Composed by Aaron Copland (1900-1990). Set of performance parts (parts only, sco...(+)
Composed by Aaron Copland
(1900-1990). Set of
performance parts (parts
only, score not included)
for violin I, violin II,
viola and cello. 25
pages. Published by
Boosey and Hawkes.
Four Motets Chorale SATB SATB A Cappella Boosey and Hawkes
(Complete Edition). By Aaron Copland (1900-1990). SATB A Cappella. Boosey and Ha...(+)
(Complete Edition). By
Aaron Copland
(1900-1990). SATB A
Cappella. Boosey and
Hawkes Sacred Choral. 32
pages. Boosey and Hawkes
#M051481064. Published by
Boosey and Hawkes
Copland Opener Fanfare [Conducteur et Parties séparées] Boosey and Hawkes
(Based on themes by Aaron Copland). By Jay Bocook. Arranged by Will Rapp. (Scor...(+)
(Based on themes by Aaron
Copland). By Jay Bocook.
Arranged by Will Rapp.
(Score and Parts).
Performance/Easy Limited
Edition. Published by
Boosey and Hawkes.
Voix Soprano [Partition + Accès audio] Boosey and Hawkes
Soprano. Composed by Various. Edited by Philip Brunelle. Boosey and Hawkes Voice...(+)
Soprano. Composed by
Various. Edited by Philip
Brunelle. Boosey and
Hawkes Voice. Play Along.
Softcover Audio Online.
144 pages. Boosey and
Hawkes #M051933631.
Published by Boosey and
Hawkes
Composed
by Dan Welcher. Spiral.
Large Score. With
Standard notation.
Duration 10 minutes.
Theodore Presser Company
#466-00047. Published by
Theodore Presser Company
(PR.466000470).
UPC:
680160099405. 11 x 17
inches.
This is the
second incarnation of a
work I first composed in
1994 for symphonic wind
ensemble. The earlier
version was intended to
be the summation of
three-part suite, each
part being named for a
different national park
in the Western United
States. This orchestral
version, commissioned in
1999 by the Utah Symphony
and dedicated to the
memory of Aaron Copland,
is more than a re-scoring
of the earlier piece; it
is a re-thinking of all
its elements. Zion is a
place with unrivaled
natural grandeur, being a
sort of huge box canyon
in which the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both his
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of
triumph.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Brass Band and Cornet Solo - Grade 5 SKU: BT.DHP-1074205-130 Composed by ...(+)
Brass Band and Cornet
Solo - Grade 5
SKU:
BT.DHP-1074205-130
Composed by Leroy
Anderson. Arranged by
Klaas van der Woude and
Naohiro Iwai. New Sounds
in Brass. Original Light
Music. Score Only.
Composed 2007. 24 pages.
De Haske Publications
#DHP 1074205-130.
Published by De Haske
Publications
(BT.DHP-1074205-130).
9x12 inches.
English-German-French-Dut
ch.
Leroy Anderson
is part of American
cultural heritage and he
is often compared to such
masters as Gershwin and
Copland.
Trumpeter’s
Lullaby was written
for The Boston Pops
Orchestra of which he was
the conductor. This new
arrangement for brass
band gives your three
cornet soloists a chance
to ‘take to the
fore’ in a variety
of up-tempo jazz styles.
Once performed this item
will become a favourite
that you will use time
and time again.
Der amerikanische
Komponist Leroy Anderson
wird zu Recht oft in
einem Atemzug mit
großen Namen wie
George Gershwin, Aaron
Copland oder Charles Ives
genannt. Nostalgische
Lieder aus Andersons
Feder, wie zum Beispiel
Sleigh Ride und
Blue Tango, sind
unsterblich geworden.
Anderson schrieb im Jahr
1949 auch das anmutige
Stück
Trumpeter’s
Lullaby, das Naohiro
Iwai ganz hervorragend
für Brass Band
umsetzte.
Trumpeter's Lullaby [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Brass Band and Cornet Solo - Grade 5 SKU: BT.DHP-1074205-030 Composed by ...(+)
Brass Band and Cornet
Solo - Grade 5
SKU:
BT.DHP-1074205-030
Composed by Leroy
Anderson. Arranged by
Klaas van der Woude and
Naohiro Iwai. New Sounds
in Brass. Original Light
Music. Set (Score &
Parts). Composed 2007. De
Haske Publications #DHP
1074205-030. Published by
De Haske Publications
(BT.DHP-1074205-030).
9x12 inches.
English-German-French-Dut
ch.
Leroy Anderson
is part of American
cultural heritage and he
is often compared to such
masters as Gershwin and
Copland.
