Orchestra

SKU: LO.30-2425L

Composed by Joseph M. Martin. Arranged by Brant Adams. Choral. Sacred Anthem, Palm/Palm-Passion Sunday. Orchestral score and parts. Lorenz Publishing Company #30/2425L. Published by Lorenz Publishing Company (LO.30-2425L).

UPC: 000308121858.

Fill your sanctuary with Palm Sunday majesty and excitement with this anthem from Joe Martin. The first of three verses is a lively call-and-response setting of the scripture: “Who is this King of glory?” The contrasting middle verse is an inventive pairing of the traditional hymn tune LEONI with the text “All Glory, Laud and Honor.” The final verse returns the lively theme of the first in counterpoint with drum-like hosannas. An energetic accompaniment that ties all three verses together, whether provided by piano alone or orchestra, makes this anthem the perfect choice for Palm Sunday. (From the cantata Who Is This King? SATB – 55/1096L; SAB – 55/1097L.) Instrumentation: 2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 F Horns, 3 Trumpets, 2 Trombones, Tuba, Timpani, 2 Percussion, Violin 1 & 2, Viola, Cello, Bass.

Concert band Bandola

SKU: CF.CFD11

Composed by Joseph Compello. Jewel Case. Carl Fischer Concert Band Recordings. Classical. Audio CD. With Standard notation. Carl Fischer Music #CFD11. Published by Carl Fischer Music (CF.CFD11).

ISBN 9780825853562. UPC: 798408053567.

Josep h Compello is known for music that is both clever and fun. This C.D. shows the listener the true dimensions of this fine composer. Includes: Dimensions, Rock to the Max, Mr. Sax, Arena of the Gladiators, Spanish Rose, Heroes of the Galaxy, Mr. Sax Rocks Again, Trumpets Royale, Prairie Lullaby, Alpine March, Tango Marianna, Meet the Masters, Safari Drums Rock, Patapan, Recess Rock, Legion of Liberty, Jamaica Jack, Kings of Christmas, Basses are Aces, and many more!

Jazz ensemble - Grade 3

SKU: LO.60-1331H

Composed by Peter Blair. Jazz. Conductor's score. Heritage Music Press #60/1331H. Published by Heritage Music Press (LO.60-1331H).

ISBN 9780893288068.

This slow down and dirty 12/8 blues has it all! Lines drenched in triplets, trumpets with plunger mutes, a stop time section with wailing saxophones, more diminished chords per square inch than regular blues…who could ask for anything more?

Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4 Horns, Bass Drum, Contra-bassoon, Cymbal, English Horn, Percussion: Snare Drum, Strings, Timpani, Tuba

SKU: PR.466411770

Composed by Harl Mcdonald. This edition: Study Score. Contemporary. Full score. With Standard notation. 84 pages. Duration 15 minutes. Theodore Presser Company #466-41177. Published by Theodore Presser Company (PR.466411770).

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.

SATB choir, organ or brass quintet - Intermediate

SKU: MN.50-7016

Composed by Philip Young. Catholic Year C Easter3; Year C Easter3; Year C Easter2; Year C Pentecost7; Catholic Year C Ordinary14. Easter Season, 21st Century. Choral score. MorningStar Music Publishers #50-7016. Published by MorningStar Music Publishers (MN.50-7016).

UPC: 688670570162. Scripture: Psalms 30.

Substantial setting of Psalm 30 adapted with alternating fanfares and sections of dance-like quality, plus a slower middle section. Unique sound that lingers in the ear. Theme: Gods power transforms sorrow into joy, despair into celebration. Independent accompaniment. Instrumental parts include: Trumpets I and II Trombone Horn.

SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3323819

Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Reginald L. Sanders. Complete orchestral parts. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1769. BR-CPEB D 1 (Wq 238). Duration 75 minutes. Carus Verlag #CV 33.238/19. Published by Carus Verlag (CA.3323819).

