Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)

70 well-known Songs Volkslieder, Traditionals, Oldies, Blues, Rock und Pop. Par . Finding songs for the diatonic Richter harmonica (blues harp) is not easy. Many songs can only be played in the upper octave; otherwise advanced techniques like bending have to be applied. Perry Letsch has looked through hundreds of German songs and examined them for their suitability. The results are songs suitable both for the beginner and the advanced player. Some songs have been provided with their own solos. Apart from popular folk songs the edition includes standards such as 'Abilene', 'Blue Bossa' or 'Dona, Dona'. Play-along CD with all titles included. / Niveau : facile - moyen / Date parution : 2022-03-03/ Recueil / Harmonica

33 des plus grands thèmes du cinéma d'hier et d'aujourd'hui transcris en piano solo niveau intermédiaire/avancé. A l'intérieur du songbook, une carte-code de téléchargement vous donne accès aux démonstrations de tous les titres du recueil.Titres : Adagio For Strings (from Elephant Man, Platoon, Little Buddha, Amelie Poulain) [Barber, Samuel] - Farewell Theme (from Between Strangers) [Preisner Zbigniew] - Will And Amira (from Breaking And Entering) [Yared, Gabriel] - Funeral (from The Constant Gardener) [Iglesias, Alberto] - Love Theme (from Elizabeth: The Golden Age) [Armstrong, Craig] - Up and Down (from The Face Of An Angel) [Escott, Harry] - Theme (from Farewell, Herr Schwartz) [Hauschka] - Departure (from Die Fremde) [Richter, Max] - Opening Titles - The North Pole (from Frozen Planet) [Fenton, George] - Theme (from Gluck) [Hauschka] - Dead Things (from The Hours) [Glass, Philip] - Theme (from House Of Cards) [Beal, Jeff] - Yumeji's Theme (from In The Mood For Love) [Umebayashi, Shigeru] - Pavane (from The Incredible Mrs Ritchie) [Hawes, Patrick] - Una Mattina (from Intouchables) [Einaudi, Ludovico] - Koyaanisqatsi [Glass, Philip] - Down Over Lake Victoria (from The Last King Of Scotland) [Heffes, Alex] - Theme (from The League Of Gentlemen) [Talbot, Joby] - Opus 37 (from Like Crazy) [O'Halloran, Dustin] - Opus 17 (from Marie Antoinette) [O'Halloran, Dustin] - Her Gentle Spirit (from The Merchant Of Venice) [Pook, Jocelyn] - Prelude (from Planet Earth) [Fenton, George] - Primavera (from Untouchable) [Einaudi, Ludovico] - The Egg - Cycling Holiday (from The Reader) [Muhly, Nico] - The Bridge (from Rory O'Shea Was Here - aka Inside I'm Dancing) [Julyan, David] - Piano Pier (from Shame) [Escott, Harry] - On The Nature Of Daylight (from Shutter Island) [Richter, Max] - Silencium (from Silent Witness) [Harle, John] - Cambridge, 1963 (from The Theory Of Everything) [Jóhannsson, Jóhann] - Thursgood (from Tinker Tailor Soldier Spy) [Iglesias, Alberto] - Opus 22 (from Transparent) [O'Halloran, Dustin] - Andante/Reflection (from Waltz With Bashir) [Richter, Max] / Piano

70 bekannte Lieder and Songs. Par LETSCH PERRY. Finding songs for the diatonic Richter harmonica (blues harp) is not easy. Many songs can only be played in the upper octave; otherwise advanced techniques like bending have to be applied. Perry Letsch has looked through hundreds of German songs and examined them for their suitability. The results are songs suitable both for the beginner and the advanced player. Some songs have been provided with their own solos. Apart from popular folk songs the edition includes standards such as 'Abilene', 'Blue Bossa' or 'Dona, Dona'. Play-along with all titles included. / Date parution : 2022-10-25/ Recueil / Harmonica

Musikvermittlung hat sich zu einem festen Bestandteil unserer Musikkultur ­entwickelt. In den Aufsätzen dieses Buches werden Umrisse und Aufgaben der künstlerischen Disziplin beschrieben, Arbeitsfelder, Ausbildungsfragen und Adressaten thematisiert, Methoden und neue Medien gesichtet, kritische Aspekte und Qualitätskriterien erörtert sowie historische Prozesse und zukunftsweisende Perspektiven aufgezeigt - Bestandsaufnahme und Neu­reflexion einer offenen und offensiven Musikvermittlung, die dem Musik­leben neue Impulse verleiht. / Orchestre

Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur.Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely.Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan.As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world. / Opéra