The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards s'appuie sur les bases de 'Piano Blues ' . Il présente les principes de l'harmonie du jazz et de l'improvisation depuis le début avant et conduit le pianiste avancé dans les différents types d'accords typiques de jazz , en commençant par les triades majeures et mineures à septième et neuvièmes accords par tous les styles de jazz des années quarante années utilisées à ce jour . Si vous jouez dans un groupe , donner des leçons de piano ou tout simplement jouer à la maison - vous êtes avec ' Jazz Piano ' avez beaucoup de plaisir !Tim Richards combiné vingt-huit de ses propres morceaux avec des arrangements spéciaux tels que des normes de jazz bien connus comme 'Feuilles d'automne' , ' Fly Me To The Moon ', ' In A Sentimental Mood ', ' l'homme montagne ' , 'On Green Dolphin Street ', ' Song For mon Père ',' Straight No Chaser 'et' Take The A - train ' . Deux chansons transcrites par Thelonious Monk et Horace Silver fournissent une source inépuisable de techniques de jazz authentiques vous pouvez travailler à travers la reconstitution .Dans tous les chapitres , l'aide et des conseils importants sur l'improvisation sont donnés . Vous obtiendrez beaucoup de suggestions sur la façon dont vous pouvez construire individuellement sur le matériel d'étude présenté et trouver votre propre vocabulaire de jazz personnelle :- Rapports de cordes et des échelles- Modes- Broken Chords et échelles motif- Echelles pentatoniques et blues- Marche des lignes de basse- Rythmes latins et des lignes de basse- Improvisatoin horizontale et verticale- Composés II-V I- Substitution de Tritone- Voicings à deux mains- Des exercices techniques et doigté- Styles d'accompagnement- Formation de l'oreille- Propositions pour écouterLe CD contient des enregistrements de toutes les pièces , la plupart avec basse et batterie accompagnement . Ils peuvent être utilisés comme un Play-Along - un moyen important d'apprendre le jazz sans beaucoup de détours . / Piano

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

64 hits from the best musicals the West End has to offer, specially arranged for piano and voice with chord symbols, guitar chord boxes and full lyrics. Includes songs from Cats, The Lion King, Matilda, The Sound of Music, Blood Brothers, Dear Evan Hansen, Waitress and many more!/ Recueil / Piano/Vocal/Guitare (PVG)

64 hits from the best musicals the West End has to offer, specially arranged for piano and voice with chord symbols, guitar chord boxes and full lyrics. Includes songs from Cats, The Lion King, Matilda, The Sound of Music, Blood Brothers, Dear Evan Hansen, Waitress and many more!
1. Anthem from Chess
2. As Long as He Needs Me from Oliver!
3. Any Dream Will Do from Joseph and the Amazing Technicolor® Dreamcoat
4. Bright New Day from Blood Brothers
5. Bring Him Home from Les Misérables
6. Can You Feel the Love Tonight from the Lion King
7. Chim Chim Cher-ee from Mary Poppins
8. Circle of Life from The Lion King
9. Consider Yourself from Oliver!
10. Damn It, Janet from The Rocky Horror Picture Show
11. Dancing Queen from Mamma Mia!
12. December 1963 (Oh, What a Night) from Jersey Boys
13. Defying Gravity from Wicked
14. Do-Re-Mi From The Sound Of Music
15. Don?t Cry for Me Argentina from Evita
16. Electricity from Billy Elliot
17. Everyday from Buddy ? The Buddy Holly Story
18. Five Guys Named Moe from Five Guys Named Moe
19. For Good from Wicked
20. I Believe from The Book of Mormon
21. I Don?t Know How to Love Him from Jesus Christ Superstar
22. I Dreamed a Dream from Les Misérables
23. I Know Him So Well from Chess
24. I?d Give My Life for You from Miss Saigon
25. I?ll Be There from Thriller ? Live
26. It?s the Hard-Knock Life from Annie
27. Jacob and Sons from Joseph and the Amazing Technicolor® Dreamcoat
28. The Last Night of the World from Miss Saigon
29. Light at the End of the Tunnel from Starlight Express
30. Love Never Dies from Love Never Dies
31. Make ?em Laugh from Singin? in the Rain
32. Mamma Mia from Mamma Mia!
33. Me and My Girl from Me and My Girl
34. Me and the Sky from Come From Away
35. Memory from Cats
36. Mr. Mistoffelees from Cats
37. The Music of the Night from The Phantom of the Opera
38. My Favorite Things from The Sound of Music
39. Naughty from Matilda
40. Nine to Five from 9 to 5 the Musical
41. No Matter What from Whistle Down the Wind
42. Peggy Sue from Buddy ? The Buddy Holly Story
43. The Phantom of the Opera from The Phantom of the Opera
44. Pure Imagination from Charlie and the Chocolate Factory
45. Raise Your Voice from Sister Act
46. River Deep ? Mountain High from Tina: The Tina Turner Musical
47. She Used to Be Mine from Waitress the Musical
48. Sherry from Jersey Boys
49. Shine from Billy Elliot
50. Singin? in the Rain from Singin? in the Rain
51. Somewhere from West Side Story
52. Starlight Express from Starlight Express
53. Stayin? Alive from Saturday Night Fever
54. Stick It to the Man from School of Rock
55. Superstar from Jesus Christ Superstar
56. Tell Me It?s Not True from Blood Brothers
57. Tell Me on a Sunday from Tell Me on a Sunday
58. Tomorrow from Annie
59. We Are the Champions from We Will Rock You
60. We Will Rock You from We Will Rock You
61. When I Grow Up from Matilda
62. You Must Love Me from Evita
63. You Will Be Found from Dear Evan Hansen
64. You?re the One That I Want from Grease
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD

Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Nine Beautiful Arrangements by Mona Rejino Hal Leonard Student Pi. Par . 9 superbes arrangements pour piano solo des titres de vos films Disney préférés ! Idéal pour les spectacles, les cours ou tout simplement pour s\'amuser ! Tirés de COCO : Proud Corazon - Remember Me (Lullaby) - Un Poco Loco - Tirés d\'ENCANTO : Dos Oruguitas - Surface Pressure - We Don\'t Talk About Bruno - Tirés de FROZEN II : All Is Found - Into the Unknown - Show Yourself. / Date parution : 2022-11-10/ Recueil / Piano

A New Edition Revised and Edited by the Composer. Par VILLA-LOBOS HEITOR. An exciting assortment of Piano works that are musically and technically rewarding as study pieces, and appealing in recital. The music is on a level with that of the 18th and 19th century masters. This edition has been edited by the composer. Contents: ALMA BRASILEIRA - CHOROS NO.5 BACHIANAS BRASILEIRAS NO.4 - Suite 1. Preludio - Introdução - (Prelude) 2. Coral - Canto Do Sertão (Song of the Jungle) 3. Aria - Cantiga (Song) 4. Dansa - Miudinho (Dance) CAIXINHA DE MUSICA QUEBRADA (The Broken Little Music Box) CARNAVAL DAS CRIANCAS BRASILEIRAS - Suite 1. A Manhã Da Pierrete (Pierrette's Hands) 2. O Chicote Do Diabinho (The Devil's Whip) CICLO BRASILEIRO - Suite 1. Plantio Do Caboclo (Native Planting Songs) 2. Impressões Seresteiras (Mistrel Impressions) 3. Festa No Sertão (Jungle Festival) 4. Dansa Do Indio Branco (Dance of the White Indian) GUIA PRATICO - Album 1 - Five Pieces 1. Acordei De Madrugada (Dawn) 2. A Maré Encheu (Full Tide) 3. A Roseira (The Rose-Bush) 4. Manquinha (Little Lame Girl) 5. Na Corda Da Vióla (On the Strings of a Viola) GUIA PRATICO - Album 8 - Seven Pieces 1. O Limão (Oh, Lemon) 2. Carambola (Goodness!) 3. Pobre Céga (Poor Blind Woman) 4. Pai Francisco (Father Francisco) 5. Xô Passarinho! (Fly! Little Bird) 6. Sinh' Aninha (Farmers' Daughters) 7. Vestidinho Branco (Little White Dress) GUIA PRATICO - Album 9 - Six Pieces 1. Laranjeira Pequenina (The Little Orange Tree) 2. Pombinha, Rolinha (Little Dove, Tiny Dove) 3. O Ciranda, O Cirandinha (Circle Dance) 4. A Velha Que Tinha Nove Filhas (The Old Woman That Had Nine Daughters) 5. Constante (Constant) 6. O Castelo (The Castle) POEMA SINGELO (Simple Song) PROLE DO BEBE - #1 - Suite 1. Moreninha (The Little Paper Doll) 2. Mulatinha (The Little Rubber Doll) 3. O Polichinelo (Clown) SIMPLES COLETANEA - Three Pieces 1. Valsa Mistica (Valse Mystique) 2. Em Um Berço Encantado (Dans Un Berçeau Féerique) 3. Rhodante (Circle Dance) SUITE FLORAL - Op.97 - Three Pieces 1. Idilio Na Rede (Summer Idyll) 2. Uma Camponeza Cantadeira (A Singing Country Girl) 3. Alegria Na Horta (Joy In The Garden) / Niveau : Intermédiaire à Avancé / Répertoire / Piano

With a list of drumming credits that include Paul McCartney and Wings, The Who's rock opera Tommy, and James Brown, Denny Seiwell has contributed his fair share of talent to hit records, TV and film scores, and much more. In What Not to Play! Denny draws on his decades of experience to show novice and accomplished drummers alike how to craft the perfect drum part in any recording or gigging situation, often de-constructing his work on existing recordings (such as 'My Love' and 'Uncle Albert/Admiral Halsey') in the process. The book also includes exercises for waking up the hands and tips on interpreting charts and sight-reading. The included DVD expands on the material as Denny provides both audio and visual examples that will help students in the rewarding experience of crafting a drum part. / Batterie

Par CLARKE GENE. Easy to Play Cello Airs and Ballads is a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States. All of the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song in Easy to Play Violin Airs and Ballads and Easy to Play Viola Airs and Ballads. / Niveau : Facile / Date parution : 2023-06-01/ Recueil / Violoncelle