11 Arien (Nr. 36-46)
fur Singstimme und
Orchester. Composed
by Wolfgang Amadeus
Mozart. Edited by Stefan
Kunze. This edition:
complete edition, urtext
edition. Linen. New
Mozart Edition (NMA)
II/7/4. Klassik
(Classical). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04560_01.
Published by Baerenreiter
Verlag (BA.BA04560-01).
ISBN 9790006450657. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano - very easy to easy SKU: M7.ART-42104 26 leichte und sehr leicht...(+)
Piano - very easy to easy
SKU: M7.ART-42104
26 leichte und sehr
leichte Klavierstücke
für Kinder &
Erwachsene. Composed
by Tatjana Davidoff.
Score with online audio
files. 44 pages. MDS
(Music Distribution
Services) #ART 42104.
Published by MDS (Music
Distribution Services)
(M7.ART-42104).
ISBN
9783866421042.
Du
hast Schwierigkeiten
Noten zu lesen? Besonders
der Bassschlüssel
bereitet Dir
Schwierigkeiten? Du
stehst auf
gefühlvolle, schön
klingende Klaviermusik?
'Deine Noten, Dein
Klavier, Deine Musik'
enthält 26 leichte und
sehr leichte
Klavierstücke, die
fast nur in Viertelnoten
geschrieben sind und
dennoch anspruchsvoll
klingen. Dadurch hast Du
die Möglichkeit Noten
fehlerfrei zu erlernen
und gleichzeitig legst Du
den Grundstein für
einen sicheren Umgang mit
dem Violin- und dem
Bassschlüssel. In
allen Stücken sind die
Fingersätze und der
Pedaleinsatz
ausführlich
gekennzeichnet. Die
Begleitung mit der linken
Hand beschränkt sich
auf einzelne ganze Noten,
damit Du Dich auf Deine
Fingerhaltung, Deinen
deutlichen und sauberen
Anschlag sowie auf die
Koordination Deiner
Finger konzentrieren
kannst. Die einfachen
Dur- und Mollharmonien
sind zudem
abwechslungsreich
gestaltet und schulen
Dein Gehör. Da Du die
hier gesammelten
Stücke ohne
Schwierigkeiten spielen
kannst, empfindest Du das
Ãœben nicht als etwas
Mühsames oder
Anstrengendes - ganz im
Gegenteil: Du erlebst das
Klavierspielen so, wie
wir es lernen und spielen
wollen. Als eine
wundervolle Art und
Weise, die eigenen
Gefühle in Musik
auszudrücken. Der
optionale Download dient
als praktische Lernhilfe
und soll eine Anregung
dafür sein, wie diese
Klavierstücke beim
Spielen klingen
könnten.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Possible ensemble variations (V3) SKU: HL.49031950 Festliche Musik zu ...(+)
Possible ensemble
variations (V3)
SKU:
HL.49031950
Festliche Musik zu
allen Gelegenheiten.
Composed by Musik. Edited
by Curt Boehme and Willi
Draths. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Individual part. 16
pages. Schott Music #ED
5600-13. Published by
Schott Music
(HL.49031950).
ISBN
9790001062572.
Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15).
Possible ensemble variations (VC/KB) SKU: HL.49005798 Festliche Musik ...(+)
Possible ensemble
variations (VC/KB)
SKU: HL.49005798
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 16 pages. Schott
Music #ED 5600-15.
Published by Schott Music
(HL.49005798).
ISBN
9790001062596.
Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15).
Possible ensemble variations (V1) SKU: HL.49005795 Festliche Musik zu ...(+)
Possible ensemble
variations (V1)
SKU:
HL.49005795
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 24 pages. Schott
Music #ED 5600-11.
Published by Schott Music
(HL.49005795).
ISBN
9790001062558.
Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15).
Possible ensemble variations (V2) SKU: HL.49005796 Festliche Musik zu ...(+)
Possible ensemble
variations (V2)
SKU:
HL.49005796
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 20 pages. Schott
Music #ED 5600-12.
Published by Schott Music
(HL.49005796).
ISBN
9790001062565.
Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15).
