Flute and Piano with Piano Accompaniment On CD. By Benedetto Marcello. Edited by...(+)
Flute and Piano with
Piano Accompaniment On
CD. By Benedetto
Marcello. Edited by
Donald Peck. Arranged by
Donald Peck. For Flute
Solo, Piano. Carl Fischer
CD Solo Series. Level:
Intermediate Level. Score
and parts. 8 pages.
Published by Carl
Fischer.
By Benedetto Marcello. For Clarinet, Piano. Carl Fischer Solo Series. Classical....(+)
By Benedetto Marcello.
For Clarinet, Piano. Carl
Fischer Solo Series.
Classical. Level:
Intermediate Level. Score
and Audio CD. 8 pages.
Published by Carl
Fischer.
(A Graded Collection of Piano Duets by Master Composers). Edited by Gayle ...(+)
(A Graded Collection of
Piano Duets by Master
Composers). Edited by
Gayle
Kowalchyk, E. L.
Lancaster,
and Jane Magrath. For
Piano.
Book; Duet or Duo; Graded
Standard Repertoire;
Masterworks; Piano Duet
(1
Piano, 4 Hands). Alfred
Masterwork Edition:
Masterwork Classics
Duets.
Masterwork. Early
Advanced;
Late Intermediate. 80
pages.
Published by Alfred Music
Cello - intermediate to advanced SKU: HL.49001557 Cello and Piano....(+)
Cello - intermediate to
advanced
SKU:
HL.49001557
Cello
and Piano. Composed
by Domenico Gabrielli.
Edited by Ludwig
Landshoff. This edition:
Saddle stitching. Sheet
music. Cello-Bibliothek
(Cello Library).
Classical. 8 pages.
Schott Music #CB77.
Published by Schott Music
(HL.49001557).
ISBN
9790001017022. UPC:
073999356540.
9.0x12.0x0.048
inches.
Flute and Basso Continuo - Intermediate SKU: J1.5044 Composed by Johann S...(+)
Flute and Basso Continuo
- Intermediate
SKU:
J1.5044
Composed by
Johann Sebastian Bach.
Baroque; Chamber. Full
score, set of parts and
Play-Along CD. Recorder
JP #5044. Published by
Recorder JP (J1.5044).
Chamber Music for Mixed Ensembles; Harpsichord SKU: UT.ACC-45 Composed by...(+)
Chamber Music for Mixed
Ensembles; Harpsichord
SKU: UT.ACC-45
Composed by Wolfgang
Amadeus Mozart. Edited by
Luigi Tufano and Vera
Alcalay. Saddle
stitching. Classical.
Score and Parts. Ut
Orpheus #ACC 45.
Published by Ut Orpheus
(UT.ACC-45).
Sonate Per Complessi Vari SKU: HL.50038270 Score. Composed by Anto...(+)
Sonate Per Complessi Vari
SKU: HL.50038270
Score. Composed by
Antonio Vivaldi. Edited
by Gian Francesco
Malipiero. Ensemble.
Score Only. Composed
1984. Ricordi #PR1145.
Published by Ricordi
(HL.50038270).
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
By Ludwig van Beethoven. Edited by E. L. Lancaster and Kenon D. Renfrow. For Pia...(+)
By Ludwig van Beethoven.
Edited by E. L. Lancaster
and Kenon D. Renfrow. For
Piano. Piano Solo.
Masterwork. Level:
Intermediate (grade 4/5).
Sheet. 8 pages. Published
by Alfred Publishing.
The World's Great Classical Music. By Various. Piano Solo Mixed Folio (Intermedi...(+)
The World's Great
Classical Music. By
Various. Piano Solo Mixed
Folio (Intermediate to
advanced piano
arrangements with no
lyrics). Size 9x12
inches. 232 pages.
Published by Hal Leonard.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Organ SKU: UT.HS-335 Edited by Iain Quinn. Classical. Score. Ut Orpheus #...(+)
Organ
SKU:
UT.HS-335
Edited by
Iain Quinn. Classical.
Score. Ut Orpheus #HS
335. Published by Ut
Orpheus (UT.HS-335).
ISBN 9790215328532. 9
x 12
inches.
