String Quartet SKU: BR.PB-5708 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5708
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708. Published by
Breitkopf and Haertel
(BR.PB-5708).
ISBN
9790004216453. 6.5 x 9
inches.
When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Study score SKU: BR.PB-5708-07 Urtext. Composed by Joachim Raff. E...(+)
Study score
SKU:
BR.PB-5708-07
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708-07. Published by
Breitkopf and Haertel
(BR.PB-5708-07).
ISBN
9790004216453. 6.5 x 9
inches.
When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Kalimba - Entry Level SKU: YM.GTL01097721 Piano Pop and Vocal. Score. Yam...(+)
Kalimba - Entry Level
SKU:
YM.GTL01097721
Piano
Pop and Vocal. Score.
Yamaha Music Media
#GTL01097721. Published
by Yamaha Music Media
(YM.GTL01097721).
ISBN
9784636977219.
This
kalimba (thumb piano)
sheet music features
popular Japanese nursery
rhymes, Studio Ghibli,
and Anime Songs with
number notation for
17-key kalimba. It
has 30 song scores for
solo arrangements.
No need to worry about
accidentals, such as
sharps and flats, or not
being able to play
because the range is too
wide. You can play all
the songs with your
17-key kalimba as is.
All scores are
written with the number
notation, such as 1 or 2,
and which are often
engraved on most 17-key
kalimba key plates.
Moreover, single-note
melody notation includes
chord names, so you can
enjoy ensembles with
guitar, piano, or other
accompaniment
instruments. Enjoy!
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-26.
Published by Breitkopf
and Haertel
(BR.OB-5329-26).
ISBN
9790004333556. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Symphony No. 1 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By William Boyce. Arranged by Brian Folus. Music by William Boyce / arr. Brian F...(+)
By William Boyce.
Arranged by Brian Folus.
Music by William Boyce /
arr. Brian Folus. For
string orchestra. String
Orchestra. String
Orchestra. Level: Grade
3. Conductor Score &
Parts. Published by
Alfred Publishing.
Saxophone - Late Elementary SKU: FH.WS2 Saxophone Series, 2013 Edition...(+)
Saxophone - Late
Elementary
SKU:
FH.WS2
Saxophone
Series, 2013 Edition.
Composed by The Royal
Conservatory. Saxophone
Series, 2013 Edition.
Book/CD. 48/20 pages. The
Frederick Harris Music
Company #WS2. Published
by The Frederick Harris
Music Company (FH.WS2).
ISBN
978-1-55440-551-0.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Mainly
Transcriptions: Sonata
in F Major, op. 5, no. 10
- Arcangelo Corelli, arr.
J. Michael Leonard -
Third Movement: Sarabanda
- Fourth Movement:
Gavotta Gavotte (from
Rosine) - Francois Joseph
Gossec, arr. Emil
Kross Rondino -
Wolfgang Amadeus Mozart,
arr. Jason
Noble Gavotte en
rondeau, BWV 822 - Johann
Sebastian Bach, arr.
Larry Teal Mainly
Original Repertoire for
Saxophone: Timepiece -
Lennie Niehaus Hot on
the Line - Pam
Wedgwood Furry Bear -
Phil Woods A Drowsy
Tune - Violet
Archer Flowers -
Elizabeth
Raum Larghetto - Ralph
Vaughan
Williams
Bb
Saxophone:
Mainly
Transcriptions: Contre
danse No. 2, K 101 -
Wolfgang Amadeus Mozart,
arr. Jason Gray Bread
of Angels (Panis
angelicus, from Messe a
trois voix) - Cesar
Franck, arr. Mark
Mrozinski The Reapers
(Les moissonneurs) -
Francois Couperin, arr.
Kathleen Wood Slavonic
Dance - Antonin Dvorak,
arr. Jason Gray Mainly
Original Repertoire for
Saxophone: Hot on the
Line - Pam
Wedgwood Polish Dance
- Raymond Milford
Endresen The Keel Row
- English folk song, arr.
James Rae.
