Jazz Ensemble 1st Alto doubles on soprano sax - Grade 5

SKU: KN.52085S

Composed by Charlie Parker. Arranged by John LaBarbera. Kendor Archive Editions. Kendor Music Inc #52085S. Published by Kendor Music Inc (KN.52085S).

This adaptation of the Charlie Parker classic features a fast swing tempo and the bop-style lines you'd expect, but it also pays tribute to Bird by casting selected horns in intimate, combo-like settings within the full ensemble format. The solo work goes to lead alto, and alternating sax and brass solis culminate in a shout that takes this chart out strong.

Woodwind ensemble Clarinet, Alto Saxophone + CD Play Back / Play Along - Grade 3-4

SKU: MA.EMR-24576

Composed by Jerome Naulais. Clarinet, Alto Saxophone & CD Playback (+ CD Playback / Play Along CD optional). Score and parts. Duration 17'52. Editions Marc Reift #EMR 24576. Published by Editions Marc Reift (MA.EMR-24576).

Love Train / Marche Turque / Sentimental Bossa / Take 3 / Westside.

(For Symphonic Band - Full Score and Parts). By David Maslanka. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Horn I, Horn II, Hor. Carl Fischer Classic Band Editions. Score and Set of Parts. Standard notation. 78 pages. Duration 8 minutes, 30 seconds. Published by Carl Fischer

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-2, Trumpet 3 (Solo Flugelhorn), Trumpet 4, Trombone 1-4, Piano (Solo), Guitar, Bass, Drums) - advanced

SKU: M7.SMP-194

Bossa/Ballad. Composed by Ray Brown. Arranged by Geoff Keezer. Sheet music. Bossa/Ballad. Score and parts. Handelsware #SMP 194. Published by Handelsware (M7.SMP-194).

English.

An absolutely stunning feature for flugelhorn and piano!! The great bassist Ray Brown wrote this gorgeous bossa/ballad, and Geoff Keezer gave it his special, inventive touch. One of the great jazz pianists collaborates with the premier jazz bassist to create a true work of art. And, it is not difficult to play. Range is very reasonable throughout, and, the transparent, light approach Geoff takes, makes it very playable. 5-4-4-4.

Concert band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Bb Trumpet 4) - grade 4

SKU: CN.S11309

Composed by Adam Gorb. Score only. Duration 5:35. Published by G & M Brand Music Publishers (CN.S11309).

After a romantic & dreamy opening, a fun tongue-in-cheek oom-pah-pah waltz ensues giving each section of the band their moment in the spotlight. With quick articulation & style changes, Gorb keep you on your toes!

'Eine Kleine Walzermusik' was commissioned by the MTU- Blaserensemble as a successor to the composer's hugely successful 'Eine Kleine Yiddishe Ragmusik.' It received its premiere under their principal conductor Reiner Hobe on December 29th 2009 in Germany.

SSAA Choir

SKU: HL.14042861

Composed by Michael Bojesen. Choral. Hymns & Chorals. Octavo. Edition Wilhelm Hansen #FU84. Published by Edition Wilhelm Hansen (HL.14042861).

ISBN 9788774841241. UPC: 888680931704. 7.0x10.0x0.08 inches.

Michael Bojesen 's is a fine melodist whose primary field of work is choral music. Bojesen is a versatile artist whose activities in the musical sphere include composing, conducting and teaching. This piece, Gloria , has been composed for two Soprano and two Alto voices.

Michael Bojesen's is a fine melodist whose primary field of work is choral music.

Boje sen is a versatile artist whose activities in the musical sphere include composing, conducting and teaching.

This piece, Gloria, has been composed for two Soprano and two Alto voices.

Band (2 (piccolo).2 (English horn). 2 (Eb).3 alto clarinet, bass clarinet, contrabass clarinet, 2 alto saxophone, tenor saxophone, baritone saxophone - 4.4.4 euphonium.2 - timpani, 4 percussion; contrabass)

SKU: SU.91410090

For band. Composed by Dan Locklair. Woodwinds, Woodwind Ensemble. Study Score. Composed 2000. Duration 9'. Subito Music Corporation #91410090. Published by Subito Music Corporation (SU.91410090).

Instrumentation : 2,picc 2,eh 2 Eb,3,acl,bcl,cbcl 2asax,tsax,bsax; 444 euph 2; timp,4perc; cb Duration: 9' Composed: 2000 Published by: Subito Music Publishing.

