Folk Tales, Fairy Tales, and Nursery Rhymes for Primary Music Students. C...(+)
Folk Tales, Fairy
Tales, and Nursery Rhymes
for Primary Music
Students. Composed by
Greg Foreman and Valeaira
Luppens. This edition:
Primary Book and Enhanced
CD. Book;
Classroom/Pre-School;
Enhanced CD; General
Music and Classroom
Publications;
Reproducible. Folk. 68
pages. Published by
Alfred Music (AP.45332).
Folk Tales, Fairy Tales, and Nursery Rhymes for Intermediate Music Students(+)
Folk Tales, Fairy
Tales, and Nursery Rhymes
for Intermediate Music
Students. Composed by
Greg Foreman and Valeaira
Luppens. This edition:
Intermediate Book and
Enhanced CD. Book;
Classroom/Pre-School;
Enhanced CD; General
Music and Classroom
Publications;
Reproducible. Folk. 84
pages. Published by
Alfred Music (AP.45329).
Fairy Tales, Op. 132
(Märchenerzählungen)
(Clarinet in B-flat
(Violin), Viola and
Piano). By Robert
Schumann. Edited by Ernst
Herttrich. Score and
Parts. Henle Music
Folios. Softcover. 56
pages. G. Henle #HN917.
Published by G. Henle
By Karol Szymanowski (1882-1937). Arranged by Oramo Sakari. For High Voice, Pian...(+)
By Karol Szymanowski
(1882-1937). Arranged by
Oramo Sakari. For High
Voice, Piano. Piano
reduction/vocal score.
Op.31. 29 pages.
Published by Universal
Edition
Piano SKU: BR.MN-12064 A Fairy Tale in Music (with CD). Composed b...(+)
Piano
SKU:
BR.MN-12064
A
Fairy Tale in Music (with
CD). Composed by
Ronald Poelman. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Music pedagogy. Score.
Composed 2009. 40 pages.
Breitkopf and Haertel #MN
12064. Published by
Breitkopf and Haertel
(BR.MN-12064).
ISBN
9790004792063. 8.5 x 11.5
inches. German / French /
English /
Dutch.
The story of
the bird who suddenly
knew what to wish for a
third wish. Text in
German, French, English
and Dutch. CD with
recordings in all four
languages.Oiseau libre -
un petit conte
musicalVogel zonder
wensen - sprookje in
muziek.
A Fairy Tale Piano seul [Set de Parties séparées] LudwigMasters Publications
Piano Solo SKU: AP.36-M219791 Composed by Frank Bridge. Performance Music...(+)
Piano Solo
SKU:
AP.36-M219791
Composed by Frank Bridge.
Performance Music
Ensemble; Solo Piano.
Master Piano Series.
Part(s). LudwigMasters
Publications #36-M219791.
Published by
LudwigMasters
Publications
(AP.36-M219791).
ISBN
9781682962985. UPC:
660355108884.
English.
A major
work in four movements by
this masterful British
composer, Frank Bridge
(1871-1941). Dating from
1917 and little-known,
the work is largely
light, despite World War
I looming so large in the
world. Reprint of the
first edition. Movements:
The Princess; The Ogre;
The Spell; The
Prince.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Score and Parts Clarinet; Piano; Viola (Score & Parts) SKU: HL.49045889 <...(+)
Score and Parts Clarinet;
Piano; Viola (Score &
Parts)
SKU:
HL.49045889
Five
pieces in fairy-tale
style for Clarinet, Viola
and Piano Score and
Parts. Composed by
Joerg Widmann. Ensemble.
Classical. Softcover. 120
pages. Duration 1740
seconds. Schott Music
#ED22487. Published by
Schott Music
(HL.49045889).
9.0x12.0x0.33
inches.
As far back
as I can remember, I have
always been fascinated
with fairy tales: with
their archetypal
characters and set
phrases like'Once upon a
time...'and'...they all
lived happily ever
after'. Fairy tales were
however also a source of
unrest for me as a
seismograph of mankinds
underlying primal fears
and desires. So as a
performer and composer I
have always felt that
Robert Schumann's
Marchenerzahlungen [Fairy
Tales] (scored for the
same instrumentation as
my own composition) was a
disjointed, complex
contemporary work -
despite the innocence and
naivety of its initial
appearance. I therefore
do not intend my own Es
war einmal (Once upon a
time...)to be a mere
sentimental, nostalgic
flight into the distant
past, but as a naive and
fantastical alternative
concept to our genuine
world with all its
upheavals. Jorg
Widmann.
