Arranged by Mac Huff. (SAB). Choral. Size 6.8x10.5 inches. 24 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB). Choral. Size 6.8x10.5 inches. 24 pages. Published by Hal Leonard.

Arranged by Mac Huff. (2 part). Choral. Size 6.8x10.5 inches. 24 pages. Published by Hal Leonard.

Arranged by Mac Huff. (Showtrax Cd). Choral. CD only. Size 6.8x10.5 inches. 24 pages. Published by Hal Leonard.

By Mort Shuman, Doc Pomus. Arranged by Jay Althouse. For SoundPax. Choral Octavo. Choral Designs. Novelty. Instrumental Accompaniment. 24 pages. Published by Alfred Publishing.

SKU: AP.40-EVB334379

Composed by The Rolling Stones. Artist/Personality; Personality DVD. Rock. Blu-Ray Disk. Alfred Music #40-EVB334379. Published by Alfred Music (AP.40-EVB334379).

UPC: 801213343799. English. The Rolling Stones.

Crossfire Hurricane, directed by Brett Morgen, is released as part of the ongoing 50th anniversary celebrations of The Rolling Stones. This superb new film tells the story of the Stones' unparalleled journey from blues obsessed teenagers in the early 60s to their undisputed status as rock royalty. All the members of The Rolling Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in Jumpin' Jack Flash, Crossfire Hurricane gives the viewer an intimate insight into exactly what it's like to be part of The Rolling Stones as they overcome denunciation, drugs, dissensions and death to become the definitive survivors. Over a year in the making and produced with the full co-operation and involvement of The Rolling Stones, Crossfire Hurricane is and will remain the definitive story of the world's greatest rock 'n' roll band.

Bonus Features:
* Cinema trailer for Crossfire Hurricane
* Interview with director Brett Morgen
* NME Poll Winners Concert 1964: (featuring Not Fade Away , I Just Wanna Make Love To You, I'm All Right)
* NME Poll Winners Concert 1965: (featuring Pain In My Heart, The Last Time)
* Live In Germany 1965: (featuring (I Can't Get No) Satisfaction, I'm All Right)
* The Arthur Haynes Show 1964: (featuring I Wanna Be Your Man, You Better Move On).

Run Time: 142 minutes.

SKU: AP.40-EV305979

Composed by The Rolling Stones. Artist/Personality; Personality DVD. Rock. DVD. Alfred Music #40-EV305979. Published by Alfred Music (AP.40-EV305979).

UPC: 801213059799. English. The Rolling Stones.

Crossfire Hurricane, directed by Brett Morgen, is released as part of the ongoing 50th anniversary celebrations of The Rolling Stones. This superb new film tells the story of the Stones' unparalleled journey from blues obsessed teenagers in the early '60s to their undisputed status as rock royalty. All the members of The Rolling Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in Jumpin' Jack Flash, Crossfire Hurricane gives the viewer an intimate insight into exactly what it's like to be part of The Rolling Stones as they overcome denunciation, drugs, dissensions and death to become the definitive survivors. Over a year in the making and produced with the full co-operation and involvement of The Rolling Stones, Crossfire Hurricane is and will remain the definitive story of the world's greatest rock 'n' roll band.

Bonus Features:
* Cinema trailer for Crossfire Hurricane
* Interview with director Brett Morgen
* NME Poll Winners Concert 1964: (featuring Not Fade Away , I Just Wanna Make Love To You, I'm All Right)
* NME Poll Winners Concert 1965: (featuring Pain In My Heart, The Last Time)
* Live In Germany 1965: (featuring (I Can't Get No) Satisfaction, I'm All Right)
* The Arthur Haynes Show 1964: (featuring I Wanna Be Your Man, You Better Move On).

Run Time: 142 minutes.

(25 Songs That Defined the Times). Arranged by Victor Labenske. For Piano. Piano Collection. Generations. Advanced. Book. 92 pages. Published by Alfred Music Publishing

Performed by Dion and The Belmonts. By Mort Shuman, Doc Pomus. Arranged by Mac Huff. (2 part). Discovery Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

Easy Piano Piano/Keyboard

SKU: HL.282477

The New Decade Series. Composed by Various. Easy Piano Songbook. Pop, Standards. Softcover. 346 pages. Published by Hal Leonard (HL.282477).

ISBN 9781540034342. UPC: 888680789213. 9.0x12.0x0.812 inches.

