| Sing to God a Joyful Song Chorale SATB SATB, Orgue - Facile GIA Publications
SATB choir, cantor, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet ...(+)
SATB choir, cantor,
assembly, organ
accompaniment, trumpet 1
in B-flat, trumpet 1 in
C, trumpet 2 in B-flat,
trumpet 2 in C, trombone
1, trombone 2, timpani,
suspended cymbal - Early
intermediate SKU:
GI.G-6920 Introit
Hymn for Easter.
Composed by Lynn M. Trapp
and Robert Williams.
Arranged by Lynn M.
Trapp. Eastertide, Easter
Day, Easter 5 A, Easter 5
B, Easter 5 C. Corpus
Christi. Tune Name:
Llanfair. Sacred. Octavo.
12 pages. GIA
Publications #6920.
Published by GIA
Publications (GI.G-6920).
UPC: 785147692003.
English, Latin. Text
Source: Ant., Delores
Dufner, vv. Lectionary
for Mass, Psalm
98:1&ndash,3, Doxology.
Text by Delores Dufner.
Scripture: Psalm
98:1–3. The
assembly tune is the
well-known Easter hymn
llanfair, with a text
based on the Easter
introit. The choral
verses—new
composition—are
drawn from Psalm
98:1–3 and give
the choir truly
substantive material. Add
the brass, organ, and
percussion, and you have
a work that is worthy of
this feast. For assembly
with cantor or SATB
voices. A work that is
worthy of the Easter
feast. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing to God a Joyful Song - Full Score and Parts Chorale SATB SATB, Orgue GIA Publications
SATB choir, cantor, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet ...(+)
SATB choir, cantor,
assembly, organ
accompaniment, trumpet 1
in B-flat, trumpet 1 in
C, trumpet 2 in B-flat,
trumpet 2 in C, trombone
1, trombone 2, timpani,
suspended cymbal SKU:
GI.G-6920INST
Introit Hymn for
Easter. Composed by
Lynn M. Trapp and Robert
Williams. Arranged by
Lynn M. Trapp.
Eastertide, Easter Day:,
Easter 5 A, Easter 5 B,
Easter 5 C. Tune Name:
Llanfair. Sacred. Full
score and parts. 16
pages. GIA Publications
#6920INST. Published by
GIA Publications
(GI.G-6920INST). UPC:
785147692096. English,
Latin. Text Source: Ant.,
Delores Dufner, vv.
Lectionary for
Mass, Psalm
98:1–3, Doxology.
Text by Delores Dufner.
Scripture: Psalm
981–3. $33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Accent on Performance Classical Collection Orchestre d'harmonie Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 1)). Arr...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Trumpet 1)). Arranged by
John O'Reilly and Mark
Williams. Concert Band.
For Trumpet 1. Band
Supplement; Book;
Masterworks. Accent on
Performance. Masterwork
Arrangement. 24 pages.
Published b
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Advent of Hope, the Birth of Peace - Orchestration Orchestre Lorenz Publishing Company
Full orchestra SKU: LO.30-1687L A Christmas Cantata for Choir/Congrega...(+)
Full orchestra SKU:
LO.30-1687L A
Christmas Cantata for
Choir/Congregation
Worship Leader.
Composed by Robert Lau.
Choral, cantatas.
Christmas, Sacred.
Orchestration. Lorenz
Publishing Company
#30/1687L. Published by
Lorenz Publishing Company
(LO.30-1687L). UPC:
000308057782. Chris
tmas is that wonderful
time of the year when we
sing, come, thou
long-expected Jesus even
though we know he has
already come, and 'joy to
the world' even though we
know the world is not yet
completely joyful.
ôThese are the opening
words of this thoughtful
and expressive cantata-a
beautiful combination of
the meditative, as well
as the joyful, feelings
that remembering the
events of Christmas
brings. The congregation
is asked to join in the
singing of familiar
carols, and the choir is
given the opportunity to
sing beautifully crafted,
but never difficult, new
music for the season.
Performance time: 25-30
minutes. Flute 1 and 2,
B-flat Clarinet, Horn in
F, Trumpet 1, 2 and 3,
Trombone 1, 2 and 3,
Timpani, Percussion, Opt.