ISBN 9790007142360. Text language: German. Text: Schiebeler, Daniel. Text by Daniel Schiebeler.

Vol. IV, 1 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute According to C.P.E. Bach, the oratorio Die Israeliten in der Wuste [The Israelites in the Wilderness] can be performed ... at all times, inside and outside the church, simply to the praise of God. The composition depicts the Israelites' journey, full of privations, through the wilderness, their despair and their pleading. This harmonically bold work was first published in 1775 and received numerous performances during the composer's lifetime in German-speaking countries. Score and parts available separately - see item CA.3323800.

SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3323805

Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Reginald L. Sanders. Sacred vocal music, Oratorios. Choral Score. Composed 1769. BR-CPEB D 1 (Wq 238). Duration 75 minutes. Carus Verlag #CV 33.238/05. Published by Carus Verlag (CA.3323805).

ISBN 9790007212186. Text language: German. Text: Schiebeler, Daniel. Text by Daniel Schiebeler.

Vol. IV, 1 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute According to C.P.E. Bach, the oratorio Die Israeliten in der Wuste [The Israelites in the Wilderness] can be performed ... at all times, inside and outside the church, simply to the praise of God. The composition depicts the Israelites' journey, full of privations, through the wilderness, their despair and their pleading. This harmonically bold work was first published in 1775 and received numerous performances during the composer's lifetime in German-speaking countries. Score available separately - see item CA.3323800.

SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3323849

Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Reginald L. Sanders. Organ. Sacred vocal music, Oratorios. Single Part, Organ. Composed 1769. BR-CPEB D 1 (Wq 238). 48 pages. Duration 75 minutes. Carus Verlag #CV 33.238/49. Published by Carus Verlag (CA.3323849).

ISBN 9790007212247. Text language: German. Text: Schiebeler, Daniel. Text by Daniel Schiebeler.

Vol. IV, 1 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute According to C.P.E. Bach, the oratorio Die Israeliten in der Wuste [The Israelites in the Wilderness] can be performed ... at all times, inside and outside the church, simply to the praise of God. The composition depicts the Israelites' journey, full of privations, through the wilderness, their despair and their pleading. This harmonically bold work was first published in 1775 and received numerous performances during the composer's lifetime in German-speaking countries. Score and part available separately - see item CA.3323800.

Woodwinds (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-30

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Early modern. Set of parts. 196 pages. Duration 15'. Breitkopf and Haertel #OB 5653-30. Published by Breitkopf and Haertel (BR.OB-5653-30).

ISBN 9790004348314. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Violin 1 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-15

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 5653-15. Published by Breitkopf and Haertel (BR.OB-5653-15).

ISBN 9790004348260. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Violoncello (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-23

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-23. Published by Breitkopf and Haertel (BR.OB-5653-23).

ISBN 9790004348291. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Double bass (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-27

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-27. Published by Breitkopf and Haertel (BR.OB-5653-27).

ISBN 9790004348307. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Viola (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-19

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-19. Published by Breitkopf and Haertel (BR.OB-5653-19).

ISBN 9790004348284. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Violin 2 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-16

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 5653-16. Published by Breitkopf and Haertel (BR.OB-5653-16).

ISBN 9790004348277. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Composed by Doc Pomus and Mort Shuman. Arranged by Mac Huff. Pop Choral Series. Doo- Wop, Show Choir, Pop, Oldies. Octavo. 16 pages. Published by Hal Leonard

Choral (ShowTrax CD)

SKU: HL.285091

Composed by Doc Pomus and Mort Shuman. Arranged by Mac Huff. Pop Choral Series. Doo-Wop, Oldies, Pop, Show Choir. CD. Duration 160 seconds. Published by Hal Leonard (HL.285091).

UPC: 888680879976. 5.0x5.0x0.178 inches.