Possible ensemble variations (VA) SKU: HL.49005797 Festliche Musik zu ...(+)
Possible ensemble
variations (VA)
SKU:
HL.49005797
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 16 pages. Schott
Music #ED 5600-14.
Published by Schott Music
(HL.49005797).
ISBN
9790001062589.
Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15).
Music
for Orchestra with String
Quartet. Composed by
Helmut Lachenmann.
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Dances/marches;
Music post-1945. Sheet
Music. Composed 1979/80.
176 pages. Duration 36'.
Breitkopf and Haertel #PB
5714. Published by
Breitkopf and Haertel
(BR.PB-5714).
ISBN
9790004216514. 10.5 x 14
inches.
More than
my earlier works, this
one is interspersed with
metrically bound rhythms
and musicianly characters
that constantly
recrystallize and drift
towards or away from
familiar situations.The
familiar: These are
dance-like figures and
music-making formulas,
but also songs and, in
two cases fragments of
Bach's music - playfully
collected memories of
impressions in which -
consciously and
unconsciously - I am
embodied with that
collective comfort in
whose protection
bourgeois thinking and
feeling, magically
protected, grow up and
emerge apart.(It is well
known that such security
has its fetishes from the
childlike to the adult
stage: Home, religious
bond, holidays,
tradition, longing for
childhood - the
superficiality may have
little idea of the depth
that opens up underneath.
There is also no question
that we are still marked
by such security even
when the contradictions
and alienation of
existence force us to
step out of their
protection, to recognize
and act upon reality, and
to oppose the domination
of such inner bonds where
their original truth has
become the fatal untruth
of comfortable illusion,
stubbornly and fearfully
conjured idyll and
reactionary
narrow-mindedness.My
music feeds on figures in
which such memories are
encapsulated. It deals
with them not much
differently than in other
pieces with the elements
of the traditional
musical concept of
material, having already
always reflected
compositionally as a
product of sociality and
anticipation of musical
expression, i.e. it moved
into a structurally
expanded context and
expressively redefined
from there.Such an
approach aims at
overcoming lack of
freedom: grasping as part
of conceiving, i.e. not
philosophical reflection,
but rather an
artistically gripping
reflex by intervening in
the physical immediacy of
such predetermined
elements. These penetrate
and infect the structural
events, inducing a
musicianship that cannot
be relied upon; the music
jumps onto rhythms like
onto moving vehicles,
allows for being carried
by them until they deform
or disintegrate. This
creates an incline of
rhythmically shaped
situations: sequence and
interweaving of dances
and structures.The role
of the solo string
quartet is versatile,
obbligato and
concertante, leading and
accompanying in a
changing sense. Set as a
chamber music apparatus
in an orchestral
landscape, it repeatedly
forces its own sound
dimensions onto the
orchestra, it must accept
being drowned out at
times, it nests in the
holes of tutti fields, it
acts as a louse in the
fur, forcing one to
listen in and out.The
Tanzsuite with
Deutschlandlied is
structured as follows:I.
Section. 1. Introduction
- 2. Waltz - 3. March -
4. Bridge -II. Section.
5. Siciliano - 6.
Capriccio - 7. Valse
lente -III. Section. 8.
Bridge - 9. Gigue - 10.
Tarantelle - 11. Bridge
-IV. Section. 12 Aria I -
13 Polka - 14 Aria IIV.
Section. 15. Introduction
- 16 Gallop - 17 Coda
(Aria III)All 17 parts
merge into one
another.(Helmut
Lachenmann,
1980)CDs/LP/DVD:Arditti-Q
uartett, Deutsches
Symphonie-Orchester
Berlin, cond. Olaf
HenzoldCD Montaigne
Auvidis MO 782019Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
Cambreling (Excerpt)CD
BMG/RCA 74321 73510 2
(Musik in Deutschland
1950-2000)Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
CambrelingLP DMR
1028-30Arditti Quartet,
SWR Sinfonieorchester
Baden-Baden und Freiburg,
cond. Hans Zender Excerpt
on CD ,,Auswahl von zehn
Urauffuhrungen aus 70
Jahren, SWR
Sinfonieorchester
Baden-Baden und Freiburg
Arditti Quartet,
Staatsorchester
Stuttgart, cond. Sylvain
Cambreling DVD
,,Lachenmann-Perspektiven
6 (Breitkopf & Hartel,
BHM 7816)
Bibliography:Cavalotti,
Pietro: Differenzen.