Harp, Violin 1 and 2,
Viola, Cello,
Contrabass. $349.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Canadian Brass - 15 Favorite Hymns - Trumpet 1
Ensemble de cuivres [Partie séparée] - Facile Hal Leonard
Easy Arrangements for Brass Quartet, Quintet or Sextet. Arranged by Larry Moore....(+)
Easy Arrangements for
Brass Quartet, Quintet or
Sextet. Arranged by Larry
Moore. Brass Ensemble.
Size 9x12 inches. 16
pages. Published by Hal
Leonard.
(2)$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Young Band Christmas Collection Orchestre d'harmonie Curnow Music
| | |
| Mass of the Sun of Justice / Misa Sol de Justicia Chorale SATB SATB, Piano - Facile GIA Publications
SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat...(+)
SATB choir, cantor,
assembly, keyboard
accompaniment, flute,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, trombone, violin 1,
violin 2, cello, guitar -
Early intermediate
SKU: GI.G-10297
Composed by Peter M.
Kolar. Mass. Sacred.
Octavo. With guitar chord
names. 64 pages. GIA
Publications #10297.
Published by GIA
Publications
(GI.G-10297). UPC:
785147029717. English,
Spanish. Text Source:
Revised Order of Mass
2010, Lectionary for
Mass. Misal
Romano, tercera
edición A
versatile Mass setting
for use throughout the
liturgical year, Mass
of the Sun of Justice /
Misa Sol de
Justicia is fully
bilingual, singable
entirely in English or in
Spanish, or any pastoral
combination of both
languages. At its core,
this setting is built on
assembly-minded melodies.
Much of the choral
writing is two-part,
albeit spelled out in
four voices, whereby the
basses frequently double
the soprano melody, and
the alto and tenor lines
essentially share a
single harmony in their
respective ranges,
splitting only at cadence
points for a fuller
effect. Optional descants
and divisi further expand
the voicing
possibilities. The
additional
instrumentation is
particularly spirited,
further enhancing these
sung texts for solemn
occasions. “Sun of
justice†is a term
used to reference Christ
with respect to his
second coming, as found
in the ancient
“Oâ€
antiphons. This title
appears in the Lectionary
among the Alleluia
options for the common of
the Blessed Virgin Mary,
and is, in fact, assigned
to the feast of Our Lady
of Guadalupe, celebrated
within the Advent season.
As such, the music is
“Advent-likeâ€
in nature—joyful
and filled with hope.Â
~~~~~ Una Misa
versátil para usar
durante todo el año
litúrgico, Mass of
the Son of Justice / Misa
Sol de Justicia es
completamente
bilingüe, se puede
cantar completamente en
inglés o en
español, o en
cualquier combinación
pastoral de ambos
idiomas. En esencia, este
arreglo se basa en
melodÃas para la
asamblea. Gran parte de
la escritura coral es de
dos partes, aunque
escrito para cuatro
voces, por lo que los
bajos con frecuencia
duplican la melodÃa de
soprano, y las lÃneas
de alto y tenor comparten
esencialmente una sola
armonÃa en sus
respectivos rangos,
dividiéndose solo en
los puntos de cadencia
para una melodÃa
más completa. Los
discante y divisi
opcionales amplÃan
aún más las
posibilidades de
sonorización. La
instrumentación
adicional es
particularmente animada,
mejorando aún más
estos textos cantados
para ocasiones solemnes.
Sol de justicia es un
término que se usa
para referirse a Cristo
con respecto a su segunda
venida, como se encuentra
en las antÃfonas O
antiguas. Este tÃtulo
aparece en el Leccionario
entre las opciones de
Aleluya para el común
de la SantÃsima Virgen
MarÃa y, de hecho,
está asignado a la
fiesta de Nuestra
Señora de Guadalupe,
celebrada dentro del
tiempo de Adviento. Como
tal, la música es en
esencia de
adviento—alegre y
llena de esperanza. ~~~~~
Preview select songs from
this mass setting in the
video below:. $7.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Testimony of Life Shawnee Press
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral
(Instrumental Consort)
SKU: HL.35029297
A Service of Lessons
and Carols Celebrating
the Life of Christ
Chamber
Orchestration.