Trumpeter’s
Lullaby was written
for The Boston Pops
Orchestra of which he was
the conductor. This new
arrangement for brass
band gives your three
cornet soloists a chance
to ‘take to the
fore’ in a variety
of up-tempo jazz styles.
Once performed this item
will become a favourite
that you will use time
and time again.
Der amerikanische
Komponist Leroy Anderson
wird zu Recht oft in
einem Atemzug mit
großen Namen wie
George Gershwin, Aaron
Copland oder Charles Ives
genannt. Nostalgische
Lieder aus Andersons
Feder, wie zum Beispiel
Sleigh Ride und
Blue Tango, sind
unsterblich geworden.
Anderson schrieb im Jahr
1949 auch das anmutige
Stück
Trumpeter’s
Lullaby, das Naohiro
Iwai ganz hervorragend
für Brass Band
umsetzte.
Concert band - Grade 4-5 SKU: P2.W0004 Composed by James Grant. Published...(+)
Concert band - Grade 4-5
SKU: P2.W0004
Composed by James Grant.
Published by Potenza
Music (P2.W0004).
Tribute: Those
Who Serve, scored for
Grade 4/5 band, is
dedicated to the bravery,
heroism and sacrifice of
First Responders. The
music is based on an
earlier work for
orchestra, called
Tribute, commissioned by
conductor Michael
Gagliardo and the Etowah
Youth Symphony Orchestra
to commemorate the events
of September 11, 2001. I
composed the original
Tribute in the spring of
2002 while in residence
at Copland House in
Cortlandt Manor, NY,
where Aaron Copland lived
and worked the last
thirty years of his life.
With gratitude to Copland
House and as my own
tribute to Mr. Copland,
the orchestral version of
Tribute opened and closed
with the composer's
initials A.C. featured in
the strings as major
chords on A and C.
Mercifully, the current
version for band has been
transposed up a half-step
to the key of B-flat. A
central section in D-flat
features robust quotes
from Copland's Fanfare
for the Common Man, a
work that is at the
spiritual core of
Tribute: Those Who
Serve.Tribute: Those Who
Serve invites us to pause
and reflect on the daily
acts of valor exhibited
by the many First
Responders in our local
communities--law
enforcement officials,
firefighters, search and
rescue teams, emergency
medical technicians and
citizen volunteers, to
name but a few. My hope
is that Tribute: Those
Who Serve will inspire
community and school
bands nationwide to hold
events to honor the brave
women and men who serve
with consummate
commitment and
determination in our
local communities,
selflessly standing tall
in times of local and
national crisis.
Trumpeter's Lullaby Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.DHP-1063975-010 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.DHP-1063975-010
Composed by Leroy
Anderson. Arranged by
Naohiro Iwai. New Sounds
for Concert Band.
Original Light Music. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1063975-010. Published by
De Haske Publications
(BT.DHP-1063975-010).
9x12 inches.
English-German-French-Dut
ch.
According to
music critic Mark Azarra,
Leroy Anderson
(1908-1975) was
“one of the four
best composers of
instrumental music in the
20th century, next to
George Gershwin, Aaron
Copland and Charles
Ivesâ€. Many of his
nostalgic songs such as
Sleigh Ride and
Blue Tango are
firmly embedded in the
American popular music
culture. In 1945 at the
request of Roger Voisin,
the principal trumpeter
of the Boston Pops
Orchestra, Anderson wrote
the Trumpeter’s
Lullaby. This version
for concert band by will
be a sure
winner.
Volgens
muziekcriticus Mark
Azarra was Leroy Anderson
(1908-1975) “een
van de vier beste
componisten van
instrumentale muziek in
de twintigste eeuw, naast
George Gershwin, Aaron
Copland en Charles
Ivesâ€. Nostalgische
songs van zijnhand, zoals
als Sleigh Ride en
Blue Tango, zijn
stevig ingebed in de
Amerikaanse
lichtemuziekcultuur. Op
verzoek van Roger Voisin,
destijds eerste
trompettist van het
Boston Pops Orchestra,
schreef Anderson in
1945het luchtige stuk
Trumpeter’s
Lullaby.
Tr
umpeter's Lullaby
gehört seit seinem
Entstehungsjahr 1950 zum
unterhaltsamen
Standardrepertoire vieler
Trompetensolisten. Leroy
Anderson komponierte den
Titel auf Anregung von
Roger Voisin, dem ersten
Trompeter des Boston
Symphony Orchestras.
