Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 5. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10555_00.
Published by Baerenreiter
Verlag (BA.BA10555).
ISBN 9790006553044. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Thomas Röder and
Wilhelm Binder. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 9. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10559_01.
Published by Baerenreiter
Verlag (BA.BA10559-01).
ISBN 9790006553082. 33
x 26 cm inches. Language:
German. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now.
Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir/orchestra (Mixed choir, Orch) SKU: BA.BA10558 Composed by Joh...(+)
Mixed choir/orchestra
(Mixed choir, Orch)
SKU: BA.BA10558
Composed by Johann
Pachelbel. Edited by
Thomas Röder. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 8. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10558_00.
Published by Baerenreiter
Verlag (BA.BA10558).
ISBN 9790006553075. 33
x 26 cm inches. Language:
German. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Twelve Concertos for
Violin, Strings and Basso
continuo. Composed by
Antonio Vivaldi. Edited
by Bettina Schwemer. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume II:
Concertos VII-XII. Score,
anthology. Opus 4.
Baerenreiter Verlag
#BA07567_00. Published by
Baerenreiter Verlag
(BA.BA07567).
ISBN
9790006544097. 31 x 24.3
cm inches. Preface:
Schwemer,
Bettina.
Antonio
Vivaldi’s twelve
concertos op. 4 known by
the name of “La
Stravaganza†were
first mentioned as a
collection of
“Concerti a
4†in the 1711
Foreword of
“L’Estro
Armonico†op. 3.
Their publication had to
wait until 1716, when
Estienne Roger issued
them in two volumes of
six concertos each.
However, unlike the
original announcement,
“La
Stravaganza†is
more than a collection of
concertos for solo violin
with string
accompaniment: in five of
the concertos the soloist
is joined by a second
solo violin or even by a
solo violoncello
(Concerto No.
7).
The many
reprints of “La
Stravaganza†bear
witness to its popularity
and widespread
dissemination well into
the 1730s. Besides the
surviving prints, there
is a significant body of
handwritten sources
containing alternative
versions for seven of the
concertos. Some of these
manuscripts stem from the
music library of Johann
Georg
Pisendel.
This
edition of “La
Stravaganza†is not
only the first
scholarly-critical
edition, it is also the
only complete edition
available. In addition to
the twelve concertos
handed down in the Roger
edition, Bärenreiter
offers an additional
concerto in full score,
piano reduction and parts
contained in the 1728
print issued by the
English publishers Walsh
& Hare, as well as
alternative versions
(without viola) found in
handwritten sources for
Concertos No. 6 (Volume
1) and No. 11 (Volume
2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo Voices, Mixed Chorus, Orchestra (2Sg-Soprano solo,3Sg-A-solo,Contralto Solo...(+)
Solo Voices, Mixed
Chorus, Orchestra
(2Sg-Soprano
solo,3Sg-A-solo,Contralto
Solo,Sg-Baritone-solo,Orc
h,BnMusik)
SKU:
BA.BA10720-01
Opera in three
Acts. Composed by
George Frideric Handel.
Edited by Hans Dieter
Clausen. This edition:
complete edition, urtext
edition. Linen. Hallische
Handel-Ausgabe (HHA)
II/14,1+2. Complete
edition, Score. HWV 17.
Baerenreiter Verlag
#BA10720_01. Published by
Baerenreiter Verlag
(BA.BA10720-01).
ISBN
9790006550302. 33 x 26.5
cm inches. Text Language:
Italian. Preface: Hans
Dieter Clausen. Text:
Haym, Nicola Francesco
(nach Giacomo Francesco
Bussani).
Giulio
Cesare in Egittois by far
Handel's most frequently
performed opera owing its
success not least to its
subject matter, one of
the best known love
stories in world history.
Already during Handel's
lifetime the popular work
was often staged and
therefore adapted by
Handel for each of the
performance conditions.
The editor Hans Dieter
Clausen has succeeded in
editorially defining and
practically presenting
these adaptations -
essentially four versions
- on the basis of a
meticulous study of the
sources within the
framework of theHalle
Handel Edition. The new
edition allows for a
performance of each of
the four versions. The
version of 1725 is
particularly noteworthy
because Handel newly
devised the role of Sesto
for the famous tenor
Francesco
Borosini.
