Orchestra SSAA/TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4007405

When Israel came from Egypt's land. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Der 114.Psalm/Da Israel Aus Agypten. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Choral Score. Composed 1839. Op. 51, MWV A 17. Duration 12 minutes. Carus Verlag #CV 40.074/05. Published by Carus Verlag (CA.4007405).

ISBN 9790007060848. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. One of the most impressive works is certainly the monumental Psalm 114, which is entirely for 8-voice choir without soloists. Score available separately - see item CA.4007400.

Orchestra SSAA/TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4007413

When Israel came from Egypt's land. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Der 114.Psalm/Da Israel Aus Agypten. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Single Part, Viola. Composed 1839. Op. 51, MWV A 17. 4 pages. Duration 12 minutes. Carus Verlag #CV 40.074/13. Published by Carus Verlag (CA.4007413).

ISBN 9790007060886. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. One of the most impressive works is certainly the monumental Psalm 114, which is entirely for 8-voice choir without soloists. Score and part available separately - see item CA.4007400.

Orchestra SSAA/TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4007400

When Israel came from Egypt's land. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Der 114.Psalm/Da Israel Aus Agypten. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Full score. Composed 1839. Op. 51, MWV A 17. Duration 12 minutes. Carus Verlag #CV 40.074/00. Published by Carus Verlag (CA.4007400).

ISBN 9790007060817. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. One of the most impressive works is certainly the monumental Psalm 114, which is entirely for 8-voice choir without soloists.

Orchestra SSAA/TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4007414

When Israel came from Egypt's land. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Der 114.Psalm/Da Israel Aus Agypten. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Single Part, Cello/Double Bass. Composed 1839. Op. 51, MWV A 17. 8 pages. Duration 12 minutes. Carus Verlag #CV 40.074/14. Published by Carus Verlag (CA.4007414).

ISBN 9790007060893. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. One of the most impressive works is certainly the monumental Psalm 114, which is entirely for 8-voice choir without soloists. Score and part available separately - see item CA.4007400.

(solo: fl - 0.2.0.0. - 2.0.0.0. - str)

SKU: BR.PB-5525

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Stapled. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Study Score. Duration 20'. Breitkopf and Haertel #PB 5525. Published by Breitkopf and Haertel (BR.PB-5525).

ISBN 9790004212547. 6.5 x 9 inches.

Mozart's Flute Concerto K. 314 (285d) was most likely derived from the Oboe Concerto K. 314 (271k). The decisive impulse for the arrangement was presumably provided by a commission from the Dutch flutist Ferdinand Dejean in 1778. Any new edition inevitably has to take a very cautious approach, as the source transmission is thin: only copies dating from the 1790s have survived for both versions, and these copies clearly differ from one another. Moreover, it is nowhere confirmed that Mozart actually prepared the flute version himself. Henrik Wiese has worked intensively with Mozart's flute compositions as an interpreter and musicologist, and now presents following his new edition of the Concerto K. 313 the second solo concerto in an Urtext edition. He has once again supplied his own cadenzas.Gut ein Dutzend Ausgaben dieses Konzerts durfen derzeit erhaltlich sein, doch diese hier ist etwas besonderes. (Ursula Pesek, Das Orchester)

2 in D major K. 314 (285d) by Joachim Andersen.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067200

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. This edition: Paperbound. German title: Missa in d (nur leihweise). Sacred vocal music, Masses, Latin. Full score. Composed 1794. 154 pages. Duration 30 minutes. Carus Verlag #CV 40.672/00. Published by Carus Verlag (CA.4067200).

ISBN 9790007164454. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067214

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. German title: Missa in D. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1794. 12 pages. Duration 30 minutes. Carus Verlag #CV 40.672/14. Published by Carus Verlag (CA.4067214).

ISBN 9790007219963. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and part available separately - see item CA.4067200.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067219

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1794. Duration 30 minutes. Carus Verlag #CV 40.672/19. Published by Carus Verlag (CA.4067219).

ISBN 9790007219970. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and parts available separately - see item CA.4067200.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067203

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. This edition: Paperbound. German title: Missa in D. Sacred vocal music, Masses, Latin. Vocal score. Composed 1794. 56 pages. Duration 30 minutes. Carus Verlag #CV 40.672/03. Published by Carus Verlag (CA.4067203).