Poststrukturalistische
Aspekte in der Musik der
1980er Jahre am Beispiel
von Helmut Lachenmann,
Brian Ferneyhough und
Gerard Grisey (= Sonus.
Schriften zur Musik,
hrsg. von Andreas
Ballsteadt, Band 8),
Schliengen: Argus 2006,
pp. 79-128.Das sind doch
alles Deutschlandlieder!
Helmut Lachenmann im
Gesprach mit Michael
Rebhahn, in: Der
Taktgeber. Das Magazin
der Jungen Deutschen
Philharmonie, Heft 40
(Sommer 2019), S.
6f.Stawowy, Milena:
Fluchtversuche in die
Hohle des Lowen. Helmut
Lachenmanns Tanzsuite mit
Deutschlandlied, in:
MusikTexte 67/68 (1997),
pp. 77-90.Toop, Richard:
Concept and Context: A
Historiographic
Consideration of
Lachenmanns Orchestral
Works, in: Helmut
Lachenmann Inward Beauty,
hrsg. von Dan Albertson,
Contemporary Music Review
23 (2004), Heft 3/4, pp.
125-144.
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 18,
1980.
By Giacomo Puccini (1858-1924). Arranged by Giuseppe Frugatta. For Piano, 4 hand...(+)
By Giacomo Puccini
(1858-1924). Arranged by
Giuseppe Frugatta. For
Piano, 4 hands. This
edition: paperbound. SC
55. Piano/Vocal score.
Language: all languages.
32 pages. Duration 16 min
Orchestra - Grade 3 SKU: AP.48099 Composed by Anthony Granata. MakeMusic ...(+)
Orchestra - Grade 3
SKU: AP.48099
Composed by Anthony
Granata. MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; String
Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 124 pages.
Duration 3:00.
Highland/Etling
#00-48099. Published by
Highland/Etling
(AP.48099).
ISBN
9781470655105. UPC:
038081554419.
English.
Written in
the key of D minor, Minor
Altercations by Anthony
Granata is an intense,
contemporary piece
opening with an accented,
off-beat rhythmic motif
that constantly returns
as new material is
gradually built upon it.
Your orchestra will sound
like they're arguing,
fighting, or possibly
having a small (minor)
altercation. Featuring
counterpoint, rhythmic
independence, a
contrasting middle
section, and a powerful
coda, this exciting piece
will engage and challenge
your orchestra. (3:00)
This title is available
in MakeMusic Cloud.
Orchestra - Grade 3 SKU: AP.48099S Composed by Anthony Granata. MakeMusic...(+)
Orchestra - Grade 3
SKU: AP.48099S
Composed by Anthony
Granata. MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; String
Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score. 16
pages. Duration 3:00.
Highland/Etling
#00-48099S. Published by
Highland/Etling
(AP.48099S).
ISBN
9781470655112. UPC:
038081554426.
English.
Written in
the key of D minor, Minor
Altercations by Anthony
Granata is an intense,
contemporary piece
opening with an accented,
off-beat rhythmic motif
that constantly returns
as new material is
gradually built upon it.
Your orchestra will sound
like they're arguing,
fighting, or possibly
having a small (minor)
altercation. Featuring
counterpoint, rhythmic
independence, a
contrasting middle
section, and a powerful
coda, this exciting piece
will engage and challenge
your orchestra. (3:00)
This title available in
MakeMusic Cloud.
Planet Damnation [Conducteur et Parties séparées] Promethean Editions
Chamber Music Recording, Timpani SKU: PO.PE172 Composed by John Psathas. ...(+)
Chamber Music Recording,
Timpani
SKU:
PO.PE172
Composed by
John Psathas. This
edition: softcover. Sws.
Score and parts.