The
libretto shows the Roman
dictator Cesar in a
friendly light. He
instructs his enemy, the
Egyptian tyrant Tolomeo,
how to treat adversaries;
he reconciles the widow
and son of his enemy
Pompeo who was murdered
by Tolomeo; he is
generous and just, hands
on, but also diplomatic,
thoughtful, aware of the
limits of his power, and
susceptible for art and
nature. However, the
actual protagonist of the
opera is Cleopatra. In a
masterly way Handel
develops her character
musically.
In his
extensive Foreword Hans
Dieter Clausen not only
decribes the genesis,
historical background,
reception and the edition
of the opera, he also
examines the musical and
dramaturgical reworking
of individual numbers
inGiulio Cesare. Handel
was such an expert in
adapting arias for new
purposes and other
characters that he did
not only meet the needs
at hand but often the new
version surpassed the
original. In this way,
the reader gains, in
passing, a well-founded
insight into Handel's
work methods when
designing and redevising
his characters. The
detailed Critical
Commentary includes
information on the
comprehensive and highly
complex source situation
as well as on individual
editorial
decisions.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata
for soloists, choir and
orchestra. Composed
by Johann Sebastian Bach.
Edited by Andreas
Glöckner. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
Edition. Study score. BWV
143. Duration 30 minutes.
Baerenreiter Verlag
#TP01143_00. Published by
Baerenreiter Verlag
(BA.TP01143).
ISBN
9790006205332. 22.5 x
16.5 cm inches. Language:
German. Preface:
Glöckner,
Andreas.
Little is
known about the genesis
ofLobe den Herrn, meine
SeeleBWV 143.
A
transcription from the
19th century was for a
long time considered the
only source; the musical
text of theNew Bach
Editionwas based on this
material. Recently
however a copy of the
score from 1762 has
become available. It
offers a more reliable
musical text, rendering a
complete revision of the
cantata necessary. On
the basis of this new
source, the work is
presented here as part of
theNew Bach Edition -
Revisedin what is
presumably its original
form in C major with
three trumpets. This
orchestration is more
typical of Bach's writing
than the version for
three horns in the
surviving B-flat major
version.
- Revised
Urtext edition of the
Weimar Cantata - Based
on theNew Bach Edition -
Revised
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006558209. 33.5 x
25.7 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
The opera
“Naïs†was
premiered on 22 April
1749 at the Acadmie
royale in the
Palais-Royal, Paris, in
celebration of the
signing of the so-called
Treaty of Aachen. It was
revived again in August
1764 shortly before
Rameau’s death and
achieved great success as
the “opera of
peace,†even though
it did not appear in
print during the
composer’s
lifetime.
In
numerous arias Rameau
provides his singers
ample opportunity to
shine, while he reveals
his orchestral mastery,
in particular in the
chaconne and the various
other ballets.
The
work appears here for the
first time in a vocal
score with a keyboard
reduction. The reduction
is by François
Saint-Yves on the basis
of the new critical
edition by Pascal
Dencheau which is part of
Opera Omnia Rameau edited
by Sylvie
Bouissou.
This
edition is the result of
a meticulous comparison
of all known musical
sources. In the main
section, it presents the
version that Rameau
approved for the
performances of 1749. The
appendix contains those
passages that the
composer cut during the
rehearsals in 1749 and
all changes that he
undertook for the 1764
revival.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Edouard Lalo
composed two operas:
“Le Roi
d’Ysâ€
enjoyed considerable
success at its first
performance at the
Opera-Comique in 1888,
and it remained in the
repertory for many
years. His other
opera,
“Fiesqueâ€, on
the other hand, had to
wait nearly 140 years
before it was performed
in a concert version in
Montpellier in 2006, and
then was finally
premiered on stage at the
National Theatre Mannheim
on 16 June
2007. Fiesque is an
opera of action and
intrigue, set in Genoa in
1547 and based on
Schiller’s early
drama “Die
Verschwörung des
Fiesco zu Genuaâ€.