Score (Vocal Score) SKU: HL.49045653 Vocal Score. Composed by Rodi...(+)
Score (Vocal Score)
SKU: HL.49045653
Vocal Score.
Composed by Rodion
Shchedrin. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical, Opera.
Softcover. Composed
2014-2015. 432 pages.
Duration 120'. Schott
Music #ED22785. Published
by Schott Music
(HL.49045653).
ISBN
9790001165716. UPC:
841886032118.
9.0x12.0x1.136 inches.
Russian. - Shchedrin
-.
Bozena Nemtsova
is one of the foremost
Czech authors of the 19th
century and among the
greatest storytellers,
with her treasure trove
of fairy tales. Her
stories also enjoy great
popularity in Russia: The
Twelve Months translated
by Nikolai Leskov,
provides the basis for
Rodion Shchedrin's opera,
A Christmas Tale. With
traces of familiar fairy
tales such as Cinderella
and Snow White, the story
tells of a beautiful,
hardworking but unloved
stepdaughter and her
search for a violet in
the snow. Ultimately she
receives help from the
months of the year and
her kindheartedness is
rewarded.
The Master Cat Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
By Angelo Sormani. Concert band. For flexible 5-parts instrumentation and percus...(+)
By Angelo Sormani.
Concert band. For
flexible 5-parts
instrumentation and
percussion with narrator.
Music and narration,
inspired by Perrault's
fairy tale. Fairy Tale.
Grade 3. Score and set of
parts. Duration 34:00.
Published by Scomegna
Edizioni Musical srl
Score and Parts Chamber Ensemble; Piano Accompaniment (Score & Parts) - intermed...(+)
Score and Parts Chamber
Ensemble; Piano
Accompaniment (Score &
Parts) - intermediate to
advanced
SKU:
HL.49046031
For
Viola, Clarinet, and
Piano. Composed by
Robert Schumann. Edited
by Elisa Novara. This
edition: Saddle
stitching. Sheet music.
Ensemble. Stucke nach
Robert Schumann.
Classical. Softcover. Op.
132. 44 pages. Schott
Music #ED22751. Published
by Schott Music
(HL.49046031).
ISBN
9790001165297. UPC:
841886031678.
9.0x12.0x0.213
inches.
The
Fairy-Tale Narratives
(Märchenerzählungen
) for B-flat Clarinet (ad
libitum Violin), Viola
and Piano, Op. 132,
belong to the few
Schumann works that were
composed, revised and
published in a short
time: composed in
Düsseldorf, at
beginning of October
1853, the new composition
was already offered for
publication to the
Breitkopf & Härtel
publishing house on 3
November and printed in
February1854. Composition
and publication of the
Märchenerzählungen
were accompanied, though,
by difficult times, the
final days before the
composer was admitted to
the psychiatric clinic in
Endenich. The work's
reception lies in the
shadow of the last
creative period: The
pieces were associated
with his life's darker
phases and were very
little played. The
Märchenerzählungen
transmit Schumann's
single work for this
unusual piano trio with
viola and clarinet. The
only well-known earlier
example in this setting
at that time is Mozart's
“Kegelstattâ€
Trio K 498 (composed in
1786). Schumann was
certainly already
acquainted with the work
from his Leipzig years -
it was played in one of
the “quartet
sessions†in 1829.
This edition is based on
a new edition of all
Schumann works, Volume II
/ 3.
(Audio Sampler (includes actor script and listening CD)). For Choral (AUDSAMPLER...(+)
(Audio Sampler (includes
actor script and
listening CD)). For
Choral (AUDSAMPLER).
Recorded Promo -
Stockable. Published by
MTI (Music Theatre
International)
Piano Accompaniment, Viola (Score and Solo Part) - intermediate to advanced S...(+)
Piano Accompaniment,
Viola (Score and Solo
Part) - intermediate to
advanced
SKU:
HL.49046045
Viola
and Piano. Composed
by Robert Schumann.
Edited by Armin Koch.
This edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. Composed 1851.
Op. 113. 40 pages. Schott
Music #VAB93. Published
by Schott Music
(HL.49046045).
ISBN
9790001165242. UPC:
841886031623. 9x12
inches.