Promethean Editions
#PE172. Published by
Promethean Editions
(PO.PE172).
ISBN
9781877564727.
John
Psathas mighty work for
timpani and orchestra,
Planet Damnation, takes
five-drum solo timpani
writing to the edge of
technical possibility.
This edition is a
complete performance
package and includes an
audio CD that contains a
professionally sequenced
orchestral backing track.
The audio CD includes a
performance mix without
solo timpani, a reference
mix with the solo timpani
part, and practice mixes
set at various tempi. It
is perfect for extending
your skills in the
percussion studio and
thrilling listeners with
Psathas high energy music
in advanced student
recitals, auditions and
concerto
competitions.
Composed by Andy Beck.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
Alfred Music #00-51161.
Published by Alfred Music
(AP.51161).
UPC:
038081581989.
English.
At the end
of every day, there will
be stars. Stars are the
inspiration for this
stunning concert work
that offers the
reassurance only nature
can bring. A lilting
piano theme weaves its
way through cascading
vocal lines that
seamlessly expand from
pristine unisons into
sumptuous sonorities.
Your altos will
especially love their
glimmering, glistening
interjections. Be sure to
observe notated dynamics,
which lean into several
well-approached
suspensions and taper to
twinkling
resolutions.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Choir Secular (2-Part choir) SKU: AP.51162 Composed by Andy Beck. Perform...(+)
Choir Secular (2-Part
choir)
SKU:
AP.51162
Composed by
Andy Beck. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Secular. Choral
Octavo. Alfred Music
#00-51162. Published by
Alfred Music (AP.51162).
UPC: 038081581996.
English.
At the end
of every day, there will
be stars. Stars are the
inspiration for this
stunning concert work
that offers the
reassurance only nature
can bring. A lilting
piano theme weaves its
way through cascading
vocal lines that
seamlessly expand from
pristine unisons into
sumptuous sonorities.
Your altos will
especially love their
glimmering, glistening
interjections. Be sure to
observe notated dynamics,
which lean into several
well-approached
suspensions and taper to
twinkling
resolutions.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
For Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited by Wo...(+)
For Violin and Piano.
Composed by Antonin
Dvorak
(1841-1904). Edited by
Wolfgang Birtel. Arranged
by
Friedemann Eichhorn. This
edition: Saddle
stitching.
Sheet music. String Solo.
Dvoraks Romantic Pieces
are
a welcome addition to the
violin repertoire and a
very
effective alternative to
Dvorak's large-scale
violin
works, the Concerto in A
minor and Romance in F
minor.For this edition
reference has been made
to a
copy of the origina.
Classical. Score and
part.
Op. 75. 28 pages. Schott
Music #ED 22395.
Published
by Schott Music
A Sunrise Impression Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0960766-010 Composed by Jan d...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0960766-010
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 1996. De
Haske Publications #DHP
0960766-010. Published by
De Haske Publications
(BT.DHP-0960766-010).
9x12
inches.
This
evocative concert piece
begins with a dreamy
introduction in which we
here the firt theme. The
musical tension is
gradually increased in
the Grandioso with a new
forceful theme being
heard. These ever present
two themes are further
developed with the
introduction of striking
rhythmic patters bringing
the work to a climax.
Dit suggestieve
concertwerk uit 1996
begint met een dromerige
inleiding die gevolgd
wordt door het eerste
thema. De muzikale
spanning wordt
geleidelijk verhoogd
waarna in het Grandioso
een nieuw krachtig thema
wordt ge ntroduceerd.De
altijd aanwezige twee
thema's worden daarna
verder ontwikkeld om
uiteindelijk na een
climax het werk af te
sluiten.
Brass Band - Grade 3 SKU: BT.DHP-0960766-030 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0960766-030
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score and Parts).
Composed 1996. De Haske
Publications #DHP
0960766-030. Published by
De Haske Publications
(BT.DHP-0960766-030).
9x12
inches.
This
evocative concert piece
begins with a dreamy
introduction in which we
here the firt theme. The
musical tension is
gradually increased in
the Grandioso with a new
forceful theme being
heard. These ever present
two themes are further
developed with the
introduction of striking
rhythmic patters bringing
the work to a climax.