The historical Fiesco led
a conspiracy against the
ruling Doria family,
Doges of Genoa. The plot
revolves around
Fiesque’s love for
Julie, daughter of his
enemy Andreas Doria, and
his wife Lonore’s
bitter suspicion. Fiesque
is also opposed by
Verrina, an old fanatical
republican who distrusts
Fiesque’s
commitment to
overthrowing the Dorias,
especially when his
involvement with
Doria’s daughter
is known. In the final
act the Dorias are
overthrown; the crowd
acclaims Fiesque and
Lonore in a triumphal
march, but Verrina
refuses to allow Fiesque
to assume supreme power
and throws him to his
death in the waters of
harbour.
Lalo’s
invention is remarkable,
and the orchestral
writing is at times
powerful, at times
poignant. Its revival
adds a remarkable work to
the repertory of French
operas.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano - Level 3 SKU: BA.BA10811 Composed by Erik Satie. Edited by Jens Ro...(+)
Piano - Level 3
SKU:
BA.BA10811
Composed
by Erik Satie. Edited by
Jens Rosteck. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Notes on
Performance Practice by
Steffen Schleiermacher.
Performance score.
Baerenreiter Verlag
#BA10811_00. Published by
Baerenreiter Verlag
(BA.BA10811).
ISBN
9790006521067. 31 x 24.3
cm inches. Language:
German/English. Preface:
Jens Rosteck.
In
the summer of 1913 Satie
once more poked fun at
himself and the world of
music with a set of
parodic piano pieces on
various marine animals,
giving it the grotesque
title “Embryons
desschsâ€
(Desiccated
Embryos). The notation
without barlines, the
‘stories’
beneath the music and the
spoofsof well-known
pieces of music, most
strikingly the Funeral
March from
Chopin’s Piano
“Sonata in B-flat
minorâ€, make the
work a barrel of musical
fun.
This Urtext
edition faithfully
adheres to the sources
and reflects the latest
findings of Satie
scholarship. It contains
translations of all of
Satie’s French
texts, practical
page-turns, notes on
performance practice by
Satie specialist Steffen
Schleiermacher and an
informative
Foreword. The pieces
range from an easy to
moderate level of
difficulty and provide an
ideal additional varied
repertoire for teaching
purposes.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Bass solo, Mi...(+)
Solo voices, SATB chorus,
orchestra (Soprano solo
(2), Tenor solo, Bass
solo, Mixed choirs (SATB)
(2), Orchestra)
SKU:
BA.BA09188
Composed
by Wolfgang Amadeus
Mozart. Edited by Ulrich
Leisinger. Arranged by
Ulrich Leisinger. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Classical. Score.
KV 427. Baerenreiter
Verlag #BA09188_00.
Published by Baerenreiter
Verlag (BA.BA09188).
ISBN 9790006565092. 31
x 24.3 cm inches. Key: C
minor. Text Language:
Latin. Preface: Ulrich
Leisinger.
Mozartâ
€™s magnificent
unfinished “Great
Mass in C minor K.
427†is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: - The
“Kyrie†and
“Gloriaâ€,
both of which survive
complete in
Mozart’s hand, are
edited in accordance with
scholarly standards. -
The first two sections of
the “Credoâ€
have been meticulously
completed by the editor
Ulrich Leisinger, drawing
on original Mozart
compositions e.g. the
aria “Deh vieni non
tardar†from
“The Marriage of
Figaro†and paying
attention to a
stylistically appropriate
and transparent
sound. - The
“Sanctus†and
“Benedictusâ€
(with the
“Hosannaâ€),
which are either
incomplete or survive
only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger’s
new edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra; Vocal (Study Score) SKU: HL.51489547 Solo Voice(S) & Orches...(+)
Orchestra; Vocal (Study
Score)
SKU:
HL.51489547
Solo
Voice(S) & Orchestra
Study Score. Composed
by Ludwig van Beethoven.
Edited by Ernst
Herttrich. Henle Study
Scores. Classical.
Softcover. 190 pages. G.
Henle #HN9547. Published
by G. Henle
(HL.51489547).
UPC:
888680991333.
6.75x9.5x0.493
inches.
The works
for solo voice(s) and
orchestra assembled in
this volume owe their
composition to the most
diverse occasions. Some
were tailor-made for
female singers in
Beethoven's milieu, while
with others he was
dabbling in the field of
Italian opera (under the
tutelage of none other
than Antonio Salieri).
Scarcely any of them made
it into print during
Beethoven's lifetime.
