Arranged by Simon Lasky. Recorder. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Intermediate.

Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

8 Famous Works for Violin. By Johann Sebastian Bach. De Haske Play-Along Book. Play Along. BOOK W/CD. Size 9x12 inches. 16 pages. Published by DeHaske Publications.

Classical Instrumental Play-Along (Book/CD Pack) - Flute. By Johann Sebastian Bach. Arranged by Wim Stalman. De Haske Play-along Book. Play Along. BOOK W/CD. Size 9x12 inches. 16 pages. Published by De Haske Publications.

Trumpet. De Haske Play-along Book. Size 9x12 inches. 16 pages. Published by De Haske Publications.

Alto Saxophone. De Haske Play-along Book. Size 9x12 inches. 16 pages. Published by De Haske Publications.

Oboe. De Haske Play-along Book. Size 9x12 inches. 16 pages. Published by De Haske Publications.

Trombone/Euphonium. De Haske Play-along Book. Size 9x12 inches. 28 pages. Published by De Haske Publications.

SATB/SAB choir, soprano voice solo/tenor voice solo, flute, piano, cello, double bass

SKU: GH.GE-10748

Musik till Maria samt till Advents- och Jultid. Composed by Stefan Petzen / Lars Wallenas. Arranged by Lars Wallenas. Score. With Language: Swedish. Gehrmans Musikforlag #GE 10748. Published by Gehrmans Musikforlag (GH.GE-10748).

ISBN 9790070107488. A4 inches.

(Kantate zum Sonntag Palmarum oder zum Fest Mariae Verkundigung). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo. This edition: paperbound. BWV 182. Cantatas; Stuttgart Urtext editions; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during chuch year: Lent and Passiontide, Holy Week. Level 3. Score. Language: German/English. Composed 1714. 104 pages. Duration 30 min

Basso (cello/double bass) (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-26

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-26. Published by Breitkopf and Haertel (BR.OB-15143-26).

ISBN 9790004342039. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).