Dieser wünschte sich
ein Solo, das sich vom
lauten, triumphalen Klang
der meisten Trompetensoli
unterschieden sollte. So
entstand die Idee zu
diesem Wiegenlied, das
nun in einer Bearbeitung
für Trompete und
Blasorchester
vorliegt.
Ai nostri
giorni, la musica leggera
che nel primo dopoguerra
fece la gioia di tanti
radioascoltatori, sta
cadendo
nell’oblio. Tra i
molti brani, spiccava la
musica del compositore
americano Leroy Anderson
(1908-1975). Descrittive
e spesso sorprendenti, le
sue musiche hanno
conservato la freschezza
e lo charme di allora.
Trumpeter’s
Lullaby è un brano
dolce dove la tromba
vuole essere tenera ed
eterea. Un brano magico
anche grazie
all’accompagnament
o.
Trumpeter's Lullaby Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.DHP-1063975-140 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.DHP-1063975-140
Composed by Leroy
Anderson. Arranged by
Naohiro Iwai. New Sounds
for Concert Band.
Original Light Music.
Score Only. Composed
2006. 24 pages. De Haske
Publications #DHP
1063975-140. Published by
De Haske Publications
(BT.DHP-1063975-140).
9x12 inches.
English-German-French-Dut
ch.
According to
music critic Mark Azarra,
Leroy Anderson
(1908-1975) was
“one of the four
best composers of
instrumental music in the
20th century, next to
George Gershwin, Aaron
Copland and Charles
Ivesâ€. Many of his
nostalgic songs such as
Sleigh Ride and
Blue Tango are
firmly embedded in the
American popular music
culture. In 1945 at the
request of Roger Voisin,
the principal trumpeter
of the Boston Pops
Orchestra, Anderson wrote
the Trumpeter’s
Lullaby. This version
for concert band by will
be a sure
winner.
Volgens
muziekcriticus Mark
Azarra was Leroy Anderson
(1908-1975) “een
van de vier beste
componisten van
instrumentale muziek in
de twintigste eeuw, naast
George Gershwin, Aaron
Copland en Charles
Ivesâ€. Nostalgische
songs van zijnhand, zoals
als Sleigh Ride en
Blue Tango, zijn
stevig ingebed in de
Amerikaanse
lichtemuziekcultuur. Op
verzoek van Roger Voisin,
destijds eerste
trompettist van het
Boston Pops Orchestra,
schreef Anderson in
1945het luchtige stuk
Trumpeter’s
Lullaby.
Tr
umpeter's Lullaby
gehört seit seinem
Entstehungsjahr 1950 zum
unterhaltsamen
Standardrepertoire vieler
Trompetensolisten. Leroy
Anderson komponierte den
Titel auf Anregung von
Roger Voisin, dem ersten
Trompeter des Boston
Symphony Orchestras.
Dieser wünschte sich
ein Solo, das sich vom
lauten, triumphalen Klang
der meisten Trompetensoli
unterschieden sollte. So
entstand die Idee zu
diesem Wiegenlied, das
nun in einer Bearbeitung
für Trompete und
Blasorchester
vorliegt.
Ai nostri
giorni, la musica leggera
che nel primo dopoguerra
fece la gioia di tanti
radioascoltatori, sta
cadendo
nell’oblio. Tra i
molti brani, spiccava la
musica del compositore
americano Leroy Anderson
(1908-1975). Descrittive
e spesso sorprendenti, le
sue musiche hanno
conservato la freschezza
e lo charme di allora.
Trumpeter’s
Lullaby è un brano
dolce dove la tromba
vuole essere tenera ed
eterea. Un brano magico
anche grazie
all’accompagnament
o.
(Lullaby). By Aaron Copland. Arranged by R. Wilding-White, Aaron Copland. (SA)....(+)
(Lullaby). By Aaron
Copland. Arranged by R.
Wilding-White, Aaron
Copland. (SA). Boosey
and Hawkes Secular
Choral. 8 pages.
Published by Boosey &
Hawkes.
Composed by Aaron
Blakely. SWS. Full score.
36 pages. Duration 6
minutes, 4 seconds. Carl
Fischer Music #CPS174F.
Published by Carl Fischer
Music (CF.CPS174F).
ISBN 9781491140888.
UPC: 680160628940. 9 x 12
inches.
This new
concert overture by young
composer Aaron Blakely is
reminiscent of the great
Western movie score
genre. It has the bold
open intervals of the
American sound made
famous by Aaron Copland
along with a very
memorable melody and
driving rhythms. The main
theme of the piece is
contrasted by a lush and
lyrical middle section
that builds to a
wonderful climax before
the return of the driving
main theme. New Frontiers
is a perfect showcase
piece for your band to
play at contest or
festival.