Almost 100 songs from the birth of the rock and roll era in the 1950s are included in this collection arranged for easy piano with lyrics. Songs include: All I Have to Do Is Dream * Bye Bye Love * Chantilly Lace * Don't Be Cruel * Earth Angel * Fever * Great Balls of Fire * Hound Dog * I Walk the Line * It's So Easy * Kansas City * Lonely Teardrops * Mister Sandman * Only You (And You Alone) * Peter Gunn * Rock Around the Clock * Sh-Boom * Shout * Sixteen Tons * Tequila * Tutti Frutti * Unchained Melody * Volare * Why Do Fools Fall in Love * Yakety Yak * Your Cheatin' Heart * and more.

Melody, Chords and Lyrics for D-G-B-E Tuning. By Various. Ukulele. Softcover. 114 pages. Published by Hal Leonard (HL.156009).

(22 Rockinâ?? Hits of the 1950s (for Piano)). Arranged by Dan Coates. For Piano. Piano Collection; Piano Supplemental. Simply Series. Rock. Easy Piano. Book. 80 pages

(Decade Series Play-Along). Composed by Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover Audio Online. 368 pages. Published by Hal Leonard

By Various. Fast Track Music Instruction. Instruction. Softcover Audio Online. 24 pages. Published by Hal Leonard (HL.158671).

Graded Selections for Intermediate Pianists. Arranged by Dan Coates. Other; Promotional Packet; Solo. Pop. Published by Alfred Music (AP.106802).

(45 Fun and Familiar Piano Arrangements (Big Note Piano)). Arranged by Carol Matz. For Piano. This edition: Big Note Piano. Book; Piano Collection; Piano Supplemental. Movie; Pop. Big Note. 148 pages. Published by Alfred Music Publishing

Piano

SKU: AP.44697

Book 1. Composed by Tom Gerou. Method/Instruction; Piano - Alfred's Basic Adult Piano Course. Alfred's Basic Adult Piano Course. Broadway; Movie; Pop. Book. 40 pages. Alfred Music #00-44697. Published by Alfred Music (AP.44697).

ISBN 9781470627331. UPC: 038081508139. English.

Alfred's Basic Adult Piano Course: Popular Hits answers the often- expressed need for a variety of supplementary material in many different popular styles. Soon after beginning piano study, students can play attractive versions of the best-known music of today. This book is correlated page-by-page with Lesson Book 1 of Alfred's Basic Adult Piano Course and Level 1 of Alfred's Basic Adult All-in-One Course. When pieces from the Popular Hits books are assigned in conjunction with the material in the Lesson Books, new concepts are reinforced in a fun and motivating way, increasing the student's interest in piano study. Titles: Best Day of My Life (American Authors) * Big Yellow Taxi (Joni Mitchell) * Bye Bye, Love (The Everly Brothers) * Clouds (Zach Sobiech) * Don't Stop Believin' (Journey) * Everything Is Awesome (Awesome Remixx!!!) (from The LEGO Movie) * Flicker (Kanye West Rework) (from The Hunger Games: Mockingjay, Part 1) * I Could Have Danced All Night (from My Fair Lady) * I Got You Babe (Sonny and Cher) * I Love Paris (from Can-Can) * I'll Stand By You (The Pretenders) * James Bond Theme * Let It Go (from Walt Disney's Frozen) * Mamma Mia (from Mamma Mia!) * Over the Rainbow (as sung by Israel IZ Kamakawiwo'ole) * Raiders March (from Raiders of the Lost Ark) * The Rose (Bette Midler) * Star Wars (Main Theme) * Take My Breath Away (Berlin) * A Teenager In Love (Dion and The Belmonts) * Try to Remember (from The Fantasticks) * You Raise Me Up (Josh Groban).

About Alfred's Basic Adult Piano Course

Des igned for use with an instructor, the Adult All-in-One Course is for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that includes lessons, theory, technique, and additional repertoire in a convenient all-in-one format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles.

Over 50 Pop Music Favorites (Piano/Vocal/Guitar). Composed by various artists and composers. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Greatest Hits. Pop; Pop/Rock; Rock. 248 pages. Published by Alfred Music

Chamber Music Piano

SKU: PR.110418370

Composed by Charles Ives. Arranged by Danny Holt. Performance Score. 20 pages. Duration 8 minutes. Theodore Presser Company #110-41837. Published by Theodore Presser Company (PR.110418370).

ISBN 9781491135075. UPC: 680160686247.