Walte
r Battison Haynes
(1859-1900): Sonata
in D minor Hugh
Blair (1864-1932):
Short Sonata in G
major
The
organ sonatas of Walter
Battison Haynes and Hugh
Blair demonstrate a
notable peak in the
development of the
English organ sonata as a
work that is musically
cohesive. As discussed in
The Genesis and
Development of an English
Organ Sonata (2017), the
portfolio approach
towards compositions
under one title, a
sonata, that included
sometimes significantly
contrasting movements of
varying technical
difficulty was common
during the second half of
the nineteenth century
not least as a published
example of the
compositional skill of
composers. Whereas these
two sonatas join the
tradition of works that
could be convincingly
played on both medium and
large instruments and
allow for creativity in
registration they are
also cohesive pieces that
could serve in a concert
programme. These works
join the legacy of
English organ sonatas
that had an important
pedagogical role jointly
inherited from
Mendelssohn’s very
practical and popular
approach to the
instrument and the
continued European legacy
of the lesson-sonata
tradition whereby in
learning a piece you also
learned the instrument
and vice versa. They are
both idiomatically
written and musically
rewarding pieces that are
imbued with the
undeniably English
harmonic language of the
era that was to remain
popular for several
decades to come.
Edited by E. L. Lancaster and Kenon D. Renfrow. For Piano. Book; Masterworks; Pi...(+)
Edited by E. L. Lancaster
and Kenon D. Renfrow. For
Piano. Book; Masterworks;
Piano Collection.
Masterwork; Recital.
Advanced. 288 pages.
Published by Alfred Music
Publishing
Easiest Piano Works by Joseph Haydn. Composed by Franz Joseph Haydn (1732- ...(+)
Easiest Piano Works by
Joseph Haydn. Composed by
Franz Joseph Haydn
(1732-
1809). Edited by Wilhelm
Ohmen. This edition:
Saddle
stitching. Sheet music.
Piano Solo. Classical.
Softcover. 64 pages.
Schott
Music #ED 23051.
Published
by Schott Music
(75 Early / Late Intermediate Selections to Develop Technique and Musicianship)....(+)
(75 Early / Late
Intermediate Selections
to Develop Technique and
Musicianship). Edited by
Maurice Hinson. For
Piano. Piano Collection.
Essential Keyboard
Repertoire. Masterwork.
Early Intermediate / Late
Intermediate. Book. 144
pages. Published by
Alfred Music Publishing
Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Early ...(+)
Edited by Maurice Hinson.
For Piano. Piano
Collection. Masterwork.
Level: Early Intermediate
/ Early Advanced (grade
3/4/5/6/6 ). Book. 248
pages. Published by
Alfred Publishing.
Viola Repertoire 3 Alto seul - Facile The Frederick Harris Music Company
Viola - Early Intermediate SKU: FH.VA3 Viola Series, 2013 Edition....(+)
Viola - Early
Intermediate
SKU:
FH.VA3
Viola
Series, 2013 Edition.
Composed by The Royal
Conservatory. Viola
Series, 2013 Edition.
Book/CD. The Frederick
Harris Music Company
#VA3. Published by The
Frederick Harris Music
Company (FH.VA3).
ISBN
978-1-55440-565-7.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Concertinos,
Airs Varies, and
Divertimentos: Diverti
mento in D Major - Haydn,
Franz Joseph arr. Gregor
Piatigorsky - Third
Movement Air varie
(Air with Variations), op
23, no. 3 - Rieding,
Oskar Concertino NO. 5
in D Major -Breval,
Jean-Baptiste arr. Pierre
Ruyssen - First
Movement Sonatas: S
onata in D Minor, op. 5,
no. 8 - Corelli,
Arcangelo arr. Jason
Noble - First
Movement: Prelude -
Second Movement:
Allemanda Sonata in A
Major, TWV 41:E1 -
Telemann, Georg Philipp
arr. Kathleen Wood -
First Movement -
Fourth
Movement Concert
Repertoire: Three
Miniatures (complete) -
Miller, Michael Waltz,
op. 12, no. 2 - Grieg,
Edvard Toy Soldiers'
March - Kreisler,
Fritz Abracadabra -
Duke, David Musette
and Air de ballet -
Gluck, Christoph
Willibald arr. Kathleen
Wood Boston Fancy -
American folk dance arr.
Harold Birston Ave
Verum Corpus, K 618 -
Mozart, Wolfgang Amadeus
arr. Jason Gray Conte
serieux (Solemn Story),
op. 62, no. 6 -
Mendelssohn,
Ludwig Alla Greco -
Baxter, Timothy.
Baroque to Pre-Classic - with Remarks on Fingering. By Sonatinas for Piano. Edit...(+)
Baroque to Pre-Classic -
with Remarks on
Fingering. By Sonatinas
for Piano. Edited by
Ernst Herttrich. Piano
(Harpsichord), 2-hands.
Pages: XI and 83. Urtext
edition-paper bound.
Published by G. Henle.
