Arranged by Michael Story. Arr. Michael Story. For Full Orchestra. Full Orchestr...(+)
Arranged by Michael
Story. Arr. Michael
Story. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Patriotic.
Level: 2.5 (grade 2.5).
Conductor Score. 20
pages. Published by
Alfred Publishing.
America the Beautiful Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
By Samuel A. Ward, lyrics by Katharine Lee Bates. Arranged by Jeffrey E. Turner....(+)
By Samuel A. Ward, lyrics
by Katharine Lee Bates.
Arranged by Jeffrey E.
Turner. Orchestra. String
Orchestra. Belwin
Intermediate String
Orchestra. 4th of July;
Patriotic; Summer. Grade
3. Conductor Score and
Parts. 74 pages.
Published by Belwin
Publishing
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
By Samuel Ward. Orchestra. String Orchestra. Intermediate String Orchestra. 4th ...(+)
By Samuel Ward.
Orchestra. String
Orchestra. Intermediate
String Orchestra. 4th of
July; Contemporary;
Patriotic; Summer. Grade
2.5. Conductor Score &
Parts. 104 pages.
Published by Alfred Music
Publishing
America, the Beautiful Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Samuel Augustus Ward. Arranged by Carmen Dragon, adapted by Douglas E. Wagner...(+)
By Samuel Augustus Ward.
Arranged by Carmen
Dragon, adapted by
Douglas E. Wagner.
Orchestra. Part(s);
Score; String Orchestra.
Pop Beginning String
Orchestra. 4th of July;
Patriotic; Summer. Grade
2.5. 72 pages. Published
by Alfred Music
Publishing
By Samuel Augustus Ward. Arranged by Carmen Dragon, adapted by Douglas E. Wagner...(+)
By Samuel Augustus Ward.
Arranged by Carmen
Dragon, adapted by
Douglas E. Wagner.
Orchestra. Score; String
Orchestra. Pop Beginning
String Orchestra. 4th of
July; Patriotic; Summer.
Grade 2.5. 8 pages.
Published by Alfred Music
Publishing
Freedom Finale Orchestre [Conducteur et Parties séparées] - Débutant Alfred Publishing
(Featuring: America the Beautiful / Chester / America (My Country 'Tis of Thee) ...(+)
(Featuring: America the
Beautiful / Chester /
America (My Country 'Tis
of Thee) / Battle Hymn of
the Republic). Arranged
by Michael Story and
Michael Story. Orchestra.
Full Orchestra; Part(s);
Score; SmartMusic.
Beginning Full Orchestra.
Form: Fantasia; Medley.
Patriotic. Grade 1.5. 118
pages. Published by
Alfred Music Publishing
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
A
Patriotic Suite.
Composed by Various.
Arranged by Cliff Duren.
Anthems. Contemporary,
Patriotic and Sacred.
Orchestration on CD-ROM.
Published by Lillenas
Publishing Company
(LP.765762181809).
UPC:
765762181809.
Inclu
des America the
Beautiful, My Country
'Tis of Thee, The Battle
Hymns of the
Republic.
Strings (Score & Parts) - Grade 3 SKU: HL.4490734 Arranged by John Moss. ...(+)
Strings (Score & Parts) -
Grade 3
SKU:
HL.4490734
Arranged
by John Moss. Music for
String Orchestra.
American, Patriotic.
Published by Hal Leonard
(HL.4490734).
UPC:
884088210403. 9x12
inches.
Here is a
rousing, flag-waving
medley that's red, white,
and blue, through and
through! Combine your
choirs with concert band
and strings (optional)
for a concert finale that
will bring your audience
to its feet. Includes:
America, the
Beautiful; My Country,
'Tis of Thee (America);
Yankee Doodle Boy;
and You're a Grand Old
Flag.
Voice & Piano SKU: SU.21000004 For Voice & Piano. Composed by Samu...(+)
Voice & Piano
SKU:
SU.21000004
For
Voice & Piano.
Composed by Samuel Ward.
Vocal/Choral, Solo Voice.
Accompanied by piano.
Piano Vocal Score.
Calabrese Brothers Music,
LLC #21000004. Published
by Calabrese Brothers
Music, LLC (SU.21000004).
Voice Range D4
to G5This a contemporary
arrangement by Helmut C.
Calabrese using the
original melody of Samuel
A. Ward and the words of
Katerine Lee BatesVoice &
Piano Duration: 4'
Composed: 2001 Published
by: Calabrese Brothers
Music Performance
materials for version
with orchestraavailable
on rental only:.
(Featuring: America / America the Beautiful / The Star Spangled Banner). Arrange...(+)
(Featuring: America /
America the Beautiful /
The Star Spangled
Banner). Arranged by
Jerry Brubaker.
Orchestra. Part(s);
Score; String Orchestra.
Belwin Intermediate
String Orchestra. Form:
Medley. 4th of July;
Fall; Graduation; Light
Concert; Patriotic;
Summer; Thanksgiving.
Grade 2.5. 104 pages.
Published by Belwin
Publishing
Composed by Glover.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR322 & CL.WFR343).