Compo sed as an organ solo by the 17-year-old Ives for his own performance purposes, the beloved Variations on America is a treat for any occasion, whether a holiday concert, a serious recital, or other special event. Danny Holt’s transcription for Piano, Four Hands adds a dazzling new option to play at home or on stage, taking best advantage of Ives’ tremendous contrasts in color, dynamics, and texture.
Composed when Charles Ives was a teenager, Variations on “America” is both a convenient introduction to Ives’ body of work, and an early example of his iconoclastic musical voice and creative genius. Just a few years after composing this piece, Ives would leave home to study music at Yale. But until then he had been taught by his father, George (who had been a bandmaster in the Civil War). George subjected the young Ives to experiments such as singing a song in one key while being accompanied in another, or arranging for two marching bands to converge on a town center, with the resulting cacophony that ensued.The Variations exemplifies an early period of experimentation in Ives’ work, spurred on by the unusual pedagogy of his father. The piece is particularly notable for its use of bitonality in the two interludes, subtly foreshadowing more well-known examples by Stravinsky, Bartók, and others by approximately two decades.The bitonal interludes were so ahead of their time, in fact, they were omitted from the first copy that was submitted to a publisher in 1892. (Alas, the piece was rejected even despite these “shocking” elements having been left out, and it wasn’t published until more than five decades later.) There is some ambiguity about when exactly Ives added the interludes into his manuscript copy, though ample evidence suggests he had performed the piece with the interludes around the time he notated the piece in 1891-92. In any case, in light of this piece and his other polytonal explorations from the last decade of the 19th century, it seems fair to give Ives credit for being a pioneer in this area!This arrangement for Piano, Four Hands, closely follows Ives’ original version for organ, setting aside William Schuman’s popular adaptation for symphony orchestra and William Rhoads’ band transcription of the Schuman orchestration. Pianists will find that the piece translates well to the instrument. Ideally, the choreography and logistics of elbow-to-elbow four-hands playing approximates the wild joy one gets from watching an organist play the piece (e.g., the elaborate pedal part in the final variation).In preparing this publication, attention was paid to details in the dual Critical Editions (Presser 443-41003) of both Ives’ manuscript edition and the 1949 publication edited by organist E. Power Biggs (who is credited with discovering what had been a long-lost, forgotten work.) But as with much of Ives’ output, attempting to create a true ‘urtext’ score is a futile endeavor, and especially with a piece such as this one – in which Ives incorporated improvisation in live performance – seems unnecessary anyhow. True die-hards are of course encouraged to consult the critical editions and even find inspiration in the orchestrated version. Generally, performers are advised to be wild, have fun, and not to be too rigid in their interpretive choices.Dynamics in this arrangement mostly follow the organ score closely. Pianists will use good judgment about pedaling throughout, which should be straightforward and intuitive. Courtesy accidentals have been provided frequently – without parentheses – balancing the need for extra clarity in the context of Ives’ murky musical language, and a desire to avoid unnecessary clutter.A few notes that might inform interpretive decisions:mm. 15-16: There are inconsistencies here between Ives’ original manuscript and the 1949 Biggs edition, regarding the top voice in m. 15, beat 3 (C# vs. Cn) and m. 16 (D Major vs. D Minor).mm. 76-84 & 143-146: In both Interludes, Ives emphatically notates extreme dynamic contrast, in order to highlight the bitonality. Although it may seem counterintuitive (or even a misprint, as has apparently been misconstrued by some), performers are urged to follow the composer’s marking!m. 109: Two-note slurs have been added here for clarity and consistency with other similar passages, though they do not appear in either the original manuscript or Biggs.m. 112: The last two eighth notes of Primo appear as 16ths in the original manuscript.mm. 183-186: The original manuscript has a slightly different bass line.mm. 184 & 186: Primo gestures have been re-written to be slightly more idiomatic for Piano, Four Hands.m. 186: The breath mark at the end of this bar does not appear in either the manuscript or Biggs, but is an editorial suggestion – aside from being appropriately dramatic, it will indeed be necessary in a reverberant hall!I would like to thank Steven Vanhauwaert, the other half of my piano duo, 4handsLA, for his input on early drafts of this arrangement.— Danny Holt, April 2022.

For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names and big note notation. Rock 'n' roll and oldies. Series: Hal Leonard E-Z Play Today. 112 pages. 9x12 inches. Published by Hal Leonard.

60 Favorites. By Various. Piano/Vocal/Guitar Songbook. Country, Pop, Folk, Rock. Softcover. 344 pages. Published by Hal Leonard (HL.249559).