| Sonatina Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Taylor Swift - Folklore
Piano, Voix et Guitare Hal Leonard
By Taylor Swift. Piano/Vocal/Guitar Artist Songbook. Pop. Softcover. Publishe...(+)
By Taylor Swift.
Piano/Vocal/Guitar Artist
Songbook. Pop. Softcover.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet Op. 37 Quatuor à cordes: 2 violons, alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
String Quartet (Score) SKU: HL.370494 Critical Edition Hardcover. ...(+)
String Quartet (Score)
SKU: HL.370494
Critical Edition
Hardcover. Composed
by Karol Szymanowski.
PWM. Classical.
Hardcover. 60 pages.
Polskie Wydawnictwo
Muzyczne #9267030.
Published by Polskie
Wydawnictwo Muzyczne
(HL.370494). ISBN
9781705147009. UPC:
840126994025. The
First String Quartet in C
major, Op. 37, was
written in the autumn of
1917 and earned
Szymanowski the first
prize in a competition
organized by the Ministry
of Religious and in a
competition organized by
the Ministry of Religious
and Educational Affairs
in January 1922. The
First String Quartet is
notable for its clar and
simple construction. The
first movement is in the
formof a sonata allegro;
the Andantino semplice
(in modo iuna canzone) in
the middle is a cross
between ternary and
variation form. The final
Scherzando alla burlesca
also keeps to the form of
a sonata allegro. The
combinations and
proportions of formal
factors and the treatment
of thematic material
betray a fairly
conventional adoption of
classical models.
Similarly, the expressive
and structural use of
melodic material shows a
respect for traditional
norms. Szymanowski
created, in other works
from the same period, his
own individual type of
melodic line, which was
strongly expressive and
achieved its effect
chiefly by its tonal
qualieties; nevertheless
in this Quartet he
returns to a fluid,
cantilena-like,
symmetrically shaped
melodic line, which runs
along in broad phrases of
a concentrated,
reflective character.
Melody becomes the chief
factor in the development
of the form, both in
thematic usage and in the
application of a more
polyphonic texture.
Harmonic and tonal means
are considerably
simplified in the Quartet
[]. Most of the writing
is linear, or horizontal,
with individual treatment
of each part, the
parallel continuation of
the four sound planes,
almost a matter of
principle. The functions
of the particular
instruments in realizing
these planes are
constantly changing,which
accounts for the even
greater variedy of
tone-colour. The decision
to forego experiment with
forms and sonorities is
reflectedin the overall
approach to musical
expression. The
predominant atmosphere of
restrained emotion, quiet
lyricism and serenity is
strongly suggestive of
classical aestetic
models. (Based on Zofia
Helman Commentary on
Szymanowski Complete
Edition, Vol. B6) (II)
The ''Second String
Quartet'' represents an
interesting attempt to
revert to classical form
coupled with the new
harmonic and tonal
vocabulary worked out
previously in the
''Slopiewnie'', ''Stabat
Mater'' and ''Mazurkas''.
It was also the first
time the composer had
used folk elements in the
framework of a major
classical form. The
''Second String Quartet''
is in a special category
among Szymanowski's
works. Though it dates
from the composer was
still occupied with folk
music, it nevertheless
shows him returning to
classical models, but at
the same time using an
aesthetic of subjective
expression, which gives
the work its own
individual stamp. The
''Second String Quartet''
synthesis of the various
directions in which
Szymanowski was
attempting to develop.
The sonority and texture
used in the first. $40.00 - Voir plus => Acheter | | |
| Inglorious Family Affairs Orchestre Subito Music
Orchestra SKU: SU.94010380 For Orchestra. Composed by James Lee II...(+)
Orchestra SKU:
SU.94010380 For
Orchestra. Composed
by James Lee III.
Orchestra. Study Score.
Subito Music Corporation
#94010380. Published by
Subito Music Corporation
(SU.94010380).
Instrumentation
: 2,1 2,1 2,1 2,1; 4331;
timp, perc, hp, pno/cel;
stgs Duration:
12' Composed: 2013
Published by: Subito
Music Publishing
Performance materials
available on rental only:
Subito Music Rental
Library. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Divi Sirmi Kumelini Chorale SATB SATB, Percussion(s) Gentry Publications
Arranged by Ethan Sperry. Gentry Publications. Concert, Festival, Folk. Octavo...(+)
Arranged by Ethan Sperry.
Gentry Publications.
Concert,
Festival, Folk. Octavo.
12
pages. Gentry
Publications
#JG2522. Published by
Gentry
Publications
$2.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Monsieur Choufleuri Restera Chez Lui Le... Bote and Bock
Soloists, Mixed Choir and Orchestra SKU: BT.BB3476 Opérette-Bouffe ...(+)
Soloists, Mixed Choir and
Orchestra SKU:
BT.BB3476
Opérette-Bouffe En
Un Acte. By
Jean-Christophe Keck. By
Jacques Offenbach. Vocal
Score. 88 pages. Bote &
Bock #BB3476. Published
by Bote & Bock
(BT.BB3476). ISBN
9783793141730.
French. An opera
buffa in one act by
Offenbach, in Germany
mainly known under the
title of 'Salon
Pritzelsberger', which
has enjoyed continuous
popularity since its
world premiere in 1860
until the present day.
Since original
performancematerials were
lost after the death of
the composer, several
numbers like the overture
and the legendary Trio
italien could not be
reconstructed in their
original instrumentation.
Therefore, the access to
the autograph of thescore
granted to the editor
Jean-Christophe Keck by
the descendants of
Offenbach was of
inestimable value in
order to publish this gem
of opera literature in an
authentic source-critical
edition for the first
time. In theirvariantof
the 'Bourgeois
Gentleman', Offenbach and
his co-author, the Duc de
Morny, President of the
Ministry of Internal
Affairs under Napoleon
III, make fun not only of
the airs and graces of
the nouveaux riches but
also of the musicalstar
cult of the 19th century
which apparently was
hardly any different from
that of today…. $39.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Affairs A theatrical piece [Conducteur] Seesaw Music Corp
Soprano, conductor, & eight musicians SKU: SU.50035550 For Soprano, co...(+)
Soprano, conductor, &
eight musicians SKU:
SU.50035550 For
Soprano, conductor, &
eight musicians.
Composed by Menachem Zur.
Vocal/Choral, Vocal
Chamber Music. Full
Score. Seesaw Music Corp
#50035550. Published by
Seesaw Music Corp
(SU.50035550).
Copyright 1971.
Published by: Seesaw
Music. $37.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 31 |