SATB choir, a cappella (SATB) - easy

SKU: OU.9780193396296

Composed by Libby Larsen. Christmas Songs & Carols - Mixed Voices. Christmas. Vocal score. 4 pages. Duration 4'. Oxford University Press #9780193396296. Published by Oxford University Press (OU.9780193396296).

ISBN 9780193396296. 10 x 7 inches.

For SATB unaccompanied Originally published in the anthology, An American Christmas, this is a serene setting of a macaronic text by M. K. Dean describing the song the angels sang for the birth of the Christ-child.

(16 carols and carol arrangements from North America). By Jerry Rubino. For SATB choir (with occasional divisions) and piano/unaccompanied. Mixed Voices. Christmas, Choral Collection. Vocal score. 128 pages. Published by Oxford University Press (OU.97801933

By Charles E. Callahan, Jr. (1951-). For SAB choir (a cappella) (SAB choir, a cappella). Choral Music. Choral. Christmas. Medium. Octavo. Published by MorningStar Music Publishers

SKU: GI.G-018070

Composed by Michael O'Connor and Richard Proulx. Sacred. Full score. 16 pages. GIA Publications #018070. Published by GIA Publications (GI.G-018070).

UPC: 641151125848.

Missa Simplex, one of WLP’s simplest musical settings of the new translation of The Roman Missal, has fast become one of our most popular. Shortly before his death, Richard Proulx wrote the Gloria Simplex,(WLP 005304),� � a straightforward and easily learned chant setting of the newly revised Gloria. The simple melodic pattern of the chant is repeated throughout the setting as the Gloria unfolds, with a few musical surprises that result in a setting that is anything but boring! After Proulx’s untimely death, Michael O’Connor, O.P., utilizing the melodic structure of Proulx’s work, set the rest of the components of the Mass. The Gloria is widely used during Ordinary Time from the smallest parish with keyboard and cantor to this country’s largest cathedral communities, accompanied by pipe organ and supported by a large choir. Because of its simplicity, this setting has become the setting in many parishes for the seasons of Advent and Lent—minus the Gloria, of course! Chant has a universal Catholic sense, and this Mass setting captures that sense and brings the assembly into an intimacy with the newly translated texts of the Mass in a simple and at times haunting way. Highlights: One of the simplest settin gs GIA/WLP has to offer. The Gloria Simplex, written by Richard Proulx shortly before his death, is a chant setting with a simple melodic pattern—with some musical surprises! Michael O’Connor continued Proulx’s work by utilizing the melodic structure for the remaining components of the Mass. Used in parishes with only keyboard and cantor, but also widely used in large cathedrals with pipe organ and a large choir. An ideal Mass setting for Advent and Lent.

By Antonin Dvorak. Arranged by Ruth Elaine Schram. For SSAB choir (optional cello). Choral. Octavo. Published by Shawnee Press.

SKU: GI.G-005310

Christmas. Sacred. GIA Publications #005310. Published by GIA Publications (GI.G-005310).

This setting is the perfect way to introduce your parish to a new Gloria text during the Christmas season. Written in 1990 by well-known composer Brother Howard Hughes, SM, it was adapted for the 2011 translation by Alan Hommerding. Featuring the beloved refrain Gloria in Excelsis Deo from Angels We Have Heard on High, the seting has simple and accessible verses in chant style that your cantors will learn quickly. The third verse and final refrain feature an optional descant, and the final refrain has an alternate harmony. The accompaniment is accessible for both organ and piano, and includes chord symbols for guitarists.

(Angels We Have Heard on High). By Robert E. Foster Jr. For concert band. Early Achievement Series. Christmas/Holiday. Grade 1. Score and set of parts. Duration 1:38. Published by Wingert-Jones Publications

(A Choral Movement DVD). Choral DVD; DVD. Choral Movement Series. Published by Alfred Music

By Michael Preatorius. Arranged by Hal H. Hopson. For Voices: SAB. Keyboard accompaniment. Choral Sacred. Level: easy. 5 pages. Published by GIA Publications.

SKU: GI.G-1064

Composed by Tony Alonso S.J. Sacred. GIA Publications #1064. Published by GIA Publications (GI.G-1064).

UPC: 785147006428.