By Traditional. Arranged by Gale. Clarinet Quartet. For 3 Clarinets and Bass Clarinet (alternate Alto Clarinet included for Clarinet 3). Alternate alto clarinet included for clarinet 3

(Sextet). Composed by Robert Watson. For Jazz Combo. Second Floor Music-Jazz. Published by Second Floor Music

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103519

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1726. BWV 35. Duration 31 minutes. Carus Verlag #CV 31.035/19. Published by Carus Verlag (CA.3103519).

ISBN 9790007187255. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and parts available separately - see item CA.3103500.

Concert Band/Harmonie (Score) - Grade 5

SKU: HL.44012271

Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2013. Anglo Music Press #AMP358140. Published by Anglo Music Press (HL.44012271).

UPC: 888680057664. English-German-French-Dut ch.

Looking Up, Moving On was commissioned by the Tokyo Kosei Wind Orchestra and was part of a tour programme they gave in May 2012, a tour which included many areas that had been devastated by the 2011 earthquake and tsunami.The theme of the piece is the powerful ability of mankind to overcome such disasters and look forward to a positive future; it opens in an appropriately optimistic mood, featuring bright orchestral colours and extensive syncopation. A chorale-like fanfare is soon introduced on horns and euphonium, answered by chirpy woodwinds. The mood subsides until an alto saxophone introduces a brief quotation from the composer's The Sun Will RiseAgain, which was written to raise funds for victims of the 2011 disaster. The mood soon changes and the horns introduce a noble theme under woodwind flourishes. This leads to the main Vivo section of the piece which is characterised again by strong syncopations as part of a florid theme in the low woodwinds. This melody undergoes varied development by all sections of the band until the horn fanfare returns triumphally on the brass. This is extended and leads to a faster coda which brings together previous material in counterpoint to close the work in optimistic mood.

Looking Up, Moving On is gecomponeerd in opdracht van het Tokyo Kosei Wind Orchestra. Het werk maakte deel uit van een programma uit mei 2012, dat werd uitgevoerd tijdens een tournee waarbij veel regio's werden bezocht die waren verwoest door de aardbeving en tsunami van 2011.Het thema van het werk is het buitengewone vermogen van de mens om dergelijke rampen te boven te komen en vooruit te kijken naar een positieve toekomst. De opening is dan ook optimistisch van karakter, met heldere orkestrale kleuren en een rijkelijke syncopering. Al snel wordt er een koraalachtige fanfare geintroduceerd door de hoorns en het euphonium, waarop een levendig antwoord volgt in dehoutblazerssectie. De sfeer wordt dan steeds kalmer totdat een altsaxofoon een kort citaat laat horen uit een eerder werk van de componist, The Sun Will Rise Again, dat werd geschreven om geld in te zamelen voor de slachtoffers van de ramp uit 2011. De stemming slaat vlug weer om: de hoorns introduceren een nobel thema, dat weerklinkt onder versieringen in het hout. Dit leidt naar het Vivo, het hoofdgedeelte, dat eveneens wordt gekenmerkt door sterke syncoperingen, als onderdeel van een sierlijk thema in het lage hout. De melodie ondergaat een gevarieerde ontwikkeling binnen alle secties van het orkest, totdat de hoornfanfare op triomfantelijke wijze terugkeert in het koper. De fanfare wordt vervolgens verder uitgewerkt en voert ons mee naar een snellere coda, die voorafgaand materiaal in contrapunt samenbrengt en de compositie in optimistische stemming afsluit.

Looking Up, Moving Down wurde vom Tokyo Kosei Wind Orchestra in Auftrag gegeben und war Teil des Konzertprogramms einer Tour im Mai 2012, welche viele Gebiete einschloss, die vom Erdbeben und Tsunami im Jahr 2011 zerstort worden waren. Thema dieses Stuckes ist die gewaltige Fahigkeit der Menschheit, uber solche Katastrophen hinwegzukommen und voll Optimismus in die Zukunft zu blicken; es beginnt dementsprechend in einer positiven Stimmung mit strahlenden Orchesterfarben und einer ausgepragten Synkopierung. Schon bald wird eine choralartige Fanfare auf den Hornern und im Euphonium vorgestellt, die von munteren Holzblasern beantwortet wird. Die Stimmung flaut ab, bis einAltsaxophon ein kurzes Zitat aus The Sun Will Rise Again anspielt, das der Komponist zur Spendenbeschaffung fur die Opfer des Unglucks 2011 geschrieben hatte. Kurz darauf folgt ein Stimmungswechsel und die Horner prasentieren ein stattliches Thema, begleitet von Fanfaren in den Holzblasern. Dies fuhrt zum mit Vivo uberschriebenen Hauptteil des Stuckes, der wiederum von starken Synkopierungen gepragt ist, die Teil eines bluhenden Themas in den tiefen Holzblasern sind. Diese Melodie durchlauft eine vielgestaltige Entwicklung durch alle Instrumentengruppen des Blasorchesters, bis das Blech mit der Hornfanfare triumphal zuruckkehrt. Dies wird erweitert und fuhrt zu einer schnelleren Coda, in dem verschiedenes zuvor gehortes Material kontrapunktisch zusammenkommt, um das Werk in einer optimistischen Stimmung zu beenden.