Aside from canonical
works of the repertoire
such as “Ah!
perfido†op. 65,
this volume also contains
unknown gems like the
scene and aria Beethoven
revised multiple times,
“No, non
turbarti†-
“Ma tu tremi, o mio
tesoro?â€. The study
score contains the text
of the scholarly Complete
Edition. Beethoven
specialist Ernst
Herttrich additionally
provides information
about the genesis and
exciting variants in the
transmission history.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.49045871 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.49045871
Study Score.
Composed by Gustav
Mahler. This edition:
Paperback/Soft Cover.
Sheet music. Study Score.
Classical. Softcover. 218
pages. Eulenburg Edition
#ETP1546. Published by
Eulenburg Edition
(HL.49045871).
ISBN
9783795711634. UPC:
888680791568.
6.0x9.0x0.556
inches.
With a
detailed preface by
Giselher Schubert Mahler
2 - written between 1888
and 1894 and known as
'Resurrection Symphony.'
Mahler found inspiration
for the final,
'Resurrection' movement
at the funeral of Hans
von Bülow. Content:
Preface Vorwort I.
Allegro maestoso. Mit
durchaus ernstem und
feierlichem Ausdruck II.
Andante moderato. Sehr
gemächlich. Nie eilen
III. In ruhig fliessender
Bewegung IV. Urlicht.
Sehr feierlich, aber
schlicht
(Choralmässig) V. Im
Tempo des Scherzos. Wild
herausfahrend.
Alto; Soprano; Vocal (Voice and Piano) SKU: HL.51481487 For Female Voi...(+)
Alto; Soprano; Vocal
(Voice and Piano)
SKU:
HL.51481487
For
Female Voice and
Piano. Composed by
Evgeny Kissin. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1487. Published by G.
Henle (HL.51481487).
UPC: 840126989342.
8.25x11.75x0.079
inches.
It is a
great pleasure to
present, with
Thanatopsis, maestro
Kissin's opus 4, an
expressive setting of the
ground-breaking poem from
the quill of William
Cullen Bryant. Published
in in the form known
today in 1821, it is an
early example of American
romantic poetry of the
19th century. Bryant is
today reckoned among the
group of “Fireside
Poets†or
“Schoolroom
Poets,†names that
allude to the places
where their poems were
usually recited. His
poems – first and
foremost Thanatopsis
(“A Consideration
of Deathâ€) as his
most famous – are
rooted in the English
tradition, but at the
same time show Bryant's
openness to a genuine
American language and
lifeworld. Evgeny
Kissin's setting is a
large vocal scene
intensely informed by
recitative, which
congenially allows the
prevailing mood of the
text to resound. Our
edition additionally
includes German and
French translations of
the poem and an
informative afterword
about Bryant's life and
work and the genesis of
Thanatopsis.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano - Level 2 SKU: BA.BA11565 Composed by Leopold Kozeluch. Edited by C...(+)
Piano - Level 2
SKU:
BA.BA11565
Composed
by Leopold Kozeluch.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
anthology. Baerenreiter
Verlag #BA11565_00.
Published by Baerenreiter
Verlag (BA.BA11565).
ISBN 9790260109100. 31
x 24.3 cm inches.
Preface: Hogwood,
Christopher / Mark,
Ryan.
Leopold
Koželuch (also
Koželuh) was among the
leading musical figures
of 18th-century Vienna,
well-known in his day as
an excellent pianist and
piano teacher.
Six
delightful sonatas have
been selected from the
complete edition of his
piano sonatas published
by Bärenreiter
– namely the
easiest, as this album is
specifically aimed at
beginner and moderately
advanced pianists. The
edition includes Piano
Sonatas No. 37 in G
major, No. 47 in E-flat
major, No. 7 in D major,
No. 46 in C major, No. 10
in F major and No. 14 in
G major, inviting
pianists to explore the
piano music of the
Viennese Classic.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, SATB cho...(+)
Solo soprano voice, solo
alto voice, solo tenor
voice, solo bass voice,
SATB choir, orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Orchestra) - Level 3
SKU: BA.BA04660-02
Composed by Franz Joseph
Haydn. Edited by Gunter
Thomas. This edition:
urtext edition.
Paperback. Score. Hob.