12 pieces plus exercises for Trinity College London exams 2021-2023. Composed ...(+)
12 pieces plus exercises
for
Trinity College London
exams
2021-2023. Composed by
Various. Classical.
Textbook.
Trinity College London
#TCL020260. Published by
Trinity College London
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score)
SKU: HL.49042455
Concerto for piano and
orchestra No. 2 E flat
major. Composed by
Carl Maria von Weber.
Edited by Markus Bandur.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. Op.
32. 206 pages. Schott
Music #WGA1054-20.
Published by Schott Music
(HL.49042455).
ISBN
9783795794828.
10.0x13.25x0.845 inches.
German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Composed by Archangelo
Corelli. Arranged by Ruth
Siegler. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Prelude;
Transcription. Baroque;
Masterwork Arrangement.
Score. 8 pages.
Highland/Etling
#00-35977S. Published by
Highland/Etling
(AP.35977S).
UPC:
038081414836.
English.
Students
will enjoy the musical
conversations that take
place when they perform
this trio sonata from the
17th century. The stately
Preludio in C major is
accompanied by a soaring
bass line that is an
excellent introduction to
the art of Baroque
continuo playing.
Following the Allegro,
the first theme returns
to close out this classy,
elegant piece of music.
All parts remain in 1st
position.
G. Schirmer Instrumental Library 12 Pieces by 12 Composers. Composed by Various....(+)
G. Schirmer Instrumental
Library 12 Pieces by 12
Composers. Composed by
Various. Brass Solo.
Classical. Softcover
Audio Online. 48 pages.
Published by G. Schirmer
Trombone Trio - Advanced SKU: CY.CC3063 Composed by Wolfgang Amadeus Moza...(+)
Trombone Trio - Advanced
SKU: CY.CC3063
Composed by Wolfgang
Amadeus Mozart. Arranged
by Ralph Sauer.
Classical. Score and
Parts. Cherry Classics
#CC3063. Published by
Cherry Classics
(CY.CC3063).
ISBN
9790530110386. 8.5 x 11
in inches.
The Five
Divertimenti K. 439b
consists of 25 pieces
originally scored for two
clarinets or basset horns
and bassoon. It is
assumed that Mozart wrote
these works for the
Stadler brothers, Anton
(famous for the Clarinet
Concerto) and Johann.
Originally scored in C
major (Mr. Sauer has
arranged them in keys
that are more suitable
for the Trombone), the 25
pieces were grouped into
five movements each. The
styles of the movements
include Sonata-allegro,
Minuet and Trio,
Larghetto, Adagio, Rondo
and even a Polonaise.
This collection of the
Five Divertimenti is an
immense amount (about 45
minutes total) of very
entertaining music, all
beautifully arranged by
Ralph Sauer for three
advanced Trombonists.
Euphonium Trio - Advanced SKU: CY.CC3070 Composed by Wolfgang Amadeus Moz...(+)
Euphonium Trio - Advanced
SKU: CY.CC3070
Composed by Wolfgang
Amadeus Mozart. Arranged
by Ralph Sauer.
Classical. Score and
Parts. Cherry Classics
#CC3070. Published by
Cherry Classics
(CY.CC3070).
ISBN
9790530110478. 8.5 x 11
in inches.
The Five
Divertimenti K. 439b
consists of 25 pieces
originally scored for two
clarinets or basset horns
and bassoon. It is
assumed that Mozart wrote
these works for the
Stadler brothers, Anton
(famous for the Clarinet
Concerto) and Johann.
Originally scored in C
major (Mr. Sauer has
arranged them in keys
that are more suitable
for the Euphonium), the
25 pieces were grouped
into five movements each.
The styles of the
movements include
Sonata-allegro, Minuet
and Trio, Larghetto,
Adagio, Rondo and even a
Polonaise. This
collection of the Five
Divertimenti is an
immense amount (about 45
minutes and 120 pages
total) of very
entertaining music, all
beautifully arranged by
Ralph Sauer for three
advanced performers. The
third part may be
performed on the
Tuba.
(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised....(+)
(Cello Part). Composed by
Dr. Shinichi Suzuki. For
Cello. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 20 pages.
Published by Alfred Music