Patriotic. Score and set
of parts. Composed 2002.
Duration 4 minutes, 56
seconds. Opus III Wind
Orchestra Publications
#012-3200-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-3200-00).
This impressive
chorale-prelude by Andrew
Glover is an exceptional
choice for ceremonial
events, formal
observances, or as a
concert selection. A
robust opening fanfare
segues seemlessly into a
peaceful original
chorale. A short
interlude leads into a
robust and powerful
chorus of America, the
Beautiful which includes
optional parts for
antiphonal trumpets and
trombones. Sensitive and
reflective scoring
combine with warm and
gentle dissonances for a
truly remarkable
conclusion. Stunning,
emotional and inspiring
selection for any
program.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Composed by Glover.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR322 & CL.WFR343).
Extra full score.
Composed 2002. Duration 4
minutes, 56 seconds. Opus
III Wind Orchestra
Publications
#012-3200-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3200-01).
This impressive
chorale-prelude by Andrew
Glover is an exceptional
choice for ceremonial
events, formal
observances, or as a
concert selection. A
robust opening fanfare
segues seemlessly into a
peaceful original
chorale. A short
interlude leads into a
robust and powerful
chorus of America, the
Beautiful which includes
optional parts for
antiphonal trumpets and
trombones. Sensitive and
reflective scoring
combine with warm and
gentle dissonances for a
truly remarkable
conclusion. Stunning,
emotional and inspiring
selection for any
program.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Freedom Overture Orchestre à Cordes [Conducteur et Parties séparées] - Facile Kendor Music Inc.
String orchestra (88555) with optional 3rd violin/viola TC (3), piano and percus...(+)
String orchestra (88555)
with optional 3rd
violin/viola TC (3),
piano and percussion -
Grade 2.5
SKU:
KN.9106
Composed by
Various. Arranged by John
Caponegro. Solo or
Ensemble. Voyager String
Orchestra. Patriotic.
Score and set of parts.
Duration 4 minutes, 10
seconds. Kendor Music Inc
#9106. Published by
Kendor Music Inc
(KN.9106).
UPC:
822795091069.
This
medley of 7 patriotic
tunes contains excellent
material for concert
performances and
celebrations. The
accelerando and ritards
leading to/from tempo
changes demand that
players watch the
conductor carefully. The
piece closes out fast and
strong, and use of the
optional percussion part
for snare and bass drums
will contribute to the
patriotic mood. Duration
4:10. Available in
SmartMusic.
Written by Gerald E. Anderson, Kathleen Brungard, Michael Alexander, Sandra Dack...(+)
Written by Gerald E.
Anderson, Kathleen
Brungard, Michael
Alexander, Sandra Dackow.
Instructional Book & CD
for viola. Series:
Orchestra Expressions. 56
pages. Published by
Alfred Publishing.
Written by Gerald E. Anderson, Kathleen Brungard, Michael Alexander, Sandra Dack...(+)
Written by Gerald E.
Anderson, Kathleen
Brungard, Michael
Alexander, Sandra Dackow.
Instructional Book & CD
for violin. Series:
Orchestra Expressions. 56
pages. Published by
Alfred Publishing.
Written by Gerald E. Anderson, Kathleen Brungard, Michael Alexander, Sandra Dack...(+)
Written by Gerald E.
Anderson, Kathleen
Brungard, Michael
Alexander, Sandra Dackow.
Instructional Book & CD
for string bass. Series:
Orchestra Expressions. 56
pages. Published by
Alfred Publishing
Written by Gerald E. Anderson, Kathleen Brungard, Michael Alexander, Sandra Dack...(+)
Written by Gerald E.
Anderson, Kathleen
Brungard, Michael
Alexander, Sandra Dackow.
Instructional Book & CD
for cello. Series:
Orchestra Expressions. 56
pages. Published by
Alfred Publishing.
America the Beautiful Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Samuel A. Ward, lyrics by Katharine Lee Bates. Arranged by Jeffrey E. Turner....(+)
By Samuel A. Ward, lyrics
by Katharine Lee Bates.
Arranged by Jeffrey E.
Turner. Orchestra. String
Orchestra. Belwin
Intermediate String
Orchestra. 4th of July;
Patriotic; Summer. Grade
3. Conductor Score. 8
pages
Flûte, Clarinette, Piano (trio) [Conducteur et Parties séparées] Theodore Presser Co.
Composed by Gabriel Faure (1845-1924). Arranged by Michael Webster. Classical. S...(+)
Composed by Gabriel Faure
(1845-1924). Arranged by
Michael Webster.
Classical. Score and
part(s). With Standard
notation. Composed 2005.
Opus 50. 28 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41756. Published by
Theodore Presser Company
(PR.114417560).
America the Beautiful Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3512-75 Arranged by James Swearingen. Concert Band. O...(+)
Grade 3
SKU:
CL.012-3512-75
Arranged by James
Swearingen. Concert Band.
Oversized, spiral-bound
score. Composed 2006.
Opus III Wind Orchestra
Publications
#012-3512-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3512-75).