Composed by Andrew D. Gordon. The Blues Play-A-Long and Solos Collection Intermediate-Advanced Series. Blues. Book & digital audio. ADG Productions #ADG208. Published by ADG Productions

Composed by Andrew D. Gordon. The Blues Play-A-Long and Solos Collection Intermediate-Advanced Series. Blues. Book & digital audio. ADG Productions #ADG207. Published by ADG Productions

Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. The Blues Play-A- Long and Solos Collection Beginner Series. Blues. Book/digital audio. ADG Productions #ADG197. Published by ADG Productions

Composed by Andrew D. Gordon. Blues. Book and online audio. Duration 67 minutes. Published by ADG Productions (AD.ADG159).

Composed by Andrew D. Gordon. For Alto Saxophone Solo. Saxophone Instruction; Blues. Beginner. Book/audio files. Published by ADG Productions

Composed by Andrew D. Gordon. Blues. Book and online audio. Duration 40 minutes. Published by ADG Productions (AD.ADG160).

Composed by Andrew D. Gordon. For Tenor Saxophone Solo. Saxophone Instruction; Blues. Beginner. Book/audio files. Published by ADG Productions

By Marc Sabatella. For jazz theory. This edition: jazz theory. Jazz. Level: beginner. Book. 85 pages. Published by ADG productions.

Guitar and bassoon - Advanced

SKU: DZ.DZ-3985

Composed by Georg Philipp Telemann. Arranged by Daniel Marx. Score and Part. Les Productions d'OZ #DZ 3985. Published by Les Productions d'OZ (DZ.DZ-3985).

ISBN 9782897959029.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Ansgar Krause. Score and parts. Les Productions d'OZ #DZ 3613. Published by Les Productions d'OZ

Guitar solo - Advanced

SKU: DZ.DZ-4006

Composed by Elisabeth-Claude Jacquet de La Guerre. Arranged by David Sewell. Score. Les Productions d'OZ #DZ 4006. Published by Les Productions d'OZ (DZ.DZ-4006).

ISBN 9782897959234.

SATB chorus a cappella - Grade 3

SKU: CA.927420

Composed by Julia Schwartz. Carus digital: Extra digital products. Full Score. Duration 1 minute. Carus Verlag #927420. Published by Carus Verlag (CA.927420).

ISBN 9790007311940. Key: A minor. English. Text: Teasdale, Sara.

Viola - Intermediate

SKU: MB.31154

Saddle-stitched. Technique. Book. Mel Bay Publications, Inc #31154. Published by Mel Bay Publications, Inc (MB.31154).

ISBN 9781513473888. 8.75X11.75 inches.

Practicing scales is essential to building and maintaining strength, technique, tone, and agility on the viola, but it is easy to slip into the habit of playing scales automatically, without paying attention to tonality or sound production. The 29 single-page studies in this book focus the attention of violists on the beauty of sound, with a particular concern for the way different keys resonate on the viola.The first 24 studies address all minor and relative major keys and proceed through the circle of fifths; the last 5 pieces are individually conceived, i.e., apart from the circle of fifths. No metronome indications are given, so the etudes can be played at individually comfortable tempos.The names of the etudes refer to various animals that have scales, including insects, fish, birds, reptiles, and a few species of mammals. The author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing creatures and write scale studies of their own.

Piano solo

SKU: FZ.50504

Composed by Frederic Chopin. Edited by Alex Szilasi. This edition: Facsimile. Esther - Collection Romantique. CD. Duration 64 minutes 36 seconds. Published by Anne Fuzeau Productions - France (FZ.50504).

12.50 x 14.00 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. The complete bicentennial edition of the works of Frederic Chopin on facsimile. Alex Szilasi plays on authentic PLEYEL piano. 19 Valses : 1 - KK IVb no. 11 (a-moll - A minor - La mineur) - 1'54''. 2 - KK IVa no. 13 (Asz-dur - A flat major - La bemol) - 1'25''. 3 - KK IVb no. 12 (E-dur - E major - Mi majeur) - 2'23''. 4 - KK IVa no. 14 (Esz-dur - E flat major - Mi bemol majeur) - 2'21''. 5 - KK IVa no. 15 (e-moll - E minor - Mi mineur) - 2'58''. 6 - KK IVb no. 10 (Esz-dur - E flat major - Mi bemol majeur) - 1'56''. 7 - Op. 18 Grande Valses Brillante (Esz-dur - E flat major - Mi bemol majeur) - 6'02''. 8 - Op. 34 no. 1 Grande Valses Brillante (Asz-dur - A flat major - La bemol) - 5'56''. 9 - Op. 34 no. 2 Grande Valses Brillante (a-moll - A minor - La mineur) - 6'23''. 10 - Op. 34 no. 3 Grande Valses Brillante (F-dur - F major - Fa majeur) - 2'33''. 11 - Op. posth. 69 no. 2 (h-moll - B minor - Si mineur) - 3'34''. 12 - Op. posth. 70 no. 1 (Gesz-dur - G flat major - Sol bemol majeur) - 2'17''. 13 - Op. posth. 70 no. 2 (f-moll - F minor - fa mineur) - 1'41''. 14 - Op. posth. 70 no. 3 (Desz-dur - D flat major - Re bemol majeur) - 2'31''. 15 - Op. 64 no. 3 (Asz-dur - A flat major - La bemol) - 3'21''. 16 - Op. posth. 69 no. 1 (Asz-dur - A flat major - La bemol) - 3'47''. 17 - Op. 64 no. 1 (Desz-dur - D flat major - Re bemol majeur) - 1'57''. 18 - Op. 64 no. 2 (cisz-dur - C sharp minor - Ut diese mineur) - 3'54''. 19 - Op. 42 Grande Valse (Asz-dur - A flat major - La bemol majeur) - 4'02''. Trois Ecossaises : 20 - Op. posth. 72 no. 3 (D-dur - D Major - Re majeur) - 1'05''. 21 - Op. posth. 72 no. 4 (G-dur - G Major - Sol majeur) - 0'37''. 22 - Op. posth. 72 no. 5 (Desz-dur - D flat Major - Re bemol majeur) - 0'37''.