From the music of the Buena Vista Social Club to Gloria Estefan, the lyrical melodies and infectious rhythms of Cuban music have become embedded in U.S. culture. With Caminemos con Jesús / Let Us Walk with Jesus, composer Tony Alonso presents a groundbreaking collection of liturgical music that calls on his own Cuban musical heritage to provide new ways of singing the liturgy in Spanish, English or bilingually. The first project of its kind, Caminemos con Jesús not only utilizes rich Cuban idioms but also explores what style and musical form can teach us about praying together across cultural and linguistic boundaries. The dynamic call-and-response form that is a hallmark of traditional Cuban music makes these songs especially compelling choices for bilingual worship, allowing assemblies to learn, internalize, and pray easily in both Spanish and English. “Qué Alegría Cuando Me Dijeron / I Rejoiced When I Heard Them Say” uses the words of the psalm as a rhythmic mantra, creating a fresh and engaging way to gather as the Body of Christ. “Letanía a la Madre de las Américas / Litany of Mary of The Americas,” invokes the Mary of many names and nations with a simple yet strong response that will enliven Marian feasts throughout the year. The gentle simplicity of “Tres Guajiros / Three Peasants” re-imagines the story of the Magi as humble peasants bringing gifts of the land to honor the newborn Jesus. Also, in this collection and for the first time in published form, is Gloria Estefan’s “Caridad,” a powerful and poetic prayer to Our Lady of Charity, the patroness of Cuba. All of the pieces of this collection focus on the importance of bringing the voices of the assembly to the forefront while the arrangements are skillfully crafted to be accessible to musicians of all abilities. In addition to the spiral-bound edition, individual octavos, and flute and brass parts, Caminemos con Jesús offers a special edition featuring parts for guitar, percussion and other instruments central to Cuban music. The studio recording is a stunning source of prayer and inspiration, produced in Miami by Grammy Award winner Juan Delgado and featuring some of the finest Cuban-American musicians today.  GIA Publications, Inc. is committed to responding to the rich diversity of the contemporary Church. With Caminemos con Jesús, we offer you our very best bilingual music for the liturgical year.  “The music of my father’s Cuban homeland has been the language of my heart for as long as I can remember. These songs infuse that rich tradition with the unique sabor of my own experience as a Cuban-American in a distinctly liturgical shape that I hope will inspire others in their daily camino con Jesús.” –Tony Alonso Featuring “Live Mercy, Be Holy / Vive la Misericordia, Vive la Santidad,” the 2020 Los Angeles Religious Education Congress theme song! Desde la música de Buena Vista Social Club hasta la de Gloria Estefan, las melodías líricas y ritmos contagiosos de la música cubana son incrustados en la cultura estadounidense. Con Caminemos con Jesús / Let Us Walk with Jesus, el compositor Tony Alonso presenta una colección innovadora de música litúrgica que incorpora su herencia musical cubana para producir una manera nueva de cantar la liturgia — en español, inglés o bilingüemente. El primer proyecto de este tipo, Caminemos con Jesús no sólo utiliza modismos ricos de Cuba sino también explora lo que el estilo y la forma musical nos pueden enseñar con respeto a rezar juntos a través de los límites culturales y lingüísticos.  La forma dinámica de llamada-y-respuesta que es un sello distintivo de la música cubana tradicional crea opciones cautivadoras para los rituales bilingües donde la asamblea puede aprender, interiorizar y rezar facilmente tanto en español como en inglés. “Qué Alegría Cuando Me Dijeron” incorpora la letra del salmo como una mantra rítmica, creando una manera original para congregar al Cuerpo de Cristo. La “Letanía a la Madre de las Américas,” la cual invoca a la María de muchos nombres y naciones utilizando una respuesta sencilla y fuerte, enriquecerá a las fiestas marianas de muchos pueblos durante todo el año. La sencillez suave de “Tres Guajiros” reimagina la historia de los Reyes Magos como guajiros humildes, trayendo regalos de la tierra para honrar al recién nacido Jesús. También se encuentra en esta colección, por la primera vez en forma publicada, el tema musical “Caridad” por Gloria Estefan, que es una oración poderosa y poética a Nuestra Madre de Caridad, la patrona de Cuba. Todas las piezas en esta colección se enfocan en la importancia de las voces de la asamblea mientras los arreglos son accesibles para los músicos de todas habilidades. Además de la edición con espiral, las partituras corales individuales, y las ediciones para flauta y instrumentos de metal, Caminemos con Jesús también ofrece una edición para guitarra con partituras adicionales para percusión y otros instrumentos centrales en la música cubana. La grabación del estudio es espectacular, una fuente de oración y inspiración. Producido en Miami por el ganador de Grammy Juan Delgado, el álbum destaca los talentos de unos de los mejores músicos cubano-americanos de hoy día.  GIA Publications, Inc. está comprometido a responder a la diversidad rica de la Iglesia actual. En Caminemos con Jesús, les ofrecemos nuestra mejor música bilingüe para todo el año litúrgico. “La música de la tierra cubana de mi padre ha sido el lenguaje de mi corazón desde que yo tengo memoria. Estas canciones infunden esa rica tradición del sabor único de mi propia experiencia como cubanoamericano con una forma claramente litúrgica. Es mi deseo que esta obra inspire a los demás en su propio camino diario con Jesús”. –Tony Alonso  Incluye el canto tema, “Vive la Misericordia, Vive la Santidad / Live Mercy, Be Holy,” compuesto para el Congreso de Educación Religiosa de Los Angeles del 2020. CONTENTS / CONTENIDO: Arriba los Corazones / We Lift Up Our Hearts • Caminemos con Jesús / Let Us Walk with Jesus • Cántico de Daniel / Canticle of Daniel • Caridad / Our Lady of Charity • Letanía del Santo Nombre de Jesús / Litany of the Holy Name of Jesus • Letanía a la Madre de las Américas / Litany to the Mother of the Americas • Qué Alegría Cuando Me Dijeron / I Rejoiced When I Heard them Say • Una Gran Nube de Testigos / A Wondrous Cloud of Witnesses • Tres Guajiros / Three Peasants • Vayan Por el Mundo Entero / Go Out to All the World • Vive la Misericordia, Vive la Santidad / Live Mercy, Be Holy.  .