Looking Up, Moving On est une commande du Tokyo Kosei Wind Orchestra. Cette piece faisait partie du programme de la tournee effectuee par l'orchestre en mai 2012, qui s'est produit dans de nombreuses regions devastees par le tremblement de terre et le tsunami de 2011.La composition a pour theme l'immense capacite humaine a surmonter de telles catastrophes et envisager l'avenir de facon positive. Elle debute justement dans un climat optimiste comportant de vives couleurs orchestrales et des passages syncopes. Les cors et les euphonium introduisent bientot une fanfare en forme de choral a laquelle repondent des bois petillants. L'ambiance s'apaise jusqu'a ce qu'unsaxophone alto introduise un court extrait de The Sun Will Rise Again, du meme compositeur, une piece ecrite pour collecter des fonds en faveur des victimes du desastre de 2011. Le climat change hativement lorsque les cors introduisent un theme noble par-dessus des fioritures executees par les bois. Vient ensuite la principale section vivo de la piece, qui se caracterise, encore une fois, par des syncopes tres marquees dans le cadre d'un theme fleuri assure dans le registre grave des bois. Cette melodie fait l'objet de divers developpements par tous les pupitres de l'orchestre jusqu'au retour triomphant de la fanfare soutenue par les cuivres. Celle-ci se prolonge pour mener a une coda plus rapide qui rassemble les elements precedents en contrepoint pour clore la piece dans un climat optimiste.

Grande Marcia Italiana - Full Score and Parts. By Julius Fucik. Edited by Frederick Fennell. Arranged by Mayhew Lake. Concert band/stage band. For Piccolo, Flute, Oboe, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Contralto Clarninet, Contrabass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Cornet I, Cornet II, Cornet III, Cornet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Double Bass, Kettle Drums, Glockenspiel, Triangle, Snare Drum, Bass Drum, Cymbal. Carl Fischer Classic Band Edition. Score and parts. Opus 214. 16 pages. Published by Carl Fischer.

(For Flute, Bb Clarinet, Alto Saxophone, And Piano). Composed by David Leisner (1953-). For chamber ensemble (flute, clarinet in Bb, alto saxophone, piano). Score and parts. Standard Notation. Duration 12 minutes, 30 seconds. Theodore Presser Company #144-40589. Published by Theodore Presser Company

Eb alto saxophone

SKU: CL.072-6014-20

Composed by Jewel. Vintage Band Collections & March Books. Eb Alto Saxophone book. C.L. Barnhouse #072-6014-20. Published by C.L. Barnhouse (CL.072-6014-20).

(For Alto Saxophone). Composed by John C. Worley. Arranged by Walter Hartley. For Alto Saxophone, Piano. Standard notation. Theodore Presser Company #164-00254. Published by Theodore Presser Company

Eb Alto Saxophone duet with piano accompaniment - Grade 3

SKU: CL.093-0049-20

Valse Caprice. Composed by Smith & Holmes. Ensemble. Composed 1924. C.L. Barnhouse #093-0049-20. Published by C.L. Barnhouse (CL.093-0049-20).

Eb Alto Saxophone duet with piano accompaniment.

By Sparke. Arranged by Geoffrey Brand. For Concert Band (Piccolo , 1ST FLUTE , 2ND FLUTE , 1ST OBOE , 2ND OBOE* , 1ST Bb CLARINET , 2ND Bb CLARINET, 3RD Bb CLARINET, Bb BASS CLARINET*, 1ST BASSOON, 2ND BASSOON* , 1ST Eb ALTO SAXOPHONE, 2ND Eb ALTO SAXOPHONE*, Bb TENOR SAXOPHONE , Eb BARITONE SAXOPHONE*, Solo Bb). Grade 4. Score and parts. Duration 6:00. Published by C. Alan Publications

Concert band (Full Score, 1st Flute (Piccolo), 2nd flute, 1st Oboe, 2nd Oboe (opt), Bb clarinet 1/2/3, Eb alto Clarinet (opt), Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon (opt), 1st Also Sax, 2nd Alto Sax (opt), Bb Tenor Sax, Eb Baritone Sax (opt), Bb Cornet 1/2/3, Bb T) - grade 4

SKU: CN.S11210

Composed by Edward Gregson. Arranged by Edward Gregson. Band Music. Score only. Duration 10:00. Published by G & M Brand Music Publishers (CN.S11210).