In the
summer of 1852, Vier
Stücke ['Four
Pieces'] for viola and
piano by Robert Schumann
were published under the
title Märchenbilder
['Fairy-Tale Pictures']
by the Kassel publishing
house Luckhardt, with a
particularly expressive
vignette on the
titlepage. Unusual were
both this title
Märchenbilder, on
the one hand, and the
scoring with a solo
viola, on the other. With
the viola in a soloistic
role in chamber music,
Schumann's
Märchenbilder, Op.
113, offers a rather
unfamiliar, but all the
more delightful
sound.
Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Set
of parts. 50 pages.
Duration 12'. Breitkopf
and Haertel #OB 5505-30.
Published by Breitkopf
and Haertel
(BR.OB-5505-30).
ISBN
9790004337806. 10 x 12.5
inches.
A visit to
the opera whetted the
composers creative
appetite to explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5505-19. Published by
Breitkopf and Haertel
(BR.OB-5505-19).
ISBN
9790004337776. 10 x 12.5
inches.
A visit to
the opera whetted the
composers creative
appetite to explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Full
score. 72 pages. Duration
12'. Breitkopf and
Haertel #PB 5505.
Published by Breitkopf
and Haertel (BR.PB-5505).
ISBN 9790004211519. 10
x 12.5 inches.
A
visit to the opera
whetted the composers
creative appetite to
explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5505-27. Published by
Breitkopf and Haertel
(BR.OB-5505-27).
ISBN
9790004337790. 10 x 12.5
inches.
A visit to
the opera whetted the
composers creative
appetite to explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5505-23. Published by
Breitkopf and Haertel
(BR.OB-5505-23).
ISBN
9790004337783. 10 x 12.5
inches.
A visit to
the opera whetted the
composers creative
appetite to explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5505-15. Published by
Breitkopf and Haertel
(BR.OB-5505-15).
ISBN
9790004337752. 10 x 12.5
inches.
A visit to
the opera whetted the
composers creative
appetite to explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5505-16. Published by
Breitkopf and Haertel
(BR.OB-5505-16).
ISBN
9790004337769. 10 x 12.5
inches.
A visit to
the opera whetted the
composers creative
appetite to explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
A Traditional Tale Told Anew. By Andy Beck And Brian Fisher. Childrens Musicals ...(+)
A Traditional Tale Told
Anew. By Andy Beck And
Brian Fisher. Childrens
Musicals and Programs.
Choral. Singers Edition
and Preview CD. Published
by Alfred Publishing.
Level: Late
Elementary.
Jazzy Fairytales Formation musicale - Solfège [Partition + CD] Alfred Publishing
(1. The Three Jazzy Little Pigs 2. The Three Jazzy Goats 3. The Three Jazzy Bea...(+)
(1. The Three Jazzy
Little Pigs 2. The Three
Jazzy Goats 3. The Three
Jazzy Bears). By Retold
by Susan Milligan and
Louise Rogers, Louise
Rogers and Rick Strong.
Book; CD;
Classroom/Pre-School;
General Music and
Classroom Publications;
Other Classroom. Jazz. 68
pages. Published by
Alfred Music Publishing
SKU: AP.44281 Volume 2. A Resource Guide for Introducing Jazz M...(+)
SKU: AP.44281
Volume 2. A
Resource Guide for
Introducing Jazz Music to
Young Children.
Composed by Louise Rogers
and Susan Milligan.
Classroom/Pre-School;
General Music and
Classroom Publications;
Other Classroom. Jazz.
Book and CD. 80 pages.
Alfred Music #00-44281.
Published by Alfred Music
(AP.44281).
ISBN
9781470620325. UPC:
038081498768.
English.
Another
delightful offering from
classroom teacher and
storyteller Susan
Milligan and jazz singer
and music teacher Louise
Rogers, Jazzy Fairy Tales
Volume II continues the
jazz adventures for young
children with three new
fairy tales designed to
bring jazz music into
your classroom. The
activities provided are a
charming way to introduce
young children to jazz
with the musical stories
of Georgie the Jazzy
Giant, The Gunnigator,
and The Jazzy Gingerbread
Man. Jazzy Fairy Tales II
Book and CD may be used
to supplement an existing
program or to provide a
ready-made, easy-to-use,
all-encompassing music
curriculum. The CD is
narrated and beautifully
sung by Louise Rogers
with easy
call-and-response
exercises and songs to
accompany the stories.
Jazzy Fairy Tales II is
user-friendly and
requires no previous
musical knowledge. A
delightful educational
resource for any
classroom! Recommended
for grades Pre-K to
3.