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship, Sacred.
CD-ROM. Duration 2400
seconds. Published by
Shawnee Press
(HL.35029297). UPC:
884088951801.
5.0x5.0x0.19
inches. Chamber
Orchestration CD-ROM:
Written in a traditional
style and inspired by the
celebrated lessons and
carols format, Testimony
of Life presents the
life, death and
resurrection of Jesus
Christ. Comprised of
choral anthems, Scripture
and congregational songs,
the work also divides
easily into three
sections, enabling
directors to present the
work progressively
through Lent and Easter.
Choirs of any size will
enjoy the thoughtful part
writing and the easily
learned melodies. From
joyful celebrations of
Christ's early ministry
to the deep sadness of
His suffering and
crucifixion, from the
shadowed whispers of
Gethsemane to the
brilliant alleluias of
Easter, Testimony of Life
is a thoughtful mix of
artistry and ministry. A
full line of support
products is available to
enhance your performance.
Songs include: Prologue *
I Will Sing the Wondrous
Story * The Story Begins
* A Day of Rejoicing and
Praise * Hosanna, Loud
Hosanna * Banquet of
Mercy * Into the Garden *
When I Survey the
Wondrous Cross * A Day
Bright with Joy * I Know
that My Redeemer Lives.
Instrumentation: (1
Player per Part) Score
and parts for flute, oboe
clarinet, bassoon (sub.
Bass clarinet), trumpet,
percussion, harp, piano
(play from vocal score),
violin 1&2, viola,
cello, double bass. Can
work with woodwinds only
or with strings only. $175.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Accent on Performance Classical Collection Orchestre d'harmonie Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 2)). Arr...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Trumpet 2)). Arranged by
John O'Reilly and Mark
Williams. Concert Band.
For Trumpet 2. Band
Supplement; Book;
Masterworks. Accent on
Performance. Masterwork
Arrangement. 24 pages.
Published b
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song of the Spirit Mass - Choral / Accompaniment edition Chorale 3 parties SAB - Facile GIA Publications
SAB choir, cantor, priest, assembly, piano accompaniment, guitar, 2 C instrument...(+)
SAB choir, cantor,
priest, assembly, piano
accompaniment, guitar, 2
C instruments, B-flat
instrument 1, B-flat
instrument 2 - Early
intermediate SKU:
GI.G-10841 Composed
by Tony Alonso S.J. This
edition: Choral /
Accompaniment edition.
Eastertide, Pentecost.
Mass. Sacred. With guitar
chord names. 80 pages.
GIA Publications #10841.
Published by GIA
Publications
(GI.G-10841). English,
Greek, Latin. Text
Source: Revised Order of
Mass 2010, Lectionary
for Mass From
a simple, joyful Gospel
Acclamation based on the
tune LAMBILLOTTE
(Alleluia, Song of the
Spirit) comes this full
Mass setting where all
the sung portions are
based on that tune. While
featuring a driving,
rhythmic piano part,
there is also an
alternate accompaniment
with more intentional
melodic support that is
suitable for organ.
Optional instrumental
parts are intended for
trumpet and flute but may
be played by any
combination of C or
B-flat treble
instruments. With the
joyful exuberance of the
tune at its core, this
Mass setting is
especially well-suited to
Easter and Ordinary
Time. $8.35 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| One (Anthem Orchestration) Chorale SATB Lillenas Publishing Co.
SATB choir and accompaniment (soprano sax, trumpet 1, trumpet 2 & 3, horn 1 & 2,...(+)
SATB choir and
accompaniment (soprano
sax, trumpet 1, trumpet 2
& 3, horn 1 & 2, trombone
1 & 2, trombone 3,
percussion, rhythm,
guitar, violin 1 & 2,
viola, cello/bassoon)
SKU:
LP.765762182806
Composed by Dave Clark.
Arranged by Dave
Williamson. Anthems.
Contemporary and Sacred.
CD-ROM Anthem
Orchestration. Published
by Lillenas Publishing
Company
(LP.765762182806).