SATB choir, assembly, organ accompaniment, 2 octaves handbells - Beginning

SKU: GI.G-8528

Revised Order of Mass 2010. Composed by John Lee. Arranged by James Biery. Ritual Prayer. Sacred. Octavo. 12 pages. GIA Publications #8528. Published by GIA Publications (GI.G-8528).

UPC: 785147852803. English. Text Source: Revised Order of Mass 2010.

This elegant arrangement of the “Gloria” from John Lee’s Congregational Mass by James Biery contains two settings of the simple repeated melody in a falsobordone style. In the first setting, unison verses alternate with harmonized verses. Cantor, choir, and congregation may sing this setting unaccompanied or organ can be added to support the choral harmonization. The alternate setting is designed for congregations that know this piece well. Unison verses featuring a contrasting organ harmonization are sung in response to each falsobordone choral verse. This classic through-composed Gloria is an essential addition to a well-rounded choral library.  Optional 2 octaves Handbells.

Choral SSA choir, piano

SKU: CF.CM9772

Composed by Greg Gilpin. Duration 3 minutes, 16 seconds. Carl Fischer Music #CM9772. Published by Carl Fischer Music (CF.CM9772).

ISBN 9781491164433. UPC: 680160923335. Key: G major. English. Words adapted from Angels from the Realms of Glory by JAMES MONTGOMERY (1771-1854).

I've always enjoyed celebratory and rhythmic singing.  I also know there's a need for this style in treble voices. The holiday season is a perfect time to create such a work.The text of The Angels' Gloria is based on the familiar Montgomery hymn with original music. This work can be easily be done as a call and answer or antiphonal setting. Try using it as a processional, too. Hearing the voices surround the audience is always exciting for everyone and a superb teaching and learning experience.The accompaniment is intentionally simple and bell-like, supporting the three-part harmonies. I've also created a B-section that is a cappella in full three-part singing, rich and full giving lots of contrast to the piece.There is so much good teaching throughout the piece, making for interesting rehearsals and a terrific performance piece. I hope this adds just the right sparkle for your Christmas or holiday program.—Greg Gilpin.

Choral (SATB)

SKU: HL.35007834

Eartraining. Composed by Tomá and s Luis de Victoria. Arranged by James McKelvy. Mark Foster. Advent, Christmas Sacred, Christmas/Advent Sacred, Classical, Concert. Octavo. 8 pages. Shawnee Press #MF0404. Published by Shawnee Press (HL.35007834).

UPC: 747510051954. 7.0x10.5x0.016 inches. French.