Dit suggestieve
concertwerk uit 1996
begint met een dromerige
inleiding die gevolgd
wordt door het eerste
thema. De muzikale
spanning wordt
geleidelijk verhoogd
waarna in het Grandioso
een nieuw krachtig thema
wordt ge ntroduceerd.De
altijd aanwezige twee
thema's worden daarna
verder ontwikkeld om
uiteindelijk na een
climax het werk af te
sluiten.
Piano seul [Partition] - Intermédiaire/avancé Alfred Publishing
By Scott Joplin (1868-1917). Edited by Maurice Hinson. For Piano. Masterworks; P...(+)
By Scott Joplin
(1868-1917). Edited by
Maurice Hinson. For
Piano. Masterworks; Piano
- Personality Book. At
the Piano. Late
Intermediate/Early
Advanced level piece for
the Piano Solo event with
the National Federation
of Music Clubs (NFMC)
Festivals Bulletin
2008-2009-2010.
Masterwork; Romantic. SMP
Level 8 (Early Advanced);
NFMC Level: Difficult
Class 1. Book. 64 pages.
Published by Alfred Music
Publishing
Keyboard - very easy SKU: HL.49007189 21 new Arrangements. Compose...(+)
Keyboard - very easy
SKU: HL.49007189
21 new
Arrangements.
Composed by Boarder.
Arranged by Steve
Boarder. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 24 pages.
Schott Music #ED 7377.
Published by Schott Music
(HL.49007189).
ISBN
9783795750237.
Kein
e Frage! Zu einem
modernen, komfortabel
ausgestatteten Keyboard
gehoren auch zeitgemasse,
ansprechende
Notenausgaben. Diese
Serie ist fur die
Keyboards der neuen
Generation
massgeschneidert, die die
leicht spielbaren
Arrangements im
Supersound erklingen
lassen. Die Ausstattung
der Hefte durfte alle
Erwartungen eines
Keyboarders erfullen. Sie
finden: Vorschlage zur
Registrierung, zum Tempo,
zur Begleitautomatik, zum
Einsatz von Effekten,
leicht spielbare
Fingersatze, Hinweise zur
Ausfuhrung jedes Stuckes
und je eine Tabelle, in
die Sie Ihre personlichen
Gestaltungsideen
eintragen konnen. Die
doppelseitige Einlage:
zeigt Ihnen alle Griffe
fur den Einsatz der
Einfinger-Akkord-Automati
k, gibt Ihnen
grundlegende
Informationen uber die
Moglichkeiten Ihres
Instruments, enthalt
speziell auf das Keyboard
zugeschnittene Tipps zum
Uben, mit deren Hilfe Sie
jedes dieser Stucke
vorfuhrreif spielen
lernen und erklart und
ubersetzt im Mini-Lexikon
mehr als 60 Begriffe aus
der Fachsprache des
Keyboarders.
Concert Band - Grade 4.5 SKU: AP.48150 Composed by Jonathan Dagenais. Con...(+)
Concert Band - Grade 4.5
SKU: AP.48150
Composed by Jonathan
Dagenais. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Score and Part(s). 312
pages. Duration 5:30.
Alfred Music #00-48150.
Published by Alfred Music
(AP.48150).
Mouvement Frénétique Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Concert Band - Grade 4.5 SKU: AP.48150S Composed by Jonathan Dagenais. Co...(+)
Concert Band - Grade 4.5
SKU: AP.48150S
Composed by Jonathan
Dagenais. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Score. 40 pages. Duration
5:30. Alfred Music
#00-48150S. Published by
Alfred Music (AP.48150S).
Upper Voices - Grade 2 SKU: BT.EMBZ8540 Composed by Lajos Bardos. Hymns &...(+)
Upper Voices - Grade 2
SKU: BT.EMBZ8540
Composed by Lajos Bardos.
Hymns & Chorals. Book
Only. Composed 1978. 8
pages. Editio Musica
Budapest #EMBZ8540.
Published by Editio
Musica Budapest
(BT.EMBZ8540).