| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Little Black Songbook: Cat Stevens Guitare [Partition] Music Sales
For Guitar. The little book with all the BIG songs. Lyric and Chord book. Publis...(+)
For Guitar. The little
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book. Published by Wise
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By Cat Stevens. For Guitar. Folk, Pop, Rock. Sheet Music. 304 pages. Published b...(+)
By Cat Stevens. For
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Sheet Music. 304 pages.
Published by Wise
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Complete Lyrics for 200 Songs. By Various Composers. Lyric Library. Size 6x9 inc...(+)
Complete Lyrics for 200
Songs. By Various
Composers. Lyric Library.
Size 6x9 inches. 246
pages. Published by Hal
Leonard.
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| The Promised Land (Piano/Vocal Score) Piano, Voix Schirmer
Composed by Gwyneth W. Walker (1947-). Secular. Published by E.C. Schirmer Publi...(+)
Composed by Gwyneth W.
Walker (1947-). Secular.
Published by E.C.
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(EC.8247).
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| Suzuki Bass School, Volume 3 Contre Basse [Partition + CD] Alfred Publishing
(Bass Part). Composed by Dr. Shinichi Suzuki. For Bass. This edition: Revised. B...(+)
(Bass Part). Composed by
Dr. Shinichi Suzuki. For
Bass. This edition:
Revised. Book; CD;
Method/Instruction;
String - Bass (Suzuki);
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Guitar SKU: GI.G-006425-P2 Sacred. Guitar part. GIA Publications #006425-...(+)
Guitar SKU:
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Sacred. Guitar part. GIA
Publications #006425-P2.
Published by GIA
Publications
(GI.G-006425-P2).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date
quarterly missal with a
complete, beautifully
softbound hymnal. We
Celebrate provides
parishes with the finest
in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Quarterly
Missal contains all of
the readings and prayers
for Sundays and Holy
Days. Each issue provides
catechetical tools to
help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate
Quarterly Missal. We
Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette and
Celebremos!/Let Us
Celebrate!. For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
708-613-8981 or email
(suzanneo@giamusic.com
for pricing. Click on
this link to view music
index pages from the We
Celebrate Hymnal. We
Celebrate Hymnal and
Missal (missal
published four times a
year, hymnal published
every three years) 25
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| We Celebrate Keyboard Landscape Accompaniment Pages Vol 1 GIA Publications
SKU: GI.G-006424-P1 Sacred. GIA Publications #006424-P1. Published by GIA...(+)
SKU:
GI.G-006424-P1
Sacred. GIA Publications
#006424-P1. Published by
GIA Publications
(GI.G-006424-P1).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date
quarterly missal with a
complete, beautifully
softbound hymnal. We
Celebrate provides
parishes with the finest
in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Quarterly
Missal contains all of
the readings and prayers
for Sundays and Holy
Days. Each issue provides
catechetical tools to
help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate
Quarterly Missal. We
Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette and
Celebremos!/Let Us
Celebrate!. For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
708-613-8981 or email
(suzanneo@giamusic.com
for pricing. Click on
this link to view music
index pages from the We
Celebrate
Hymnal. . $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Celebrate Cantor/Guitar Edition Binder Vol 2 Guitare GIA Publications
Guitar SKU: GI.G-006425-B2 Sacred. Guitar part. GIA Publications #006425-...(+)
Guitar SKU:
GI.G-006425-B2
Sacred. Guitar part. GIA
Publications #006425-B2.
Published by GIA
Publications
(GI.G-006425-B2).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date missal
with a complete,
beautifully softbound
hymnal. We Celebrate
provides parishes with
the finest in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Missal contains
all of the readings and
prayers for Sundays and
Holy Days. Each issue
provides catechetical
tools to help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate Missal.
We Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette®
and Celebremos!/Let Us
Celebrate!. For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
(missalsandhymnals@giamus
ic.com) for pricing.