Composed by Andrew D. Gordon. Saddle stitch. Blues, instructional. Book and Downloadable audio. Duration 80 minutes. Published by ADG Productions

Composed by Andrew D. Gordon. Saddle stitch. Blues, instructional. Book and Downloadable audio. Duration 80 minutes. Published by ADG Productions

Composed by Andrew D. Gordon. Saddle stitch. Blues, instructional. Book and Downloadable audio. Duration 80 minutes. Published by ADG Productions

2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A151902

Composed by Edvard Grieg. Chamber Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Form: Concerto. Romantic. Score and Part(s). LudwigMasters Publications #36-A151902. Published by LudwigMasters Publications (AP.36-A151902).

UPC: 660355031649. English.

Written by Norwegian composer Edvard Grieg (1843-1907) in 1868, the Piano Concerto in A minor, Op. 16 is the only concerto completed by Grieg. It remains one of his most popular works and is among the most popular concerti for piano in the repertoire. Similar to, and perhaps influenced by, Robert Schumann's Piano Concerto, the work also provides some evidence of Grieg's interest in Norwegian folk music, with the cascading motif of a falling minor second followed by a falling major third in the opening flourish typical to the folk music of the composer's native country. Recorded by Wilhelm Backhaus in 1909, this piano concerto is the first to ever be recorded, albeit heavily abridged to only six minutes due to technological limitations. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A151901

Composed by Edvard Grieg. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A151901. Published by LudwigMasters Publications (AP.36-A151901).

ISBN 9781638877127. UPC: 735816332983. English.

Written by Norwegian composer Edvard Grieg (1843-1907) in 1868, the Piano Concerto in A minor, Op. 16 is the only concerto completed by Grieg. It remains one of his most popular works and is among the most popular concerti for piano in the repertoire. Similar to, and perhaps influenced by, Robert Schumann's Piano Concerto, the work also provides some evidence of Grieg's interest in Norwegian folk music, with the cascading motif of a falling minor second followed by a falling major third in the opening flourish typical to the folk music of the composer's native country. Recorded by Wilhelm Backhaus in 1909, this piano concerto is the first to ever be recorded, albeit heavily abridged to only six minutes due to technological limitations. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

By Felix Mendelssohn. Edited by Willard A. Palmer. For Piano. Piano Solo. Masterwork. Level: Early Advanced (grade 6 ). Sheet. 8 pages. Published by Alfred Publishing.

Composed by Andrew D. Gordon. Spiral bound. Pop/Piano Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Harmonica - Beginner

SKU: AD.ADG242

Composed by Andrew D. Gordon. The Blues Play-A-Long and Solos Collection Beginner Series. Blues. Book and digital audio. ADG Productions #ADG242. Published by ADG Productions (AD.ADG242).

ISBN 9781958017296. UPC: 663389124226. 9 x 12 inches.

The Blues Play A Long and Solos Collection for Harmonica is an indispensable instructional book written by renowned musician and educator, Andrew D. Gordon.

Specifical ly designed for beginners, this book provides a comprehensive guide to playing the blues on the bass while offering a plethora of play-along tracks and soloing opportunities.

And rew D. Gordon, with his extensive experience as a multi-instrumentalist and music educator, has meticulously crafted this book to cater to harmonica players who want to delve into the captivating world of blues music. Whether you're a complete novice or have some basic knowledge of the harmonica, this book will guide you step-by-step through the fundamentals of blues playing, enabling you to develop your skills and confidence.

The Blues Play-Along and Solos Collection for harmonica is part of an esteemed series of instructional books, with other editions available for a variety of instruments such as piano/keyboards, guitar, bass, alto and tenor saxophone, flute, trumpet, trombone, ukulele, recorder, mandolin, bass and violin. This series ensures that musicians across different disciplines can explore the blues genre and its unique characteristics.

K ey features of The Blues Play-Along and Solos Collection for Harmonica include: Play-Along Tracks: Explore a diverse selection of 30 professionally produced play-along tracks, featuring authentic blues grooves in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. These tracks allow you to apply your newly acquired skills and play alongside a band, providing an immersive and enjoyable practice experience.

Each of the 30 play-a-long tracks has been recorded with 10 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos.

Soloing Techniques: Discover various soloing techniques and improvisational approaches, empowering you to create your own expressive solos and melodies within the blues framework. Repertoire Building: Develop a repertoire of blues songs, licks, and riffs specifically tailored for the harmonica. Expand your musical vocabulary and gain confidence in your ability to perform and jam with others.

Music Notation : The book contains clear and easy-to-read music notation ensuring accessibility for beginners and facilitating a smooth learning process. Whether you aspire to perform on stage, jam with friends, or simply enjoy playing the bass at home.

The Blues Play-Along and Solos Collection for Harmonica provides you with all the tools you need to embark on an exciting blues journey. Andrew D. Gordon's expertise and passion for teaching music shine through in this book, making it an essential resource for any bass player seeking to explore the expressive and soulful realm of blues music.