Lessons and Carols, 21st
Century. Choral score.
Duration 5 minutes, 54
seconds. MorningStar
Music Publishers
#56-0099. Published by
MorningStar Music
Publishers (MN.56-0099).
UPC: 688670221125.
Latin.
Originally
conceived for the
ensemble Enchanted
Voices, these carols for
SSA voices and organ (or
piano) represent the
composer’s desire
for the tunes and texts
to be heard in a new and
fresh way. Largely
contemplative, sometimes
set against a
gently-undulating
foundation, these work
well for concert and
church use. Sometimes
ethereal, sometimes
other-worldly, the pieces
succeed in bringing
together the ancient
purity of the medieval
past and the here and
now. Duration 5:54.
Soprano voice solo, SSA choir divisi and organ or piano - Early Intermediate ...(+)
Soprano voice solo, SSA
choir divisi and organ or
piano - Early
Intermediate
SKU:
MN.56-0088
Composed
by Howard Goodall.
Christmas, Lessons and
Carols, 21st Century.
Duration 5 minutes, 27
seconds. MorningStar
Music Publishers
#56-0088. Published by
MorningStar Music
Publishers (MN.56-0088).
UPC: 688670220982.
English.
Originally
conceived for the
ensemble Enchanted
Voices, these carols for
SSA voices and organ (or
piano) represent the
composer’s desire
for the tunes and texts
to be heard in a new and
fresh way. Largely
contemplative, sometimes
set against a
gently-undulating
foundation, these work
well for concert and
church use. Sometimes
ethereal, sometimes
other-worldly, the pieces
succeed in bringing
together the ancient
purity of the medieval
past and the here and
now. Duration 5:27.
Soprano voice solo, SSS and organ or piano, with optional cello - Intermediate <...(+)
Soprano voice solo, SSS
and organ or piano, with
optional cello -
Intermediate
SKU:
MN.56-0094
Composed
by Howard Goodall.
Advent, Advent
Candlelighting, Lessons
and Carols, 21st Century.
Choral score. Duration 5
minutes, 9 seconds.
MorningStar Music
Publishers #56-0094.
Published by MorningStar
Music Publishers
(MN.56-0094).
UPC:
688670221033.
Latin.
Originally
conceived for the
ensemble Enchanted
Voices, these carols for
SSA voices and organ (or
piano) represent the
composer’s desire
for the tunes and texts
to be heard in a new and
fresh way. Largely
contemplative, sometimes
set against a
gently-undulating
foundation, these work
well for concert and
church use. Sometimes
ethereal, sometimes
other-worldly, the pieces
succeed in bringing
together the ancient
purity of the medieval
past and the here and
now. Duration 5:09.
SSA choir and organ or piano, with optional cello - Early Intermediate SKU: M...(+)
SSA choir and organ or
piano, with optional
cello - Early
Intermediate
SKU:
MN.56-0087
Composed
by Howard Goodall.
Christmas, Lessons and
Carols, 21st Century.
Choral score. Duration 5
minutes, 35 seconds.
MorningStar Music
Publishers #56-0087.
Published by MorningStar
Music Publishers
(MN.56-0087).
UPC:
688670220968.
English.
Originally
conceived for the
ensemble Enchanted
Voices, these carols for
SSA voices and organ (or
piano) represent the
composer’s desire
for the tunes and texts
to be heard in a new and
fresh way. Largely
contemplative, sometimes
set against a
gently-undulating
foundation, these work
well for concert and
church use. Sometimes
ethereal, sometimes
other-worldly, the pieces
succeed in bringing
together the ancient
purity of the medieval
past and the here and
now. Duration 5:35.
Chorus and piano SKU: BR.SON-453 Complete Works. Composed by Felix...(+)
Chorus and piano
SKU:
BR.SON-453
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Clemens
Harasim. Choir; Linen.
Complete Works. Romantic
period. Complete Works.
700 pages. Breitkopf and
Haertel #SON 453.
Published by Breitkopf
and Haertel (BR.SON-453).
ISBN 9790004803639. 10
x 12.5 inches.
This
Felix Mendelssohn
Bartholdy anthology
contains 19 sacred vocal
works in various choral
and sometimes additional
solo settings, with
organ, harpsichord, or
basso continuo
accompaniment. Among
these pieces composed
from 1821 to 1847 are six
works that were not
published during
Mendelssohn's lifetime.
Seven of the works
presented are each extant
in at least one other
authorized version that
has also been edited
here. The occasions and
circumstances of their
composition vary as much
as their musical
structures and
characteristics: Several
were intended for
specific performances;
others were written from
the outset for
publication.