ISBN 9790007219901. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score available separately - see item CA.4067200.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067205

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. German title: Missa in D. Sacred vocal music, Masses, Latin. Choral Score. Composed 1794. 24 pages. Duration 30 minutes. Carus Verlag #CV 40.672/05. Published by Carus Verlag (CA.4067205).

ISBN 9790007219918. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score available separately - see item CA.4067200.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067213

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. German title: Missa in D. Sacred vocal music, Masses, Latin. Single Part, Viola. Composed 1794. 12 pages. Duration 30 minutes. Carus Verlag #CV 40.672/13. Published by Carus Verlag (CA.4067213).

ISBN 9790007219956. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and part available separately - see item CA.4067200.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067211

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. German title: Missa in D. Sacred vocal music, Masses, Latin. Single Part, Violin. Composed 1794. 12 pages. Duration 30 minutes. Carus Verlag #CV 40.672/11. Published by Carus Verlag (CA.4067211).

ISBN 9790007219932. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and part available separately - see item CA.4067200.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067212

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. German title: Missa in D. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1794. 12 pages. Duration 30 minutes. Carus Verlag #CV 40.672/12. Published by Carus Verlag (CA.4067212).

ISBN 9790007219949. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and part available separately - see item CA.4067200.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violin, viola, cello, contrabass

SKU: CA.2300319

Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1865-68. Op. 61. Duration 80 minutes. Carus Verlag #CV 23.003/19. Published by Carus Verlag (CA.2300319).

ISBN 9790007133849. Language: German/English.

In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and parts available separately - see item CA.2300300.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violin, viola, cello, contrabass

SKU: CA.2300309

Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Set of Orchestra Parts. Op. 61. 244 pages. Duration 80 minutes. Carus Verlag #CV 23.003/09. Published by Carus Verlag (CA.2300309).

ISBN 9790007198589. Language: German/English.

In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and parts available separately - see item CA.2300300.

Clarinet, oboe, english horn

SKU: BR.KM-2309

Composed by Adolf Busch. Edited by Bettina Beigelbeck. Stapled. Kammermusik-Bibliothek (Chamber Music Library). A rip-roaring wind trio. Early modern. Score. 36 pages. Duration 9'. Breitkopf and Haertel #KM 2309. Published by Breitkopf and Haertel (BR.KM-2309).

ISBN 9790004503454. 9 x 12 inches.

Adolf Busch performed around the world both as a solo violinist and with his Busch Quartet, founded in 1912. In 1944 Busch emigrated to the U.S. where he met, at the occasion of a performance of Mozart's Clarinet Quintet, the Russian-born musician Simeon Bellison. Stimulated by his playing, Busch wrote the rousing Divertimento Op. 62b shortly thereafter. The humorous, entertaining character of the work in six movements relies on historical genre models. The fusing of the three distinctive sound colors is achieved in a special manner by Busch.

STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo

SKU: CA.5504819

Based on the copy by J. S. Bach. Composed by George Frideric Handel. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. HWV 48. Duration 150 minutes. Carus Verlag #CV 55.048/19. Published by Carus Verlag (CA.5504819).

ISBN 9790007133702. Language: German.

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score and parts available separately - see item CA.5504800.

STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo

SKU: CA.5504805

Based on the copy by J. S. Bach. Composed by George Frideric Handel. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Choral Score. HWV 48. Duration 150 minutes. Carus Verlag #CV 55.048/05. Published by Carus Verlag (CA.5504805).

ISBN 9790007130756. Language: German.

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score available separately - see item CA.5504800.

STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo

SKU: CA.5504849

Based on the copy by J. S. Bach. Composed by George Frideric Handel. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Organ. Composed 1828/29. HWV 48. 120 pages. Duration 150 minutes. Carus Verlag #CV 55.048/49. Published by Carus Verlag (CA.5504849).

ISBN 9790007132620. Language: German.

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score and part available separately - see item CA.5504800.