First recorded by Ben E. King and the Drifters in 1960 this easy listening love song is here set in a doo wop style that harkens back to the 1950s with finger snaps, a doo wop bass line and a feature for a soloist who can really bring the style. The instrumental accompaniment for 2 trumpets, tenor and baritone saxophones, trombone and rhythm section is just as stylish as the vocals and together a scene with poodle skirts, bobby sox, duck tail hairstyles and all things cool from the period is set.

Composed by Doc Pomus; Mort Shuman. Arranged by Mac Huff. Pop Choral Series. Doo-Wop, Show Choir, Pop, Oldies. Octavo. 16 pages. Published by Hal Leonard

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Horns in F, 2 Trombones, 2 Trumpets, Bass Clarinet, Bass Trombone, Cymbals, English Horn, Flute, Glockenspiel, Oboe, Percussion: Bass Drum, Piccolo, Strings, Tambourine, Timpani, Triangle, Tuba, Tubular Bells

SKU: PR.41641580L

For Chorus And Orchestra. Arranged by Sheldon Bair. Large Score. With Standard notation. 18 pages. Duration 8 minutes. Theodore Presser Company #416-41580L. Published by Theodore Presser Company (PR.41641580L).

UPC: 680160638062. 11 x 14 inches. Key: D major.

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes (2 dbl. Picc.), 2 Horn in F, 2 Trombones, 2 Trumpets, Bass Clarinet, Bass Trombone, Cymbals, English Horn, Glockenspiel, Oboe, Percussion: Bass Drum, Snare Drum, Strings, Timpani, Triangle, Tuba, Tubular Bells

SKU: PR.41641581L

For Chorus And Orchestra. Arranged by Sheldon Bair. Large Score. With Standard notation. 18 pages. Duration 8 minutes. Theodore Presser Company #416-41581L. Published by Theodore Presser Company (PR.41641581L).

UPC: 680160638086. 11 x 14 inches. Key: F dorian.

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes (2 dbl. Picc.), 2 Horns in F, 2 Trombones, 2 Trumpets, Bass Clarinet, Bass Trombone, Cymbals, English Horn, Glockenspiel, Oboe, Percussion: Bass Drum, Snare Drum, Strings, Timpani, Triangle, Tuba, Tubular Bells

SKU: PR.416415810

For Chorus And Orchestra. Arranged by Sheldon Bair. Full score. With Standard notation. 20 pages. Duration 8 minutes. Theodore Presser Company #416-41581. Published by Theodore Presser Company (PR.416415810).

UPC: 680160638079. 9 x 12 inches. Key: F dorian.

Brass Band - Grade 4

SKU: BT.DHP-0910271-030

Composed by Jan Van der Roost. Brilliant Marches. March. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910271-030. Published by De Haske Publications (BT.DHP-0910271-030).

Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterize the first part of this march, while the trio melody is much more melodical, offering the tenor register to display its lyrical skills. Follows a dynamic passage for trombones and trumpets/cornets, leading to a grandioso version of the main trio melody and thus concluding this march in a magnificent way.

Een stevige concertmars met een trio van een ongekende schoonheid. Een klassieker binnen het blaasmuziekrepertoire.

Dieser majestätische Marsch mit seinem einzigartigen Trioteil ist ein absoluter Klassiker und sollte in keinem Brass-Band-Repertoire fehlen.

Une marche de concert imposante qui contient un trio de beauté légendaire et qui est devenue immortelle dans le répertoire.

Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Horns in F, 2 Trombones, 2 Trumpets, Bass Clarinet, Bass Trombone, Cymbals, English Horn, Flute, Glockenspiel, Oboe, Percussion: Bass Drum, Piccolo, Strings, Tambourine, Timpani, Triangle, Tuba, Tubular Bells

SKU: PR.416415800

For Chorus And Orchestra. Arranged by Sheldon Bair. Full score. With Standard notation. 20 pages. Duration 8 minutes. Theodore Presser Company #416-41580. Published by Theodore Presser Company (PR.416415800).

UPC: 680160638055. 9 x 12 inches. Key: D major.