Clavier - Lp72. Par SCARLATTI / SGRIZZI. Nine Toccatas by Alessandro Scarlatti for Harpsichord/ Répertoire / Clavier

Par SCARLATTI DOMENICO. Audi Filia was written for the celebrations for St Cecilia’s Day in Rome in October 1720. It was originally part of a much larger mass setting for the event, which is considered to be one of the finest pieces of music to survive from the Baroque era. This movement, intended for the gradual, is one of the more popular sections and is often performed as a stand-alone piece. It is scored for 2 Oboes, Strings, Organ, and Soprano solo. Alessandro Scarlatti (1660-1725) was an Italian composer in the Baroque style, who mostly wrote for choral groups. He is best remembered for his operas and oratorios, but he also wrote several hundred chambercantatas for solo Voice. / Rép Classique / Répertoire / Conducteur

Par NORMAN HEIM. This collection of Baroque music is arranged for the intermediate-level clarinetist with the piano part being of equal difficulty. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E. Bach, and Johann J. Froberger. This music can be played by clarinetists for church, festival, school and leisure occasions. The piano accompaniment is available as a free download. / Niveau : Intermédiaire / Classic - Solos / Recueil / Clarinette

Par HEIM NORMAN. This collection of Baroque music is arranged for the intermediate level clarinetist with the piano part being of equal skill level. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E. Bach, and Johann J. Froberger. This music can be played by clarinetists for church, festival, school and leisure occasions. A separate clarinet solo pull-out part is included. / Niveau : Intermédiaire / Classique / Recueil / Clarinette

Par CARISSIMI GIACOMO. La Bibliothèque de Rochester, dans l'Etat de New-York, conserve sous la cote Vault M 1490 B 113 le manuscrit suivant: Recueil de Pièces choisies à une et deux flûtes C. Babel C. Babell 1698 Ces vingt-sept suites et sonates pour la flûte à bec, pour la plupart anglaises, ont été rassemblées par le bassoniste Charles Babell, dont l'activité est attestée de 1697 à 1714 au Queen's Theatre de Haymarket, ainsi qu'à celui de Drury Lane. Hawkins assure qu'il y aurait tenu le basson jusqu'à l'âge de quatre-vingts ans. Son fils William nous a laissé des Concertos in seven parts (opus 3, Londres, 1730) pour une ou deux flûtes à bec et cordes. La sonate de Carissimi, éditée ici pour la première fois, est la vingtième de ce recueil. Carissimi n'a pas laissé d'oeuvre instrumentale, et celle-ci semble bien être inédite. Giacomo Carissimi (1605-1674) a mené l'essentiel de sa carrière à Rome, comme maître de chapelle à l'église San Appolinare. A partir de 1656 il entra par ailleurs au service de la reine Christine de Suède en exil. Ses oeuvres - en particulier ses oratorios et ses cantates - ont suscité l'admiration de l'Europe entière. A travers ses activités de pédagogue et de compositeur, il a profondément influencé les générations suivantes, et on trouve son empreinte chez Charpentier, Alessandro Scarlatti, et même chez Haendel. Pierre Boragno / classique / Date parution : 2006-01-23/ Répertoire / Flûte à Bec et Basse Continue

Par PARKENING C.. Ten transcriptions for solo guitar of beautiful music from many periods and styles, edited and fingered by Christopher Parkening. All pieces are suitable for performance by the advanced guitarist. Contents: Afro-Cuban Lullaby · Empress of the Pagodes (Ravel) · Menuet (Ravel) · Minuet in D (Handel) · Passacaille (Weiss) · Pastourelle (Poulenc) · Pavane for a Dead Princess (Ravel) · Pavane for a Sleeping Beauty (Ravel) · Preambulo (Scarlatti-Ponce) · Sarabande (Handel)./ Recueil / Guitare

for 3 sopranos and baroque instruments. Par PECOU THIERRY. For me, as someone who considers myself far removed from Christian spirituality and closer to the concept of Immanence than to any form of Transcendence, it was obvious to me that I would not compose a Miserere comparable to Alesandro Scarlatti’s Lamentazioni. It was also my wish to theatricalise the subject matter, following pagan rituals which appear to have been retained in the monastic Tenebrae services up to Renaissance times. In the series of sequences in which silence plays a prominent role, a path leads to strange rites in which the listeners are invited to stamp their feet on the ground, creating waves of thundering sound, or accompany the chanting of texts. Three sopranos take on an instrumental role, deploying a broad range of vocal sounds from aspirations to screams. Thierry Pécou/ Répertoire / 3 Sopranos, 2 Violons, Alto, Violoncelle, Luth Bas

La plupart des enseignants de la voix et des chanteurs préfèrent toujours la pianistique, merveilleusement gratifiante arrangements de ce matériau italien début faite par Alessandro Parisotti dans les années 1880. Cette nouvelle édition, nouvellement fait des recherches et gravé, comprend l'original Schirmer 24 'plus quatre chansons supplémentaires : Sento nel core (a. Scarlatti), O leggiadri occhi belli (anonyme), Intorno all'idol mio (Cesti), Delizie contente, che l'Alma beate (Cavalli). Avec IPA, mot pour mot traductions et des informations historiques sur chaque chanson et compositeur. Le CD comprend des accompagnements piano et enregistré les leçons de la prononciation. / Chant Et Piano

Most voice teachers and singers still prefer the pianistic, wonderfully gratifying editions made by Alessandro Parisotti (1853-1913) of early Italian arias. This newly researched edition, with updated composer attributions, features new, clean music engravings. The collection includes the original contents of 24 Italian Songs and Arias of the Seventeenth and Eighteenth Centuries plus four additional Parisotti editions. Also includes international phonetic alphabet for each song text, word for word translations for study, historical introduction for each aria, and a preface on Parisotti and his approach to this music. This compilation includes the High, Medium High, Medium, Medium Low, and Low editions in one book, perfect for teacher reference. / Voix Et Piano

Par SCARLATTI ALESSANDRO. / Date parution : 2022-03-15/ Recueil / Choeur Mixte et Accompagnement

Par SCARLATTI ALESSANDRO. / Répertoire / Flûte à Bec Alto ou Flûte Traversière ou Hautbois)