Avoir une bonne oreille musicale fait indéniablement partie des éléments requis pour être ou devenir un bon pianiste. C’est bien simple... tout part de là ! Et tout passe par là !Mais à l’instar des doigts qui sont au contact du clavier, l’oreille doit aussi être formée et entraînée pour devenir performante. Et cela passe inévitablement par des exercicesspécifiqu es, tels que ceux qui vous sont proposés dans cette méthode. Savoir reconnaître les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C’estpourquoi un premier grand chapitre est consacré ici à leur étude approfondie. Dans les suivants, vous serez alors en mesure d’aborder, pas à pas, les arpèges et accords de 3 et 4 sons,ainsi que les gammes... qui sont autant d’outils indispensables pour identifier à l’oreille les mélodies et accompagnements joués par le piano. Chaque étape de l’apprentissage estponctuée d’un quiz musical, permettant d’évaluer vos acquis, vos progrès... mais aussi votre aptitude à passer à la suite. Vous trouverez sur le disque MP3 joint tous lesenregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la méthode.

Avoir une bonne oreille musicale fait indeniablement partie des elements requis pour etre ou devenir un bon pianiste. C'est bien simple... tout part de la ! Et tout passe par la ! Mais a l'instar des doigts qui sont au contact du clavier, l'oreille doit aussi etre formee et entrainee pour devenir performante. Et cela passe inevitablement par des exercices specifiques, tels que ceux qui vous sont proposes dans cette methode. Savoir reconnaitre les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C'est pourquoi un premier grand chapitre est consacre ici a leur etude approfondie. Dans les suivants, vous serez alors en mesured'aborder, pas a pas, les arpeges et accords de 3 et 4 sons, ainsi que les gammes... qui sont autant d'outils indispensables pour identifier a l'oreille les melodies et accompagnements joues par le piano. Chaque etape de l'apprentissage est ponctuee d'un quiz musical, permettant d'evaluer vos acquis, vos progres... mais aussi votre aptitude a passer a la suite. Vous trouverez sur le disque MP3 joint tous les enregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la methode.

SKU: JU.JMG1352

A Christmas Musical. Composed by Stan Pethel. Extended Works. InstruTrax CD. Jubilate Music Group #JMG1352. Published by Jubilate Music Group (JU.JMG1352).

UPC: 850055807761.

If you’re looking for an easily prepared musical treat for Christmas this year, Celebrate the Child is the answer! Created by the always creative yet practical Stan Pethel, the 2-part (opt. SATB) vocal scoring sings effortlessly. Classic contemporary songs such as Breath of Heaven (Amy Grant) and Gloria (Michael W. Smith) are masterfully blended with beloved carols and simple narration. It’s a work perfect for small choirs, senior choirs, ensembles, or any choir desiring a simple (though not simplistic) yet highly effective Christmas presentation. 20 minutes.

SATB Chorus

SKU: JU.JMG1350

A Christmas Musical. Composed by Stan Pethel. Extended Works. Vocal score. Jubilate Music Group #JMG1350. Published by Jubilate Music Group (JU.JMG1350).

ISBN 9781959503194. UPC: 850055807747.

If you’re looking for an easily prepared musical treat for Christmas this year, Celebrate the Child is the answer! Created by the always creative yet practical Stan Pethel, the 2-part (opt. SATB) vocal scoring sings effortlessly. Classic contemporary songs such as Breath of Heaven (Amy Grant) and Gloria (Michael W. Smith) are masterfully blended with beloved carols and simple narration. It’s a work perfect for small choirs, senior choirs, ensembles, or any choir desiring a simple (though not simplistic) yet highly effective Christmas presentation. 20 minutes.

Composed by Various. Edited by Richard Walters. Boosey and Hawkes Voice. Opera. Softcover. 258 pages. Published by Boosey and Hawkes

(Guitar, Keyboard)

SKU: HP.8172

Composed by Susan Heafield. This edition: Complete. Collection. Easter Sunday, Sacred. CD. Hope Publishing Company #8172. Published by Hope Publishing Company (HP.8172).

UPC: 763628181727. Susan Heafield & Brian Wren.

Volume Two, following We Can Be Messengers Volume Two, following We Can Be Messengers.

Congregation; guitar; keyboard

SKU: HP.8171

Composed by Susan Heafield. This edition: Complete. Songbooks. Easter Sunday, Sacred. Songbook. 78 pages. Hope Publishing Company #8171. Published by Hope Publishing Company (HP.8171).

UPC: 763628181710. Susan Heafield & Brian Wren.

25 songs for Easter Volume Two, following We Can Be MessengersVolume Two, following We Can Be Messengers.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500612

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Violin 2. 4 pages. Carus Verlag #CV 35.006/12. Published by Carus Verlag (CA.3500612).

