By Various. Arranged by Chuck Sher. For E§ Instruments, Melody/Lyrics/Chords. Latin and Latin Jazz. Difficulty: easy-medium to medium. Fakebook (spiral bound). Melody and chord names. 572 pages. Published by Sher Music Company

(Northern Illinois University Jazz Ensemble, Ronald Carter, Director). By Northern Illinois University Jazz Ensemble, Ronald Carter, Director. Music Education. Teaching Music through Performance. Music Education, Jazz. 3-CD set. Published by GIA Publications

By Various. For flute. Play along. Published by ABRSM (Associated Board of the Royal Schools of Music).

(B-Flat Instruments). By Ze Luis Oliveira Arthur Lipner. Edited by Arthur Lipner. For Instruments in Bb. From Lead Sheets To Hip Solos Developing Improvisation For All Instruments. Jazz. Score and Audio CD. 72 pages

Rock * Jazz * Funk * Metal * Hip-Hop * Blues * Country * Reggae * Afro-Cuban * More!. Drum Instruction. Instruction. Softcover Audio Online. 210 pages. Published by Hal Leonard

By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet, harmonica. Play-Along series with accompaniment CD. Finally, an authentic collection of Salsa/Latin favorites. Level: intermediate, advanced. Book with CD. Published by Jamey Aebersold Jazz.

By Mark Levine (Transcriber). For drums. Learn to play authentic Salsa/Latin voicings and figures. Level: intermediate, advanced. Book. Published by Jamey Aebersold Jazz.

Jazz Play-Along Series Volume 61. By Various. Jazz Play Along. Softcover with CD. Size 9x12 inches. 64 pages. Published by Hal Leonard.

Level/Grade 3. ABRSM JAZZ. Softcover with CD. Size 9x12 inches. 24 pages. Published by ABRSM Publishing.

Recorded live. By Pennsylvania All-State Vocal Jazz Ensemble; Pennsylvania All-State Instrumental Jazz Ensemble. Release date: 2015. Mark Records. Listening CD. Duration 76:11:00. Published by Mark Custom Music (MK.51553-MCD).

The third kind. Composed by Steve Baker. Sheet music with CD. 96 pages. MDS (Music Distribution Services) #ART 80783. Published by MDS (Music Distribution Services)

Orchestra chamber orchestra

SKU: CF.SC89

Seven Little Pieces. Composed by William Grant Still. Full score. 36 pages. Duration 12 minutes. Carl Fischer Music #SC89. Published by Carl Fischer Music (CF.SC89).

ISBN 9781491158852. UPC: 680160917570.

Scori ng: Bass Clarinet in Bb, Bassoon, Clarinet 1 in Bb, Clarinet 2 in Bb, Contrabass, Flute 1, Flute 2, Harp, Horn 1 in F, Horn 2 in F, Horn 3 in F, Oboe, Percussion, Timpani, Trumpet 1 in Bb, Trumpet 2 in Bb, Trumpet 3 in Bb, Viola, Violin 1, Violin 2 and more.

William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a The aBlack belta refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Stillas piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways:   William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a The aBlack belta refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Stillas piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: Lial Scamp If one were to base his judgment on the volume of sound, he would think this little fellow, who delights in playing childish pranks, a big scamp. But the aptness of the title is determined by the brevity of the piece rather than by the volume of sound. Honeysuckle A musical suggestion of the saccharine odor of the honeysuckle. Dance This title is self-explanatory. Brown Girl A tone picture of a lovely girl. Mah Bones Is Creakina An old man, afflicted with rheumatism, complains loudly. Blue The lament of a weary soul. Clap Yoa Hanas The participants in a game for children form a circle and clap their hands at intervals.

How to Play Funk, Rock and World Beat Patterns on Any Drum. by Alan Dworsky and Betsy Sansby. For Percussion. method. Dancing Hand. Rock and Blues. Level: Beginning-Intermediate. Book/CD Set. Size 8.5x11. 96 pages. Published by Dancing Hands.

By Scott Joplin. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 850 pages. Published by Subito Music.

(BR)

SKU: HL.49041701

Geschichte und Personlichkeiten. Composed by Polillo. This edition: Paperback/Soft Cover. Paperback. Serie Musik. Die Geschichte des Jazz als Musikgeschichte vor der historischen und sozialen Situation der Afro-Amerikaner - Die Entwicklung der musikalischen Ausdrucksformen des Jazz wie Minstrels, Ragtime, Blues, Gospelsong, Swing, Bebop, Free Jazz, Rock u.a. - Grosse. 676 pages. Schott Music #SEM 8209. Published by Schott Music (HL.49041701).

ISBN 9783254082091. German.

Was ist Jazz? Wo ist er entstanden, wie lasst er sich definieren? In zwei grossen Abschnitten geht Arrigo Polillo diesen Fragen nach und setzt sich mit dem Phanomen Jazz auseinander. Der erste Teil untersucht die geschichtliche Entwicklung des Jazz und gibt eine genaue Darstellung der afroamerikanischen Musik im sozialen und kulturhistorischen Kontext. Parallel dazu wird die Geschichte der afroamerikanischen Bevolkerung erzahlt, von der Zeit der Sklaverei bis zu den Aufstanden in den 60er Jahren. Somit entsteht ein Zusammenhang zwischen der eigentlichen Geschichte des Volkes und der Musikgeschichte, zwischen den sozialen Problemen der Afroamerikaner und der Entwicklung musikalischer Ausdrucksformen wie Ragtime, Rhythm and Blues, Gospel Music, Free Jazz usw. Der zweite Teil stellt die grossen Personlichkeiten des Jazz vor: Sidney Bechet, Fletcher Henderson, Louis Armstrong, Duke Ellington, Benny Goodman, Count Basie, Dizzy Gillespie ...