XXII:11. Duration 12
hours. Baerenreiter
Verlag #BA04660_02.
Published by Baerenreiter
Verlag (BA.BA04660-02).
ISBN 9790006565375. 31
x 24.3 cm inches. Text
Language: Latin. Preface:
Gunter
Thomas.
Haydn's
Missa in Angustiis, also
known as theNelson Mass,
was composed in 1798. It
is one of the six great
Mass settings that forms
the crowning glory of his
vocal music along with
The Creation and The
Seasons.
Continuing the
collaboration between
Barenreiter and the G.
Henle publishing company
regarding Haydn's
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
A Collection of Never-before Published Works, Edited from the Composeras Own...(+)
A Collection of
Never-before
Published Works, Edited
from
the Composeras Own
Manuscripts. Composed by
Camille Saint-SaA<
Item Number: CF.PL1062
ISBN 9781491158807.
Camille
Saint-SaA<Preface My
first glimpse of the six
solo piano works in this
volume came via several
visits I made to the
music
archives of the
BibliothAque
Nationale de France (BnF)
in
Paris in June of 2013. I
had
known of the existence of
unpublished manuscripts
of
these pieces through
Sabine
Teller Ratneras
comprehensive
bibliographic
volume focusing on
Saint-
SaA<
String Quartet (Parts) SKU: HL.51481120 Set of Parts. Composed by ...(+)
String Quartet (Parts)
SKU: HL.51481120
Set of Parts.
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolf-Dieter Seiffert.
Ensemble. Classical.
Softcover. G. Henle
#HN1120. Published by G.
Henle (HL.51481120).
UPC: 196288034773.
9.0x12.0x0.625
inches.
This volume
brings together Mozart's
youthful attempts at this
later so central genre of
the string quartet: the
astonishing “Lodi
Quartet†K. 80 by
the only
fourteen-year-old
composer, the three
“Quartet-Divertimen
ti†K. 136-138
which are also readily
played by chamber
orchestras, and Mozart's
first true string-quartet
cycle K. 155-160 which
was composed during his
third (north-)Italian
journey in 1772/73.
Mozart's cleanly written
scores of all the
compositions have been
preserved so that the
edition stands on a
secure foundation. In his
informative commentary,
Wolf-Dieter Seiffert, the
experienced Mozart editor
at G. Henle Publishers,
devotes a separate,
comprehensive explanatory
section to the well-known
articulation problem
“dot or
wedge.†The Armida
Quartet provided artistic
input for this
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano SKU: HL.51481022 Arranged for Piano. Composed by Franz Liszt...(+)
Piano
SKU:
HL.51481022
Arranged for
Piano. Composed by
Franz Liszt. Edited by
Andrea Lindmayr-Brandl.
Henle Music Folios.
Classical. Softcover. 24
pages. G. Henle #HN1022.
Published by G. Henle
(HL.51481022).
UPC:
196288278696.
9.0x12.0x0.092
inches.
Schubert's
Ständchen (Serenade) on
Rellstab's poem “Leise
flehen meine Lieder”
(Gently My Songs Entreat)
not only numbers among
the most well-known art
songs, but is still a
real hit today in Liszt's
arrangement for piano
solo. Initially published
in 1838 in a version
without ossias, the
arrangement began its
triumph on the piano by
1840 at the latest –
probably not least thanks
to Liszt's obliging
addition of easier
variants – as numerous
editions published
throughout Europe during
the composer's lifetime
testify. Liszt himself
liked to play the
Ständchen as an encore
and even wrote small
cadenzas for it, which
are of course taken into
account in the new Henle
Urtext edition. English
and French translations
of the German poem as
well as the placement of
the song text above the
music round off the
edition, for which Evgeny
Kissin provided the
fingerings.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Quartet (Study Score) SKU: HL.51487120 Study Score. Compose...(+)
String Quartet (Study
Score)
SKU:
HL.51487120
Study
Score. Composed by
Wolfgang Amadeus Mozart.
Edited by Wolf-Dieter
Seiffert. Study Score.
Classical. Softcover. 138
pages. G. Henle #HN7120.
Published by G. Henle
(HL.51487120).
UPC:
196288034353.
6.75x9.5x0.395
inches.