Click on this link to
view music index pages
from the We Celebrate
Hymnal. . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Celebrate Keyboard Landscape Accompaniment Pages Vol 2 GIA Publications
SKU: GI.G-006424-P2 Sacred. GIA Publications #006424-P2. Published by GIA...(+)
SKU:
GI.G-006424-P2
Sacred. GIA Publications
#006424-P2. Published by
GIA Publications
(GI.G-006424-P2).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date
quarterly missal with a
complete, beautifully
softbound hymnal. We
Celebrate provides
parishes with the finest
in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Quarterly
Missal contains all of
the readings and prayers
for Sundays and Holy
Days. Each issue provides
catechetical tools to
help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate
Quarterly Missal. We
Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette and
Celebremos!/Let Us
Celebrate!. For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
708-613-8981 or email
(suzanneo@giamusic.com
for pricing. Click on
this link to view music
index pages from the We
Celebrate
Hymnal. . $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Celebrate Keyboard Landscape Accompaniment Binder Vol 2 GIA Publications
SKU: GI.G-006424-B2 Sacred. GIA Publications #006424-B2. Published by GIA...(+)
SKU:
GI.G-006424-B2
Sacred. GIA Publications
#006424-B2. Published by
GIA Publications
(GI.G-006424-B2).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date missal
with a complete,
beautifully softbound
hymnal. We Celebrate
provides parishes with
the finest in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Missal contains
all of the readings and
prayers for Sundays and
Holy Days. Each issue
provides catechetical
tools to help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate Missal.
We Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette and
Celebremos!/Let Us
Celebrate!. For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
(missalsandhymnals@giamus
ic.com) for pricing.
Click on this link to
view music index pages
from the We Celebrate
Hymnal. . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 100 Solos - Flute Flûte traversière Music Sales
For Flute. Composed by Various. Music Sales America. Classical Period, Folk and ...(+)
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100 Solos. Pop and Rock. Book Only. Music Sales #MUSAM38365. Published by Mus...(+)
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By Robin De Smet (Arranger). For Clarinet. Pop. Sheet Music. 96 pages. Published...(+)
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Pop. Sheet Music. 96
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Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
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Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
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Published
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Songs from the 21st Century. Composed by Various. Vocal Collection. Softcover....(+)
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Composed by William Averitt. Multi-Movement/Large Choral Work. 21st Century. S...(+)
Composed by William
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Multi-Movement/Large
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Work. 21st Century.
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E.C. Schirmer Publishing
#8656. Published by E.C.
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Music Sales
$27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata for Eb Clarinet and Piano Clarinette et Piano Theodore Presser Co.
Composed by Sean Osborn. Score and part(s). With Standard notation. 32 pages. Du...(+)
Composed by Sean Osborn.
Score and part(s). With
Standard notation. 32
pages. Duration 17
minutes. Theodore Presser
Company #114-41866.
Published by Theodore
Presser Company
(PR.114418660).
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 100 Solos: Clarinet Clarinette Amsco Wise Publications
Arranged by Robin de Smet. 100 Solos. Pop and Rock. Book Only. Wise Publicatio...(+)
Arranged by Robin de
Smet.
100 Solos. Pop and Rock.
Book
Only. Wise Publications
#MUSAM33689. Published by
Wise Publications
$27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mills on the Merrimack Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Composed by Robert Sheldon. Concert Band. Concert Band; Part(s); Score. Alfred C...(+)
Composed by Robert
Sheldon. Concert Band.
Concert Band; Part(s);
Score. Alfred Concert
Band. Grade 3. 268 pages.
Published by Alfred Music
$78.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mills on the Merrimack Orchestre d'harmonie - Intermédiaire Alfred Publishing
Concert Band - Grade 3 SKU: AP.44194S Composed by Robert Sheldon. Concert...(+)
Concert Band - Grade 3
SKU: AP.44194S
Composed by Robert
Sheldon. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Score. 20 pages. Duration
3:45. Alfred Music
#00-44194S. Published by
Alfred Music (AP.44194S).
UPC: 038081498126.
English. Mills on
the Merrimack presents a
musical portrait of
Lowell, MA and its mill
town traditions. Opening
with a view of the river
on a misty morning, the
music flows with the
river into the city of
Lowell where industry and
the Irish heritage of its
settlers is represented.
These two main musical
themes are then brought
together in a way that
depicts the bond between
the city and its founding
citizens. (3:45) This
title available in
MakeMusic Cloud. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Complete Worship Suites Piano seul - Intermédiaire/avancé Alfred Publishing
(18 Expressive Suites Arranged for Solo Piano Correlated with Scriptural Themes)...(+)
(18 Expressive Suites
Arranged for Solo Piano
Correlated with
Scriptural Themes). For
Piano. Piano Suite.
Sacred Performer Worship
Suites. Sacred. Late
Intermediate / Advanced.
Book. 196 pages.
Published by Alfred Music
Publishing
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Some Cozy Christmas Piano Piano seul - Intermédiaire Lorenz Publishing Company
Composed by Phil Larson. Sacred, Christmas. Lorenz Publishing Company #70/2325...(+)
Composed by Phil Larson.
Sacred, Christmas. Lorenz
Publishing Company
#70/2325L.
Published by Lorenz
Publishing Company
$22.95 - Voir plus => Acheter | | |
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