Arranged by Stan Pethel. Trumpet solo book (piano accompaniment part available s...(+)
Arranged by Stan Pethel.
Trumpet solo book (piano
accompaniment part
available separately) and
accompaniment CD for
trumpet. 16 pages.
Published by Hal Leonard.
Arranged by Joel Raney. For piano. Blues/Gospel/Spirituals/H ymntune. Sacred, Bl...(+)
Arranged by Joel Raney.
For piano.
Blues/Gospel/Spirituals/H
ymntune. Sacred, Blues,
Gospel, Spirituals,
Hymntune. Piano
Collection. 86 pages.
Published by Hope
Publishing Company
Hymnprov Piano, Voix et Guitare [Partition] Word Music
Contemporary Improvisation for Solo Piano. Arranged by Larry Dalton. Piano/Vocal...(+)
Contemporary
Improvisation for Solo
Piano. Arranged by Larry
Dalton.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 64 pages.
Published by Word Music
Composed by Various. Transcontinental Music Folios. Jewish. Softcover Audio O...(+)
Composed by Various.
Transcontinental Music
Folios. Jewish. Softcover
Audio Online.
Transcontinental Music
#994023. Published by
Transcontinental Music
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and...(+)
Fake book for voice and C
instrument. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. Series: Hal
Leonard Paperback Songs.
255 pages. Published by
Hal Leonard.
Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano...(+)
100 Carols for Choirs by
David Willcocks; John
Rutter. For Mostly SATB
and piano. Mixed Voices.
. . . for Choirs
Collections. Advent,
Christmas, Epiphany,
Easter, Sacred, Secular.
Paperback. 388 pages.
Published by Oxford
University Press
By David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . ...(+)
By David Willcocks; John
Rutter. For Mostly SATB
and piano. Mixed Voices.
. . . for Choirs
Collections. Christmas
Choral Collection. Pack
of 10 copies. 384 pages
With Suggested Chordal Accompaniment. Composed by Craig Duncan. Violin,Guita...(+)
With Suggested Chordal
Accompaniment. Composed
by
Craig Duncan.
Violin,Guitar:
Gospel and
Sacred,Style,Featured
Products,Duets and
Ensembles,Solos,Duets and
Ensemble,Solos,Holiday:
Christmas,. 100 Hymns.
Book.
124 pages. Published by
Mel
Bay Publications, Inc
With Suggested Chordal Accompaniment. Composed by Craig Duncan. Squareback ...(+)
With Suggested Chordal
Accompaniment. Composed
by
Craig Duncan. Squareback
saddle stitch, Solos,
Holiday: Christmas,
Duet/Ensemble, Duets and
Ensemble. 100 HYMNS.
Style.
Book. 124 pages. Mel Bay
Publications, Inc #30703.
Published by Mel Bay
Publications, Inc
Shadowy fish [Conducteur et Parties séparées] Breitkopf & Härtel
Piano Quintet SKU: BR.EB-9399 Hommage a Schubert. Composed by Chri...(+)
Piano Quintet
SKU:
BR.EB-9399
Hommage
a Schubert. Composed
by Christian Mason.
Chamber music; stapled.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score and
parts. Composed 2020. 72
pages. Duration 15'.
Breitkopf and Haertel #EB
9399. Published by
Breitkopf and Haertel
(BR.EB-9399).
ISBN
9790004188736. 9 x 12
inches.
One of my
favourite pieces of music
as a child - and I still
love it - was Schubert's
Trout Quintet. It was
partly the wonderful
music, of course, so
light-hearted and joyful
on the surface, yet with
twists and turns and
murky depths of feeling
too. But I also liked the
picture of a trout on the
album sleeve - such
beautiful creatures! Last
year, while resident at
the Villa Concordia in
Bamberg, as I took daily
walks along the Regnitz
river, I observed the
trout as they calmly
hovered and swayed in the
shallows... But if they
felt my shadow they were
gone in a split second!
If you ever get a chance
to look closely at brown
trout you see that they
are covered in myriad
brown/red spots of varied
sizes; camouflage I
suppose. Now those
patterns seem to be
mixing in my mind with
the shifting colours of
the spectral arpeggios
that flow through this
little piece. It's a
watery piece, with
rippling waves,
shimmering surfaces and
textural veils around the
melodies which flow
through it. But it also
takes inspiration (and
it's title) from a Pablo
Neruda poem: the third
stanza of Every Day You
Play includes the line
The sky is a net crammed
with shadowy fish.
There's no singer, but I
imagine an invisible or
imaginary voice somewhere
behind (or beyond) the
music, and so the score
includes a melodic
setting of the text. Even
though this is not
performed by a voice, the
melody is always played
by the ensemble -
especially high register
cello - making the piece
something like the
inverse of a song without
words. (Christian
Mason)
World
premiere:
Aix-en-Provence, October
16, 2020 Commissioned by
the Grand Theatre de
Provence -
Aix-en-Provence.
With Suggested Chordal Accompaniment. Composed by William Bay. Flute, Fife and...(+)
With Suggested Chordal
Accompaniment. Composed
by
William Bay. Flute, Fife
and
Oboe,Guitar: Gospel and
Sacred,Style,Duets and
Ensembles,Solos,Duets and
Ensemble,Solos,Holiday:
Christmas. 100 Hymns.
Book.
124 pages. Published by
Mel
Bay Publications, Inc
With Suggested Chordal Accompaniment. Composed by William Bay. Guitar: Gospe...(+)
With Suggested Chordal
Accompaniment. Composed
by
William Bay. Guitar:
Gospel
and Sacred,Style,Trumpet
and
Bugle,Duet and
Ensembles,Solos,Duets and
Ensemble,Solos,Holiday:
Christmas. 100 Hymns.
Book.
124 pages. Published by
Mel
Bay Publications, Inc