ISBN 9790007212940. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500615

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Double Bass. 4 pages. Carus Verlag #CV 35.006/15. Published by Carus Verlag (CA.3500615).

ISBN 9790007212971. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500611

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Violin 1. 4 pages. Carus Verlag #CV 35.006/11. Published by Carus Verlag (CA.3500611).

ISBN 9790007212933. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500605

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Choral Score. 8 pages. Carus Verlag #CV 35.006/05. Published by Carus Verlag (CA.3500605).

ISBN 9790007162054. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score available separately - see item CA.3500600.

SATB choir, keyboard accompaniment, 2 C instruments, violin 1, violin 2, viola, cello, guitar - Early intermediate

SKU: GI.G-8208

Composed by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8208. Published by GIA Publications (GI.G-8208).

UPC: 785147820802. Latin. Text Source: From Gloria in excelsis.

A wonderful “bridge” piece of praise, “Laudamus te” celebrates and honors the traditions of different musical groups. It enables ensemble singers to experience linear, extended choral writing, while at the same time allowing the “traditional” choir to sing a simple Latin text over a piano/guitar accompaniment. The piece is rounded out by the use of strings and winds.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500619

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Set of Orchestra Parts. Carus Verlag #CV 35.006/19. Published by Carus Verlag (CA.3500619).

ISBN 9790007143282. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and parts available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500614

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Cello. 4 pages. Carus Verlag #CV 35.006/14. Published by Carus Verlag (CA.3500614).

ISBN 9790007212964. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500613

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Single Part, Viola. 4 pages. Carus Verlag #CV 35.006/13. Published by Carus Verlag (CA.3500613).

ISBN 9790007212957. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring. Score and part available separately - see item CA.3500600.

[SATB vocal soli], SATB choir, 2 violins, viola, [cello], basso continuo

SKU: CA.3500600

Kyrie and Gloria. arranged by Johann Sebastian Bach. Composed by Johann Christoph Pez. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa A-Moll. Bwv Anh.24, Zugleich Org. Sacred vocal music, Masses, Latin, Mass sections. Full score. 16 pages. Carus Verlag #CV 35.006/00. Published by Carus Verlag (CA.3500600).

ISBN 9790007142605. Text language: Latin.

Johann Sebastian Bach knew the value of good compositions by other composers, as is evidenced by contemporary accounts and by looking through the remains of his music library. However, in certain instances when copying works which he prepared for his own use he could seldom refrain from making corrections. In both of the following movements of the Missa Sancti Lambertie by Johann Christoph Pez Bach made only a few changes. With regard to his motive for copying out these rather simple movements, this may been due primarily to his inquisitiveness. In spite of their simplicity the vocal and instrumental parts are treated with ingenuity and the volume of sound is surprising, given the modest scoring.

Brass Band - Grade 3

SKU: BT.DHP-1074417-030

Composed by John Rutter. Arranged by Klaas van der Woude. Christmas Collection. Christmas. Set (Score & Parts). Composed 2007. De Haske Publications #DHP 1074417-030. Published by De Haske Publications (BT.DHP-1074417-030).

9x12 inches. English-German-French-Dut ch.

For a long time John Rutter has been the composer of contemporary music for choirs. His Gloria is world-known and also his Nativity Carol is sung all around the world at Christmas time. A simple melody of great beauty accompanied by perfect chords get you in the true Christmas spirit.

John Rutter (*1945) ist ein englischer Chorleiter und Komponist. Er hat neben Kirchen- und Weihnachtsliedern, einem Klavierkonzert, zwei Kinderopern sowie Musik fürs Fernsehen auch Instrumentalwerke für Ensembles wie das Philip Jones Brass Ensemble und die King’s Singers geschrieben. Klaas van der Woude bearbeitete das wunderschöne, ursprünglich für Chor geschriebene Weihnachtslied Nativity Carol für Brass Band.

SSAATB choir, a cappella (SATB) - easy

SKU: OU.9780193520349

Composed by Thomas Weelkes. Edited by Collins. Sacred choral - mixed voices. Tudor Church Music. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 3.5'. Oxford University Press #9780193520349. Published by Oxford University Press (OU.9780193520349).

ISBN 9780193520349. 10 x 7 inches.

For SSAATB unaccompanied.

About Tudor Church Music

A series of superb anthems spanning one of the greatest periods of English music. The anthems reflect many styles ranging from simple four-part chordal anthems to elaborate motets. They cover all the main seasons and festivals of the Church's year together with many anthems for general use.