UPC:
765762182806. This
upbeat and joyful song
from Dave Clark and Dave
Williamson with just a
touch of international
flavor celebrates the
worldwide body of Christ
as one family.
Easy-to-learn melody and
accessible vocal
harmonies make this a
good choice for choirs of
any size and experience
level. DVD accompaniment
is available. $74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God, and God Alone Chorale SATB SATB, Orgue [Octavo] Hope Publishing Company
By Joel Raney. For SATB choir with optional Organ, Handbells and Brass. Choral m...(+)
By Joel Raney. For SATB
choir with optional
Organ, Handbells and
Brass. Choral music.
General, Sacred. Choral
octavo. 12 pages.
Published by Hope
Publishing Company
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Deo Gratias GIA Publications
SKU: GI.G-CD-992 Sacred. CD. GIA Publications #992. Published by GIA Publ...(+)
SKU: GI.G-CD-992
Sacred. CD. GIA
Publications #992.
Published by GIA
Publications
(GI.G-CD-992).
For many years,
GIA has published some of
the finest arrangements
for brass ensembles. Deo
Gratias offers quartets,
antiphonal trumpet duos,
trumpets with handbells,
and other
configurations—and
for a variety of seasons
and occasions. Whether
it’s a
transcription of a
Renaissance motet, a
fantasie on a beloved
German hymn, or something
triumphant for Christmas
or Easter, if
you’re in need of
a piece for your group,
you just might find what
you’re looking for
here. Of course, the
performances on Deo
Gratias make it a great
choice as a gift for
anyone—including
yourself! CONTENTS: Lift
High the Cross, TUCKER
(G-6572) • Two
Renaissance Motets, Vol.
1, trans. EVANS (G-6796)
• Two Renaissance
Motets, Vol. 1, trans.
EVANS (G-6796) • O
Come, O Come Emmanuel,
arr. TUCKER (G-6568)
• People Look East,
arr. TUCKER (G-6570)
• Chorale from
Christmas Oratorio, arr.
TUCKER (G-6516) •
Two Renaissance Motets,
Vol. 2, trans. and ed.
EVANS (G-6797) •
Two Renaissance Motets,
Vol. 2, arr. EVANS
(G-6797) • This
Joyful Eastertide, arr.
EVANS (G-6798) •
Immortal , Invisible, God
Only Wise, arr.
KELLERMEYER (G-7928)
• Fantasie on
“Ein’ Feste
Burg,†arr. EVANS
(G-6799) • Sing a
New Song to the Lord,
arr. HENDERSON (G-5676)
• Psallite II: Two
Dances, arr. HYSLOP
(G-5743) • Deo
Gratias, Fantasy on the
Plainchant, PROULX
(G-6869) •
Antiphony, PROULX
(G-4457) • All Hail
the Power of
Jesus’ Name, arr.
EVANOVICH (G-8077). $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Yamaha Band Student, Book 2 [Conducteur] Alfred Publishing
By Sandy Feldstein And John Oreilly. For Conductors Score. Band Method. Yamaha B...(+)
By Sandy Feldstein And
John Oreilly. For
Conductors Score. Band
Method. Yamaha Band
Method. Conductor Score.
176 pages. Published by
Alfred Publishing.
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Future of Tomorrow - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Cornet,
Cornet 2, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute,
Glockenspiel, Horn 1,
Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS245
Composed by Benjamin Yeo.
Folio. Cps. Set of Score
and Parts.
8+2+8+8+2+4+4+4+4+2+4+4+4
+4+6+6+4+4+8+2+2+1+4+1+2+
24 pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CPS245.
Published by Carl Fischer
Music (CF.CPS245).
ISBN 9781491158128.