This volume
brings together Mozart's
youthful attempts at this
later so central genre of
the string quartet: the
astonishing “Lodi
Quartet†K. 80 by
the only
fourteen-year-old
composer, the three
“Quartet-Divertimen
ti†K. 136-138
which are also readily
played by chamber
orchestras, and Mozart's
first true string-quartet
cycle K. 155-160 which
was composed during his
third (north-)Italian
journey in 1772/73.
Mozart's cleanly written
scores of all the
compositions have been
preserved so that the
edition stands on a
secure foundation. In his
informative commentary,
Wolf-Dieter Seiffert, the
experienced Mozart editor
at G. Henle Publishers,
devotes a separate,
comprehensive explanatory
section to the well-known
articulation problem
“dot or
wedge.†The Armida
Quartet provided artistic
input for this
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Gounod had
no qualms about arranging
well-known works by
earlier masters after his
own fashion. Thus in 1852
he added a melody with
its own operatic climax
to the famous arpeggios
of the C-major Prelude
BWV 846 from Bach's
Well-Tempered Clavier. He
first published
instrumental versions of
it under the title
�M�ditationï¿
½, then tried fitting
various texts to the
melody until in 1859 he
arrived at the definitive
vocal version using the
text of the Ave Maria.
Already by the 1890s it
was claimed that
�[we] have heard
this sweet melody
innumerable times from
the best lady
singers�, and its
popularity has continued
to the present day.
Reason enough, then, for
Henle Verlag to publish
an Urtext edition of this
worldwide hit, based on
the sources and with
appropriate critical
commentary. In 1859, at
the same time as the
original edition for high
voice, editions for
middle and low voice,
presumably commissioned
by the publishers, were
also issued. Following
this model, the Henle
Urtext edition of
�Ave Maria� is
also offered in two
transpositions for the
lower register.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
SKU: BA.BVK01775 Facsimile of the aria from The Magic Flute. Compo...(+)
SKU: BA.BVK01775
Facsimile of the aria
from The Magic Flute.
Composed by Wolfgang
Amadeus Mozart. This
edition: facsimile.
Linen. Facsimile, Vocal
Score. 35 pages.
Baerenreiter Verlag
#BVK01775_00. Published
by Baerenreiter Verlag
(BA.BVK01775).
ISBN
9783761817759. 25.5 x 33
cm inches. Preface: Silke
Leopold.
... yet
should I be kissed by
female lips, my health
would be fully
restored.Mozart's music
was no less indebted to
lofty artistic ideals
than to ordinary human
experience. His operas
not only presentheavy
couples from the upper
classesbut lovers from
the common walks of
life.
The
colourful and natural
figure of Papageno has
always been a favourite
with audiences. This aria
accompanied by his
glockenspiel, is one of
the best-known arias in
the history of music.
Our facsimile
edition presents the aria
in Mozart's own
handwriting using
state-of-the-art
techniques of color
reproduction. Anyone who
wants to bring Papageno
to musical life can turn
to the vocal score
printed in the same
volume.
A little
gem for bibliophiles and
all lovers of music - to
admire, perform, or give
away.
Strings Piano Accompaniment; Violin (Violin and Piano) - l5 SKU: HL.51481346<...(+)
Strings Piano
Accompaniment; Violin
(Violin and Piano) - l5
SKU: HL.51481346
Violin and Piano.
Edited by Peter Jost.
Arranged by Ingolf
Turban. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Softcover. 16
pages. G. Henle #HN1346.
Published by G. Henle
(HL.51481346).
ISBN
9790201813462. UPC:
888680925031.
9.25x12.0x0.066
inches.
When
composing his Spanish
Dances (HN 1370), the
composer and violin
virtuoso Sarasate united
existing material - folk
songs and songs by
well-known composers -
with his own uniquely
charming musical
language. The two Dances
op. 22, “Romanza
andaluza†and
“JotaNavarra,â€
were completed in 1878
during Sarasate's first
concert tour through
Scandinavia. After their
initial performances, the
lyrical
“Romanzaâ€
soon outstripped its
brilliant sister piece in
popularity, and
thereafter it was one of
Sarasate's compositions
that he played most often
himself. Since then, this
piece has lost nothing of
its charm, and it is now
available as a
stand-alone edition in
the Henle catalogue.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