Georgeous. The Partita is a wonderful piece of music. Although this piece can be played by young bands, it is musically mature and will be an ideal center piece for any band concert, middle school through the university level. Bring the audience to you with Partita.

'Partita' was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae. the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 4:30. Published by Manhattan Beach Music.

Piano solo and brass orchestra (piano solo, Eb cornet, alto sax, flugelhorn, 3 trumpets, 3 Eb alto horns, 2 baritones, 3 trombones (euphoniums), Eb tuba, Bb tuba, percussions) - Grade 4-5

SKU: ET.PNO74B

Composed by Julien-Francois Zbinden. Contemporary. Score. Editions BIM #PNO74B. Published by Editions BIM (ET.PNO74B).

ISBN 9790207024350.

Juli en-François Zbinden wrote this short spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d’Instruments de Cuivre (ERIC - attached to the broadcast Radio Suisse Romande).
The world premiere, on broadcast Radio-Lausanne, conducted by Roger Volet, was given October 8th 1959 with the composer on the piano and the ERIC. The same musicians played the work again on the 3rd of August 1961 in one of the first tv shows at the Television Suisse Romande.

By Art Marshall. Arranged by Art Marshall. For Soprano/alto-saxophone, Alto-saxophone, Tenor-saxophone, Baritone-saxophone. Score and parts. Classical. Level: Intermediate. Book. Published by Compusic (German import).

Edited by Thom Proctor. Educational instrumental collection (Tuba). Level: 3-5. 40 pages. Published by Belwin.

Chamber Music, Quartet 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone - Grade 3

SKU: FL.FX073190

Composed by Georg Friedrich Haendel. Arranged by Benoit Barrail. Arrangement. Classical. Score and Set of Parts. FLEX Editions #FX073190. Published by FLEX Editions (FL.FX073190).

Instruments: 1 Soprano Saxophone 1 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone; Difficuly Level: Grade 3; Duration: 1 mn 55 s; Musical Style: Classical; Category: Arrangement; Composer: Georg Friedrich HAENDEL; Arranger: Benoit BARRAIL.

Concert band - Grade 4

SKU: MH.0-931329-35-3

Composed by Jack Stamp. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.0-931329-35-3).

ISBN 9780931329357.

Comp oser's Preface: Antithigram is coined from the words antithesis and program. The work is bi-thematic -- the first theme comprised of eleven notes, the second (beginning at measure 63) more like a chorale in structure. A four-note tone cluster (B flat, C, F sharp, B natural) appears in the first measure, and subsequently appears as an arpeggiated ostinato (B flat, C, and F sharp, in orchestra bells and vibraphone) that underpins and adheres subsequent sections. After the themes are treated in a number of traditional ways (two-voice counterpoint, canon, chorale, and diminution) they are joined at measure 110 in a polychordal statement. The work should be performed with energy, with special attention to a precise and lively style of articulation. Antithigram was composed in the Summer of 1977 and premiered by the East Carolina University Symphonic Band in April of 1978 with the composer conducting. Ensemble instrumentation: 1 Piccolo, 2 Oboe, 2 Bassoon, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 2 Bb Bass Clarinet, 1 Eb Contrabass Clarinet, 1 Bb Contrabass Clarinet, 4 Eb Alto Saxophone 1, 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 F Horns 1 & 2, 2 F Horns 3 & 4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 2 Baritone, Treble Clef, 2 Baritone, Bass Clef, 4 Tuba, 1 Timpani, 1 Percussion 1 (Xylophone, Vibraphone, Bongos), 1 Percussion 2 (Orchestra Bells, Tambourine), 1 Percussion 3 (Chimes), 1 Percussion 4 (Snare Drum, Tambourine, Triangle), 1 Percussion 5 (Bass Drum, Tam-tam, Cymbal-susp.).

By Dean Sorenson. Band Methods. Standard of Excellence - Jazz. Level: Book A,1. Music Book. Published by Neil A. Kjos Music Company.

Beginning Band - Grade 1.5 - E Flat Alto Clarinet, E Flat Alto Sax - E Flat Part 2. By Jacob De Haan. De Haske Concert Band Full Set. 16 pages. Published by De Haske Publications.