UPC: 680160916726. 9 x 12
inches. ABOUT THE
MUSIC Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this anew ideaa needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE MUSIC
Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this 'new idea' needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE
MUSICFuture of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang.Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this
work.EDUCATIONAL
NOTESKey: Eb
MajorSECTIONBARSEVENT /
SCORING /
SUGGESTIONSIntroduction1-
4Opens in Eb major with
dotted rhythm motif.1st
Strain5-20Take note of
melodic phrasing above
the (light) oom-pah
ostinato;melody repeats
at m. 13 with the
addition of countermelody
in the inner lines;
although written at mf
dynamic, this ‘new
idea’ needs to be
heard clearly for
contrast with the
previous statement.2nd
Strain21-36C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29.Trio37-56Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.Break
Strain57-62Excerpt from
Rasa Sayang with some
play in tonality and
instrumental dialogue;
quasi grandioso-style
before the final
strain.Final
Strain63-82Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79.NOTE TO THE
CONDUCTORThis march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece.This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets.I wish you the best
in the performance of
this work.- Benjamin
Yeo. $85.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Future of Tomorrow - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Cornet,
Cornet 2, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute,
Glockenspiel, Horn 1,
Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS245F
Composed by Benjamin Yeo.
Sws. Cps. Full score. 24
pages. Carl Fischer Music
#CPS245F. Published by
Carl Fischer Music
(CF.CPS245F). ISBN
9781491158135. UPC:
680160916733. 9 x 12
inches. ABOUT THE
MUSIC Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this anew ideaa needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE MUSIC
Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this 'new idea' needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE
MUSICFuture of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang.Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this
work.EDUCATIONAL
NOTESKey: Eb
MajorSECTIONBARSEVENT /
SCORING /
SUGGESTIONSIntroduction1-
4Opens in Eb major with
dotted rhythm motif.1st
Strain5-20Take note of
melodic phrasing above
the (light) oom-pah
ostinato;melody repeats
at m. 13 with the
addition of countermelody
in the inner lines;
although written at mf
dynamic, this ‘new
idea’ needs to be
heard clearly for
contrast with the
previous statement.2nd
Strain21-36C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29.Trio37-56Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.Break
Strain57-62Excerpt from
Rasa Sayang with some
play in tonality and
instrumental dialogue;
quasi grandioso-style
before the final
strain.Final
Strain63-82Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79.NOTE TO THE
CONDUCTORThis march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece.This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets.I wish you the best
in the performance of
this work.- Benjamin
Yeo. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 100 Classic Melodies for Saxophone Saxophone [Partition] - Intermédiaire Kevin Mayhew
arranged by Simon Lasky. For Saxophone (All). solos. Kevin Mayhew Ltd. Classic. ...(+)
arranged by Simon Lasky.
For Saxophone (All).
solos. Kevin Mayhew Ltd.
Classic. Level:
Intermediate. Book. Size
9x12. 40 pages. Published
by Kevin Mayhew Ltd.
$15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Introits and Benedictions CD Chorale Hope Publishing Company
B-Flat Instrument, Trumpet SKU: HP.C6033C Arranged by Hal H. Hopson. Pian...(+)
B-Flat Instrument,
Trumpet SKU:
HP.C6033C Arranged by
Hal H. Hopson. Piano with
Optional B-flat Trumpet,
Tambourine & Maracas
(Included). General
Worship, Benediction,
Introit, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C6033C.
Published by Hope
Publishing Company
(HP.C6033C). UPC:
763628960339. Psalms 150,
Psalms 100, Romans 15:13,
John 14:27, Ephesians
2:14, Ephesians 2:15,
Ephesians 2:16, Ephesians
2:17, Ephesians
2:18. Original
introits and benedictions
This includes two
introits and two
benedictions all from the
pen of Hal Hopson. The
first introit, Praise the
Lord! is based on Psalm
150, the second, Come and
Be Joyful features a text
based on Psalm 100:1, 2,
5 and music from Vivaldi.
Song of Hope is a
benediction based on an
Argentine folk medley
with words by Alvin
Schutmaat and optional
parts for trumpet,
tambourine & Maracas. The
final benediction is a
setting of Dona Nobis
Pacem. $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Introits and Benedictions Chorale SATB [Octavo] Hope Publishing Company
Arranged by Hal H. Hopson. Benediction, Introit, General Worship, Sacred. Oct...(+)
Arranged by Hal H.
Hopson. Benediction,
Introit, General
Worship, Sacred. Octavo.
16 pages. Published by
Hope Publishing Company
(HP.C6033).
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
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