Choral (Studiotrax CD)

SKU: HL.35028697

(from Harvest of Sorrows). Composed by Joseph M. Martin. Shawnee Sacred. Holy Week, Maundy Thursday. CD only. Published by Shawnee Press (HL.35028697).

UPC: 884088861742. 4.75x5.5 inches.

Uses: Holy Week, Maundy Thursday

Script ure: Luke 22:7-23

The drama and emotion of the Last Supper is on full display in this dramatic anthem from the best-selling cantata Harvest of Sorrows. An important solo theatrically becomes the voice of the Savior as he celebrates the Passover with his chosen disciples. The choir provides sonorous underpinnings giving the work a sense of scope and power. Available separately: SATB, StudioTrax CD, Orchestration CD-ROM (Score & parts for Flute 1&2, Oboe, Clarinet 1&2, Bassoon, Horn 1&2, Trumpet 1, Trumpet 2&3, Trombone 1&2, Bass Trombone/Tuba, Timp, Perc 1&2, Harp, Piano, Violin 1, Violin 2, Viola, Cello, Double Bass). Duration: ca. 4:34.

SKU: HP.8945

Composed by Joel Raney. Cantata. Set of 10 CDs. Hope Publishing Company #8945. Published by Hope Publishing Company (HP.8945).

UPC: 763628189457.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB Choir

SKU: HP.8944

Composed by Joel Raney. Cantata. Instrumental parts. 153 pages. Hope Publishing Company #8944. Published by Hope Publishing Company (HP.8944).

UPC: 763628189440.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB choir

SKU: HP.8947

Composed by Joel Raney. Cantata. Listening CD. Hope Publishing Company #8947. Published by Hope Publishing Company (HP.8947).

UPC: 763628189471.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB choir

SKU: HP.8948

Composed by Joel Raney. Cantata. Accompaniment CD. Hope Publishing Company #8948. Published by Hope Publishing Company (HP.8948).

UPC: 763628189488.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB choir

SKU: HP.8943

Composed by Joel Raney. Cantata. Accompaniment CD. Hope Publishing Company #8943. Published by Hope Publishing Company (HP.8943).

UPC: 763628189433.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB Choir

SKU: HP.8949

Composed by Joel Raney. Cantata. Instrumental parts. 24 pages. Hope Publishing Company #8949. Published by Hope Publishing Company (HP.8949).

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB Choir

SKU: HP.8942

Composed by Joel Raney. Cantata. Listening CD. Hope Publishing Company #8942. Published by Hope Publishing Company (HP.8942).

UPC: 763628189426.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

Percussion and Orchestra (Oboe) - Grade 4

SKU: HL.14012287

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Score. Composed 2002. 200 pages. Edition Wilhelm Hansen #WH30207. Published by Edition Wilhelm Hansen (HL.14012287).

ISBN 9788759865002. 12.25x16.5x0.92 inches. English.

Triptykon for Percussion and Orchestra was composed by Pelle Gudmundsen-Holmgreen in 1985. Dedicated to Gert Mortensen. Programme note: TRIPTYKON is inspired by the visual arts (a triptych is a painting on three panels, hinged side by side - for instance an altarpiece). The three movements of TRIPTYKON are composed in an eff ort to create clear contrasts of colour. The first movement employs only winds in the orchestra, the second movement only strings, and in the third movement the first two movements are repeated, on top of each other, played simultaneously. Tue percussion solo part has equally distinct colours: for the first movement: metal only, for the second movement: woodonly, and then finally in the third movement- together with the orchestral tutti - skin! Other distinct features in TRIPTYKON are block-like dispositions, polyrhythmic layers and simplicity of tonal colours. Tue often crude articulation of motifs and the frequent use ofrepetition lend a ritual character to the music. TRIPTYKON was composed in close collaboration with percussionist Gert Mortensen and the work is dedicated to him.

Violin 2 (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-32117-16

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #OB 32117-16. Published by Breitkopf and Haertel (BR.OB-32117-16).

ISBN 9790004350843. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Basso (cello/double bass) (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-32117-26

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #OB 32117-26. Published by Breitkopf and Haertel (BR.OB-32117-26).

ISBN 9790004350867. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.